<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom"><title>Cool Blog Website</title><link href="https://uofa-cmput404.github.io/w26-labsignment-pelican-Zumzu/" rel="alternate"/><link href="https://uofa-cmput404.github.io/w26-labsignment-pelican-Zumzu/feeds/all.atom.xml" rel="self"/><id>https://uofa-cmput404.github.io/w26-labsignment-pelican-Zumzu/</id><updated>2026-02-05T08:00:00-07:00</updated><entry><title>My First Article</title><link href="https://uofa-cmput404.github.io/w26-labsignment-pelican-Zumzu/my-first-article.html" rel="alternate"/><published>2026-02-05T08:00:00-07:00</published><updated>2026-02-05T08:00:00-07:00</updated><author><name>Zumzu</name></author><id>tag:uofa-cmput404.github.io,2026-02-05:/w26-labsignment-pelican-Zumzu/my-first-article.html</id><content type="html">&lt;p&gt;I like free static web hosting.&lt;/p&gt;</content><category term="Blog"/></entry><entry><title>The Devil's Dictionary</title><link href="https://uofa-cmput404.github.io/w26-labsignment-pelican-Zumzu/the-devils-dictionary.html" rel="alternate"/><published>1997-07-01T00:00:00-06:00</published><updated>1997-07-01T00:00:00-06:00</updated><author><name>Ambrose Bierce</name></author><id>tag:uofa-cmput404.github.io,1997-07-01:/w26-labsignment-pelican-Zumzu/the-devils-dictionary.html</id><summary type="html">&lt;body&gt;&lt;section class="pg-boilerplate pgheader" id="pg-header" lang="en"&gt;&lt;h2 id="pg-header-heading" title=""&gt;The Project Gutenberg eBook of &lt;span lang="en" id="pg-title-no-subtitle"&gt;The Devil's Dictionary&lt;/span&gt;&lt;/h2&gt;

&lt;div&gt;This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms …&lt;/div&gt;&lt;/section&gt;&lt;/body&gt;</summary><content type="html">&lt;body&gt;&lt;section class="pg-boilerplate pgheader" id="pg-header" lang="en"&gt;&lt;h2 id="pg-header-heading" title=""&gt;The Project Gutenberg eBook of &lt;span lang="en" id="pg-title-no-subtitle"&gt;The Devil's Dictionary&lt;/span&gt;&lt;/h2&gt;

&lt;div&gt;This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at &lt;a class="reference external" href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.&lt;/div&gt;

&lt;div class="container" id="pg-machine-header"&gt;&lt;p&gt;&lt;strong&gt;Title&lt;/strong&gt;: The Devil's Dictionary&lt;/p&gt;
&lt;div id="pg-header-authlist"&gt;
&lt;p&gt;&lt;strong&gt;Author&lt;/strong&gt;: Ambrose Bierce&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Release date&lt;/strong&gt;: July 1, 1997 [eBook #972]&lt;br&gt;
                Most recently updated: February 7, 2024&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Language&lt;/strong&gt;: English&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Credits&lt;/strong&gt;: Produced by Aloysius and David Widger&lt;/p&gt;

&lt;/div&gt;&lt;div id="pg-start-separator"&gt;
&lt;span&gt;*** START OF THE PROJECT GUTENBERG EBOOK THE DEVIL'S DICTIONARY ***&lt;/span&gt;
&lt;/div&gt;&lt;/section&gt;&lt;div style="text-align:center"&gt;&lt;/div&gt;
&lt;h1&gt;
      THE DEVIL'S DICTIONARY
    &lt;/h1&gt;
&lt;h2&gt;
      by Ambrose Bierce
    &lt;/h2&gt;
&lt;hr&gt;
&lt;h2&gt;CONTENTS&lt;/h2&gt;
&lt;table style=""&gt;
&lt;tbody&gt;&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0001" class="pginternal"&gt; AUTHOR'S PREFACE &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0002" class="pginternal"&gt; A&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0003" class="pginternal"&gt; B &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0004" class="pginternal"&gt; C &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0005" class="pginternal"&gt; D &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0006" class="pginternal"&gt; E &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0007" class="pginternal"&gt; F &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0008" class="pginternal"&gt; G &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0009" class="pginternal"&gt; H &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0010" class="pginternal"&gt; I &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0012" class="pginternal"&gt; J &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0013" class="pginternal"&gt; K &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0014" class="pginternal"&gt; L &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0015" class="pginternal"&gt; M &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0016" class="pginternal"&gt; N &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0017" class="pginternal"&gt; O &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0018" class="pginternal"&gt; P &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0019" class="pginternal"&gt; Q &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0020" class="pginternal"&gt; R &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0021" class="pginternal"&gt; S &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0022" class="pginternal"&gt; T &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0023" class="pginternal"&gt; U &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0024" class="pginternal"&gt; V &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0025" class="pginternal"&gt; W &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0026" class="pginternal"&gt; X &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0027" class="pginternal"&gt; Y &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#link2H_4_0028" class="pginternal"&gt; Z &lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;hr&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0001"&gt;&lt;/a&gt;
      AUTHOR'S PREFACE
    &lt;/h2&gt;
&lt;p&gt;
&lt;i&gt;The Devil's Dictionary&lt;/i&gt; was begun in a weekly paper in 1881, and was
      continued in a desultory way at long intervals until 1906. In that year a
      large part of it was published in covers with the title &lt;i&gt;The Cynic's
      Word Book&lt;/i&gt;, a name which the author had not the power to reject or
      happiness to approve. To quote the publishers of the present work:
    &lt;/p&gt;
&lt;p&gt;
      "This more reverent title had previously been forced upon him by the
      religious scruples of the last newspaper in which a part of the work had
      appeared, with the natural consequence that when it came out in covers the
      country already had been flooded by its imitators with a score of 'cynic'
      books—&lt;i&gt;The Cynic's This&lt;/i&gt;, &lt;i&gt;The Cynic's That&lt;/i&gt;, and &lt;i&gt;The
      Cynic's t'Other&lt;/i&gt;. Most of these books were merely stupid, though some
      of them added the distinction of silliness. Among them, they brought the
      word 'cynic' into disfavor so deep that any book bearing it was
      discredited in advance of publication."
    &lt;/p&gt;
&lt;p&gt;
      Meantime, too, some of the enterprising humorists of the country had
      helped themselves to such parts of the work as served their needs, and
      many of its definitions, anecdotes, phrases and so forth, had become more
      or less current in popular speech. This explanation is made, not with any
      pride of priority in trifles, but in simple denial of possible charges of
      plagiarism, which is no trifle. In merely resuming his own the author
      hopes to be held guiltless by those to whom the work is addressed—enlightened
      souls who prefer dry wines to sweet, sense to sentiment, wit to humor and
      clean English to slang.
    &lt;/p&gt;
&lt;p&gt;
      A conspicuous, and it is hoped not unpleasant, feature of the book is its
      abundant illustrative quotations from eminent poets, chief of whom is that
      learned and ingenious cleric, Father Gassalasca Jape, S.J., whose lines
      bear his initials. To Father Jape's kindly encouragement and assistance
      the author of the prose text is greatly indebted.
    &lt;/p&gt;
&lt;p&gt;
      A.B.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0002"&gt;&lt;/a&gt;
      A
    &lt;/h2&gt;
&lt;p&gt;
      ABASEMENT, n. A decent and customary mental attitude in the presence of
      wealth or power. Peculiarly appropriate in an employee when addressing an
      employer.
    &lt;/p&gt;
&lt;p&gt;
      ABATIS, n. Rubbish in front of a fort, to prevent the rubbish outside from
      molesting the rubbish inside.
    &lt;/p&gt;
&lt;p&gt;
      ABDICATION, n. An act whereby a sovereign attests his sense of the high
      temperature of the throne.
    &lt;/p&gt;
&lt;pre&gt;
  Poor Isabella's dead, whose abdication
  Set all tongues wagging in the Spanish nation.
  For that performance 'twere unfair to scold her:
  She wisely left a throne too hot to hold her.
  To History she'll be no royal riddle—
  Merely a plain parched pea that jumped the griddle.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      ABDOMEN, n. The temple of the god Stomach, in whose worship, with
      sacrificial rights, all true men engage. From women this ancient faith
      commands but a stammering assent. They sometimes minister at the altar in
      a half-hearted and ineffective way, but true reverence for the one deity
      that men really adore they know not. If woman had a free hand in the
      world's marketing the race would become graminivorous.
    &lt;/p&gt;
&lt;p&gt;
      ABILITY, n. The natural equipment to accomplish some small part of the
      meaner ambitions distinguishing able men from dead ones. In the last
      analysis ability is commonly found to consist mainly in a high degree of
      solemnity. Perhaps, however, this impressive quality is rightly appraised;
      it is no easy task to be solemn.
    &lt;/p&gt;
&lt;p&gt;
      ABNORMAL, adj. Not conforming to standard. In matters of thought and
      conduct, to be independent is to be abnormal, to be abnormal is to be
      detested. Wherefore the lexicographer adviseth a striving toward the
      straiter resemblance of the Average Man than he hath to himself.
      Whoso attaineth thereto shall have peace, the prospect of death and the
      hope of Hell.
    &lt;/p&gt;
&lt;p&gt;
      ABORIGINIES, n. Persons of little worth found cumbering the soil of a
      newly discovered country. They soon cease to cumber; they fertilize.
    &lt;/p&gt;
&lt;p&gt;
      ABRACADABRA.
    &lt;/p&gt;
&lt;pre&gt;
  By &lt;i&gt;Abracadabra&lt;/i&gt; we signify
      An infinite number of things.
  'Tis the answer to What? and How? and Why?
  And Whence? and Whither?—a word whereby
      The Truth (with the comfort it brings)
  Is open to all who grope in night,
  Crying for Wisdom's holy light.

  Whether the word is a verb or a noun
      Is knowledge beyond my reach.
  I only know that 'tis handed down.
          From sage to sage,
          From age to age—
      An immortal part of speech!

  Of an ancient man the tale is told
  That he lived to be ten centuries old,
      In a cave on a mountain side.
      (True, he finally died.)
  The fame of his wisdom filled the land,
  For his head was bald, and you'll understand
      His beard was long and white
      And his eyes uncommonly bright.

  Philosophers gathered from far and near
  To sit at his feet and hear and hear,
          Though he never was heard
          To utter a word
      But "&lt;i&gt;Abracadabra, abracadab&lt;/i&gt;,
          &lt;i&gt;Abracada, abracad&lt;/i&gt;,
      &lt;i&gt;Abraca, abrac, abra, ab!&lt;/i&gt;"
          'Twas all he had,
  'Twas all they wanted to hear, and each
  Made copious notes of the mystical speech,
          Which they published next—
          A trickle of text
  In a meadow of commentary.
      Mighty big books were these,
      In number, as leaves of trees;
  In learning, remarkable—very!

          He's dead,
          As I said,
  And the books of the sages have perished,
  But his wisdom is sacredly cherished.
  In &lt;i&gt;Abracadabra&lt;/i&gt; it solemnly rings,
  Like an ancient bell that forever swings.
          O, I love to hear
          That word make clear
  Humanity's General Sense of Things.
&lt;/pre&gt;
&lt;p&gt;
      Jamrach Holobom
    &lt;/p&gt;
&lt;p&gt;
      ABRIDGE, v.t. To shorten.
    &lt;/p&gt;
&lt;pre&gt;
      When in the course of human events it becomes necessary for
  people to abridge their king, a decent respect for the opinions of
  mankind requires that they should declare the causes which impel
  them to the separation.
&lt;/pre&gt;
&lt;p&gt;
      Oliver Cromwell
    &lt;/p&gt;
&lt;p&gt;
      ABRUPT, adj. Sudden, without ceremony, like the arrival of a cannon- shot
      and the departure of the soldier whose interests are most affected by it.
      Dr. Samuel Johnson beautifully said of another author's ideas that they
      were "concatenated without abruption."
    &lt;/p&gt;
&lt;p&gt;
      ABSCOND, v.i. To "move in a mysterious way," commonly with the property of
      another.
    &lt;/p&gt;
&lt;pre&gt;
  Spring beckons!  All things to the call respond;
  The trees are leaving and cashiers abscond.
&lt;/pre&gt;
&lt;p&gt;
      Phela Orm
    &lt;/p&gt;
&lt;p&gt;
      ABSENT, adj. Peculiarly exposed to the tooth of detraction; vilifed;
      hopelessly in the wrong; superseded in the consideration and affection of
      another.
    &lt;/p&gt;
&lt;pre&gt;
  To men a man is but a mind.  Who cares
  What face he carries or what form he wears?
  But woman's body is the woman.  O,
  Stay thou, my sweetheart, and do never go,
  But heed the warning words the sage hath said:
  A woman absent is a woman dead.
&lt;/pre&gt;
&lt;p&gt;
      Jogo Tyree
    &lt;/p&gt;
&lt;p&gt;
      ABSENTEE, n. A person with an income who has had the forethought to remove
      himself from the sphere of exaction.
    &lt;/p&gt;
&lt;p&gt;
      ABSOLUTE, adj. Independent, irresponsible. An absolute monarchy is one in
      which the sovereign does as he pleases so long as he pleases the
      assassins. Not many absolute monarchies are left, most of them having been
      replaced by limited monarchies, where the sovereign's power for evil (and
      for good) is greatly curtailed, and by republics, which are governed by
      chance.
    &lt;/p&gt;
&lt;p&gt;
      ABSTAINER, n. A weak person who yields to the temptation of denying
      himself a pleasure. A total abstainer is one who abstains from everything
      but abstention, and especially from inactivity in the affairs of others.
    &lt;/p&gt;
&lt;pre&gt;
  Said a man to a crapulent youth:  "I thought
      You a total abstainer, my son."
  "So I am, so I am," said the scapegrace caught—
      "But not, sir, a bigoted one."
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      ABSURDITY, n. A statement or belief manifestly inconsistent with one's own
      opinion.
    &lt;/p&gt;
&lt;p&gt;
      ACADEME, n. An ancient school where morality and philosophy were taught.
    &lt;/p&gt;
&lt;p&gt;
      ACADEMY, n. [from ACADEME] A modern school where football is taught.
    &lt;/p&gt;
&lt;p&gt;
      ACCIDENT, n. An inevitable occurrence due to the action of immutable
      natural laws.
    &lt;/p&gt;
&lt;p&gt;
      ACCOMPLICE, n. One associated with another in a crime, having guilty
      knowledge and complicity, as an attorney who defends a criminal, knowing
      him guilty. This view of the attorney's position in the matter has not
      hitherto commanded the assent of attorneys, no one having offered them a
      fee for assenting.
    &lt;/p&gt;
&lt;p&gt;
      ACCORD, n. Harmony.
    &lt;/p&gt;
&lt;p&gt;
      ACCORDION, n. An instrument in harmony with the sentiments of an assassin.
    &lt;/p&gt;
&lt;p&gt;
      ACCOUNTABILITY, n. The mother of caution.
    &lt;/p&gt;
&lt;pre&gt;
  "My accountability, bear in mind,"
      Said the Grand Vizier:  "Yes, yes,"
  Said the Shah:  "I do—'tis the only kind
      Of ability you possess."
&lt;/pre&gt;
&lt;p&gt;
      Joram Tate
    &lt;/p&gt;
&lt;p&gt;
      ACCUSE, v.t. To affirm another's guilt or unworth; most commonly as a
      justification of ourselves for having wronged him.
    &lt;/p&gt;
&lt;p&gt;
      ACEPHALOUS, adj. In the surprising condition of the Crusader who absently
      pulled at his forelock some hours after a Saracen scimitar had,
      unconsciously to him, passed through his neck, as related by de Joinville.
    &lt;/p&gt;
&lt;p&gt;
      ACHIEVEMENT, n. The death of endeavor and the birth of disgust.
    &lt;/p&gt;
&lt;p&gt;
      ACKNOWLEDGE, v.t. To confess. Acknowledgement of one another's faults is
      the highest duty imposed by our love of truth.
    &lt;/p&gt;
&lt;p&gt;
      ACQUAINTANCE, n. A person whom we know well enough to borrow from, but not
      well enough to lend to. A degree of friendship called slight when its
      object is poor or obscure, and intimate when he is rich or famous.
    &lt;/p&gt;
&lt;p&gt;
      ACTUALLY, adv. Perhaps; possibly.
    &lt;/p&gt;
&lt;p&gt;
      ADAGE, n. Boned wisdom for weak teeth.
    &lt;/p&gt;
&lt;p&gt;
      ADAMANT, n. A mineral frequently found beneath a corset. Soluble in
      solicitate of gold.
    &lt;/p&gt;
&lt;p&gt;
      ADDER, n. A species of snake. So called from its habit of adding funeral
      outlays to the other expenses of living.
    &lt;/p&gt;
&lt;p&gt;
      ADHERENT, n. A follower who has not yet obtained all that he expects to
      get.
    &lt;/p&gt;
&lt;p&gt;
      ADMINISTRATION, n. An ingenious abstraction in politics, designed to
      receive the kicks and cuffs due to the premier or president. A man of
      straw, proof against bad-egging and dead-catting.
    &lt;/p&gt;
&lt;p&gt;
      ADMIRAL, n. That part of a war-ship which does the talking while the
      figure-head does the thinking.
    &lt;/p&gt;
&lt;p&gt;
      ADMIRATION, n. Our polite recognition of another's resemblance to
      ourselves.
    &lt;/p&gt;
&lt;p&gt;
      ADMONITION, n. Gentle reproof, as with a meat-axe. Friendly warning.
    &lt;/p&gt;
&lt;pre&gt;
  Consigned by way of admonition,
  His soul forever to perdition.
&lt;/pre&gt;
&lt;p&gt;
      Judibras
    &lt;/p&gt;
&lt;p&gt;
      ADORE, v.t. To venerate expectantly.
    &lt;/p&gt;
&lt;p&gt;
      ADVICE, n. The smallest current coin.
    &lt;/p&gt;
&lt;pre&gt;
  "The man was in such deep distress,"
  Said Tom, "that I could do no less
  Than give him good advice."  Said Jim:
  "If less could have been done for him
  I know you well enough, my son,
  To know that's what you would have done."
&lt;/pre&gt;
&lt;p&gt;
      Jebel Jocordy
    &lt;/p&gt;
&lt;p&gt;
      AFFIANCED, pp. Fitted with an ankle-ring for the ball-and-chain.
    &lt;/p&gt;
&lt;p&gt;
      AFFLICTION, n. An acclimatizing process preparing the soul for another and
      bitter world.
    &lt;/p&gt;
&lt;p&gt;
      AFRICAN, n. A nigger that votes our way.
    &lt;/p&gt;
&lt;p&gt;
      AGE, n. That period of life in which we compound for the vices that we
      still cherish by reviling those that we have no longer the enterprise to
      commit.
    &lt;/p&gt;
&lt;p&gt;
      AGITATOR, n. A statesman who shakes the fruit trees of his neighbors
      —to dislodge the worms.
    &lt;/p&gt;
&lt;p&gt;
AIM, n.
&lt;/p&gt;
&lt;pre&gt;
     The task we set our wishes to.
  "Cheer up!  Have you no aim in life?"
      She tenderly inquired.
  "An aim?  Well, no, I haven't, wife;
      The fact is—I have fired."
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      AIR, n. A nutritious substance supplied by a bountiful Providence for the
      fattening of the poor.
    &lt;/p&gt;
&lt;p&gt;
      ALDERMAN, n. An ingenious criminal who covers his secret thieving with a
      pretence of open marauding.
    &lt;/p&gt;
&lt;p&gt;
      ALIEN, n. An American sovereign in his probationary state.
    &lt;/p&gt;
&lt;p&gt;
      ALLAH, n. The Mahometan Supreme Being, as distinguished from the
      Christian, Jewish, and so forth.
    &lt;/p&gt;
&lt;pre&gt;
  Allah's good laws I faithfully have kept,
  And ever for the sins of man have wept;
      And sometimes kneeling in the temple I
  Have reverently crossed my hands and slept.
&lt;/pre&gt;
&lt;p&gt;
      Junker Barlow
    &lt;/p&gt;
&lt;p&gt;
      ALLEGIANCE, n.
    &lt;/p&gt;
&lt;pre&gt;
  This thing Allegiance, as I suppose,
  Is a ring fitted in the subject's nose,
  Whereby that organ is kept rightly pointed
  To smell the sweetness of the Lord's anointed.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      ALLIANCE, n. In international politics, the union of two thieves who have
      their hands so deeply inserted in each other's pockets that they cannot
      separately plunder a third.
    &lt;/p&gt;
&lt;p&gt;
      ALLIGATOR, n. The crocodile of America, superior in every detail to the
      crocodile of the effete monarchies of the Old World. Herodotus says the
      Indus is, with one exception, the only river that produces crocodiles, but
      they appear to have gone West and grown up with the other rivers. From the
      notches on his back the alligator is called a sawrian.
    &lt;/p&gt;
&lt;p&gt;
      ALONE, adj. In bad company.
    &lt;/p&gt;
&lt;pre&gt;
  In contact, lo! the flint and steel,
  By spark and flame, the thought reveal
  That he the metal, she the stone,
  Had cherished secretly alone.
&lt;/pre&gt;
&lt;p&gt;
      Booley Fito
    &lt;/p&gt;
&lt;p&gt;
      ALTAR, n. The place whereupon the priest formerly raveled out the small
      intestine of the sacrificial victim for purposes of divination and cooked
      its flesh for the gods. The word is now seldom used, except with reference
      to the sacrifice of their liberty and peace by a male and a female tool.
    &lt;/p&gt;
&lt;pre&gt;
  They stood before the altar and supplied
  The fire themselves in which their fat was fried.
  In vain the sacrifice!—no god will claim
  An offering burnt with an unholy flame.
&lt;/pre&gt;
&lt;p&gt;
      M.P. Nopput
    &lt;/p&gt;
&lt;p&gt;
      AMBIDEXTROUS, adj. Able to pick with equal skill a right-hand pocket or a
      left.
    &lt;/p&gt;
&lt;p&gt;
      AMBITION, n. An overmastering desire to be vilified by enemies while
      living and made ridiculous by friends when dead.
    &lt;/p&gt;
&lt;p&gt;
      AMNESTY, n. The state's magnanimity to those offenders whom it would be
      too expensive to punish.
    &lt;/p&gt;
&lt;p&gt;
      ANOINT, v.t. To grease a king or other great functionary already
      sufficiently slippery.
    &lt;/p&gt;
&lt;pre&gt;
  As sovereigns are anointed by the priesthood,
  So pigs to lead the populace are greased good.
&lt;/pre&gt;
&lt;p&gt;
      Judibras
    &lt;/p&gt;
&lt;p&gt;
      ANTIPATHY, n. The sentiment inspired by one's friend's friend.
    &lt;/p&gt;
&lt;p&gt;
      APHORISM, n. Predigested wisdom.
    &lt;/p&gt;
&lt;pre&gt;
  The flabby wine-skin of his brain
  Yields to some pathologic strain,
  And voids from its unstored abysm
  The driblet of an aphorism.
&lt;/pre&gt;
&lt;p&gt;
      "The Mad Philosopher," 1697
    &lt;/p&gt;
&lt;p&gt;
      APOLOGIZE, v.i. To lay the foundation for a future offence.
    &lt;/p&gt;
&lt;p&gt;
      APOSTATE, n. A leech who, having penetrated the shell of a turtle only to
      find that the creature has long been dead, deems it expedient to form a
      new attachment to a fresh turtle.
    &lt;/p&gt;
&lt;p&gt;
      APOTHECARY, n. The physician's accomplice, undertaker's benefactor and
      grave worm's provider.
    &lt;/p&gt;
&lt;pre&gt;
  When Jove sent blessings to all men that are,
  And Mercury conveyed them in a jar,
  That friend of tricksters introduced by stealth
  Disease for the apothecary's health,
  Whose gratitude impelled him to proclaim:
  "My deadliest drug shall bear my patron's name!"
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      APPEAL, v.t. In law, to put the dice into the box for another throw.
    &lt;/p&gt;
&lt;p&gt;
      APPETITE, n. An instinct thoughtfully implanted by Providence as a
      solution to the labor question.
    &lt;/p&gt;
&lt;p&gt;
      APPLAUSE, n. The echo of a platitude.
    &lt;/p&gt;
&lt;p&gt;
      APRIL FOOL, n. The March fool with another month added to his folly.
    &lt;/p&gt;
&lt;p&gt;
      ARCHBISHOP, n. An ecclesiastical dignitary one point holier than a bishop.
    &lt;/p&gt;
&lt;pre&gt;
  If I were a jolly archbishop,
  On Fridays I'd eat all the fish up—
  Salmon and flounders and smelts;
  On other days everything else.
&lt;/pre&gt;
&lt;p&gt;
      Jodo Rem
    &lt;/p&gt;
&lt;p&gt;
      ARCHITECT, n. One who drafts a plan of your house, and plans a draft of
      your money.
    &lt;/p&gt;
&lt;p&gt;
      ARDOR, n. The quality that distinguishes love without knowledge.
    &lt;/p&gt;
&lt;p&gt;
      ARENA, n. In politics, an imaginary rat-pit in which the statesman
      wrestles with his record.
    &lt;/p&gt;
&lt;p&gt;
      ARISTOCRACY, n. Government by the best men. (In this sense the word is
      obsolete; so is that kind of government.) Fellows that wear downy hats and
      clean shirts—guilty of education and suspected of bank accounts.
    &lt;/p&gt;
&lt;p&gt;
      ARMOR, n. The kind of clothing worn by a man whose tailor is a blacksmith.
    &lt;/p&gt;
&lt;p&gt;
      ARRAYED, pp. Drawn up and given an orderly disposition, as a rioter hanged
      to a lamppost.
    &lt;/p&gt;
&lt;p&gt;
      ARREST, v.t. Formally to detain one accused of unusualness.
    &lt;/p&gt;
&lt;pre&gt;
  God made the world in six days and was arrested on the seventh.
&lt;/pre&gt;
&lt;p&gt;
&lt;i&gt;The Unauthorized Version&lt;/i&gt;
&lt;/p&gt;
&lt;p&gt;
      ARSENIC, n. A kind of cosmetic greatly affected by the ladies, whom it
      greatly affects in turn.
    &lt;/p&gt;
&lt;pre&gt;
  "Eat arsenic?  Yes, all you get,"
      Consenting, he did speak up;
  "'Tis better you should eat it, pet,
      Than put it in my teacup."
&lt;/pre&gt;
&lt;p&gt;
      Joel Huck
    &lt;/p&gt;
&lt;p&gt;
      ART, n. This word has no definition. Its origin is related as follows by
      the ingenious Father Gassalasca Jape, S.J.
    &lt;/p&gt;
&lt;pre&gt;
  One day a wag—what would the wretch be at?—
  Shifted a letter of the cipher RAT,
  And said it was a god's name!  Straight arose
  Fantastic priests and postulants (with shows,
  And mysteries, and mummeries, and hymns,
  And disputations dire that lamed their limbs)
  To serve his temple and maintain the fires,
  Expound the law, manipulate the wires.
  Amazed, the populace that rites attend,
  Believe whate'er they cannot comprehend,
  And, inly edified to learn that two
  Half-hairs joined so and so (as Art can do)
  Have sweeter values and a grace more fit
  Than Nature's hairs that never have been split,
  Bring cates and wines for sacrificial feasts,
  And sell their garments to support the priests.
&lt;/pre&gt;
&lt;p&gt;
      ARTLESSNESS, n. A certain engaging quality to which women attain by long
      study and severe practice upon the admiring male, who is pleased to fancy
      it resembles the candid simplicity of his young.
    &lt;/p&gt;
&lt;p&gt;
      ASPERSE, v.t. Maliciously to ascribe to another vicious actions which one
      has not had the temptation and opportunity to commit.
    &lt;/p&gt;
&lt;p&gt;
      ASS, n. A public singer with a good voice but no ear. In Virginia City,
      Nevada, he is called the Washoe Canary, in Dakota, the Senator, and
      everywhere the Donkey. The animal is widely and variously celebrated in
      the literature, art and religion of every age and country; no other so
      engages and fires the human imagination as this noble vertebrate. Indeed,
      it is doubted by some (Ramasilus, &lt;i&gt;lib. II., De Clem.&lt;/i&gt;, and C.
      Stantatus, &lt;i&gt;De Temperamente&lt;/i&gt;) if it is not a god; and as such we know
      it was worshiped by the Etruscans, and, if we may believe Macrobious, by
      the Cupasians also. Of the only two animals admitted into the Mahometan
      Paradise along with the souls of men, the ass that carried Balaam is one,
      the dog of the Seven Sleepers the other. This is no small distinction.
      From what has been written about this beast might be compiled a library of
      great splendor and magnitude, rivalling that of the Shakespearean cult,
      and that which clusters about the Bible. It may be said, generally, that
      all literature is more or less Asinine.
    &lt;/p&gt;
&lt;pre&gt;
  "Hail, holy Ass!" the quiring angels sing;
  "Priest of Unreason, and of Discords King!"
  Great co-Creator, let Thy glory shine:
  God made all else, the Mule, the Mule is thine!"
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      AUCTIONEER, n. The man who proclaims with a hammer that he has picked a
      pocket with his tongue.
    &lt;/p&gt;
&lt;p&gt;
      AUSTRALIA, n. A country lying in the South Sea, whose industrial and
      commercial development has been unspeakably retarded by an unfortunate
      dispute among geographers as to whether it is a continent or an island.
    &lt;/p&gt;
&lt;p&gt;
      AVERNUS, n. The lake by which the ancients entered the infernal regions.
      The fact that access to the infernal regions was obtained by a lake is
      believed by the learned Marcus Ansello Scrutator to have suggested the
      Christian rite of baptism by immersion. This, however, has been shown by
      Lactantius to be an error.
    &lt;/p&gt;
&lt;pre&gt;
  &lt;i&gt;Facilis descensus Averni,&lt;/i&gt;
      The poet remarks; and the sense
  Of it is that when down-hill I turn I
      Will get more of punches than pence.
&lt;/pre&gt;
&lt;p&gt;
      Jehal Dai Lupe
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0003"&gt;&lt;/a&gt;
      B
    &lt;/h2&gt;
&lt;p&gt;
      BAAL, n. An old deity formerly much worshiped under various names. As Baal
      he was popular with the Phoenicians; as Belus or Bel he had the honor to
      be served by the priest Berosus, who wrote the famous account of the
      Deluge; as Babel he had a tower partly erected to his glory on the Plain
      of Shinar. From Babel comes our English word "babble." Under whatever name
      worshiped, Baal is the Sun-god. As Beelzebub he is the god of flies, which
      are begotten of the sun's rays on the stagnant water. In Physicia Baal is
      still worshiped as Bolus, and as Belly he is adored and served with
      abundant sacrifice by the priests of Guttledom.
    &lt;/p&gt;
&lt;p&gt;
      BABE or BABY, n. A misshapen creature of no particular age, sex, or
      condition, chiefly remarkable for the violence of the sympathies and
      antipathies it excites in others, itself without sentiment or emotion.
      There have been famous babes; for example, little Moses, from whose
      adventure in the bulrushes the Egyptian hierophants of seven centuries
      before doubtless derived their idle tale of the child Osiris being
      preserved on a floating lotus leaf.
    &lt;/p&gt;
&lt;pre&gt;
          Ere babes were invented
          The girls were contented.
          Now man is tormented
  Until to buy babes he has squandered
  His money.  And so I have pondered
          This thing, and thought may be
          'T were better that Baby
  The First had been eagled or condored.
&lt;/pre&gt;
&lt;p&gt;
      Ro Amil
    &lt;/p&gt;
&lt;p&gt;
      BACCHUS, n. A convenient deity invented by the ancients as an excuse for
      getting drunk.
    &lt;/p&gt;
&lt;pre&gt;
  Is public worship, then, a sin,
      That for devotions paid to Bacchus
  The lictors dare to run us in,
      And resolutely thump and whack us?
&lt;/pre&gt;
&lt;p&gt;
      Jorace
    &lt;/p&gt;
&lt;p&gt;
      BACK, n. That part of your friend which it is your privilege to
      contemplate in your adversity.
    &lt;/p&gt;
&lt;p&gt;
      BACKBITE, v.t. To speak of a man as you find him when he can't find you.
    &lt;/p&gt;
&lt;p&gt;
      BAIT, n. A preparation that renders the hook more palatable. The best kind
      is beauty.
    &lt;/p&gt;
&lt;p&gt;
      BAPTISM, n. A sacred rite of such efficacy that he who finds himself in
      heaven without having undergone it will be unhappy forever. It is
      performed with water in two ways—by immersion, or plunging, and by
      aspersion, or sprinkling.
    &lt;/p&gt;
&lt;pre&gt;
  But whether the plan of immersion
  Is better than simple aspersion
      Let those immersed
      And those aspersed
  Decide by the Authorized Version,
  And by matching their agues tertian.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      BAROMETER, n. An ingenious instrument which indicates what kind of weather
      we are having.
    &lt;/p&gt;
&lt;p&gt;
      BARRACK, n. A house in which soldiers enjoy a portion of that of which it
      is their business to deprive others.
    &lt;/p&gt;
&lt;p&gt;
      BASILISK, n. The cockatrice. A sort of serpent hatched from the egg of a
      cock. The basilisk had a bad eye, and its glance was fatal. Many infidels
      deny this creature's existence, but Semprello Aurator saw and handled one
      that had been blinded by lightning as a punishment for having fatally
      gazed on a lady of rank whom Jupiter loved. Juno afterward restored the
      reptile's sight and hid it in a cave. Nothing is so well attested by the
      ancients as the existence of the basilisk, but the cocks have stopped
      laying.
    &lt;/p&gt;
&lt;p&gt;
      BASTINADO, n. The act of walking on wood without exertion.
    &lt;/p&gt;
&lt;p&gt;
      BATH, n. A kind of mystic ceremony substituted for religious worship, with
      what spiritual efficacy has not been determined.
    &lt;/p&gt;
&lt;pre&gt;
  The man who taketh a steam bath
  He loseth all the skin he hath,
  And, for he's boiled a brilliant red,
  Thinketh to cleanliness he's wed,
  Forgetting that his lungs he's soiling
  With dirty vapors of the boiling.
&lt;/pre&gt;
&lt;p&gt;
      Richard Gwow
    &lt;/p&gt;
&lt;p&gt;
      BATTLE, n. A method of untying with the teeth of a political knot that
      would not yield to the tongue.
    &lt;/p&gt;
&lt;p&gt;
      BEARD, n. The hair that is commonly cut off by those who justly execrate
      the absurd Chinese custom of shaving the head.
    &lt;/p&gt;
&lt;p&gt;
      BEAUTY, n. The power by which a woman charms a lover and terrifies a
      husband.
    &lt;/p&gt;
&lt;p&gt;
      BEFRIEND, v.t. To make an ingrate.
    &lt;/p&gt;
&lt;p&gt;
      BEG, v. To ask for something with an earnestness proportioned to the
      belief that it will not be given.
    &lt;/p&gt;
&lt;pre&gt;
  Who is that, father?
                        A mendicant, child,
  Haggard, morose, and unaffable—wild!
  See how he glares through the bars of his cell!
  With Citizen Mendicant all is not well.

  Why did they put him there, father?

                                       Because
  Obeying his belly he struck at the laws.

  His belly?

              Oh, well, he was starving, my boy—
  A state in which, doubtless, there's little of joy.
  No bite had he eaten for days, and his cry
  Was "Bread!" ever "Bread!"

                              What's the matter with pie?

  With little to wear, he had nothing to sell;
  To beg was unlawful—improper as well.

  Why didn't he work?

                       He would even have done that,
  But men said:  "Get out!" and the State remarked:  "Scat!"
  I mention these incidents merely to show
  That the vengeance he took was uncommonly low.
  Revenge, at the best, is the act of a Siou,
  But for trifles—

                      Pray what did bad Mendicant do?

  Stole two loaves of bread to replenish his lack
  And tuck out the belly that clung to his back.

  Is that &lt;i&gt;all&lt;/i&gt; father dear?

                              There's little to tell:
  They sent him to jail, and they'll send him to—well,
  The company's better than here we can boast,
  And there's—

                  Bread for the needy, dear father?

                                                     Um—toast.
&lt;/pre&gt;
&lt;p&gt;
      Atka Mip
    &lt;/p&gt;
&lt;p&gt;
      BEGGAR, n. One who has relied on the assistance of his friends.
    &lt;/p&gt;
&lt;p&gt;
      BEHAVIOR, n. Conduct, as determined, not by principle, but by breeding.
      The word seems to be somewhat loosely used in Dr. Jamrach Holobom's
      translation of the following lines from the &lt;i&gt;Dies Irae&lt;/i&gt;:
    &lt;/p&gt;
&lt;pre&gt;
      Recordare, Jesu pie,
      Quod sum causa tuae viae.
      Ne me perdas illa die.

  Pray remember, sacred Savior,
  Whose the thoughtless hand that gave your
  Death-blow.  Pardon such behavior.
&lt;/pre&gt;
&lt;p&gt;
      BELLADONNA, n. In Italian a beautiful lady; in English a deadly poison. A
      striking example of the essential identity of the two tongues.
    &lt;/p&gt;
&lt;p&gt;
      BENEDICTINES, n. An order of monks otherwise known as black friars.
    &lt;/p&gt;
&lt;pre&gt;
  She thought it a crow, but it turn out to be
      A monk of St. Benedict croaking a text.
  "Here's one of an order of cooks," said she—
      "Black friars in this world, fried black in the next."
&lt;/pre&gt;
&lt;p&gt;
      "The Devil on Earth" (London, 1712)
    &lt;/p&gt;
&lt;p&gt;
      BENEFACTOR, n. One who makes heavy purchases of ingratitude, without,
      however, materially affecting the price, which is still within the means
      of all.
    &lt;/p&gt;
&lt;p&gt;
      BERENICE'S HAIR, n. A constellation (&lt;i&gt;Coma Berenices&lt;/i&gt;) named in honor
      of one who sacrificed her hair to save her husband.
    &lt;/p&gt;
&lt;pre&gt;
  Her locks an ancient lady gave
  Her loving husband's life to save;
  And men—they honored so the dame—
  Upon some stars bestowed her name.

  But to our modern married fair,
  Who'd give their lords to save their hair,
  No stellar recognition's given.
  There are not stars enough in heaven.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      BIGAMY, n. A mistake in taste for which the wisdom of the future will
      adjudge a punishment called trigamy.
    &lt;/p&gt;
&lt;p&gt;
      BIGOT, n. One who is obstinately and zealously attached to an opinion that
      you do not entertain.
    &lt;/p&gt;
&lt;p&gt;
      BILLINGSGATE, n. The invective of an opponent.
    &lt;/p&gt;
&lt;p&gt;
      BIRTH, n. The first and direst of all disasters. As to the nature of it
      there appears to be no uniformity. Castor and Pollux were born from the
      egg. Pallas came out of a skull. Galatea was once a block of stone.
      Peresilis, who wrote in the tenth century, avers that he grew up out of
      the ground where a priest had spilled holy water. It is known that
      Arimaxus was derived from a hole in the earth, made by a stroke of
      lightning. Leucomedon was the son of a cavern in Mount Aetna, and I have
      myself seen a man come out of a wine cellar.
    &lt;/p&gt;
&lt;p&gt;
      BLACKGUARD, n. A man whose qualities, prepared for display like a box of
      berries in a market—the fine ones on top—have been opened on
      the wrong side. An inverted gentleman.
    &lt;/p&gt;
&lt;p&gt;
      BLANK-VERSE, n. Unrhymed iambic pentameters—the most difficult kind
      of English verse to write acceptably; a kind, therefore, much affected by
      those who cannot acceptably write any kind.
    &lt;/p&gt;
&lt;p&gt;
      BODY-SNATCHER, n. A robber of grave-worms. One who supplies the young
      physicians with that with which the old physicians have supplied the
      undertaker. The hyena.
    &lt;/p&gt;
&lt;pre&gt;
  "One night," a doctor said, "last fall,
  I and my comrades, four in all,
      When visiting a graveyard stood
  Within the shadow of a wall.

  "While waiting for the moon to sink
  We saw a wild hyena slink
      About a new-made grave, and then
  Begin to excavate its brink!

  "Shocked by the horrid act, we made
  A sally from our ambuscade,
      And, falling on the unholy beast,
  Dispatched him with a pick and spade."
&lt;/pre&gt;
&lt;p&gt;
      Bettel K. Jhones
    &lt;/p&gt;
&lt;p&gt;
      BONDSMAN, n. A fool who, having property of his own, undertakes to become
      responsible for that entrusted to another to a third.
    &lt;/p&gt;
&lt;p&gt;
      Philippe of Orleans wishing to appoint one of his favorites, a dissolute
      nobleman, to a high office, asked him what security he would be able to
      give. "I need no bondsmen," he replied, "for I can give you my word of
      honor." "And pray what may be the value of that?" inquired the amused
      Regent. "Monsieur, it is worth its weight in gold."
    &lt;/p&gt;
&lt;p&gt;
      BORE, n. A person who talks when you wish him to listen.
    &lt;/p&gt;
&lt;p&gt;
      BOTANY, n. The science of vegetables—those that are not good to eat,
      as well as those that are. It deals largely with their flowers, which are
      commonly badly designed, inartistic in color, and ill-smelling.
    &lt;/p&gt;
&lt;p&gt;
      BOTTLE-NOSED, adj. Having a nose created in the image of its maker.
    &lt;/p&gt;
&lt;p&gt;
      BOUNDARY, n. In political geography, an imaginary line between two
      nations, separating the imaginary rights of one from the imaginary rights
      of the other.
    &lt;/p&gt;
&lt;p&gt;
      BOUNTY, n. The liberality of one who has much, in permitting one who has
      nothing to get all that he can.
    &lt;/p&gt;
&lt;pre&gt;
      A single swallow, it is said, devours ten millions of insects
  every year.  The supplying of these insects I take to be a signal
  instance of the Creator's bounty in providing for the lives of His
  creatures.
&lt;/pre&gt;
&lt;p&gt;
      Henry Ward Beecher
    &lt;/p&gt;
&lt;p&gt;
      BRAHMA, n. He who created the Hindoos, who are preserved by Vishnu and
      destroyed by Siva—a rather neater division of labor than is found
      among the deities of some other nations. The Abracadabranese, for example,
      are created by Sin, maintained by Theft and destroyed by Folly. The
      priests of Brahma, like those of Abracadabranese, are holy and learned men
      who are never naughty.
    &lt;/p&gt;
&lt;pre&gt;
  O Brahma, thou rare old Divinity,
  First Person of the Hindoo Trinity,
  You sit there so calm and securely,
  With feet folded up so demurely—
  You're the First Person Singular, surely.
&lt;/pre&gt;
&lt;p&gt;
      Polydore Smith
    &lt;/p&gt;
&lt;p&gt;
      BRAIN, n. An apparatus with which we think what we think. That which
      distinguishes the man who is content to &lt;i&gt;be&lt;/i&gt; something from the man
      who wishes to &lt;i&gt;do&lt;/i&gt; something. A man of great wealth, or one who has
      been pitchforked into high station, has commonly such a headful of brain
      that his neighbors cannot keep their hats on. In our civilization, and
      under our republican form of government, brain is so highly honored that
      it is rewarded by exemption from the cares of office.
    &lt;/p&gt;
&lt;p&gt;
      BRANDY, n. A cordial composed of one part thunder-and-lightning, one part
      remorse, two parts bloody murder, one part death-hell-and-the grave and
      four parts clarified Satan. Dose, a headful all the time. Brandy is said
      by Dr. Johnson to be the drink of heroes. Only a hero will venture to
      drink it.
    &lt;/p&gt;
&lt;p&gt;
      BRIDE, n. A woman with a fine prospect of happiness behind her.
    &lt;/p&gt;
&lt;p&gt;
      BRUTE, n. See HUSBAND.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0004"&gt;&lt;/a&gt;
      C
    &lt;/h2&gt;
&lt;p&gt;
      CAABA, n. A large stone presented by the archangel Gabriel to the
      patriarch Abraham, and preserved at Mecca. The patriarch had perhaps asked
      the archangel for bread.
    &lt;/p&gt;
&lt;p&gt;
      CABBAGE, n. A familiar kitchen-garden vegetable about as large and wise as
      a man's head.
    &lt;/p&gt;
&lt;p&gt;
      The cabbage is so called from Cabagius, a prince who on ascending the
      throne issued a decree appointing a High Council of Empire consisting of
      the members of his predecessor's Ministry and the cabbages in the royal
      garden. When any of his Majesty's measures of state policy miscarried
      conspicuously it was gravely announced that several members of the High
      Council had been beheaded, and his murmuring subjects were appeased.
    &lt;/p&gt;
&lt;p&gt;
      CALAMITY, n. A more than commonly plain and unmistakable reminder that the
      affairs of this life are not of our own ordering. Calamities are of two
      kinds: misfortune to ourselves, and good fortune to others.
    &lt;/p&gt;
&lt;p&gt;
      CALLOUS, adj. Gifted with great fortitude to bear the evils afflicting
      another.
    &lt;/p&gt;
&lt;p&gt;
      When Zeno was told that one of his enemies was no more he was observed to
      be deeply moved. "What!" said one of his disciples, "you weep at the death
      of an enemy?" "Ah, 'tis true," replied the great Stoic; "but you should
      see me smile at the death of a friend."
    &lt;/p&gt;
&lt;p&gt;
      CALUMNUS, n. A graduate of the School for Scandal.
    &lt;/p&gt;
&lt;p&gt;
      CAMEL, n. A quadruped (the &lt;i&gt;Splaypes humpidorsus&lt;/i&gt;) of great value to
      the show business. There are two kinds of camels—the camel proper
      and the camel improper. It is the latter that is always exhibited.
    &lt;/p&gt;
&lt;p&gt;
      CANNIBAL, n. A gastronome of the old school who preserves the simple
      tastes and adheres to the natural diet of the pre-pork period.
    &lt;/p&gt;
&lt;p&gt;
      CANNON, n. An instrument employed in the rectification of national
      boundaries.
    &lt;/p&gt;
&lt;p&gt;
      CANONICALS, n. The motley worn by Jesters of the Court of Heaven.
    &lt;/p&gt;
&lt;p&gt;
      CAPITAL, n. The seat of misgovernment. That which provides the fire, the
      pot, the dinner, the table and the knife and fork for the anarchist; the
      part of the repast that himself supplies is the disgrace before meat. &lt;i&gt;Capital
      Punishment&lt;/i&gt;, a penalty regarding the justice and expediency of which
      many worthy persons—including all the assassins—entertain
      grave misgivings.
    &lt;/p&gt;
&lt;p&gt;
      CARMELITE, n. A mendicant friar of the order of Mount Carmel.
    &lt;/p&gt;
&lt;pre&gt;
  As Death was a-riding out one day,
  Across Mount Carmel he took his way,
      Where he met a mendicant monk,
      Some three or four quarters drunk,
  With a holy leer and a pious grin,
  Ragged and fat and as saucy as sin,
      Who held out his hands and cried:
  "Give, give in Charity's name, I pray.
  Give in the name of the Church.  O give,
  Give that her holy sons may live!"
      And Death replied,
      Smiling long and wide:
      "I'll give, holy father, I'll give thee—a ride."

      With a rattle and bang
      Of his bones, he sprang
  From his famous Pale Horse, with his spear;
      By the neck and the foot
      Seized the fellow, and put
  Him astride with his face to the rear.

  The Monarch laughed loud with a sound that fell
  Like clods on the coffin's sounding shell:
  "Ho, ho!  A beggar on horseback, they say,
      Will ride to the devil!"—and &lt;i&gt;thump&lt;/i&gt;
      Fell the flat of his dart on the rump
  Of the charger, which galloped away.

  Faster and faster and faster it flew,
  Till the rocks and the flocks and the trees that grew
  By the road were dim and blended and blue
      To the wild, wild eyes
      Of the rider—in size
      Resembling a couple of blackberry pies.
  Death laughed again, as a tomb might laugh
      At a burial service spoiled,
      And the mourners' intentions foiled
      By the body erecting
      Its head and objecting
  To further proceedings in its behalf.

  Many a year and many a day
  Have passed since these events away.
  The monk has long been a dusty corse,
  And Death has never recovered his horse.
      For the friar got hold of its tail,
      And steered it within the pale
  Of the monastery gray,
  Where the beast was stabled and fed
  With barley and oil and bread
  Till fatter it grew than the fattest friar,
  And so in due course was appointed Prior.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      CARNIVOROUS, adj. Addicted to the cruelty of devouring the timorous
      vegetarian, his heirs and assigns.
    &lt;/p&gt;
&lt;p&gt;
      CARTESIAN, adj. Relating to Descartes, a famous philosopher, author of the
      celebrated dictum, &lt;i&gt;Cogito ergo sum&lt;/i&gt;—whereby he was pleased to
      suppose he demonstrated the reality of human existence. The dictum might
      be improved, however, thus: &lt;i&gt;Cogito cogito ergo cogito sum&lt;/i&gt;— "I
      think that I think, therefore I think that I am;" as close an approach to
      certainty as any philosopher has yet made.
    &lt;/p&gt;
&lt;p&gt;
      CAT, n. A soft, indestructible automaton provided by nature to be kicked
      when things go wrong in the domestic circle.
    &lt;/p&gt;
&lt;pre&gt;
  This is a dog,
      This is a cat.
  This is a frog,
      This is a rat.
  Run, dog, mew, cat.
  Jump, frog, gnaw, rat.
&lt;/pre&gt;
&lt;p&gt;
      Elevenson
    &lt;/p&gt;
&lt;p&gt;
      CAVILER, n. A critic of our own work.
    &lt;/p&gt;
&lt;p&gt;
      CEMETERY, n. An isolated suburban spot where mourners match lies, poets
      write at a target and stone-cutters spell for a wager. The inscriptions
      following will serve to illustrate the success attained in these Olympian
      games:
    &lt;/p&gt;
&lt;pre&gt;
      His virtues were so conspicuous that his enemies, unable to
      overlook them, denied them, and his friends, to whose loose lives
      they were a rebuke, represented them as vices.  They are here
      commemorated by his family, who shared them.

          In the earth we here prepare a
          Place to lay our little Clara.
&lt;/pre&gt;
&lt;p&gt;
      Thomas M. and Mary Frazer
    &lt;/p&gt;
&lt;pre&gt;
            P.S.—Gabriel will raise her.
&lt;/pre&gt;
&lt;p&gt;
      CENTAUR, n. One of a race of persons who lived before the division of
      labor had been carried to such a pitch of differentiation, and who
      followed the primitive economic maxim, "Every man his own horse." The best
      of the lot was Chiron, who to the wisdom and virtues of the horse added
      the fleetness of man. The scripture story of the head of John the Baptist
      on a charger shows that pagan myths have somewhat sophisticated sacred
      history.
    &lt;/p&gt;
&lt;p&gt;
      CERBERUS, n. The watch-dog of Hades, whose duty it was to guard the
      entrance—against whom or what does not clearly appear; everybody,
      sooner or later, had to go there, and nobody wanted to carry off the
      entrance. Cerberus is known to have had three heads, and some of the poets
      have credited him with as many as a hundred. Professor Graybill, whose
      clerky erudition and profound knowledge of Greek give his opinion great
      weight, has averaged all the estimates, and makes the number twenty-seven—a
      judgment that would be entirely conclusive if Professor Graybill had known
      (a) something about dogs, and (b) something about arithmetic.
    &lt;/p&gt;
&lt;p&gt;
      CHILDHOOD, n. The period of human life intermediate between the idiocy of
      infancy and the folly of youth—two removes from the sin of manhood
      and three from the remorse of age.
    &lt;/p&gt;
&lt;p&gt;
      CHRISTIAN, n. One who believes that the New Testament is a divinely
      inspired book admirably suited to the spiritual needs of his neighbor. One
      who follows the teachings of Christ in so far as they are not inconsistent
      with a life of sin.
    &lt;/p&gt;
&lt;pre&gt;
  I dreamed I stood upon a hill, and, lo!
  The godly multitudes walked to and fro
  Beneath, in Sabbath garments fitly clad,
  With pious mien, appropriately sad,
  While all the church bells made a solemn din—
  A fire-alarm to those who lived in sin.
  Then saw I gazing thoughtfully below,
  With tranquil face, upon that holy show
  A tall, spare figure in a robe of white,
  Whose eyes diffused a melancholy light.
  "God keep you, stranger," I exclaimed.  "You are
  No doubt (your habit shows it) from afar;
  And yet I entertain the hope that you,
  Like these good people, are a Christian too."
  He raised his eyes and with a look so stern
  It made me with a thousand blushes burn
  Replied—his manner with disdain was spiced:
  "What!  I a Christian?  No, indeed!  I'm Christ."
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      CIRCUS, n. A place where horses, ponies and elephants are permitted to see
      men, women and children acting the fool.
    &lt;/p&gt;
&lt;p&gt;
      CLAIRVOYANT, n. A person, commonly a woman, who has the power of seeing
      that which is invisible to her patron, namely, that he is a blockhead.
    &lt;/p&gt;
&lt;p&gt;
      CLARIONET, n. An instrument of torture operated by a person with cotton in
      his ears. There are two instruments that are worse than a clarionet—two
      clarionets.
    &lt;/p&gt;
&lt;p&gt;
      CLERGYMAN, n. A man who undertakes the management of our spiritual affairs
      as a method of bettering his temporal ones.
    &lt;/p&gt;
&lt;p&gt;
      CLIO, n. One of the nine Muses. Clio's function was to preside over
      history—which she did with great dignity, many of the prominent
      citizens of Athens occupying seats on the platform, the meetings being
      addressed by Messrs. Xenophon, Herodotus and other popular speakers.
    &lt;/p&gt;
&lt;p&gt;
      CLOCK, n. A machine of great moral value to man, allaying his concern for
      the future by reminding him what a lot of time remains to him.
    &lt;/p&gt;
&lt;pre&gt;
  A busy man complained one day:
  "I get no time!"  "What's that you say?"
  Cried out his friend, a lazy quiz;
  "You have, sir, all the time there is.
  There's plenty, too, and don't you doubt it—
  We're never for an hour without it."
&lt;/pre&gt;
&lt;p&gt;
      Purzil Crofe
    &lt;/p&gt;
&lt;p&gt;
      CLOSE-FISTED, adj. Unduly desirous of keeping that which many meritorious
      persons wish to obtain.
    &lt;/p&gt;
&lt;pre&gt;
  "Close-fisted Scotchman!" Johnson cried
      To thrifty J. Macpherson;
  "See me—I'm ready to divide
      With any worthy person."
  Sad Jamie:  "That is very true—
      The boast requires no backing;
  And all are worthy, sir, to you,
      Who have what you are lacking."
&lt;/pre&gt;
&lt;p&gt;
      Anita M. Bobe
    &lt;/p&gt;
&lt;p&gt;
      COENOBITE, n. A man who piously shuts himself up to meditate upon the sin
      of wickedness; and to keep it fresh in his mind joins a brotherhood of
      awful examples.
    &lt;/p&gt;
&lt;pre&gt;
  O Coenobite, O coenobite,
      Monastical gregarian,
  You differ from the anchorite,
      That solitudinarian:
  With vollied prayers you wound Old Nick;
  With dropping shots he makes him sick.
&lt;/pre&gt;
&lt;p&gt;
      Quincy Giles
    &lt;/p&gt;
&lt;p&gt;
      COMFORT, n. A state of mind produced by contemplation of a neighbor's
      uneasiness.
    &lt;/p&gt;
&lt;p&gt;
      COMMENDATION, n. The tribute that we pay to achievements that resembles,
      but do not equal, our own.
    &lt;/p&gt;
&lt;p&gt;
      COMMERCE, n. A kind of transaction in which A plunders from B the goods of
      C, and for compensation B picks the pocket of D of money belonging to E.
    &lt;/p&gt;
&lt;p&gt;
      COMMONWEALTH, n. An administrative entity operated by an incalculable
      multitude of political parasites, logically active but fortuitously
      efficient.
    &lt;/p&gt;
&lt;pre&gt;
  This commonwealth's capitol's corridors view,
  So thronged with a hungry and indolent crew
  Of clerks, pages, porters and all attaches
  Whom rascals appoint and the populace pays
  That a cat cannot slip through the thicket of shins
  Nor hear its own shriek for the noise of their chins.
  On clerks and on pages, and porters, and all,
  Misfortune attend and disaster befall!
  May life be to them a succession of hurts;
  May fleas by the bushel inhabit their shirts;
  May aches and diseases encamp in their bones,
  Their lungs full of tubercles, bladders of stones;
  May microbes, bacilli, their tissues infest,
  And tapeworms securely their bowels digest;
  May corn-cobs be snared without hope in their hair,
  And frequent impalement their pleasure impair.
  Disturbed be their dreams by the awful discourse
  Of audible sofas sepulchrally hoarse,
  By chairs acrobatic and wavering floors—
  The mattress that kicks and the pillow that snores!
  Sons of cupidity, cradled in sin!
  Your criminal ranks may the death angel thin,
  Avenging the friend whom I couldn't work in.
&lt;/pre&gt;
&lt;p&gt;
      K.Q.
    &lt;/p&gt;
&lt;p&gt;
      COMPROMISE, n. Such an adjustment of conflicting interests as gives each
      adversary the satisfaction of thinking he has got what he ought not to
      have, and is deprived of nothing except what was justly his due.
    &lt;/p&gt;
&lt;p&gt;
      COMPULSION, n. The eloquence of power.
    &lt;/p&gt;
&lt;p&gt;
      CONDOLE, v.i. To show that bereavement is a smaller evil than sympathy.
    &lt;/p&gt;
&lt;p&gt;
      CONFIDANT, CONFIDANTE, n. One entrusted by A with the secrets of B,
      confided by &lt;i&gt;him&lt;/i&gt; to C.
    &lt;/p&gt;
&lt;p&gt;
      CONGRATULATION, n. The civility of envy.
    &lt;/p&gt;
&lt;p&gt;
      CONGRESS, n. A body of men who meet to repeal laws.
    &lt;/p&gt;
&lt;p&gt;
      CONNOISSEUR, n. A specialist who knows everything about something and
      nothing about anything else.
    &lt;/p&gt;
&lt;p&gt;
      An old wine-bibber having been smashed in a railway collision, some wine
      was poured on his lips to revive him. "Pauillac, 1873," he murmured and
      died.
    &lt;/p&gt;
&lt;p&gt;
      CONSERVATIVE, n. A statesman who is enamored of existing evils, as
      distinguished from the Liberal, who wishes to replace them with others.
    &lt;/p&gt;
&lt;p&gt;
      CONSOLATION, n. The knowledge that a better man is more unfortunate than
      yourself.
    &lt;/p&gt;
&lt;p&gt;
      CONSUL, n. In American politics, a person who having failed to secure an
      office from the people is given one by the Administration on condition
      that he leave the country.
    &lt;/p&gt;
&lt;p&gt;
      CONSULT, v.i. To seek another's disapproval of a course already decided
      on.
    &lt;/p&gt;
&lt;p&gt;
      CONTEMPT, n. The feeling of a prudent man for an enemy who is too
      formidable safely to be opposed.
    &lt;/p&gt;
&lt;p&gt;
      CONTROVERSY, n. A battle in which spittle or ink replaces the injurious
      cannon-ball and the inconsiderate bayonet.
    &lt;/p&gt;
&lt;pre&gt;
  In controversy with the facile tongue—
  That bloodless warfare of the old and young—
  So seek your adversary to engage
  That on himself he shall exhaust his rage,
  And, like a snake that's fastened to the ground,
  With his own fangs inflict the fatal wound.
  You ask me how this miracle is done?
  Adopt his own opinions, one by one,
  And taunt him to refute them; in his wrath
  He'll sweep them pitilessly from his path.
  Advance then gently all you wish to prove,
  Each proposition prefaced with, "As you've
  So well remarked," or, "As you wisely say,
  And I cannot dispute," or, "By the way,
  This view of it which, better far expressed,
  Runs through your argument."  Then leave the rest
  To him, secure that he'll perform his trust
  And prove your views intelligent and just.
&lt;/pre&gt;
&lt;p&gt;
      Conmore Apel Brune
    &lt;/p&gt;
&lt;p&gt;
      CONVENT, n. A place of retirement for woman who wish for leisure to
      meditate upon the vice of idleness.
    &lt;/p&gt;
&lt;p&gt;
      CONVERSATION, n. A fair for the display of the minor mental commodities,
      each exhibitor being too intent upon the arrangement of his own wares to
      observe those of his neighbor.
    &lt;/p&gt;
&lt;p&gt;
      CORONATION, n. The ceremony of investing a sovereign with the outward and
      visible signs of his divine right to be blown skyhigh with a dynamite
      bomb.
    &lt;/p&gt;
&lt;p&gt;
      CORPORAL, n. A man who occupies the lowest rung of the military ladder.
    &lt;/p&gt;
&lt;pre&gt;
  Fiercely the battle raged and, sad to tell,
  Our corporal heroically fell!
  Fame from her height looked down upon the brawl
  And said:  "He hadn't very far to fall."
&lt;/pre&gt;
&lt;p&gt;
      Giacomo Smith
    &lt;/p&gt;
&lt;p&gt;
      CORPORATION, n. An ingenious device for obtaining individual profit
      without individual responsibility.
    &lt;/p&gt;
&lt;p&gt;
      CORSAIR, n. A politician of the seas.
    &lt;/p&gt;
&lt;p&gt;
      COURT FOOL, n. The plaintiff.
    &lt;/p&gt;
&lt;p&gt;
      COWARD, n. One who in a perilous emergency thinks with his legs.
    &lt;/p&gt;
&lt;p&gt;
      CRAYFISH, n. A small crustacean very much resembling the lobster, but less
      indigestible.
    &lt;/p&gt;
&lt;pre&gt;
      In this small fish I take it that human wisdom is admirably
  figured and symbolized; for whereas the crayfish doth move only
  backward, and can have only retrospection, seeing naught but the
  perils already passed, so the wisdom of man doth not enable him to
  avoid the follies that beset his course, but only to apprehend
  their nature afterward.
&lt;/pre&gt;
&lt;p&gt;
      Sir James Merivale
    &lt;/p&gt;
&lt;p&gt;
      CREDITOR, n. One of a tribe of savages dwelling beyond the Financial
      Straits and dreaded for their desolating incursions.
    &lt;/p&gt;
&lt;p&gt;
      CREMONA, n. A high-priced violin made in Connecticut.
    &lt;/p&gt;
&lt;p&gt;
      CRITIC, n. A person who boasts himself hard to please because nobody tries
      to please him.
    &lt;/p&gt;
&lt;pre&gt;
  There is a land of pure delight,
      Beyond the Jordan's flood,
  Where saints, apparelled all in white,
      Fling back the critic's mud.

  And as he legs it through the skies,
      His pelt a sable hue,
  He sorrows sore to recognize
      The missiles that he threw.
&lt;/pre&gt;
&lt;p&gt;
      Orrin Goof
    &lt;/p&gt;
&lt;p&gt;
      CROSS, n. An ancient religious symbol erroneously supposed to owe its
      significance to the most solemn event in the history of Christianity, but
      really antedating it by thousands of years. By many it has been believed
      to be identical with the &lt;i&gt;crux ansata&lt;/i&gt; of the ancient phallic
      worship, but it has been traced even beyond all that we know of that, to
      the rites of primitive peoples. We have to-day the White Cross as a symbol
      of chastity, and the Red Cross as a badge of benevolent neutrality in war.
      Having in mind the former, the reverend Father Gassalasca Jape smites the
      lyre to the effect following:
    &lt;/p&gt;
&lt;pre&gt;
  "Be good, be good!" the sisterhood
      Cry out in holy chorus,
  And, to dissuade from sin, parade
      Their various charms before us.

  But why, O why, has ne'er an eye
      Seen her of winsome manner
  And youthful grace and pretty face
      Flaunting the White Cross banner?

  Now where's the need of speech and screed
      To better our behaving?
  A simpler plan for saving man
      (But, first, is he worth saving?)

  Is, dears, when he declines to flee
      From bad thoughts that beset him,
  Ignores the Law as 't were a straw,
      And wants to sin—don't let him.
&lt;/pre&gt;
&lt;p&gt;
      CUI BONO? [Latin] What good would that do &lt;i&gt;me&lt;/i&gt;?
    &lt;/p&gt;
&lt;p&gt;
      CUNNING, n. The faculty that distinguishes a weak animal or person from a
      strong one. It brings its possessor much mental satisfaction and great
      material adversity. An Italian proverb says: "The furrier gets the skins
      of more foxes than asses."
    &lt;/p&gt;
&lt;p&gt;
      CUPID, n. The so-called god of love. This bastard creation of a barbarous
      fancy was no doubt inflicted upon mythology for the sins of its deities.
      Of all unbeautiful and inappropriate conceptions this is the most
      reasonless and offensive. The notion of symbolizing sexual love by a
      semisexless babe, and comparing the pains of passion to the wounds of an
      arrow—of introducing this pudgy homunculus into art grossly to
      materialize the subtle spirit and suggestion of the work— this is
      eminently worthy of the age that, giving it birth, laid it on the doorstep
      of prosperity.
    &lt;/p&gt;
&lt;p&gt;
      CURIOSITY, n. An objectionable quality of the female mind. The desire to
      know whether or not a woman is cursed with curiosity is one of the most
      active and insatiable passions of the masculine soul.
    &lt;/p&gt;
&lt;p&gt;
      CURSE, v.t. Energetically to belabor with a verbal slap-stick. This is an
      operation which in literature, particularly in the drama, is commonly
      fatal to the victim. Nevertheless, the liability to a cursing is a risk
      that cuts but a small figure in fixing the rates of life insurance.
    &lt;/p&gt;
&lt;p&gt;
      CYNIC, n. A blackguard whose faulty vision sees things as they are, not as
      they ought to be. Hence the custom among the Scythians of plucking out a
      cynic's eyes to improve his vision.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0005"&gt;&lt;/a&gt;
      D
    &lt;/h2&gt;
&lt;p&gt;
      DAMN, v. A word formerly much used by the Paphlagonians, the meaning of
      which is lost. By the learned Dr. Dolabelly Gak it is believed to have
      been a term of satisfaction, implying the highest possible degree of
      mental tranquillity. Professor Groke, on the contrary, thinks it expressed
      an emotion of tumultuous delight, because it so frequently occurs in
      combination with the word &lt;i&gt;jod&lt;/i&gt; or &lt;i&gt;god&lt;/i&gt;, meaning "joy." It
      would be with great diffidence that I should advance an opinion
      conflicting with that of either of these formidable authorities.
    &lt;/p&gt;
&lt;p&gt;
      DANCE, v.i. To leap about to the sound of tittering music, preferably with
      arms about your neighbor's wife or daughter. There are many kinds of
      dances, but all those requiring the participation of the two sexes have
      two characteristics in common: they are conspicuously innocent, and warmly
      loved by the vicious.
    &lt;/p&gt;
&lt;p&gt;
      DANGER, n.
    &lt;/p&gt;
&lt;pre&gt;
  A savage beast which, when it sleeps,
      Man girds at and despises,
  But takes himself away by leaps
      And bounds when it arises.
&lt;/pre&gt;
&lt;p&gt;
      Ambat Delaso
    &lt;/p&gt;
&lt;p&gt;
      DARING, n. One of the most conspicuous qualities of a man in security.
    &lt;/p&gt;
&lt;p&gt;
      DATARY, n. A high ecclesiastic official of the Roman Catholic Church,
      whose important function is to brand the Pope's bulls with the words &lt;i&gt;Datum
      Romae&lt;/i&gt;. He enjoys a princely revenue and the friendship of God.
    &lt;/p&gt;
&lt;p&gt;
      DAWN, n. The time when men of reason go to bed. Certain old men prefer to
      rise at about that time, taking a cold bath and a long walk with an empty
      stomach, and otherwise mortifying the flesh. They then point with pride to
      these practices as the cause of their sturdy health and ripe years; the
      truth being that they are hearty and old, not because of their habits, but
      in spite of them. The reason we find only robust persons doing this thing
      is that it has killed all the others who have tried it.
    &lt;/p&gt;
&lt;p&gt;
      DAY, n. A period of twenty-four hours, mostly misspent. This period is
      divided into two parts, the day proper and the night, or day improper—the
      former devoted to sins of business, the latter consecrated to the other
      sort. These two kinds of social activity overlap.
    &lt;/p&gt;
&lt;p&gt;
      DEAD, adj.
    &lt;/p&gt;
&lt;pre&gt;
  Done with the work of breathing; done
  With all the world; the mad race run
  Through to the end; the golden goal
  Attained and found to be a hole!
&lt;/pre&gt;
&lt;p&gt;
      Squatol Johnes
    &lt;/p&gt;
&lt;p&gt;
      DEBAUCHEE, n. One who has so earnestly pursued pleasure that he has had
      the misfortune to overtake it.
    &lt;/p&gt;
&lt;p&gt;
      DEBT, n. An ingenious substitute for the chain and whip of the
      slave-driver.
    &lt;/p&gt;
&lt;pre&gt;
  As, pent in an aquarium, the troutlet
  Swims round and round his tank to find an outlet,
  Pressing his nose against the glass that holds him,
  Nor ever sees the prison that enfolds him;
  So the poor debtor, seeing naught around him,
  Yet feels the narrow limits that impound him,
  Grieves at his debt and studies to evade it,
  And finds at last he might as well have paid it.
&lt;/pre&gt;
&lt;p&gt;
      Barlow S. Vode
    &lt;/p&gt;
&lt;p&gt;
      DECALOGUE, n. A series of commandments, ten in number—just enough to
      permit an intelligent selection for observance, but not enough to
      embarrass the choice. Following is the revised edition of the Decalogue,
      calculated for this meridian.
    &lt;/p&gt;
&lt;pre&gt;
  Thou shalt no God but me adore:
  'Twere too expensive to have more.

  No images nor idols make
  For Robert Ingersoll to break.

  Take not God's name in vain; select
  A time when it will have effect.

  Work not on Sabbath days at all,
  But go to see the teams play ball.

  Honor thy parents.  That creates
  For life insurance lower rates.

  Kill not, abet not those who kill;
  Thou shalt not pay thy butcher's bill.

  Kiss not thy neighbor's wife, unless
  Thine own thy neighbor doth caress

  Don't steal; thou'lt never thus compete
  Successfully in business.  Cheat.

  Bear not false witness—that is low—
  But "hear 'tis rumored so and so."

  Covet thou naught that thou hast not
  By hook or crook, or somehow, got.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      DECIDE, v.i. To succumb to the preponderance of one set of influences over
      another set.
    &lt;/p&gt;
&lt;pre&gt;
  A leaf was riven from a tree,
  "I mean to fall to earth," said he.

  The west wind, rising, made him veer.
  "Eastward," said he, "I now shall steer."

  The east wind rose with greater force.
  Said he:  "'Twere wise to change my course."

  With equal power they contend.
  He said:  "My judgment I suspend."

  Down died the winds; the leaf, elate,
  Cried:  "I've decided to fall straight."

  "First thoughts are best?"  That's not the moral;
  Just choose your own and we'll not quarrel.

  Howe'er your choice may chance to fall,
  You'll have no hand in it at all.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      DEFAME, v.t. To lie about another. To tell the truth about another.
    &lt;/p&gt;
&lt;p&gt;
      DEFENCELESS, adj. Unable to attack.
    &lt;/p&gt;
&lt;p&gt;
      DEGENERATE, adj. Less conspicuously admirable than one's ancestors. The
      contemporaries of Homer were striking examples of degeneracy; it required
      ten of them to raise a rock or a riot that one of the heroes of the Trojan
      war could have raised with ease. Homer never tires of sneering at "men who
      live in these degenerate days," which is perhaps why they suffered him to
      beg his bread—a marked instance of returning good for evil, by the
      way, for if they had forbidden him he would certainly have starved.
    &lt;/p&gt;
&lt;p&gt;
      DEGRADATION, n. One of the stages of moral and social progress from
      private station to political preferment.
    &lt;/p&gt;
&lt;p&gt;
      DEINOTHERIUM, n. An extinct pachyderm that flourished when the Pterodactyl
      was in fashion. The latter was a native of Ireland, its name being
      pronounced Terry Dactyl or Peter O'Dactyl, as the man pronouncing it may
      chance to have heard it spoken or seen it printed.
    &lt;/p&gt;
&lt;p&gt;
      DEJEUNER, n. The breakfast of an American who has been in Paris. Variously
      pronounced.
    &lt;/p&gt;
&lt;p&gt;
      DELEGATION, n. In American politics, an article of merchandise that comes
      in sets.
    &lt;/p&gt;
&lt;p&gt;
      DELIBERATION, n. The act of examining one's bread to determine which side
      it is buttered on.
    &lt;/p&gt;
&lt;p&gt;
      DELUGE, n. A notable first experiment in baptism which washed away the
      sins (and sinners) of the world.
    &lt;/p&gt;
&lt;p&gt;
      DELUSION, n. The father of a most respectable family, comprising
      Enthusiasm, Affection, Self-denial, Faith, Hope, Charity and many other
      goodly sons and daughters.
    &lt;/p&gt;
&lt;pre&gt;
  All hail, Delusion!  Were it not for thee
  The world turned topsy-turvy we should see;
  For Vice, respectable with cleanly fancies,
  Would fly abandoned Virtue's gross advances.
&lt;/pre&gt;
&lt;p&gt;
      Mumfrey Mappel
    &lt;/p&gt;
&lt;p&gt;
      DENTIST, n. A prestidigitator who, putting metal into your mouth, pulls
      coins out of your pocket.
    &lt;/p&gt;
&lt;p&gt;
      DEPENDENT, adj. Reliant upon another's generosity for the support which
      you are not in a position to exact from his fears.
    &lt;/p&gt;
&lt;p&gt;
      DEPUTY, n. A male relative of an office-holder, or of his bondsman. The
      deputy is commonly a beautiful young man, with a red necktie and an
      intricate system of cobwebs extending from his nose to his desk. When
      accidentally struck by the janitor's broom, he gives off a cloud of dust.
    &lt;/p&gt;
&lt;pre&gt;
  "Chief Deputy," the Master cried,
  "To-day the books are to be tried
  By experts and accountants who
  Have been commissioned to go through
  Our office here, to see if we
  Have stolen injudiciously.
  Please have the proper entries made,
  The proper balances displayed,
  Conforming to the whole amount
  Of cash on hand—which they will count.
  I've long admired your punctual way—
  Here at the break and close of day,
  Confronting in your chair the crowd
  Of business men, whose voices loud
  And gestures violent you quell
  By some mysterious, calm spell—
  Some magic lurking in your look
  That brings the noisiest to book
  And spreads a holy and profound
  Tranquillity o'er all around.
  So orderly all's done that they
  Who came to draw remain to pay.
  But now the time demands, at last,
  That you employ your genius vast
  In energies more active.  Rise
  And shake the lightnings from your eyes;
  Inspire your underlings, and fling
  Your spirit into everything!"
  The Master's hand here dealt a whack
  Upon the Deputy's bent back,
  When straightway to the floor there fell
  A shrunken globe, a rattling shell
  A blackened, withered, eyeless head!
  The man had been a twelvemonth dead.
&lt;/pre&gt;
&lt;p&gt;
      Jamrach Holobom
    &lt;/p&gt;
&lt;p&gt;
      DESTINY, n. A tyrant's authority for crime and fool's excuse for failure.
    &lt;/p&gt;
&lt;p&gt;
      DIAGNOSIS, n. A physician's forecast of the disease by the patient's pulse
      and purse.
    &lt;/p&gt;
&lt;p&gt;
      DIAPHRAGM, n. A muscular partition separating disorders of the chest from
      disorders of the bowels.
    &lt;/p&gt;
&lt;p&gt;
      DIARY, n. A daily record of that part of one's life, which he can relate
      to himself without blushing.
    &lt;/p&gt;
&lt;pre&gt;
  Hearst kept a diary wherein were writ
  All that he had of wisdom and of wit.
  So the Recording Angel, when Hearst died,
  Erased all entries of his own and cried:
  "I'll judge you by your diary."  Said Hearst:
  "Thank you; 'twill show you I am Saint the First"—
  Straightway producing, jubilant and proud,
  That record from a pocket in his shroud.
  The Angel slowly turned the pages o'er,
  Each stupid line of which he knew before,
  Glooming and gleaming as by turns he hit
  On Shallow sentiment and stolen wit;
  Then gravely closed the book and gave it back.
  "My friend, you've wandered from your proper track:
  You'd never be content this side the tomb—
  For big ideas Heaven has little room,
  And Hell's no latitude for making mirth,"
  He said, and kicked the fellow back to earth.
&lt;/pre&gt;
&lt;p&gt;
      "The Mad Philosopher"
    &lt;/p&gt;
&lt;p&gt;
      DICTATOR, n. The chief of a nation that prefers the pestilence of
      despotism to the plague of anarchy.
    &lt;/p&gt;
&lt;p&gt;
      DICTIONARY, n. A malevolent literary device for cramping the growth of a
      language and making it hard and inelastic. This dictionary, however, is a
      most useful work.
    &lt;/p&gt;
&lt;p&gt;
      DIE, n. The singular of "dice." We seldom hear the word, because there is
      a prohibitory proverb, "Never say die." At long intervals, however, some
      one says: "The die is cast," which is not true, for it is cut. The word is
      found in an immortal couplet by that eminent poet and domestic economist,
      Senator Depew:
    &lt;/p&gt;
&lt;pre&gt;
  A cube of cheese no larger than a die
  May bait the trap to catch a nibbling mie.
&lt;/pre&gt;
&lt;p&gt;
      DIGESTION, n. The conversion of victuals into virtues. When the process is
      imperfect, vices are evolved instead—a circumstance from which that
      wicked writer, Dr. Jeremiah Blenn, infers that the ladies are the greater
      sufferers from dyspepsia.
    &lt;/p&gt;
&lt;p&gt;
      DIPLOMACY, n. The patriotic art of lying for one's country.
    &lt;/p&gt;
&lt;p&gt;
      DISABUSE, v.t. To present your neighbor with another and better error
      than the one which he has deemed it advantageous to embrace.
    &lt;/p&gt;
&lt;p&gt;
      DISCRIMINATE, v.i. To note the particulars in which one person or thing
      is, if possible, more objectionable than another.
    &lt;/p&gt;
&lt;p&gt;
      DISCUSSION, n. A method of confirming others in their errors.
    &lt;/p&gt;
&lt;p&gt;
      DISOBEDIENCE, n. The silver lining to the cloud of servitude.
    &lt;/p&gt;
&lt;p&gt;
      DISOBEY, v.t. To celebrate with an appropriate ceremony the maturity of a
      command.
    &lt;/p&gt;
&lt;pre&gt;
  His right to govern me is clear as day,
  My duty manifest to disobey;
  And if that fit observance e'er I shut
  May I and duty be alike undone.
&lt;/pre&gt;
&lt;p&gt;
      Israfel Brown
    &lt;/p&gt;
&lt;pre&gt;
DISSEMBLE, v.i.  To put a clean shirt upon the character.
  Let us dissemble.
&lt;/pre&gt;
&lt;p&gt;
      Adam
    &lt;/p&gt;
&lt;p&gt;
      DISTANCE, n. The only thing that the rich are willing for the poor to call
      theirs, and keep.
    &lt;/p&gt;
&lt;p&gt;
      DISTRESS, n. A disease incurred by exposure to the prosperity of a friend.
    &lt;/p&gt;
&lt;p&gt;
      DIVINATION, n. The art of nosing out the occult. Divination is of as many
      kinds as there are fruit-bearing varieties of the flowering dunce and the
      early fool.
    &lt;/p&gt;
&lt;p&gt;
      DOG, n. A kind of additional or subsidiary Deity designed to catch the
      overflow and surplus of the world's worship. This Divine Being in some of
      his smaller and silkier incarnations takes, in the affection of Woman, the
      place to which there is no human male aspirant. The Dog is a survival—an
      anachronism. He toils not, neither does he spin, yet Solomon in all his
      glory never lay upon a door-mat all day long, sun-soaked and fly-fed and
      fat, while his master worked for the means wherewith to purchase the idle
      wag of the Solomonic tail, seasoned with a look of tolerant recognition.
    &lt;/p&gt;
&lt;p&gt;
      DRAGOON, n. A soldier who combines dash and steadiness in so equal measure
      that he makes his advances on foot and his retreats on horseback.
    &lt;/p&gt;
&lt;p&gt;
      DRAMATIST, n. One who adapts plays from the French.
    &lt;/p&gt;
&lt;p&gt;
      DRUIDS, n. Priests and ministers of an ancient Celtic religion which did
      not disdain to employ the humble allurement of human sacrifice. Very
      little is now known about the Druids and their faith. Pliny says their
      religion, originating in Britain, spread eastward as far as Persia. Caesar
      says those who desired to study its mysteries went to Britain. Caesar
      himself went to Britain, but does not appear to have obtained any high
      preferment in the Druidical Church, although his talent for human
      sacrifice was considerable.
    &lt;/p&gt;
&lt;p&gt;
      Druids performed their religious rites in groves, and knew nothing of
      church mortgages and the season-ticket system of pew rents. They were, in
      short, heathens and—as they were once complacently catalogued by a
      distinguished prelate of the Church of England— Dissenters.
    &lt;/p&gt;
&lt;p&gt;
      DUCK-BILL, n. Your account at your restaurant during the canvas-back
      season.
    &lt;/p&gt;
&lt;p&gt;
      DUEL, n. A formal ceremony preliminary to the reconciliation of two
      enemies. Great skill is necessary to its satisfactory observance; if
      awkwardly performed the most unexpected and deplorable consequences
      sometimes ensue. A long time ago a man lost his life in a duel.
    &lt;/p&gt;
&lt;pre&gt;
  That dueling's a gentlemanly vice
      I hold; and wish that it had been my lot
      To live my life out in some favored spot—
  Some country where it is considered nice
  To split a rival like a fish, or slice
      A husband like a spud, or with a shot
      Bring down a debtor doubled in a knot
  And ready to be put upon the ice.
  Some miscreants there are, whom I do long
      To shoot, to stab, or some such way reclaim
  The scurvy rogues to better lives and manners,
  I seem to see them now—a mighty throng.
      It looks as if to challenge &lt;i&gt;me&lt;/i&gt; they came,
  Jauntily marching with brass bands and banners!
&lt;/pre&gt;
&lt;p&gt;
      Xamba Q. Dar
    &lt;/p&gt;
&lt;p&gt;
      DULLARD, n. A member of the reigning dynasty in letters and life. The
      Dullards came in with Adam, and being both numerous and sturdy have
      overrun the habitable world. The secret of their power is their
      insensibility to blows; tickle them with a bludgeon and they laugh with a
      platitude. The Dullards came originally from Boeotia, whence they were
      driven by stress of starvation, their dullness having blighted the crops.
      For some centuries they infested Philistia, and many of them are called
      Philistines to this day. In the turbulent times of the Crusades they
      withdrew thence and gradually overspread all Europe, occupying most of the
      high places in politics, art, literature, science and theology. Since a
      detachment of Dullards came over with the Pilgrims in the &lt;i&gt;Mayflower&lt;/i&gt;
      and made a favorable report of the country, their increase by birth,
      immigration, and conversion has been rapid and steady. According to the
      most trustworthy statistics the number of adult Dullards in the United
      States is but little short of thirty millions, including the
      statisticians. The intellectual centre of the race is somewhere about
      Peoria, Illinois, but the New England Dullard is the most shockingly
      moral.
    &lt;/p&gt;
&lt;p&gt;
      DUTY, n. That which sternly impels us in the direction of profit, along
      the line of desire.
    &lt;/p&gt;
&lt;pre&gt;
  Sir Lavender Portwine, in favor at court,
  Was wroth at his master, who'd kissed Lady Port.
  His anger provoked him to take the king's head,
  But duty prevailed, and he took the king's bread,
          Instead.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0006"&gt;&lt;/a&gt;
      E
    &lt;/h2&gt;
&lt;p&gt;
      EAT, v.i. To perform successively (and successfully) the functions of
      mastication, humectation, and deglutition.
    &lt;/p&gt;
&lt;p&gt;
      "I was in the drawing-room, enjoying my dinner," said Brillat-Savarin,
      beginning an anecdote. "What!" interrupted Rochebriant; "eating dinner in
      a drawing-room?" "I must beg you to observe, monsieur," explained the
      great gastronome, "that I did not say I was eating my dinner, but enjoying
      it. I had dined an hour before."
    &lt;/p&gt;
&lt;p&gt;
      EAVESDROP, v.i. Secretly to overhear a catalogue of the crimes and vices
      of another or yourself.
    &lt;/p&gt;
&lt;pre&gt;
  A lady with one of her ears applied
  To an open keyhole heard, inside,
  Two female gossips in converse free—
  The subject engaging them was she.
  "I think," said one, "and my husband thinks
  That she's a prying, inquisitive minx!"
  As soon as no more of it she could hear
  The lady, indignant, removed her ear.
  "I will not stay," she said, with a pout,
  "To hear my character lied about!"
&lt;/pre&gt;
&lt;p&gt;
      Gopete Sherany
    &lt;/p&gt;
&lt;p&gt;
      ECCENTRICITY, n. A method of distinction so cheap that fools employ it to
      accentuate their incapacity.
    &lt;/p&gt;
&lt;p&gt;
      ECONOMY, n. Purchasing the barrel of whiskey that you do not need for the
      price of the cow that you cannot afford.
    &lt;/p&gt;
&lt;p&gt;
      EDIBLE, adj. Good to eat, and wholesome to digest, as a worm to a toad, a
      toad to a snake, a snake to a pig, a pig to a man, and a man to a worm.
    &lt;/p&gt;
&lt;p&gt;
      EDITOR, n. A person who combines the judicial functions of Minos,
      Rhadamanthus and Aeacus, but is placable with an obolus; a severely
      virtuous censor, but so charitable withal that he tolerates the virtues of
      others and the vices of himself; who flings about him the splintering
      lightning and sturdy thunders of admonition till he resembles a bunch of
      firecrackers petulantly uttering his mind at the tail of a dog; then
      straightway murmurs a mild, melodious lay, soft as the cooing of a donkey
      intoning its prayer to the evening star. Master of mysteries and lord of
      law, high-pinnacled upon the throne of thought, his face suffused with the
      dim splendors of the Transfiguration, his legs intertwisted and his tongue
      a-cheek, the editor spills his will along the paper and cuts it off in
      lengths to suit. And at intervals from behind the veil of the temple is
      heard the voice of the foreman demanding three inches of wit and six lines
      of religious meditation, or bidding him turn off the wisdom and whack up
      some pathos.
    &lt;/p&gt;
&lt;pre&gt;
  O, the Lord of Law on the Throne of Thought,
      A gilded impostor is he.
  Of shreds and patches his robes are wrought,
              His crown is brass,
              Himself an ass,
      And his power is fiddle-dee-dee.
  Prankily, crankily prating of naught,
  Silly old quilly old Monarch of Thought.
      Public opinion's camp-follower he,
      Thundering, blundering, plundering free.
                  Affected,
                      Ungracious,
                  Suspected,
                      Mendacious,
  Respected contemporaree!
                                                    J.H. Bumbleshook
&lt;/pre&gt;
&lt;p&gt;
      EDUCATION, n. That which discloses to the wise and disguises from the
      foolish their lack of understanding.
    &lt;/p&gt;
&lt;p&gt;
      EFFECT, n. The second of two phenomena which always occur together in the
      same order. The first, called a Cause, is said to generate the other—which
      is no more sensible than it would be for one who has never seen a dog
      except in the pursuit of a rabbit to declare the rabbit the cause of a
      dog.
    &lt;/p&gt;
&lt;p&gt;
      EGOTIST, n. A person of low taste, more interested in himself than in me.
    &lt;/p&gt;
&lt;pre&gt;
  Megaceph, chosen to serve the State
  In the halls of legislative debate,
  One day with all his credentials came
  To the capitol's door and announced his name.
  The doorkeeper looked, with a comical twist
  Of the face, at the eminent egotist,
  And said:  "Go away, for we settle here
  All manner of questions, knotty and queer,
  And we cannot have, when the speaker demands
  To be told how every member stands,
  A man who to all things under the sky
  Assents by eternally voting 'I'."
&lt;/pre&gt;
&lt;p&gt;
      EJECTION, n. An approved remedy for the disease of garrulity. It is also
      much used in cases of extreme poverty.
    &lt;/p&gt;
&lt;p&gt;
      ELECTOR, n. One who enjoys the sacred privilege of voting for the man of
      another man's choice.
    &lt;/p&gt;
&lt;p&gt;
      ELECTRICITY, n. The power that causes all natural phenomena not known to
      be caused by something else. It is the same thing as lightning, and its
      famous attempt to strike Dr. Franklin is one of the most picturesque
      incidents in that great and good man's career. The memory of Dr. Franklin
      is justly held in great reverence, particularly in France, where a waxen
      effigy of him was recently on exhibition, bearing the following touching
      account of his life and services to science:
    &lt;/p&gt;
&lt;pre&gt;
      "Monsieur Franqulin, inventor of electricity.  This
  illustrious savant, after having made several voyages around the
  world, died on the Sandwich Islands and was devoured by savages,
  of whom not a single fragment was ever recovered."

  Electricity seems destined to play a most important part in the
arts and industries.  The question of its economical application to
some purposes is still unsettled, but experiment has already proved
that it will propel a street car better than a gas jet and give more
light than a horse.
&lt;/pre&gt;
&lt;p&gt;
      ELEGY, n. A composition in verse, in which, without employing any of the
      methods of humor, the writer aims to produce in the reader's mind the
      dampest kind of dejection. The most famous English example begins somewhat
      like this:
    &lt;/p&gt;
&lt;pre&gt;
  The cur foretells the knell of parting day;
      The loafing herd winds slowly o'er the lea;
  The wise man homeward plods; I only stay
      To fiddle-faddle in a minor key.
&lt;/pre&gt;
&lt;p&gt;
      ELOQUENCE, n. The art of orally persuading fools that white is the color
      that it appears to be. It includes the gift of making any color appear
      white.
    &lt;/p&gt;
&lt;p&gt;
      ELYSIUM, n. An imaginary delightful country which the ancients foolishly
      believed to be inhabited by the spirits of the good. This ridiculous and
      mischievous fable was swept off the face of the earth by the early
      Christians—may their souls be happy in Heaven!
    &lt;/p&gt;
&lt;p&gt;
      EMANCIPATION, n. A bondman's change from the tyranny of another to the
      despotism of himself.
    &lt;/p&gt;
&lt;pre&gt;
  He was a slave:  at word he went and came;
      His iron collar cut him to the bone.
  Then Liberty erased his owner's name,
      Tightened the rivets and inscribed his own.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      EMBALM, v.i. To cheat vegetation by locking up the gases upon which it
      feeds. By embalming their dead and thereby deranging the natural balance
      between animal and vegetable life, the Egyptians made their once fertile
      and populous country barren and incapable of supporting more than a meagre
      crew. The modern metallic burial casket is a step in the same direction,
      and many a dead man who ought now to be ornamenting his neighbor's lawn as
      a tree, or enriching his table as a bunch of radishes, is doomed to a long
      inutility. We shall get him after awhile if we are spared, but in the
      meantime the violet and rose are languishing for a nibble at his &lt;i&gt;glutoeus
      maximus&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      EMOTION, n. A prostrating disease caused by a determination of the heart
      to the head. It is sometimes accompanied by a copious discharge of
      hydrated chloride of sodium from the eyes.
    &lt;/p&gt;
&lt;p&gt;
      ENCOMIAST, n. A special (but not particular) kind of liar.
    &lt;/p&gt;
&lt;p&gt;
      END, n. The position farthest removed on either hand from the
      Interlocutor.
    &lt;/p&gt;
&lt;pre&gt;
  The man was perishing apace
      Who played the tambourine;
  The seal of death was on his face—
      'Twas pallid, for 'twas clean.

  "This is the end," the sick man said
      In faint and failing tones.
  A moment later he was dead,
      And Tambourine was Bones.
&lt;/pre&gt;
&lt;p&gt;
      Tinley Roquot
    &lt;/p&gt;
&lt;p&gt;
      ENOUGH, pro. All there is in the world if you like it.
    &lt;/p&gt;
&lt;pre&gt;
  Enough is as good as a feast—for that matter
  Enougher's as good as a feast for the platter.
&lt;/pre&gt;
&lt;p&gt;
      Arbely C. Strunk
    &lt;/p&gt;
&lt;p&gt;
      ENTERTAINMENT, n. Any kind of amusement whose inroads stop short of death
      by injection.
    &lt;/p&gt;
&lt;p&gt;
      ENTHUSIASM, n. A distemper of youth, curable by small doses of repentance
      in connection with outward applications of experience. Byron, who
      recovered long enough to call it "entuzy-muzy," had a relapse, which
      carried him off—to Missolonghi.
    &lt;/p&gt;
&lt;p&gt;
      ENVELOPE, n. The coffin of a document; the scabbard of a bill; the husk of
      a remittance; the bed-gown of a love-letter.
    &lt;/p&gt;
&lt;p&gt;
      ENVY, n. Emulation adapted to the meanest capacity.
    &lt;/p&gt;
&lt;p&gt;
      EPAULET, n. An ornamented badge, serving to distinguish a military officer
      from the enemy—that is to say, from the officer of lower rank to
      whom his death would give promotion.
    &lt;/p&gt;
&lt;p&gt;
      EPICURE, n. An opponent of Epicurus, an abstemious philosopher who,
      holding that pleasure should be the chief aim of man, wasted no time in
      gratification from the senses.
    &lt;/p&gt;
&lt;p&gt;
      EPIGRAM, n. A short, sharp saying in prose or verse, frequently
      characterized by acidity or acerbity and sometimes by wisdom. Following are
      some of the more notable epigrams of the learned and ingenious Dr. Jamrach
      Holobom:
    &lt;/p&gt;
&lt;pre&gt;
      We know better the needs of ourselves than of others.  To
  serve oneself is economy of administration.

      In each human heart are a tiger, a pig, an ass and a
  nightingale.  Diversity of character is due to their unequal
  activity.

      There are three sexes; males, females and girls.

      Beauty in women and distinction in men are alike in this:
  they seem to the unthinking a kind of credibility.
      Women in love are less ashamed than men.  They have less to be
  ashamed of.

      While your friend holds you affectionately by both your hands
  you are safe, for you can watch both his.
&lt;/pre&gt;
&lt;p&gt;
      EPITAPH, n. An inscription on a tomb, showing that virtues acquired by
      death have a retroactive effect. Following is a touching example:
    &lt;/p&gt;
&lt;pre&gt;
  Here lie the bones of Parson Platt,
  Wise, pious, humble and all that,
  Who showed us life as all should live it;
  Let that be said—and God forgive it!
&lt;/pre&gt;
&lt;p&gt;
      ERUDITION, n. Dust shaken out of a book into an empty skull.
    &lt;/p&gt;
&lt;pre&gt;
  So wide his erudition's mighty span,
  He knew Creation's origin and plan
  And only came by accident to grief—
  He thought, poor man, 'twas right to be a thief.
&lt;/pre&gt;
&lt;p&gt;
      Romach Pute
    &lt;/p&gt;
&lt;p&gt;
      ESOTERIC, adj. Very particularly abstruse and consummately occult. The
      ancient philosophies were of two kinds,—&lt;i&gt;exoteric&lt;/i&gt;, those that
      the philosophers themselves could partly understand, and &lt;i&gt;esoteric&lt;/i&gt;,
      those that nobody could understand. It is the latter that have most
      profoundly affected modern thought and found greatest acceptance in our
      time.
    &lt;/p&gt;
&lt;p&gt;
      ETHNOLOGY, n. The science that treats of the various tribes of Man, as
      robbers, thieves, swindlers, dunces, lunatics, idiots and ethnologists.
    &lt;/p&gt;
&lt;pre&gt;
EUCHARIST, n.  A sacred feast of the religious sect of Theophagi.
  A dispute once unhappily arose among the members of this sect as
to what it was that they ate.  In this controversy some five hundred
thousand have already been slain, and the question is still unsettled.
&lt;/pre&gt;
&lt;p&gt;
      EULOGY, n. Praise of a person who has either the advantages of wealth and
      power, or the consideration to be dead.
    &lt;/p&gt;
&lt;p&gt;
      EVANGELIST, n. A bearer of good tidings, particularly (in a religious
      sense) such as assure us of our own salvation and the damnation of our
      neighbors.
    &lt;/p&gt;
&lt;p&gt;
      EVERLASTING, adj. Lasting forever. It is with no small diffidence that I
      venture to offer this brief and elementary definition, for I am not
      unaware of the existence of a bulky volume by a sometime Bishop of
      Worcester, entitled, &lt;i&gt;A Partial Definition of the Word "Everlasting," as
      Used in the Authorized Version of the Holy Scriptures&lt;/i&gt;. His book was
      once esteemed of great authority in the Anglican Church, and is still, I
      understand, studied with pleasure to the mind and profit of the soul.
    &lt;/p&gt;
&lt;p&gt;
      EXCEPTION, n. A thing which takes the liberty to differ from other things
      of its class, as an honest man, a truthful woman, etc. "The exception
      proves the rule" is an expression constantly upon the lips of the
      ignorant, who parrot it from one another with never a thought of its
      absurdity. In the Latin, "&lt;i&gt;Exceptio probat regulam&lt;/i&gt;" means that the
      exception &lt;i&gt;tests&lt;/i&gt; the rule, puts it to the proof, not &lt;i&gt;confirms&lt;/i&gt;
      it. The malefactor who drew the meaning from this excellent dictum and
      substituted a contrary one of his own exerted an evil power which appears
      to be immortal.
    &lt;/p&gt;
&lt;p&gt;
      EXCESS, n. In morals, an indulgence that enforces by appropriate penalties
      the law of moderation.
    &lt;/p&gt;
&lt;pre&gt;
  Hail, high Excess—especially in wine,
      To thee in worship do I bend the knee
      Who preach abstemiousness unto me—
  My skull thy pulpit, as my paunch thy shrine.
  Precept on precept, aye, and line on line,
      Could ne'er persuade so sweetly to agree
      With reason as thy touch, exact and free,
  Upon my forehead and along my spine.
  At thy command eschewing pleasure's cup,
      With the hot grape I warm no more my wit;
      When on thy stool of penitence I sit
  I'm quite converted, for I can't get up.
  Ungrateful he who afterward would falter
  To make new sacrifices at thine altar!
&lt;/pre&gt;
&lt;p&gt;
      EXCOMMUNICATION, n.
    &lt;/p&gt;
&lt;pre&gt;
  This "excommunication" is a word
  In speech ecclesiastical oft heard,
  And means the damning, with bell, book and candle,
  Some sinner whose opinions are a scandal—
  A rite permitting Satan to enslave him
  Forever, and forbidding Christ to save him.
&lt;/pre&gt;
&lt;p&gt;
      Gat Huckle
    &lt;/p&gt;
&lt;p&gt;
      EXECUTIVE, n. An officer of the Government, whose duty it is to enforce
      the wishes of the legislative power until such time as the judicial
      department shall be pleased to pronounce them invalid and of no effect.
      Following is an extract from an old book entitled, &lt;i&gt;The Lunarian
      Astonished&lt;/i&gt;—Pfeiffer &amp;amp; Co., Boston, 1803:
    &lt;/p&gt;
&lt;pre&gt;
  LUNARIAN:  Then when your Congress has passed a law it goes
      directly to the Supreme Court in order that it may at once be
      known whether it is constitutional?
  TERRESTRIAN:  O no; it does not require the approval of the
      Supreme Court until having perhaps been enforced for many
      years somebody objects to its operation against himself—I
      mean his client.  The President, if he approves it, begins to
      execute it at once.
  LUNARIAN:  Ah, the executive power is a part of the legislative.
      Do your policemen also have to approve the local ordinances
      that they enforce?
  TERRESTRIAN:  Not yet—at least not in their character of
      constables.  Generally speaking, though, all laws require the
      approval of those whom they are intended to restrain.
  LUNARIAN:  I see.  The death warrant is not valid until signed by
      the murderer.
  TERRESTRIAN:  My friend, you put it too strongly; we are not so
      consistent.
  LUNARIAN:  But this system of maintaining an expensive judicial
      machinery to pass upon the validity of laws only after they
      have long been executed, and then only when brought before the
      court by some private person—does it not cause great
      confusion?
  TERRESTRIAN:  It does.
  LUNARIAN:  Why then should not your laws, previously to being
      executed, be validated, not by the signature of your
      President, but by that of the Chief Justice of the Supreme
      Court?
  TERRESTRIAN:  There is no precedent for any such course.
  LUNARIAN:  Precedent.  What is that?
  TERRESTRIAN:  It has been defined by five hundred lawyers in three
      volumes each.  So how can any one know?
&lt;/pre&gt;
&lt;p&gt;
      EXHORT, v.t. In religious affairs, to put the conscience of another upon
      the spit and roast it to a nut-brown discomfort.
    &lt;/p&gt;
&lt;p&gt;
      EXILE, n. One who serves his country by residing abroad, yet is not an
      ambassador.
    &lt;/p&gt;
&lt;p&gt;
      An English sea-captain being asked if he had read "The Exile of Erin,"
      replied: "No, sir, but I should like to anchor on it." Years afterwards,
      when he had been hanged as a pirate after a career of unparalleled
      atrocities, the following memorandum was found in the ship's log that he
      had kept at the time of his reply:
    &lt;/p&gt;
&lt;pre&gt;
  Aug. 3d, 1842.  Made a joke on the ex-Isle of Erin.  Coldly
  received.  War with the whole world!
&lt;/pre&gt;
&lt;p&gt;
      EXISTENCE, n.
    &lt;/p&gt;
&lt;pre&gt;
  A transient, horrible, fantastic dream,
  Wherein is nothing yet all things do seem:
  From which we're wakened by a friendly nudge
  Of our bedfellow Death, and cry:  "O fudge!"
&lt;/pre&gt;
&lt;p&gt;
      EXPERIENCE, n. The wisdom that enables us to recognize as an undesirable
      old acquaintance the folly that we have already embraced.
    &lt;/p&gt;
&lt;pre&gt;
  To one who, journeying through night and fog,
  Is mired neck-deep in an unwholesome bog,
  Experience, like the rising of the dawn,
  Reveals the path that he should not have gone.
&lt;/pre&gt;
&lt;p&gt;
      Joel Frad Bink
    &lt;/p&gt;
&lt;p&gt;
      EXPOSTULATION, n. One of the many methods by which fools prefer to lose
      their friends.
    &lt;/p&gt;
&lt;p&gt;
      EXTINCTION, n. The raw material out of which theology created the future
      state.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0007"&gt;&lt;/a&gt;
      F
    &lt;/h2&gt;
&lt;p&gt;
      FAIRY, n. A creature, variously fashioned and endowed, that formerly
      inhabited the meadows and forests. It was nocturnal in its habits, and
      somewhat addicted to dancing and the theft of children. The fairies are
      now believed by naturalists to be extinct, though a clergyman of the Church
      of England saw three near Colchester as lately as 1855, while passing
      through a park after dining with the lord of the manor. The sight greatly
      staggered him, and he was so affected that his account of it was
      incoherent. In the year 1807 a troop of fairies visited a wood near Aix
      and carried off the daughter of a peasant, who had been seen to enter it
      with a bundle of clothing. The son of a wealthy &lt;i&gt;bourgeois&lt;/i&gt;
      disappeared about the same time, but afterward returned. He had seen the
      abduction and been in pursuit of the fairies. Justinian Gaux, a writer of the
      fourteenth century, avers that so great is the fairies' power of
      transformation that he saw one change itself into two opposing armies and
      fight a battle with great slaughter, and that the next day, after it had
      resumed its original shape and gone away, there were seven hundred bodies
      of the slain which the villagers had to bury. He does not say if any of
      the wounded recovered. In the time of Henry III, of England, a law was
      made which prescribed the death penalty for "Kyllynge, wowndynge, or
      mamynge" a fairy, and it was universally respected.
    &lt;/p&gt;
&lt;p&gt;
      FAITH, n. Belief without evidence in what is told by one who speaks
      without knowledge, of things without parallel.
    &lt;/p&gt;
&lt;p&gt;
      FAMOUS, adj. Conspicuously miserable.
    &lt;/p&gt;
&lt;pre&gt;
  Done to a turn on the iron, behold
      Him who to be famous aspired.
  Content?  Well, his grill has a plating of gold,
      And his twistings are greatly admired.
&lt;/pre&gt;
&lt;p&gt;
      Hassan Brubuddy
    &lt;/p&gt;
&lt;p&gt;
      FASHION, n. A despot whom the wise ridicule and obey.
    &lt;/p&gt;
&lt;pre&gt;
  A king there was who lost an eye
      In some excess of passion;
  And straight his courtiers all did try
      To follow the new fashion.

  Each dropped one eyelid when before
      The throne he ventured, thinking
  'Twould please the king.  That monarch swore
      He'd slay them all for winking.

  What should they do?  They were not hot
      To hazard such disaster;
  They dared not close an eye—dared not
      See better than their master.

  Seeing them lacrymose and glum,
      A leech consoled the weepers:
  He spread small rags with liquid gum
      And covered half their peepers.

  The court all wore the stuff, the flame
      Of royal anger dying.
  That's how court-plaster got its name
      Unless I'm greatly lying.
&lt;/pre&gt;
&lt;p&gt;
      Naramy Oof
    &lt;/p&gt;
&lt;p&gt;
      FEAST, n. A festival. A religious celebration usually signalized by
      gluttony and drunkenness, frequently in honor of some holy person
      distinguished for abstemiousness. In the Roman Catholic Church feasts are
      "movable" and "immovable," but the celebrants are uniformly immovable
      until they are full. In their earliest development these entertainments
      took the form of feasts for the dead; such were held by the Greeks, under
      the name &lt;i&gt;Nemeseia&lt;/i&gt;, by the Aztecs and Peruvians, as in modern times
      they are popular with the Chinese; though it is believed that the ancient
      dead, like the modern, were light eaters. Among the many feasts of the
      Romans was the &lt;i&gt;Novemdiale&lt;/i&gt;, which was held, according to Livy,
      whenever stones fell from heaven.
    &lt;/p&gt;
&lt;p&gt;
      FELON, n. A person of greater enterprise than discretion, who in embracing
      an opportunity has formed an unfortunate attachment.
    &lt;/p&gt;
&lt;p&gt;
      FEMALE, n. One of the opposing, or unfair, sex.
    &lt;/p&gt;
&lt;pre&gt;
  The Maker, at Creation's birth,
  With living things had stocked the earth.
  From elephants to bats and snails,
  They all were good, for all were males.
  But when the Devil came and saw
  He said:  "By Thine eternal law
  Of growth, maturity, decay,
  These all must quickly pass away
  And leave untenanted the earth
  Unless Thou dost establish birth"—
  Then tucked his head beneath his wing
  To laugh—he had no sleeve—the thing
  With deviltry did so accord,
  That he'd suggested to the Lord.
  The Master pondered this advice,
  Then shook and threw the fateful dice
  Wherewith all matters here below
  Are ordered, and observed the throw;
  Then bent His head in awful state,
  Confirming the decree of Fate.
  From every part of earth anew
  The conscious dust consenting flew,
  While rivers from their courses rolled
  To make it plastic for the mould.
  Enough collected (but no more,
  For niggard Nature hoards her store)
  He kneaded it to flexible clay,
  While Nick unseen threw some away.
  And then the various forms He cast,
  Gross organs first and finer last;
  No one at once evolved, but all
  By even touches grew and small
  Degrees advanced, till, shade by shade,
  To match all living things He'd made
  Females, complete in all their parts
  Except (His clay gave out) the hearts.
  "No matter," Satan cried; "with speed
  I'll fetch the very hearts they need"—
  So flew away and soon brought back
  The number needed, in a sack.
  That night earth rang with sounds of strife—
  Ten million males each had a wife;
  That night sweet Peace her pinions spread
  O'er Hell—ten million devils dead!
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      FIB, n. A lie that has not cut its teeth. An habitual liar's nearest
      approach to truth: the perigee of his eccentric orbit.
    &lt;/p&gt;
&lt;pre&gt;
  When David said:  "All men are liars," Dave,
      Himself a liar, fibbed like any thief.
      Perhaps he thought to weaken disbelief
  By proof that even himself was not a slave
  To Truth; though I suspect the aged knave
      Had been of all her servitors the chief
      Had he but known a fig's reluctant leaf
  Is more than e'er she wore on land or wave.
  No, David served not Naked Truth when he
      Struck that sledge-hammer blow at all his race;
          Nor did he hit the nail upon the head:
  For reason shows that it could never be,
      And the facts contradict him to his face.
          Men are not liars all, for some are dead.
&lt;/pre&gt;
&lt;p&gt;
      Bartle Quinker
    &lt;/p&gt;
&lt;p&gt;
      FICKLENESS, n. The iterated satiety of an enterprising affection.
    &lt;/p&gt;
&lt;p&gt;
      FIDDLE, n. An instrument to tickle human ears by friction of a horse's
      tail on the entrails of a cat.
    &lt;/p&gt;
&lt;pre&gt;
  To Rome said Nero:  "If to smoke you turn
  I shall not cease to fiddle while you burn."
  To Nero Rome replied:  "Pray do your worst,
  'Tis my excuse that you were fiddling first."
&lt;/pre&gt;
&lt;p&gt;
      Orm Pludge
    &lt;/p&gt;
&lt;p&gt;
      FIDELITY, n. A virtue peculiar to those who are about to be betrayed.
    &lt;/p&gt;
&lt;p&gt;
      FINANCE, n. The art or science of managing revenues and resources for the
      best advantage of the manager. The pronunciation of this word with the i
      long and the accent on the first syllable is one of America's most
      precious discoveries and possessions.
    &lt;/p&gt;
&lt;p&gt;
      FLAG, n. A colored rag borne above troops and hoisted on forts and ships.
      It appears to serve the same purpose as certain signs that one sees on
      vacant lots in London—"Rubbish may be shot here."
    &lt;/p&gt;
&lt;p&gt;
      FLESH, n. The Second Person of the secular Trinity.
    &lt;/p&gt;
&lt;p&gt;
      FLOP, v. Suddenly to change one's opinions and go over to another party.
      The most notable flop on record was that of Saul of Tarsus, who has been
      severely criticised as a turn-coat by some of our partisan journals.
    &lt;/p&gt;
&lt;p&gt;
      FLY-SPECK, n. The prototype of punctuation. It is observed by Garvinus
      that the systems of punctuation in use by the various literary nations
      depended originally upon the social habits and general diet of the flies
      infesting the several countries. These creatures, which have always been
      distinguished for a neighborly and companionable familiarity with authors,
      liberally or niggardly embellish the manuscripts in process of growth
      under the pen, according to their bodily habit, bringing out the sense of
      the work by a species of interpretation superior to, and independent of,
      the writer's powers. The "old masters" of literature—that is to say,
      the early writers whose work is so esteemed by later scribes and critics
      in the same language—never punctuated at all, but worked right along
      free-handed, without that abruption of the thought which comes from the
      use of points. (We observe the same thing in children to-day, whose usage
      in this particular is a striking and beautiful instance of the law that
      the infancy of individuals reproduces the methods and stages of
      development characterizing the infancy of races.) In the work of these
      primitive scribes all the punctuation is found, by the modern investigator
      with his optical instruments and chemical tests, to have been inserted by
      the writers' ingenious and serviceable collaborator, the common house-fly—&lt;i&gt;Musca
      maledicta&lt;/i&gt;. In transcribing these ancient MSS, for the purpose of
      either making the work their own or preserving what they naturally regard
      as divine revelations, later writers reverently and accurately copy
      whatever marks they find upon the papyrus or parchment, to the unspeakable
      enhancement of the lucidity of the thought and value of the work. Writers
      contemporary with the copyists naturally avail themselves of the obvious
      advantages of these marks in their own work, and with such assistance as
      the flies of their own household may be willing to grant, frequently rival
      and sometimes surpass the older compositions, in respect at least of
      punctuation, which is no small glory. Fully to understand the important
      services that flies perform to literature it is only necessary to lay a
      page of some popular novelist alongside a saucer of cream-and-molasses in
      a sunny room and observe "how the wit brightens and the style refines" in
      accurate proportion to the duration of exposure.
    &lt;/p&gt;
&lt;p&gt;
      FOLLY, n. That "gift and faculty divine" whose creative and controlling
      energy inspires Man's mind, guides his actions and adorns his life.
    &lt;/p&gt;
&lt;pre&gt;
  Folly! although Erasmus praised thee once
      In a thick volume, and all authors known,
      If not thy glory yet thy power have shown,
  Deign to take homage from thy son who hunts
  Through all thy maze his brothers, fool and dunce,
      To mend their lives and to sustain his own,
      However feebly be his arrows thrown,

  Howe'er each hide the flying weapons blunts.
  All-Father Folly! be it mine to raise,
      With lusty lung, here on his western strand
      With all thine offspring thronged from every land,
  Thyself inspiring me, the song of praise.
  And if too weak, I'll hire, to help me bawl,
  Dick Watson Gilder, gravest of us all.
&lt;/pre&gt;
&lt;p&gt;
      Aramis Loto Frope
    &lt;/p&gt;
&lt;p&gt;
      FOOL, n. A person who pervades the domain of intellectual speculation and
      diffuses himself through the channels of moral activity. He is omnific,
      omniform, omnipercipient, omniscient, omnipotent. He it was who invented
      letters, printing, the railroad, the steamboat, the telegraph, the
      platitude and the circle of the sciences. He created patriotism and taught
      the nations war—founded theology, philosophy, law, medicine and
      Chicago. He established monarchical and republican government. He is from
      everlasting to everlasting—such as creation's dawn beheld he fooleth
      now. In the morning of time he sang upon primitive hills, and in the
      noonday of existence headed the procession of being. His grandmotherly
      hand was warmly tucked-in the set sun of civilization, and in the twilight
      he prepares Man's evening meal of milk-and-morality and turns down the
      covers of the universal grave. And after the rest of us shall have retired
      for the night of eternal oblivion he will sit up to write a history of
      human civilization.
    &lt;/p&gt;
&lt;p&gt;
      FORCE, n.
    &lt;/p&gt;
&lt;pre&gt;
  "Force is but might," the teacher said—
      "That definition's just."
  The boy said naught but thought instead,
  Remembering his pounded head:
      "Force is not might but must!"
&lt;/pre&gt;
&lt;p&gt;
      FOREFINGER, n. The finger commonly used in pointing out two malefactors.
    &lt;/p&gt;
&lt;p&gt;
      FOREORDINATION, n. This looks like an easy word to define, but when I
      consider that pious and learned theologians have spent long lives in
      explaining it, and written libraries to explain their explanations; when I
      remember that nations have been divided and bloody battles caused by the
      difference between foreordination and predestination, and that millions of
      treasure have been expended in the effort to prove and disprove its
      compatibility with freedom of the will and the efficacy of prayer, praise,
      and a religious life,—recalling these awful facts in the history of
      the word, I stand appalled before the mighty problem of its signification,
      abase my spiritual eyes, fearing to contemplate its portentous magnitude,
      reverently uncover and humbly refer it to His Eminence Cardinal Gibbons
      and His Grace Bishop Potter.
    &lt;/p&gt;
&lt;p&gt;
      FORGETFULNESS, n. A gift of God bestowed upon doctors in compensation for
      their destitution of conscience.
    &lt;/p&gt;
&lt;p&gt;
      FORK, n. An instrument used chiefly for the purpose of putting dead
      animals into the mouth. Formerly the knife was employed for this purpose,
      and by many worthy persons is still thought to have many advantages over
      the other tool, which, however, they do not altogether reject, but use to
      assist in charging the knife. The immunity of these persons from swift and
      awful death is one of the most striking proofs of God's mercy to those
      that hate Him.
    &lt;/p&gt;
&lt;p&gt;
      FORMA PAUPERIS. [Latin] In the character of a poor person—a method
      by which a litigant without money for lawyers is considerately permitted
      to lose his case.
    &lt;/p&gt;
&lt;pre&gt;
  When Adam long ago in Cupid's awful court
      (For Cupid ruled ere Adam was invented)
  Sued for Eve's favor, says an ancient law report,
      He stood and pleaded unhabilimented.

  "You sue &lt;i&gt;in forma pauperis&lt;/i&gt;, I see," Eve cried;
      "Actions can't here be that way prosecuted."
  So all poor Adam's motions coldly were denied:
      He went away—as he had come—nonsuited.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      FRANKALMOIGNE, n. The tenure by which a religious corporation holds lands
      on condition of praying for the soul of the donor. In mediaeval times many
      of the wealthiest fraternities obtained their estates in this simple and
      cheap manner, and once when Henry VIII of England sent an officer to
      confiscate certain vast possessions which a fraternity of monks held by
      frankalmoigne, "What!" said the Prior, "would your master stay our
      benefactor's soul in Purgatory?" "Ay," said the officer, coldly, "an ye
      will not pray him thence for naught he must e'en roast." "But look you, my
      son," persisted the good man, "this act hath rank as robbery of God!"
      "Nay, nay, good father, my master the king doth but deliver Him from the
      manifold temptations of too great wealth."
    &lt;/p&gt;
&lt;p&gt;
      FREEBOOTER, n. A conqueror in a small way of business, whose annexations
      lack of the sanctifying merit of magnitude.
    &lt;/p&gt;
&lt;p&gt;
      FREEDOM, n. Exemption from the stress of authority in a beggarly half
      dozen of restraint's infinite multitude of methods. A political condition
      that every nation supposes itself to enjoy in virtual monopoly. Liberty.
      The distinction between freedom and liberty is not accurately known;
      naturalists have never been able to find a living specimen of either.
    &lt;/p&gt;
&lt;pre&gt;
  Freedom, as every schoolboy knows,
      Once shrieked as Kosciusko fell;
  On every wind, indeed, that blows
          I hear her yell.

  She screams whenever monarchs meet,
      And parliaments as well,
  To bind the chains about her feet
          And toll her knell.

  And when the sovereign people cast
      The votes they cannot spell,
  Upon the pestilential blast
          Her clamors swell.

  For all to whom the power's given
      To sway or to compel,
  Among themselves apportion Heaven
          And give her Hell.
&lt;/pre&gt;
&lt;p&gt;
      Blary O'Gary
    &lt;/p&gt;
&lt;p&gt;
      FREEMASONS, n. An order with secret rites, grotesque ceremonies and
      fantastic costumes, which, originating in the reign of Charles II, among
      working artisans of London, has been joined successively by the dead of
      past centuries in unbroken retrogression until now it embraces all the
      generations of man on the hither side of Adam and is drumming up
      distinguished recruits among the pre-Creational inhabitants of Chaos and
      Formless Void. The order was founded at different times by Charlemagne,
      Julius Caesar, Cyrus, Solomon, Zoroaster, Confucious, Thothmes, and
      Buddha. Its emblems and symbols have been found in the Catacombs of Paris
      and Rome, on the stones of the Parthenon and the Chinese Great Wall, among
      the temples of Karnak and Palmyra and in the Egyptian Pyramids—always
      by a Freemason.
    &lt;/p&gt;
&lt;p&gt;
      FRIENDLESS, adj. Having no favors to bestow. Destitute of fortune.
      Addicted to utterance of truth and common sense.
    &lt;/p&gt;
&lt;p&gt;
      FRIENDSHIP, n. A ship big enough to carry two in fair weather, but only
      one in foul.
    &lt;/p&gt;
&lt;pre&gt;
  The sea was calm and the sky was blue;
  Merrily, merrily sailed we two.
      (High barometer maketh glad.)
  On the tipsy ship, with a dreadful shout,
  The tempest descended and we fell out.
      (O the walking is nasty bad!)
&lt;/pre&gt;
&lt;p&gt;
      Armit Huff Bettle
    &lt;/p&gt;
&lt;p&gt;
      FROG, n. A reptile with edible legs. The first mention of frogs in profane
      literature is in Homer's narrative of the war between them and the mice.
      Skeptical persons have doubted Homer's authorship of the work, but the
      learned, ingenious and industrious Dr. Schliemann has set the question
      forever at rest by uncovering the bones of the slain frogs. One of the
      forms of moral suasion by which Pharaoh was besought to favor the
      Israelities was a plague of frogs, but Pharaoh, who liked them &lt;i&gt;fricasees&lt;/i&gt;,
      remarked, with truly oriental stoicism, that he could stand it as long as
      the frogs and the Jews could; so the programme was changed. The frog is a
      diligent songster, having a good voice but no ear. The libretto of his
      favorite opera, as written by Aristophanes, is brief, simple and effective—"brekekex-koax";
      the music is apparently by that eminent composer, Richard Wagner. Horses
      have a frog in each hoof—a thoughtful provision of nature, enabling
      them to shine in a hurdle race.
    &lt;/p&gt;
&lt;p&gt;
      FRYING-PAN, n. One part of the penal apparatus employed in that punitive
      institution, a woman's kitchen. The frying-pan was invented by Calvin, and
      by him used in cooking span-long infants that had died without baptism;
      and observing one day the horrible torment of a tramp who had incautiously
      pulled a fried babe from the waste-dump and devoured it, it occurred to
      the great divine to rob death of its terrors by introducing the frying-pan
      into every household in Geneva. Thence it spread to all corners of the
      world, and has been of invaluable assistance in the propagation of his
      sombre faith. The following lines (said to be from the pen of his Grace
      Bishop Potter) seem to imply that the usefulness of this utensil is not
      limited to this world; but as the consequences of its employment in this
      life reach over into the life to come, so also itself may be found on the
      other side, rewarding its devotees:
    &lt;/p&gt;
&lt;pre&gt;
  Old Nick was summoned to the skies.
      Said Peter:  "Your intentions
  Are good, but you lack enterprise
      Concerning new inventions.

  "Now, broiling is an ancient plan
      Of torment, but I hear it
  Reported that the frying-pan
      Sears best the wicked spirit.

  "Go get one—fill it up with fat—
      Fry sinners brown and good in't."
  "I know a trick worth two o' that,"
      Said Nick—"I'll cook their food in't."
&lt;/pre&gt;
&lt;p&gt;
      FUNERAL, n. A pageant whereby we attest our respect for the dead by
      enriching the undertaker, and strengthen our grief by an expenditure that
      deepens our groans and doubles our tears.
    &lt;/p&gt;
&lt;pre&gt;
  The savage dies—they sacrifice a horse
  To bear to happy hunting-grounds the corse.
  Our friends expire—we make the money fly
  In hope their souls will chase it to the sky.
&lt;/pre&gt;
&lt;p&gt;
      Jex Wopley
    &lt;/p&gt;
&lt;p&gt;
      FUTURE, n. That period of time in which our affairs prosper, our friends
      are true and our happiness is assured.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0008"&gt;&lt;/a&gt;
      G
    &lt;/h2&gt;
&lt;p&gt;
      GALLOWS, n. A stage for the performance of miracle plays, in which the
      leading actor is translated to heaven. In this country the gallows is
      chiefly remarkable for the number of persons who escape it.
    &lt;/p&gt;
&lt;pre&gt;
  Whether on the gallows high
      Or where blood flows the reddest,
  The noblest place for man to die—
      Is where he died the deadest.
&lt;/pre&gt;
&lt;p&gt;
      (Old play)
    &lt;/p&gt;
&lt;p&gt;
      GARGOYLE, n. A rain-spout projecting from the eaves of mediaeval
      buildings, commonly fashioned into a grotesque caricature of some personal
      enemy of the architect or owner of the building. This was especially the
      case in churches and ecclesiastical structures generally, in which the
      gargoyles presented a perfect rogues' gallery of local heretics and
      controversialists. Sometimes when a new dean and chapter were installed
      the old gargoyles were removed and others substituted having a closer
      relation to the private animosities of the new incumbents.
    &lt;/p&gt;
&lt;p&gt;
      GARTHER, n. An elastic band intended to keep a woman from coming out of
      her stockings and desolating the country.
    &lt;/p&gt;
&lt;p&gt;
      GENEROUS, adj. Originally this word meant noble by birth and was rightly
      applied to a great multitude of persons. It now means noble by nature and
      is taking a bit of a rest.
    &lt;/p&gt;
&lt;p&gt;
      GENEALOGY, n. An account of one's descent from an ancestor who did not
      particularly care to trace his own.
    &lt;/p&gt;
&lt;p&gt;
      GENTEEL, adj. Refined, after the fashion of a gent.
    &lt;/p&gt;
&lt;pre&gt;
  Observe with care, my son, the distinction I reveal:
  A gentleman is gentle and a gent genteel.
  Heed not the definitions your "Unabridged" presents,
  For dictionary makers are generally gents.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      GEOGRAPHER, n. A chap who can tell you offhand the difference between the
      outside of the world and the inside.
    &lt;/p&gt;
&lt;pre&gt;
  Habeam, geographer of wide reknown,
  Native of Abu-Keber's ancient town,
  In passing thence along the river Zam
  To the adjacent village of Xelam,
  Bewildered by the multitude of roads,
  Got lost, lived long on migratory toads,
  Then from exposure miserably died,
  And grateful travelers bewailed their guide.
&lt;/pre&gt;
&lt;p&gt;
      Henry Haukhorn
    &lt;/p&gt;
&lt;p&gt;
      GEOLOGY, n. The science of the earth's crust—to which, doubtless,
      will be added that of its interior whenever a man shall come up garrulous
      out of a well. The geological formations of the globe already noted are
      catalogued thus: The Primary, or lower one, consists of rocks, bones or
      mired mules, gas-pipes, miners' tools, antique statues minus the nose,
      Spanish doubloons and ancestors. The Secondary is largely made up of red
      worms and moles. The Tertiary comprises railway tracks, patent pavements,
      grass, snakes, mouldy boots, beer bottles, tomato cans, intoxicated
      citizens, garbage, anarchists, snap-dogs and fools.
    &lt;/p&gt;
&lt;p&gt;
      GHOST, n. The outward and visible sign of an inward fear.
    &lt;/p&gt;
&lt;pre&gt;
          He saw a ghost.
  It occupied—that dismal thing!—
  The path that he was following.
  Before he'd time to stop and fly,
  An earthquake trifled with the eye
          That saw a ghost.
  He fell as fall the early good;
  Unmoved that awful vision stood.
  The stars that danced before his ken
  He wildly brushed away, and then
          He saw a post.
&lt;/pre&gt;
&lt;p&gt;
      Jared Macphester
    &lt;/p&gt;
&lt;p&gt;
      Accounting for the uncommon behavior of ghosts, Heine mentions somebody's
      ingenious theory to the effect that they are as much afraid of us as we of
      them. Not quite, if I may judge from such tables of comparative speed as I
      am able to compile from memories of my own experience.
    &lt;/p&gt;
&lt;p&gt;
      There is one insuperable obstacle to a belief in ghosts. A ghost never
      comes naked: he appears either in a winding-sheet or "in his habit as he
      lived." To believe in him, then, is to believe that not only have the dead
      the power to make themselves visible after there is nothing left of them,
      but that the same power inheres in textile fabrics. Supposing the products
      of the loom to have this ability, what object would they have in
      exercising it? And why does not the apparition of a suit of clothes
      sometimes walk abroad without a ghost in it? These be riddles of
      significance. They reach away down and get a convulsive grip on the very
      tap-root of this flourishing faith.
    &lt;/p&gt;
&lt;p&gt;
      GHOUL, n. A demon addicted to the reprehensible habit of devouring the
      dead. The existence of ghouls has been disputed by that class of
      controversialists who are more concerned to deprive the world of
      comforting beliefs than to give it anything good in their place. In 1640
      Father Secchi saw one in a cemetery near Florence and frightened it away
      with the sign of the cross. He describes it as gifted with many heads and
      an uncommon allowance of limbs, and he saw it in more than one place at a
      time. The good man was coming away from dinner at the time and explains
      that if he had not been "heavy with eating" he would have seized the demon
      at all hazards. Atholston relates that a ghoul was caught by some sturdy
      peasants in a churchyard at Sudbury and ducked in a horsepond. (He appears
      to think that so distinguished a criminal should have been ducked in a
      tank of rosewater.) The water turned at once to blood "and so contynues
      unto ys daye." The pond has since been bled with a ditch. As late as the
      beginning of the fourteenth century a ghoul was cornered in the crypt of
      the cathedral at Amiens and the whole population surrounded the place.
      Twenty armed men with a priest at their head, bearing a crucifix, entered
      and captured the ghoul, which, thinking to escape by the stratagem, had
      transformed itself to the semblance of a well known citizen, but was
      nevertheless hanged, drawn and quartered in the midst of hideous popular
      orgies. The citizen whose shape the demon had assumed was so affected by
      the sinister occurrence that he never again showed himself in Amiens and
      his fate remains a mystery.
    &lt;/p&gt;
&lt;p&gt;
      GLUTTON, n. A person who escapes the evils of moderation by committing
      dyspepsia.
    &lt;/p&gt;
&lt;p&gt;
      GNOME, n. In North-European mythology, a dwarfish imp inhabiting the
      interior parts of the earth and having special custody of mineral
      treasures. Bjorsen, who died in 1765, says gnomes were common enough in
      the southern parts of Sweden in his boyhood, and he frequently saw them
      scampering on the hills in the evening twilight. Ludwig Binkerhoof saw
      three as recently as 1792, in the Black Forest, and Sneddeker avers that
      in 1803 they drove a party of miners out of a Silesian mine. Basing our
      computations upon data supplied by these statements, we find that the
      gnomes were probably extinct as early as 1764.
    &lt;/p&gt;
&lt;p&gt;
      GNOSTICS, n. A sect of philosophers who tried to engineer a fusion between
      the early Christians and the Platonists. The former would not go into the
      caucus and the combination failed, greatly to the chagrin of the fusion
      managers.
    &lt;/p&gt;
&lt;p&gt;
      GNU, n. An animal of South Africa, which in its domesticated state
      resembles a horse, a buffalo and a stag. In its wild condition it is
      something like a thunderbolt, an earthquake and a cyclone.
    &lt;/p&gt;
&lt;pre&gt;
  A hunter from Kew caught a distant view
      Of a peacefully meditative gnu,
  And he said:  "I'll pursue, and my hands imbrue
      In its blood at a closer interview."
  But that beast did ensue and the hunter it threw
      O'er the top of a palm that adjacent grew;
  And he said as he flew:  "It is well I withdrew
      Ere, losing my temper, I wickedly slew
      That really meritorious gnu."
&lt;/pre&gt;
&lt;p&gt;
      Jarn Leffer
    &lt;/p&gt;
&lt;p&gt;
      GOOD, adj. Sensible, madam, to the worth of this present writer. Alive,
      sir, to the advantages of letting him alone.
    &lt;/p&gt;
&lt;p&gt;
      GOOSE, n. A bird that supplies quills for writing. These, by some occult
      process of nature, are penetrated and suffused with various degrees of the
      bird's intellectual energies and emotional character, so that when inked
      and drawn mechanically across paper by a person called an "author," there
      results a very fair and accurate transcript of the fowl's thought and
      feeling. The difference in geese, as discovered by this ingenious method,
      is considerable: many are found to have only trivial and insignificant
      powers, but some are seen to be very great geese indeed.
    &lt;/p&gt;
&lt;p&gt;
      GORGON, n.
    &lt;/p&gt;
&lt;pre&gt;
  The Gorgon was a maiden bold
  Who turned to stone the Greeks of old
  That looked upon her awful brow.
  We dig them out of ruins now,
  And swear that workmanship so bad
  Proves all the ancient sculptors mad.
&lt;/pre&gt;
&lt;p&gt;
      GOUT, n. A physician's name for the rheumatism of a rich patient.
    &lt;/p&gt;
&lt;p&gt;
      GRACES, n. Three beautiful goddesses, Aglaia, Thalia and Euphrosyne, who
      attended upon Venus, serving without salary. They were at no expense for
      board and clothing, for they ate nothing to speak of and dressed according
      to the weather, wearing whatever breeze happened to be blowing.
    &lt;/p&gt;
&lt;p&gt;
      GRAMMAR, n. A system of pitfalls thoughtfully prepared for the feet for
      the self-made man, along the path by which he advances to distinction.
    &lt;/p&gt;
&lt;p&gt;
      GRAPE, n.
    &lt;/p&gt;
&lt;pre&gt;
  Hail noble fruit!—by Homer sung,
      Anacreon and Khayyam;
  Thy praise is ever on the tongue
      Of better men than I am.

  The lyre in my hand has never swept,
      The song I cannot offer:
  My humbler service pray accept—
      I'll help to kill the scoffer.
  The water-drinkers and the cranks
      Who load their skins with liquor—
  I'll gladly bear their belly-tanks
      And tap them with my sticker.

  Fill up, fill up, for wisdom cools
      When e'er we let the wine rest.
  Here's death to Prohibition's fools,
      And every kind of vine-pest!
&lt;/pre&gt;
&lt;p&gt;
      Jamrach Holobom
    &lt;/p&gt;
&lt;p&gt;
      GRAPESHOT, n. An argument which the future is preparing in answer to the
      demands of American Socialism.
    &lt;/p&gt;
&lt;p&gt;
      GRAVE, n. A place in which the dead are laid to await the coming of the
      medical student.
    &lt;/p&gt;
&lt;pre&gt;
  Beside a lonely grave I stood—
      With brambles 'twas encumbered;
  The winds were moaning in the wood,
      Unheard by him who slumbered,

  A rustic standing near, I said:
      "He cannot hear it blowing!"
  "'Course not," said he:  "the feller's dead—
      He can't hear nowt that's going."

  "Too true," I said; "alas, too true—
      No sound his sense can quicken!"
  "Well, mister, wot is that to you?—
      The deadster ain't a-kickin'."

  I knelt and prayed:  "O Father, smile
      On him, and mercy show him!"
  That countryman looked on the while,
      And said:  "Ye didn't know him."
&lt;/pre&gt;
&lt;p&gt;
      Pobeter Dunko
    &lt;/p&gt;
&lt;p&gt;
      GRAVITATION, n. The tendency of all bodies to approach one another with a
      strength proportioned to the quantity of matter they contain— the
      quantity of matter they contain being ascertained by the strength of their
      tendency to approach one another. This is a lovely and edifying
      illustration of how science, having made A the proof of B, makes B the
      proof of A.
    &lt;/p&gt;
&lt;p&gt;
      GREAT, adj.
    &lt;/p&gt;
&lt;pre&gt;
  "I'm great," the Lion said—"I reign
  The monarch of the wood and plain!"

  The Elephant replied:  "I'm great—
  No quadruped can match my weight!"

  "I'm great—no animal has half
  So long a neck!" said the Giraffe.

  "I'm great," the Kangaroo said—"see
  My femoral muscularity!"

  The 'Possum said:  "I'm great—behold,
  My tail is lithe and bald and cold!"

  An Oyster fried was understood
  To say:  "I'm great because I'm good!"

  Each reckons greatness to consist
  In that in which he heads the list,

  And Vierick thinks he tops his class
  Because he is the greatest ass.
&lt;/pre&gt;
&lt;p&gt;
      Arion Spurl Doke
    &lt;/p&gt;
&lt;p&gt;
      GUILLOTINE, n. A machine which makes a Frenchman shrug his shoulders with
      good reason.
    &lt;/p&gt;
&lt;p&gt;
      In his great work on &lt;i&gt;Divergent Lines of Racial Evolution&lt;/i&gt;, the
      learned Professor Brayfugle argues from the prevalence of this gesture
      —the shrug—among Frenchmen, that they are descended from
      turtles and it is simply a survival of the habit of retracting the head
      inside the shell. It is with reluctance that I differ with so eminent an
      authority, but in my judgment (as more elaborately set forth and enforced
      in my work entitled &lt;i&gt;Hereditary Emotions&lt;/i&gt;—lib. II, c. XI) the
      shrug is a poor foundation upon which to build so important a theory, for
      previously to the Revolution the gesture was unknown. I have not a doubt
      that it is directly referable to the terror inspired by the guillotine
      during the period of that instrument's activity.
    &lt;/p&gt;
&lt;p&gt;
      GUNPOWDER, n. An agency employed by civilized nations for the settlement
      of disputes which might become troublesome if left unadjusted. By most
      writers the invention of gunpowder is ascribed to the Chinese, but not
      upon very convincing evidence. Milton says it was invented by the devil to
      dispel angels with, and this opinion seems to derive some support from the
      scarcity of angels. Moreover, it has the hearty concurrence of the Hon.
      James Wilson, Secretary of Agriculture.
    &lt;/p&gt;
&lt;p&gt;
      Secretary Wilson became interested in gunpowder through an event that
      occurred on the Government experimental farm in the District of Columbia.
      One day, several years ago, a rogue imperfectly reverent of the
      Secretary's profound attainments and personal character presented him with
      a sack of gunpowder, representing it as the seed of the &lt;i&gt;Flashawful
      flabbergastor&lt;/i&gt;, a Patagonian cereal of great commercial value,
      admirably adapted to this climate. The good Secretary was instructed to
      spill it along in a furrow and afterward inhume it with soil. This he at
      once proceeded to do, and had made a continuous line of it all the way
      across a ten-acre field, when he was made to look backward by a shout from
      the generous donor, who at once dropped a lighted match into the furrow at
      the starting-point. Contact with the earth had somewhat dampened the
      powder, but the startled functionary saw himself pursued by a tall moving
      pillar of fire and smoke in fierce evolution. He stood for a moment
      paralyzed and speechless, then he recollected an engagement and, dropping
      all, absented himself thence with such surprising celerity that to the
      eyes of spectators along the route selected he appeared like a long, dim
      streak prolonging itself with inconceivable rapidity through seven
      villages, and audibly refusing to be comforted. "Great Scott! what is
      that?" cried a surveyor's chainman, shading his eyes and gazing at the
      fading line of agriculturist which bisected his visible horizon. "That,"
      said the surveyor, carelessly glancing at the phenomenon and again
      centering his attention upon his instrument, "is the Meridian of
      Washington."
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0009"&gt;&lt;/a&gt;
      H
    &lt;/h2&gt;
&lt;p&gt;
      HABEAS CORPUS. A writ by which a man may be taken out of jail when
      confined for the wrong crime.
    &lt;/p&gt;
&lt;p&gt;
      HABIT, n. A shackle for the free.
    &lt;/p&gt;
&lt;p&gt;
      HADES, n. The lower world; the residence of departed spirits; the place
      where the dead live.
    &lt;/p&gt;
&lt;p&gt;
      Among the ancients the idea of Hades was not synonymous with our Hell,
      many of the most respectable men of antiquity residing there in a very
      comfortable kind of way. Indeed, the Elysian Fields themselves were a part
      of Hades, though they have since been removed to Paris. When the Jacobean
      version of the New Testament was in process of evolution the pious and
      learned men engaged in the work insisted by a majority vote on translating
      the Greek word "Aides" as "Hell"; but a conscientious minority member
      secretly possessed himself of the record and struck out the objectional
      word wherever he could find it. At the next meeting, the Bishop of
      Salisbury, looking over the work, suddenly sprang to his feet and said
      with considerable excitement: "Gentlemen, somebody has been razing 'Hell'
      here!" Years afterward the good prelate's death was made sweet by the
      reflection that he had been the means (under Providence) of making an
      important, serviceable and immortal addition to the phraseology of the
      English tongue.
    &lt;/p&gt;
&lt;p&gt;
      HAG, n. An elderly lady whom you do not happen to like; sometimes called,
      also, a hen, or cat. Old witches, sorceresses, etc., were called hags from
      the belief that their heads were surrounded by a kind of baleful
      lumination or nimbus—hag being the popular name of that peculiar
      electrical light sometimes observed in the hair. At one time hag was not a
      word of reproach: Drayton speaks of a "beautiful hag, all smiles," much as
      Shakespeare said, "sweet wench." It would not now be proper to call your
      sweetheart a hag—that compliment is reserved for the use of her
      grandchildren.
    &lt;/p&gt;
&lt;p&gt;
      HALF, n. One of two equal parts into which a thing may be divided, or
      considered as divided. In the fourteenth century a heated discussion arose
      among theologists and philosophers as to whether Omniscience could part an
      object into three halves; and the pious Father Aldrovinus publicly prayed
      in the cathedral at Rouen that God would demonstrate the affirmative of
      the proposition in some signal and unmistakable way, and particularly (if
      it should please Him) upon the body of that hardy blasphemer, Manutius
      Procinus, who maintained the negative. Procinus, however, was spared to
      die of the bite of a viper.
    &lt;/p&gt;
&lt;p&gt;
      HALO, n. Properly, a luminous ring encircling an astronomical body, but
      not infrequently confounded with "aureola," or "nimbus," a somewhat
      similar phenomenon worn as a head-dress by divinities and saints. The halo
      is a purely optical illusion, produced by moisture in the air, in the
      manner of a rainbow; but the aureola is conferred as a sign of superior
      sanctity, in the same way as a bishop's mitre, or the Pope's tiara. In the
      painting of the Nativity, by Szedgkin, a pious artist of Pesth, not only
      do the Virgin and the Child wear the nimbus, but an ass nibbling hay from
      the sacred manger is similarly decorated and, to his lasting honor be it
      said, appears to bear his unaccustomed dignity with a truly saintly grace.
    &lt;/p&gt;
&lt;p&gt;
      HAND, n. A singular instrument worn at the end of the human arm and
      commonly thrust into somebody's pocket.
    &lt;/p&gt;
&lt;p&gt;
      HANDKERCHIEF, n. A small square of silk or linen, used in various ignoble
      offices about the face and especially serviceable at funerals to conceal
      the lack of tears. The handkerchief is of recent invention; our ancestors
      knew nothing of it and intrusted its duties to the sleeve. Shakespeare's
      introducing it into the play of "Othello" is an anachronism: Desdemona
      dried her nose with her skirt, as Dr. Mary Walker and other reformers have
      done with their coattails in our own day—an evidence that
      revolutions sometimes go backward.
    &lt;/p&gt;
&lt;p&gt;
      HANGMAN, n. An officer of the law charged with duties of the highest
      dignity and utmost gravity, and held in hereditary disesteem by a populace
      having a criminal ancestry. In some of the American States his functions
      are now performed by an electrician, as in New Jersey, where executions by
      electricity have recently been ordered—the first instance known to
      this lexicographer of anybody questioning the expediency of hanging
      Jerseymen.
    &lt;/p&gt;
&lt;p&gt;
      HAPPINESS, n. An agreeable sensation arising from contemplating the misery
      of another.
    &lt;/p&gt;
&lt;p&gt;
      HARANGUE, n. A speech by an opponent, who is known as an harangue-outang.
    &lt;/p&gt;
&lt;p&gt;
      HARBOR, n. A place where ships taking shelter from storms are exposed to
      the fury of the customs.
    &lt;/p&gt;
&lt;p&gt;
      HARMONISTS, n. A sect of Protestants, now extinct, who came from Europe in
      the beginning of the last century and were distinguished for the
      bitterness of their internal controversies and dissensions.
    &lt;/p&gt;
&lt;p&gt;
      HASH, x. There is no definition for this word—nobody knows what hash
      is.
    &lt;/p&gt;
&lt;p&gt;
      HATCHET, n. A young axe, known among Indians as a Thomashawk.
    &lt;/p&gt;
&lt;pre&gt;
  "O bury the hatchet, irascible Red,
  For peace is a blessing," the White Man said.
      The Savage concurred, and that weapon interred,
  With imposing rites, in the White Man's head.
&lt;/pre&gt;
&lt;p&gt;
      John Lukkus
    &lt;/p&gt;
&lt;p&gt;
      HATRED, n. A sentiment appropriate to the occasion of another's
      superiority.
    &lt;/p&gt;
&lt;p&gt;
      HEAD-MONEY, n. A capitation tax, or poll-tax.
    &lt;/p&gt;
&lt;pre&gt;
  In ancient times there lived a king
  Whose tax-collectors could not wring
  From all his subjects gold enough
  To make the royal way less rough.
  For pleasure's highway, like the dames
  Whose premises adjoin it, claims
  Perpetual repairing.  So
  The tax-collectors in a row
  Appeared before the throne to pray
  Their master to devise some way
  To swell the revenue.  "So great,"
  Said they, "are the demands of state
  A tithe of all that we collect
  Will scarcely meet them.  Pray reflect:
  How, if one-tenth we must resign,
  Can we exist on t'other nine?"
  The monarch asked them in reply:
  "Has it occurred to you to try
  The advantage of economy?"
  "It has," the spokesman said:  "we sold
  All of our gay garrotes of gold;
  With plated-ware we now compress
  The necks of those whom we assess.
  Plain iron forceps we employ
  To mitigate the miser's joy
  Who hoards, with greed that never tires,
  That which your Majesty requires."
  Deep lines of thought were seen to plow
  Their way across the royal brow.
  "Your state is desperate, no question;
  Pray favor me with a suggestion."
  "O King of Men," the spokesman said,
  "If you'll impose upon each head
  A tax, the augmented revenue
  We'll cheerfully divide with you."
  As flashes of the sun illume
  The parted storm-cloud's sullen gloom,
  The king smiled grimly.  "I decree
  That it be so—and, not to be
  In generosity outdone,
  Declare you, each and every one,
  Exempted from the operation
  Of this new law of capitation.
  But lest the people censure me
  Because they're bound and you are free,
  'Twere well some clever scheme were laid
  By you this poll-tax to evade.
  I'll leave you now while you confer
  With my most trusted minister."
  The monarch from the throne-room walked
  And straightway in among them stalked
  A silent man, with brow concealed,
  Bare-armed—his gleaming axe revealed!
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      HEARSE, n. Death's baby-carriage.
    &lt;/p&gt;
&lt;p&gt;
      HEART, n. An automatic, muscular blood-pump. Figuratively, this useful
      organ is said to be the seat of emotions and sentiments—a very
      pretty fancy which, however, is nothing but a survival of a once universal
      belief. It is now known that the sentiments and emotions reside in the
      stomach, being evolved from food by chemical action of the gastric fluid.
      The exact process by which a beefsteak becomes a feeling—tender or
      not, according to the age of the animal from which it was cut; the
      successive stages of elaboration through which a caviar sandwich is
      transmuted to a quaint fancy and reappears as a pungent epigram; the
      marvelous functional methods of converting a hard-boiled egg into
      religious contrition, or a cream-puff into a sigh of sensibility—these
      things have been patiently ascertained by M. Pasteur, and by him expounded
      with convincing lucidity. (See, also, my monograph, &lt;i&gt;The Essential
      Identity of the Spiritual Affections and Certain Intestinal Gases Freed in
      Digestion&lt;/i&gt;—4to, 687 pp.) In a scientific work entitled, I
      believe, &lt;i&gt;Delectatio Demonorum&lt;/i&gt; (John Camden Hotton, London, 1873)
      this view of the sentiments receives a striking illustration; and for
      further light consult Professor Dam's famous treatise on &lt;i&gt;Love as a
      Product of Alimentary Maceration&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      HEAT, n.
    &lt;/p&gt;
&lt;pre&gt;
  Heat, says Professor Tyndall, is a mode
      Of motion, but I know now how he's proving
  His point; but this I know—hot words bestowed
      With skill will set the human fist a-moving,
  And where it stops the stars burn free and wild.
  &lt;i&gt;Crede expertum&lt;/i&gt;—I have seen them, child.
&lt;/pre&gt;
&lt;p&gt;
      Gorton Swope
    &lt;/p&gt;
&lt;p&gt;
      HEATHEN, n. A benighted creature who has the folly to worship something
      that he can see and feel. According to Professor Howison, of the
      California State University, Hebrews are heathens.
    &lt;/p&gt;
&lt;pre&gt;
  "The Hebrews are heathens!" says Howison.  He's
      A Christian philosopher.  I'm
  A scurril agnostical chap, if you please,
      Addicted too much to the crime
      Of religious discussion in my rhyme.

  Though Hebrew and Howison cannot agree
      On a &lt;i&gt;modus vivendi&lt;/i&gt;—not they!—
  Yet Heaven has had the designing of me,
      And I haven't been reared in a way
      To joy in the thick of the fray.

  For this of my creed is the soul and the gist,
      And the truth of it I aver:
  Who differs from me in his faith is an 'ist,
      And 'ite, an 'ie, or an 'er—
      And I'm down upon him or her!

  Let Howison urge with perfunctory chin
      Toleration—that's all very well,
  But a roast is "nuts" to his nostril thin,
      And he's running—I know by the smell—
      A secret and personal Hell!
&lt;/pre&gt;
&lt;p&gt;
      Bissell Gip
    &lt;/p&gt;
&lt;p&gt;
      HEAVEN, n. A place where the wicked cease from troubling you with talk of
      their personal affairs, and the good listen with attention while you
      expound your own.
    &lt;/p&gt;
&lt;p&gt;
      HEBREW, n. A male Jew, as distinguished from the Shebrew, an altogether
      superior creation.
    &lt;/p&gt;
&lt;p&gt;
      HELPMATE, n. A wife, or bitter half.
    &lt;/p&gt;
&lt;pre&gt;
  "Now, why is yer wife called a helpmate, Pat?"
      Says the priest.  "Since the time 'o yer wooin'
  She's niver assisted in what ye were at—
      For it's naught ye are ever doin'."

  "That's true of yer Riverence," Patrick replies,
      And no sign of contrition envinces;
  "But, bedad, it's a fact which the word implies,
      For she helps to mate the expinses!"
&lt;/pre&gt;
&lt;p&gt;
      Marley Wottel
    &lt;/p&gt;
&lt;p&gt;
      HEMP, n. A plant from whose fibrous bark is made an article of neckwear
      which is frequently put on after public speaking in the open air and
      prevents the wearer from taking cold.
    &lt;/p&gt;
&lt;p&gt;
      HERMIT, n. A person whose vices and follies are not sociable.
    &lt;/p&gt;
&lt;p&gt;
      HERS, pron. His.
    &lt;/p&gt;
&lt;p&gt;
      HIBERNATE, v.i. To pass the winter season in domestic seclusion. There
      have been many singular popular notions about the hibernation of various
      animals. Many believe that the bear hibernates during the whole winter and
      subsists by mechanically sucking its paws. It is admitted that it comes
      out of its retirement in the spring so lean that it had to try twice
      before it can cast a shadow. Three or four centuries ago, in England, no
      fact was better attested than that swallows passed the winter months in
      the mud at the bottom of their brooks, clinging together in globular
      masses. They have apparently been compelled to give up the custom on
      account of the foulness of the brooks. Sotus Ecobius discovered in Central
      Asia a whole nation of people who hibernate. By some investigators, the
      fasting of Lent is supposed to have been originally a modified form of
      hibernation, to which the Church gave a religious significance; but this
      view was strenuously opposed by that eminent authority, Bishop Kip, who
      did not wish any honors denied to the memory of the Founder of his family.
    &lt;/p&gt;
&lt;p&gt;
      HIPPOGRIFF, n. An animal (now extinct) which was half horse and half
      griffin. The griffin was itself a compound creature, half lion and half
      eagle. The hippogriff was actually, therefore, a one-quarter eagle, which
      is two dollars and fifty cents in gold. The study of zoology is full of
      surprises.
    &lt;/p&gt;
&lt;p&gt;
      HISTORIAN, n. A broad-gauge gossip.
    &lt;/p&gt;
&lt;p&gt;
      HISTORY, n. An account mostly false, of events mostly unimportant, which
      are brought about by rulers mostly knaves, and soldiers mostly fools.
    &lt;/p&gt;
&lt;pre&gt;
  Of Roman history, great Niebuhr's shown
  'Tis nine-tenths lying.  Faith, I wish 'twere known,
  Ere we accept great Niebuhr as a guide,
  Wherein he blundered and how much he lied.
&lt;/pre&gt;
&lt;p&gt;
      Salder Bupp
    &lt;/p&gt;
&lt;p&gt;
      HOG, n. A bird remarkable for the catholicity of its appetite and serving
      to illustrate that of ours. Among the Mahometans and Jews, the hog is not
      in favor as an article of diet, but is respected for the delicacy and the
      melody of its voice. It is chiefly as a songster that the fowl is
      esteemed; the cage of him in full chorus has been known to draw tears from
      two persons at once. The scientific name of this dicky-bird is &lt;i&gt;Porcus
      Rockefelleri&lt;/i&gt;. Mr. Rockefeller did not discover the hog, but it is
      considered his by right of resemblance.
    &lt;/p&gt;
&lt;p&gt;
      HOMOEOPATHIST, n. The humorist of the medical profession.
    &lt;/p&gt;
&lt;p&gt;
      HOMOEOPATHY, n. A school of medicine midway between Allopathy and
      Christian Science. To the last both the others are distinctly inferior,
      for Christian Science will cure imaginary diseases, and they can not.
    &lt;/p&gt;
&lt;p&gt;
      HOMICIDE, n. The slaying of one human being by another. There are four
      kinds of homocide: felonious, excusable, justifiable, and praiseworthy,
      but it makes no great difference to the person slain whether he fell by
      one kind or another—the classification is for advantage of the
      lawyers.
    &lt;/p&gt;
&lt;p&gt;
      HOMILETICS, n. The science of adapting sermons to the spiritual needs,
      capacities and conditions of the congregation.
    &lt;/p&gt;
&lt;pre&gt;
  So skilled the parson was in homiletics
  That all his normal purges and emetics
  To medicine the spirit were compounded
  With a most just discrimination founded
  Upon a rigorous examination
  Of tongue and pulse and heart and respiration.
  Then, having diagnosed each one's condition,
  His scriptural specifics this physician
  Administered—his pills so efficacious
  And pukes of disposition so vivacious
  That souls afflicted with ten kinds of Adam
  Were convalescent ere they knew they had 'em.
  But Slander's tongue—itself all coated—uttered
  Her bilious mind and scandalously muttered
  That in the case of patients having money
  The pills were sugar and the pukes were honey.
&lt;/pre&gt;
&lt;p&gt;
&lt;i&gt;Biography of Bishop Potter&lt;/i&gt;
&lt;/p&gt;
&lt;p&gt;
      HONORABLE, adj. Afflicted with an impediment in one's reach. In
      legislative bodies it is customary to mention all members as honorable;
      as, "the honorable gentleman is a scurvy cur."
    &lt;/p&gt;
&lt;p&gt;
      HOPE, n. Desire and expectation rolled into one.
    &lt;/p&gt;
&lt;pre&gt;
  Delicious Hope! when naught to man is left—
  Of fortune destitute, of friends bereft;
  When even his dog deserts him, and his goat
  With tranquil disaffection chews his coat
  While yet it hangs upon his back; then thou,
  The star far-flaming on thine angel brow,
  Descendest, radiant, from the skies to hint
  The promise of a clerkship in the Mint.
&lt;/pre&gt;
&lt;p&gt;
      Fogarty Weffing
    &lt;/p&gt;
&lt;p&gt;
      HOSPITALITY, n. The virtue which induces us to feed and lodge certain
      persons who are not in need of food and lodging.
    &lt;/p&gt;
&lt;p&gt;
      HOSTILITY, n. A peculiarly sharp and specially applied sense of the
      earth's overpopulation. Hostility is classified as active and passive; as
      (respectively) the feeling of a woman for her female friends, and that
      which she entertains for all the rest of her sex.
    &lt;/p&gt;
&lt;p&gt;
      HOURI, n. A comely female inhabiting the Mohammedan Paradise to make
      things cheery for the good Mussulman, whose belief in her existence marks
      a noble discontent with his earthly spouse, whom he denies a soul. By that
      good lady the Houris are said to be held in deficient esteem.
    &lt;/p&gt;
&lt;p&gt;
      HOUSE, n. A hollow edifice erected for the habitation of man, rat, mouse,
      beetle, cockroach, fly, mosquito, flea, bacillus and microbe. &lt;i&gt;House of
      Correction&lt;/i&gt;, a place of reward for political and personal service, and
      for the detention of offenders and appropriations. &lt;i&gt;House of God&lt;/i&gt;, a
      building with a steeple and a mortgage on it. &lt;i&gt;House-dog&lt;/i&gt;, a
      pestilent beast kept on domestic premises to insult persons passing by and
      appal the hardy visitor. &lt;i&gt;House-maid&lt;/i&gt;, a youngerly person of the
      opposing sex employed to be variously disagreeable and ingeniously unclean
      in the station in which it has pleased God to place her.
    &lt;/p&gt;
&lt;p&gt;
      HOUSELESS, adj. Having paid all taxes on household goods.
    &lt;/p&gt;
&lt;p&gt;
      HOVEL, n. The fruit of a flower called the Palace.
    &lt;/p&gt;
&lt;pre&gt;
      Twaddle had a hovel,
          Twiddle had a palace;
      Twaddle said:  "I'll grovel
          Or he'll think I bear him malice"—
  A sentiment as novel
      As a castor on a chalice.

      Down upon the middle
          Of his legs fell Twaddle
      And astonished Mr. Twiddle,
          Who began to lift his noddle.
      Feed upon the fiddle-
          Faddle flummery, unswaddle
  A new-born self-sufficiency and think himself a [mockery.]
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      HUMANITY, n. The human race, collectively, exclusive of the anthropoid
      poets.
    &lt;/p&gt;
&lt;p&gt;
      HUMORIST, n. A plague that would have softened down the hoar austerity of
      Pharaoh's heart and persuaded him to dismiss Israel with his best wishes,
      cat-quick.
    &lt;/p&gt;
&lt;pre&gt;
  Lo! the poor humorist, whose tortured mind
  See jokes in crowds, though still to gloom inclined—
  Whose simple appetite, untaught to stray,
  His brains, renewed by night, consumes by day.
  He thinks, admitted to an equal sty,
  A graceful hog would bear his company.
&lt;/pre&gt;
&lt;p&gt;
      Alexander Poke
    &lt;/p&gt;
&lt;p&gt;
      HURRICANE, n. An atmospheric demonstration once very common but now
      generally abandoned for the tornado and cyclone. The hurricane is still in
      popular use in the West Indies and is preferred by certain old-fashioned
      sea-captains. It is also used in the construction of the upper decks of
      steamboats, but generally speaking, the hurricane's usefulness has
      outlasted it.
    &lt;/p&gt;
&lt;p&gt;
      HURRY, n. The dispatch of bunglers.
    &lt;/p&gt;
&lt;p&gt;
      HUSBAND, n. One who, having dined, is charged with the care of the plate.
    &lt;/p&gt;
&lt;p&gt;
      HYBRID, n. A pooled issue.
    &lt;/p&gt;
&lt;p&gt;
      HYDRA, n. A kind of animal that the ancients catalogued under many heads.
    &lt;/p&gt;
&lt;p&gt;
      HYENA, n. A beast held in reverence by some oriental nations from its
      habit of frequenting at night the burial-places of the dead. But the
      medical student does that.
    &lt;/p&gt;
&lt;p&gt;
      HYPOCHONDRIASIS, n. Depression of one's own spirits.
    &lt;/p&gt;
&lt;pre&gt;
  Some heaps of trash upon a vacant lot
  Where long the village rubbish had been shot
  Displayed a sign among the stuff and stumps—
  "Hypochondriasis."  It meant The Dumps.
&lt;/pre&gt;
&lt;p&gt;
      Bogul S. Purvy
    &lt;/p&gt;
&lt;p&gt;
      HYPOCRITE, n. One who, professing virtues that he does not respect secures
      the advantage of seeming to be what he despises.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0010"&gt;&lt;/a&gt;
      I
    &lt;/h2&gt;
&lt;p&gt;
      I is the first letter of the alphabet, the first word of the language, the
      first thought of the mind, the first object of affection. In grammar it is
      a pronoun of the first person and singular number. Its plural is said to
      be &lt;i&gt;We&lt;/i&gt;, but how there can be more than one myself is doubtless
      clearer to the grammarians than it is to the author of this incomparable
      dictionary. Conception of two myselfs is difficult, but fine. The frank
      yet graceful use of "I" distinguishes a good writer from a bad; the latter
      carries it with the manner of a thief trying to cloak his loot.
    &lt;/p&gt;
&lt;p&gt;
      ICHOR, n. A fluid that serves the gods and goddesses in place of blood.
    &lt;/p&gt;
&lt;pre&gt;
  Fair Venus, speared by Diomed,
  Restrained the raging chief and said:
  "Behold, rash mortal, whom you've bled—
  Your soul's stained white with ichorshed!"
&lt;/pre&gt;
&lt;p&gt;
      Mary Doke
    &lt;/p&gt;
&lt;p&gt;
      ICONOCLAST, n. A breaker of idols, the worshipers whereof are imperfectly
      gratified by the performance, and most strenuously protest that he
      unbuildeth but doth not reedify, that he pulleth down but pileth not up.
      For the poor things would have other idols in place of those he thwacketh
      upon the mazzard and dispelleth. But the iconoclast saith: "Ye shall have
      none at all, for ye need them not; and if the rebuilder fooleth round
      hereabout, behold I will depress the head of him and sit thereon till he
      squawk it."
    &lt;/p&gt;
&lt;p&gt;
      IDIOT, n. A member of a large and powerful tribe whose influence in human
      affairs has always been dominant and controlling. The Idiot's activity is
      not confined to any special field of thought or action, but "pervades and
      regulates the whole." He has the last word in everything; his decision is
      unappealable. He sets the fashions and opinion of taste, dictates the
      limitations of speech and circumscribes conduct with a dead-line.
    &lt;/p&gt;
&lt;p&gt;
      IDLENESS, n. A model farm where the devil experiments with seeds of new
      sins and promotes the growth of staple vices.
    &lt;/p&gt;
&lt;p&gt;
      IGNORAMUS, n. A person unacquainted with certain kinds of knowledge
      familiar to yourself, and having certain other kinds that you know nothing
      about.
    &lt;/p&gt;
&lt;pre&gt;
  Dumble was an ignoramus,
  Mumble was for learning famous.
  Mumble said one day to Dumble:
  "Ignorance should be more humble.
  Not a spark have you of knowledge
  That was got in any college."
  Dumble said to Mumble:  "Truly
  You're self-satisfied unduly.
  Of things in college I'm denied
  A knowledge—you of all beside."
&lt;/pre&gt;
&lt;p&gt;
      Borelli
    &lt;/p&gt;
&lt;p&gt;
      ILLUMINATI, n. A sect of Spanish heretics of the latter part of the
      sixteenth century; so called because they were light weights— &lt;i&gt;cunctationes
      illuminati&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      ILLUSTRIOUS, adj. Suitably placed for the shafts of malice, envy and
      detraction.
    &lt;/p&gt;
&lt;p&gt;
      IMAGINATION, n. A warehouse of facts, with poet and liar in joint
      ownership.
    &lt;/p&gt;
&lt;p&gt;
      IMBECILITY, n. A kind of divine inspiration, or sacred fire affecting
      censorious critics of this dictionary.
    &lt;/p&gt;
&lt;p&gt;
      IMMIGRANT, n. An unenlightened person who thinks one country better than
      another.
    &lt;/p&gt;
&lt;p&gt;
      IMMODEST, adj. Having a strong sense of one's own merit, coupled with a
      feeble conception of worth in others.
    &lt;/p&gt;
&lt;pre&gt;
  There was once a man in Ispahan
      Ever and ever so long ago,
  And he had a head, the phrenologists said,
      That fitted him for a show.

  For his modesty's bump was so large a lump
      (Nature, they said, had taken a freak)
  That its summit stood far above the wood
      Of his hair, like a mountain peak.

  So modest a man in all Ispahan,
      Over and over again they swore—
  So humble and meek, you would vainly seek;
      None ever was found before.

  Meantime the hump of that awful bump
      Into the heavens contrived to get
  To so great a height that they called the wight
      The man with the minaret.

  There wasn't a man in all Ispahan
      Prouder, or louder in praise of his chump:
  With a tireless tongue and a brazen lung
      He bragged of that beautiful bump

  Till the Shah in a rage sent a trusty page
      Bearing a sack and a bow-string too,
  And that gentle child explained as he smiled:
      "A little present for you."

  The saddest man in all Ispahan,
      Sniffed at the gift, yet accepted the same.
  "If I'd lived," said he, "my humility
      Had given me deathless fame!"
&lt;/pre&gt;
&lt;p&gt;
      Sukker Uffro
    &lt;/p&gt;
&lt;p&gt;
      IMMORAL, adj. Inexpedient. Whatever in the long run and with regard to the
      greater number of instances men find to be generally inexpedient comes to
      be considered wrong, wicked, immoral. If man's notions of right and wrong
      have any other basis than this of expediency; if they originated, or could
      have originated, in any other way; if actions have in themselves a moral
      character apart from, and nowise dependent on, their consequences—then
      all philosophy is a lie and reason a disorder of the mind.
    &lt;/p&gt;
&lt;p&gt;
      IMMORTALITY, n.
    &lt;/p&gt;
&lt;pre&gt;
  A toy which people cry for,
  And on their knees apply for,
  Dispute, contend and lie for,
      And if allowed
      Would be right proud
  Eternally to die for.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      IMPALE, v.t. In popular usage to pierce with any weapon which remains
      fixed in the wound. This, however, is inaccurate; to impale is, properly,
      to put to death by thrusting an upright sharp stake into the body, the
      victim being left in a sitting position. This was a common mode of
      punishment among many of the nations of antiquity, and is still in high
      favor in China and other parts of Asia. Down to the beginning of the
      fifteenth century it was widely employed in "churching" heretics and
      schismatics. Wolecraft calls it the "stoole of repentynge," and among the
      common people it was jocularly known as "riding the one legged horse."
      Ludwig Salzmann informs us that in Thibet impalement is considered the
      most appropriate punishment for crimes against religion; and although in
      China it is sometimes awarded for secular offences, it is most frequently
      adjudged in cases of sacrilege. To the person in actual experience of
      impalement it must be a matter of minor importance by what kind of civil
      or religious dissent he was made acquainted with its discomforts; but
      doubtless he would feel a certain satisfaction if able to contemplate
      himself in the character of a weather-cock on the spire of the True
      Church.
    &lt;/p&gt;
&lt;p&gt;
      IMPARTIAL, adj. Unable to perceive any promise of personal advantage from
      espousing either side of a controversy or adopting either of two
      conflicting opinions.
    &lt;/p&gt;
&lt;p&gt;
      IMPENITENCE, n. A state of mind intermediate in point of time between sin
      and punishment.
    &lt;/p&gt;
&lt;p&gt;
      IMPIETY, n. Your irreverence toward my deity.
    &lt;/p&gt;
&lt;p&gt;
      IMPOSITION, n. The act of blessing or consecrating by the laying on of
      hands—a ceremony common to many ecclesiastical systems, but
      performed with the frankest sincerity by the sect known as Thieves.
    &lt;/p&gt;
&lt;pre&gt;
  "Lo! by the laying on of hands,"
      Say parson, priest and dervise,
  "We consecrate your cash and lands
      To ecclesiastical service.
  No doubt you'll swear till all is blue
  At such an imposition.  Do."
&lt;/pre&gt;
&lt;p&gt;
      Pollo Doncas
    &lt;/p&gt;
&lt;p&gt;
      IMPOSTOR n. A rival aspirant to public honors.
    &lt;/p&gt;
&lt;p&gt;
      IMPROBABILITY, n.
    &lt;/p&gt;
&lt;pre&gt;
  His tale he told with a solemn face
  And a tender, melancholy grace.
      Improbable 'twas, no doubt,
      When you came to think it out,
      But the fascinated crowd
      Their deep surprise avowed
  And all with a single voice averred
  'Twas the most amazing thing they'd heard—
  All save one who spake never a word,
      But sat as mum
      As if deaf and dumb,
  Serene, indifferent and unstirred.
      Then all the others turned to him
      And scrutinized him limb from limb—
      Scanned him alive;
      But he seemed to thrive
      And tranquiler grow each minute,
      As if there were nothing in it.
  "What! what!" cried one, "are you not amazed
  At what our friend has told?"  He raised
  Soberly then his eyes and gazed
      In a natural way
      And proceeded to say,
  As he crossed his feet on the mantel-shelf:
  "O no—not at all; I'm a liar myself."
&lt;/pre&gt;
&lt;p&gt;
      IMPROVIDENCE, n. Provision for the needs of to-day from the revenues of
      to-morrow.
    &lt;/p&gt;
&lt;p&gt;
      IMPUNITY, n. Wealth.
    &lt;/p&gt;
&lt;p&gt;
      INADMISSIBLE, adj. Not competent to be considered. Said of certain kinds
      of testimony which juries are supposed to be unfit to be entrusted with,
      and which judges, therefore, rule out, even of proceedings before
      themselves alone. Hearsay evidence is inadmissible because the person
      quoted was unsworn and is not before the court for examination; yet most
      momentous actions, military, political, commercial and of every other
      kind, are daily undertaken on hearsay evidence. There is no religion in
      the world that has any other basis than hearsay evidence. Revelation is
      hearsay evidence; that the Scriptures are the word of God we have only the
      testimony of men long dead whose identity is not clearly established and
      who are not known to have been sworn in any sense. Under the rules of
      evidence as they now exist in this country, no single assertion in the
      Bible has in its support any evidence admissible in a court of law. It
      cannot be proved that the battle of Blenheim ever was fought, that there
      was such as person as Julius Caesar, such an empire as Assyria.
    &lt;/p&gt;
&lt;p&gt;
      But as records of courts of justice are admissible, it can easily be
      proved that powerful and malevolent magicians once existed and were a
      scourge to mankind. The evidence (including confession) upon which certain
      women were convicted of witchcraft and executed was without a flaw; it is
      still unimpeachable. The judges' decisions based on it were sound in logic
      and in law. Nothing in any existing court was ever more thoroughly proved
      than the charges of witchcraft and sorcery for which so many suffered
      death. If there were no witches, human testimony and human reason are
      alike destitute of value.
    &lt;/p&gt;
&lt;p&gt;
      INAUSPICIOUSLY, adv. In an unpromising manner, the auspices being
      unfavorable. Among the Romans it was customary before undertaking any
      important action or enterprise to obtain from the augurs, or state
      prophets, some hint of its probable outcome; and one of their favorite and
      most trustworthy modes of divination consisted in observing the flight of
      birds—the omens thence derived being called &lt;i&gt;auspices&lt;/i&gt;.
      Newspaper reporters and certain miscreant lexicographers have decided that
      the word—always in the plural—shall mean "patronage" or
      "management"; as, "The festivities were under the auspices of the Ancient
      and Honorable Order of Body-Snatchers"; or, "The hilarities were
      auspicated by the Knights of Hunger."
    &lt;/p&gt;
&lt;pre&gt;
  A Roman slave appeared one day
  Before the Augur.  "Tell me, pray,
  If—" here the Augur, smiling, made
  A checking gesture and displayed
  His open palm, which plainly itched,
  For visibly its surface twitched.
  A &lt;i&gt;denarius&lt;/i&gt; (the Latin nickel)
  Successfully allayed the tickle,
  And then the slave proceeded:  "Please
  Inform me whether Fate decrees
  Success or failure in what I
  To-night (if it be dark) shall try.
  Its nature?  Never mind—I think
  'Tis writ on this"—and with a wink
  Which darkened half the earth, he drew
  Another denarius to view,
  Its shining face attentive scanned,
  Then slipped it into the good man's hand,
  Who with great gravity said:  "Wait
  While I retire to question Fate."
  That holy person then withdrew
  His sacred clay and, passing through
  The temple's rearward gate, cried "Shoo!"
  Waving his robe of office.  Straight
  Each sacred peacock and its mate
  (Maintained for Juno's favor) fled
  With clamor from the trees o'erhead,
  Where they were perching for the night.
  The temple's roof received their flight,
  For thither they would always go,
  When danger threatened them below.
  Back to the slave the Augur went:
  "My son, forecasting the event
  By flight of birds, I must confess
  The auspices deny success."
  That slave retired, a sadder man,
  Abandoning his secret plan—
  Which was (as well the crafty seer
  Had from the first divined) to clear
  The wall and fraudulently seize
  On Juno's poultry in the trees.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      INCOME, n. The natural and rational gauge and measure of respectability,
      the commonly accepted standards being artificial, arbitrary and
      fallacious; for, as "Sir Sycophas Chrysolater" in the play has justly
      remarked, "the true use and function of property (in whatsoever it
      consisteth—coins, or land, or houses, or merchant-stuff, or anything
      which may be named as holden of right to one's own subservience) as also
      of honors, titles, preferments and place, and all favor and acquaintance
      of persons of quality or ableness, are but to get money. Hence it
      followeth that all things are truly to be rated as of worth in measure of
      their serviceableness to that end; and their possessors should take rank
      in agreement thereto, neither the lord of an unproducing manor, howsoever
      broad and ancient, nor he who bears an unremunerate dignity, nor yet the
      pauper favorite of a king, being esteemed of level excellency with him
      whose riches are of daily accretion; and hardly should they whose wealth
      is barren claim and rightly take more honor than the poor and unworthy."
    &lt;/p&gt;
&lt;p&gt;
      INCOMPATIBILITY, n. In matrimony a similarity of tastes, particularly the
      taste for domination. Incompatibility may, however, consist of a meek-eyed
      matron living just around the corner. It has even been known to wear a
      moustache.
    &lt;/p&gt;
&lt;p&gt;
      INCOMPOSSIBLE, adj. Unable to exist if something else exists. Two things
      are incompossible when the world of being has scope enough for one of
      them, but not enough for both—as Walt Whitman's poetry and God's
      mercy to man. Incompossibility, it will be seen, is only incompatibility
      let loose. Instead of such low language as "Go heel yourself—I mean
      to kill you on sight," the words, "Sir, we are incompossible," would
      convey an equally significant intimation and in stately courtesy are
      altogether superior.
    &lt;/p&gt;
&lt;p&gt;
      INCUBUS, n. One of a race of highly improper demons who, though probably
      not wholly extinct, may be said to have seen their best nights. For a
      complete account of &lt;i&gt;incubi&lt;/i&gt; and &lt;i&gt;succubi&lt;/i&gt;, including &lt;i&gt;incubae&lt;/i&gt;
      and &lt;i&gt;succubae&lt;/i&gt;, see the &lt;i&gt;Liber Demonorum&lt;/i&gt; of Protassus (Paris,
      1328), which contains much curious information that would be out of place
      in a dictionary intended as a text-book for the public schools.
    &lt;/p&gt;
&lt;p&gt;
      Victor Hugo relates that in the Channel Islands Satan himself—
      tempted more than elsewhere by the beauty of the women, doubtless—
      sometimes plays at &lt;i&gt;incubus&lt;/i&gt;, greatly to the inconvenience and alarm
      of the good dames who wish to be loyal to their marriage vows, generally
      speaking. A certain lady applied to the parish priest to learn how they
      might, in the dark, distinguish the hardy intruder from their husbands.
      The holy man said they must feel his brow for horns; but Hugo is
      ungallant enough to hint a doubt of the efficacy of the test.
    &lt;/p&gt;
&lt;p&gt;
      INCUMBENT, n. A person of the liveliest interest to the outcumbents.
    &lt;/p&gt;
&lt;p&gt;
      INDECISION, n. The chief element of success; "for whereas," saith Sir
      Thomas Brewbold, "there is but one way to do nothing and divers way to do
      something, whereof, to a surety, only one is the right way, it followeth
      that he who from indecision standeth still hath not so many chances of
      going astray as he who pusheth forwards"—a most clear and
      satisfactory exposition of the matter.
    &lt;/p&gt;
&lt;p&gt;
      "Your prompt decision to attack," said General Grant on a certain occasion
      to General Gordon Granger, "was admirable; you had but five minutes to
      make up your mind in."
    &lt;/p&gt;
&lt;p&gt;
      "Yes, sir," answered the victorious subordinate, "it is a great thing to
      know exactly what to do in an emergency. When in doubt whether to
      attack or retreat I never hesitate a moment—I toss up a copper."
    &lt;/p&gt;
&lt;p&gt;
      "Do you mean to say that's what you did this time?"
    &lt;/p&gt;
&lt;p&gt;
      "Yes, General; but for Heaven's sake don't reprimand me: I disobeyed the
      coin."
    &lt;/p&gt;
&lt;p&gt;
      INDIFFERENT, adj. Imperfectly sensible to distinctions among things.
    &lt;/p&gt;
&lt;pre&gt;
  "You tiresome man!" cried Indolentio's wife,
  "You've grown indifferent to all in life."
  "Indifferent?" he drawled with a slow smile;
  "I would be, dear, but it is not worth while."
&lt;/pre&gt;
&lt;p&gt;
      Apuleius M. Gokul
    &lt;/p&gt;
&lt;p&gt;
      INDIGESTION, n. A disease which the patient and his friends frequently
      mistake for deep religious conviction and concern for the salvation of
      mankind. As the simple Red Man of the western wild put it, with, it must
      be confessed, a certain force: "Plenty well, no pray; big bellyache, heap
      God."
    &lt;/p&gt;
&lt;p&gt;
      INDISCRETION, n. The guilt of woman.
    &lt;/p&gt;
&lt;p&gt;
      INEXPEDIENT, adj. Not calculated to advance one's interests.
    &lt;/p&gt;
&lt;p&gt;
      INFANCY, n. The period of our lives when, according to Wordsworth, "Heaven
      lies about us." The world begins lying about us pretty soon afterward.
    &lt;/p&gt;
&lt;p&gt;
      INFERIAE, n. [Latin] Among the Greeks and Romans, sacrifices for
      propitiation of the &lt;i&gt;Dii Manes&lt;/i&gt;, or souls of the dead heroes; for the
      pious ancients could not invent enough gods to satisfy their spiritual
      needs, and had to have a number of makeshift deities, or, as a sailor
      might say, jury-gods, which they made out of the most unpromising
      materials. It was while sacrificing a bullock to the spirit of Agamemnon
      that Laiaides, a priest of Aulis, was favored with an audience of that
      illustrious warrior's shade, who prophetically recounted to him the birth
      of Christ and the triumph of Christianity, giving him also a rapid but
      tolerably complete review of events down to the reign of Saint Louis. The
      narrative ended abruptly at that point, owing to the inconsiderate crowing
      of a cock, which compelled the ghosted King of Men to scamper back to
      Hades. There is a fine mediaeval flavor to this story, and as it has not
      been traced back further than Pere Brateille, a pious but obscure writer
      at the court of Saint Louis, we shall probably not err on the side of
      presumption in considering it apocryphal, though Monsignor Capel's
      judgment of the matter might be different; and to that I bow—wow.
    &lt;/p&gt;
&lt;p&gt;
      INFIDEL, n. In New York, one who does not believe in the Christian
      religion; in Constantinople, one who does. (See GIAOUR.) A kind of
      scoundrel imperfectly reverent of, and niggardly contributory to, divines,
      ecclesiastics, popes, parsons, canons, monks, mollahs, voodoos,
      presbyters, hierophants, prelates, obeah-men, abbes, nuns, missionaries,
      exhorters, deacons, friars, hadjis, high-priests, muezzins, brahmins,
      medicine-men, confessors, eminences, elders, primates, prebendaries,
      pilgrims, prophets, imaums, beneficiaries, clerks, vicars-choral,
      archbishops, bishops, abbots, priors, preachers, padres, abbotesses,
      caloyers, palmers, curates, patriarchs, bonezs, santons, beadsmen,
      canonesses, residentiaries, diocesans, deans, subdeans, rural deans,
      abdals, charm-sellers, archdeacons, hierarchs, class-leaders, incumbents,
      capitulars, sheiks, talapoins, postulants, scribes, gooroos, precentors,
      beadles, fakeers, sextons, reverences, revivalists, cenobites, perpetual
      curates, chaplains, mudjoes, readers, novices, vicars, pastors, rabbis,
      ulemas, lamas, sacristans, vergers, dervises, lectors, church wardens,
      cardinals, prioresses, suffragans, acolytes, rectors, cures, sophis,
      mutifs and pumpums.
    &lt;/p&gt;
&lt;p&gt;
      INFLUENCE, n. In politics, a visionary &lt;i&gt;quo&lt;/i&gt; given in exchange for a
      substantial &lt;i&gt;quid&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      INFRALAPSARIAN, n. One who ventures to believe that Adam need not have
      sinned unless he had a mind to—in opposition to the Supralapsarians,
      who hold that that luckless person's fall was decreed from the beginning.
      Infralapsarians are sometimes called Sublapsarians without material effect
      upon the importance and lucidity of their views about Adam.
    &lt;/p&gt;
&lt;pre&gt;
  Two theologues once, as they wended their way
  To chapel, engaged in colloquial fray—
  An earnest logomachy, bitter as gall,
  Concerning poor Adam and what made him fall.
  "'Twas Predestination," cried one—"for the Lord
  Decreed he should fall of his own accord."
  "Not so—'twas Free will," the other maintained,
  "Which led him to choose what the Lord had ordained."
  So fierce and so fiery grew the debate
  That nothing but bloodshed their dudgeon could sate;
  So off flew their cassocks and caps to the ground
  And, moved by the spirit, their hands went round.
  Ere either had proved his theology right
  By winning, or even beginning, the fight,
  A gray old professor of Latin came by,
  A staff in his hand and a scowl in his eye,
  And learning the cause of their quarrel (for still
  As they clumsily sparred they disputed with skill
  Of foreordinational freedom of will)
  Cried:  "Sirrahs! this reasonless warfare compose:
  Atwixt ye's no difference worthy of blows.
  The sects ye belong to—I'm ready to swear
  Ye wrongly interpret the names that they bear.
  &lt;i&gt;You&lt;/i&gt;—Infralapsarian son of a clown!—
  Should only contend that Adam slipped down;
  While &lt;i&gt;you&lt;/i&gt;—you Supralapsarian pup!—
  Should nothing aver but that Adam slipped up.
  It's all the same whether up or down
  You slip on a peel of banana brown.
  Even Adam analyzed not his blunder,
  But thought he had slipped on a peal of thunder!
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      INGRATE, n. One who receives a benefit from another, or is otherwise an
      object of charity.
    &lt;/p&gt;
&lt;pre&gt;
  "All men are ingrates," sneered the cynic.  "Nay,"
      The good philanthropist replied;
  "I did great service to a man one day
  Who never since has cursed me to repay,
              Nor vilified."

  "Ho!" cried the cynic, "lead me to him straight—
      With veneration I am overcome,
  And fain would have his blessing."  "Sad your fate—
  He cannot bless you, for I grieve to state
              This man is dumb."
&lt;/pre&gt;
&lt;p&gt;
      Ariel Selp
    &lt;/p&gt;
&lt;p&gt;
      INJURY, n. An offense next in degree of enormity to a slight.
    &lt;/p&gt;
&lt;p&gt;
      INJUSTICE, n. A burden which of all those that we load upon others and
      carry ourselves is lightest in the hands and heaviest upon the back.
    &lt;/p&gt;
&lt;p&gt;
      INK, n. A villainous compound of tannogallate of iron, gum-arabic and
      water, chiefly used to facilitate the infection of idiocy and promote
      intellectual crime. The properties of ink are peculiar and contradictory:
      it may be used to make reputations and unmake them; to blacken them and to
      make them white; but it is most generally and acceptably employed as a
      mortar to bind together the stones of an edifice of fame, and as a
      whitewash to conceal afterward the rascal quality of the material. There
      are men called journalists who have established ink baths which some
      persons pay money to get into, others to get out of. Not infrequently it
      occurs that a person who has paid to get in pays twice as much to get out.
    &lt;/p&gt;
&lt;p&gt;
      INNATE, adj. Natural, inherent—as innate ideas, that is to say,
      ideas that we are born with, having had them previously imparted to us.
      The doctrine of innate ideas is one of the most admirable faiths of
      philosophy, being itself an innate idea and therefore inaccessible to
      disproof, though Locke foolishly supposed himself to have given it "a
      black eye." Among innate ideas may be mentioned the belief in one's
      ability to conduct a newspaper, in the greatness of one's country, in the
      superiority of one's civilization, in the importance of one's personal
      affairs and in the interesting nature of one's diseases.
    &lt;/p&gt;
&lt;p&gt;
      IN'ARDS, n. The stomach, heart, soul and other bowels. Many eminent
      investigators do not class the soul as an in'ard, but that acute observer
      and renowned authority, Dr. Gunsaulus, is persuaded that the mysterious
      organ known as the spleen is nothing less than our immortal part. To the
      contrary, Professor Garrett P. Servis holds that man's soul is that
      prolongation of his spinal marrow which forms the pith of his no tail; and
      for demonstration of his faith points confidently to the fact that
      tailed animals have no souls. Concerning these two theories, it is best to
      suspend judgment by believing both.
    &lt;/p&gt;
&lt;p&gt;
      INSCRIPTION, n. Something written on another thing. Inscriptions are of
      many kinds, but mostly memorial, intended to commemorate the fame of some
      illustrious person and hand down to distant ages the record of his
      services and virtues. To this class of inscriptions belongs the name of
      John Smith, penciled on the Washington monument. Following are examples of
      memorial inscriptions on tombstones: (See EPITAPH.)
    &lt;/p&gt;
&lt;pre&gt;
  "In the sky my soul is found,
  And my body in the ground.
  By and by my body'll rise
  To my spirit in the skies,
  Soaring up to Heaven's gate.
          1878."

  "Sacred to the memory of Jeremiah Tree.  Cut down May 9th, 1862,
aged 27 yrs. 4 mos. and 12 ds.  Indigenous."

      "Affliction sore long time she boar,
          Phisicians was in vain,
      Till Deth released the dear deceased
          And left her a remain.
  Gone to join Ananias in the regions of bliss."

  "The clay that rests beneath this stone
  As Silas Wood was widely known.
  Now, lying here, I ask what good
  It was to let me be S. Wood.
  O Man, let not ambition trouble you,
  Is the advice of Silas W."

  "Richard Haymon, of Heaven.  Fell to Earth Jan. 20, 1807, and had
the dust brushed off him Oct. 3, 1874."
&lt;/pre&gt;
&lt;p&gt;
      INSECTIVORA, n.
    &lt;/p&gt;
&lt;pre&gt;
  "See," cries the chorus of admiring preachers,
  "How Providence provides for all His creatures!"
  "His care," the gnat said, "even the insects follows:
  For us He has provided wrens and swallows."
&lt;/pre&gt;
&lt;p&gt;
      Sempen Railey
    &lt;/p&gt;
&lt;p&gt;
      INSURANCE, n. An ingenious modern game of chance in which the player is
      permitted to enjoy the comfortable conviction that he is beating the man
      who keeps the table.
    &lt;/p&gt;
&lt;pre&gt;
  INSURANCE AGENT:  My dear sir, that is a fine house—pray let me
      insure it.
  HOUSE OWNER:  With pleasure.  Please make the annual premium so
      low that by the time when, according to the tables of your
      actuary, it will probably be destroyed by fire I will have
      paid you considerably less than the face of the policy.
  INSURANCE AGENT:  O dear, no—we could not afford to do that.
      We must fix the premium so that you will have paid more.
  HOUSE OWNER:  How, then, can &lt;i&gt;I&lt;/i&gt; afford &lt;i&gt;that&lt;/i&gt;?
  INSURANCE AGENT:  Why, your house may burn down at any time.
      There was Smith's house, for example, which—
  HOUSE OWNER:  Spare me—there were Brown's house, on the
      contrary, and Jones's house, and Robinson's house, which—
  INSURANCE AGENT:  Spare &lt;i&gt;me&lt;/i&gt;!
  HOUSE OWNER:  Let us understand each other.  You want me to pay
      you money on the supposition that something will occur
      previously to the time set by yourself for its occurrence.  In
      other words, you expect me to bet that my house will not last
      so long as you say that it will probably last.
  INSURANCE AGENT:  But if your house burns without insurance it
      will be a total loss.
  HOUSE OWNER:  Beg your pardon—by your own actuary's tables I
      shall probably have saved, when it burns, all the premiums I
      would otherwise have paid to you—amounting to more than the
      face of the policy they would have bought.  But suppose it to
      burn, uninsured, before the time upon which your figures are
      based.  If I could not afford that, how could you if it were
      insured?
  INSURANCE AGENT:  O, we should make ourselves whole from our
      luckier ventures with other clients.  Virtually, they pay your
      loss.
  HOUSE OWNER:  And virtually, then, don't I help to pay their
      losses?  Are not their houses as likely as mine to burn before
      they have paid you as much as you must pay them?  The case
      stands this way:  you expect to take more money from your
      clients than you pay to them, do you not?
  INSURANCE AGENT:  Certainly; if we did not—
  HOUSE OWNER:  I would not trust you with my money.  Very well
      then.  If it is &lt;i&gt;certain&lt;/i&gt;, with reference to the whole body of
      your clients, that they lose money on you it is &lt;i&gt;probable&lt;/i&gt;,
      with reference to any one of them, that &lt;i&gt;he&lt;/i&gt; will.  It is
      these individual probabilities that make the aggregate
      certainty.
  INSURANCE AGENT:  I will not deny it—but look at the figures in
      this pamph—
  HOUSE OWNER:  Heaven forbid!
  INSURANCE AGENT:  You spoke of saving the premiums which you would
      otherwise pay to me.  Will you not be more likely to squander
      them?  We offer you an incentive to thrift.
  HOUSE OWNER:  The willingness of A to take care of B's money is
      not peculiar to insurance, but as a charitable institution you
      command esteem.  Deign to accept its expression from a
      Deserving Object.
&lt;/pre&gt;
&lt;p&gt;
      INSURRECTION, n. An unsuccessful revolution. Disaffection's failure to
      substitute misrule for bad government.
    &lt;/p&gt;
&lt;p&gt;
      INTENTION, n. The mind's sense of the prevalence of one set of influences
      over another set; an effect whose cause is the imminence, immediate or
      remote, of the performance of an involuntary act.
    &lt;/p&gt;
&lt;p&gt;
      INTERPRETER, n. One who enables two persons of different languages to
      understand each other by repeating to each what it would have been to the
      interpreter's advantage for the other to have said.
    &lt;/p&gt;
&lt;p&gt;
      INTERREGNUM, n. The period during which a monarchical country is governed
      by a warm spot on the cushion of the throne. The experiment of letting the
      spot grow cold has commonly been attended by most unhappy results from the
      zeal of many worthy persons to make it warm again.
    &lt;/p&gt;
&lt;p&gt;
      INTIMACY, n. A relation into which fools are providentially drawn for
      their mutual destruction.
    &lt;/p&gt;
&lt;pre&gt;
  Two Seidlitz powders, one in blue
  And one in white, together drew
  And having each a pleasant sense
  Of t'other powder's excellence,
  Forsook their jackets for the snug
  Enjoyment of a common mug.
  So close their intimacy grew
  One paper would have held the two.
  To confidences straight they fell,
  Less anxious each to hear than tell;
  Then each remorsefully confessed
  To all the virtues he possessed,
  Acknowledging he had them in
  So high degree it was a sin.
  The more they said, the more they felt
  Their spirits with emotion melt,
  Till tears of sentiment expressed
  Their feelings.  Then they effervesced!
  So Nature executes her feats
  Of wrath on friends and sympathetes
  The good old rule who won't apply,
  That you are you and I am I.
&lt;/pre&gt;
&lt;p&gt;
      INTRODUCTION, n. A social ceremony invented by the devil for the
      gratification of his servants and the plaguing of his enemies. The
      introduction attains its most malevolent development in this country,
      being, indeed, closely related to our political system. Every American
      being the equal of every other American, it follows that everybody has the
      right to know everybody else, which implies the right to introduce without
      request or permission. The Declaration of Independence should have read
      thus:
    &lt;/p&gt;
&lt;pre&gt;
      "We hold these truths to be self-evident:  that all men are
  created equal; that they are endowed by their Creator with certain
  inalienable rights; that among these are life, and the right to
  make that of another miserable by thrusting upon him an
  incalculable quantity of acquaintances; liberty, particularly the
  liberty to introduce persons to one another without first
  ascertaining if they are not already acquainted as enemies; and
  the pursuit of another's happiness with a running pack of
  strangers."
&lt;/pre&gt;
&lt;p&gt;
      INVENTOR, n. A person who makes an ingenious arrangement of wheels, levers
      and springs, and believes it civilization.
    &lt;/p&gt;
&lt;p&gt;
      IRRELIGION, n. The principal one of the great faiths of the world.
    &lt;/p&gt;
&lt;p&gt;
      ITCH, n. The patriotism of a Scotchman.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0012"&gt;&lt;/a&gt;
      J
    &lt;/h2&gt;
&lt;p&gt;
      J is a consonant in English, but some nations use it as a vowel—
      than which nothing could be more absurd. Its original form, which has been
      but slightly modified, was that of the tail of a subdued dog, and it was
      not a letter but a character, standing for a Latin verb, &lt;i&gt;jacere&lt;/i&gt;,
      "to throw," because when a stone is thrown at a dog the dog's tail assumes
      that shape. This is the origin of the letter, as expounded by the renowned
      Dr. Jocolpus Bumer, of the University of Belgrade, who established his
      conclusions on the subject in a work of three quarto volumes and committed
      suicide on being reminded that the j in the Roman alphabet had originally
      no curl.
    &lt;/p&gt;
&lt;p&gt;
      JEALOUS, adj. Unduly concerned about the preservation of that which can be
      lost only if not worth keeping.
    &lt;/p&gt;
&lt;p&gt;
      JESTER, n. An officer formerly attached to a king's household, whose
      business it was to amuse the court by ludicrous actions and utterances,
      the absurdity being attested by his motley costume. The king himself being
      attired with dignity, it took the world some centuries to discover that
      his own conduct and decrees were sufficiently ridiculous for the amusement
      not only of his court but of all mankind. The jester was commonly called a
      fool, but the poets and romancers have ever delighted to represent him as
      a singularly wise and witty person. In the circus of to-day the melancholy
      ghost of the court fool effects the dejection of humbler audiences with
      the same jests wherewith in life he gloomed the marble hall, panged the
      patrician sense of humor and tapped the tank of royal tears.
    &lt;/p&gt;
&lt;pre&gt;
  The widow-queen of Portugal
      Had an audacious jester
  Who entered the confessional
      Disguised, and there confessed her.

  "Father," she said, "thine ear bend down—
      My sins are more than scarlet:
  I love my fool—blaspheming clown,
      And common, base-born varlet."

  "Daughter," the mimic priest replied,
      "That sin, indeed, is awful:
  The church's pardon is denied
      To love that is unlawful.
  "But since thy stubborn heart will be
      For him forever pleading,
  Thou'dst better make him, by decree,
      A man of birth and breeding."

  She made the fool a duke, in hope
      With Heaven's taboo to palter;
  Then told a priest, who told the Pope,
      Who damned her from the altar!
&lt;/pre&gt;
&lt;p&gt;
      Barel Dort
    &lt;/p&gt;
&lt;p&gt;
      JEWS-HARP, n. An unmusical instrument, played by holding it fast with the
      teeth and trying to brush it away with the finger.
    &lt;/p&gt;
&lt;p&gt;
      JOSS-STICKS, n. Small sticks burned by the Chinese in their pagan
      tomfoolery, in imitation of certain sacred rites of our holy religion.
    &lt;/p&gt;
&lt;p&gt;
      JUSTICE, n. A commodity which is a more or less adulterated condition the
      State sells to the citizen as a reward for his allegiance, taxes and
      personal service.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0013"&gt;&lt;/a&gt;
      K
    &lt;/h2&gt;
&lt;p&gt;
      K is a consonant that we get from the Greeks, but it can be traced away
      back beyond them to the Cerathians, a small commercial nation inhabiting
      the peninsula of Smero. In their tongue it was called &lt;i&gt;Klatch&lt;/i&gt;, which
      means "destroyed." The form of the letter was originally precisely that of
      our H, but the erudite Dr. Snedeker explains that it was altered to its
      present shape to commemorate the destruction of the great temple of Jarute
      by an earthquake, &lt;i&gt;circa&lt;/i&gt; 730 B.C. This building was famous for the
      two lofty columns of its portico, one of which was broken in half by the
      catastrophe, the other remaining intact. As the earlier form of the letter
      is supposed to have been suggested by these pillars, so, it is thought by
      the great antiquary, its later was adopted as a simple and natural—not
      to say touching—means of keeping the calamity ever in the national
      memory. It is not known if the name of the letter was altered as an
      additional mnemonic, or if the name was always &lt;i&gt;Klatch&lt;/i&gt; and the
      destruction one of nature's puns. As each theory seems probable enough, I
      see no objection to believing both—and Dr. Snedeker arrayed himself
      on that side of the question.
    &lt;/p&gt;
&lt;p&gt;
      KEEP, v.t.
    &lt;/p&gt;
&lt;pre&gt;
  He willed away his whole estate,
      And then in death he fell asleep,
  Murmuring:  "Well, at any rate,
      My name unblemished I shall keep."
  But when upon the tomb 'twas wrought
  Whose was it?—for the dead keep naught.
&lt;/pre&gt;
&lt;p&gt;
      Durang Gophel Arn
    &lt;/p&gt;
&lt;p&gt;
      KILL, v.t. To create a vacancy without nominating a successor.
    &lt;/p&gt;
&lt;p&gt;
      KILT, n. A costume sometimes worn by Scotchmen in America and Americans in
      Scotland.
    &lt;/p&gt;
&lt;p&gt;
      KINDNESS, n. A brief preface to ten volumes of exaction.
    &lt;/p&gt;
&lt;p&gt;
      KING, n. A male person commonly known in America as a "crowned head,"
      although he never wears a crown and has usually no head to speak of.
    &lt;/p&gt;
&lt;pre&gt;
  A king, in times long, long gone by,
      Said to his lazy jester:
  "If I were you and you were I
  My moments merrily would fly—
      Nor care nor grief to pester."

  "The reason, Sire, that you would thrive,"
      The fool said—"if you'll hear it—
  Is that of all the fools alive
  Who own you for their sovereign, I've
      The most forgiving spirit."
&lt;/pre&gt;
&lt;p&gt;
      Oogum Bem
    &lt;/p&gt;
&lt;p&gt;
      KING'S EVIL, n. A malady that was formerly cured by the touch of the
      sovereign, but has now to be treated by the physicians. Thus "the most
      pious Edward" of England used to lay his royal hand upon the ailing
      subjects and make them whole—
    &lt;/p&gt;
&lt;pre&gt;
                  a crowd of wretched souls
  That stay his cure:  their malady convinces
  The great essay of art; but at his touch,
  Such sanctity hath Heaven given his hand,
  They presently amend,
&lt;/pre&gt;
&lt;p&gt;
      as the "Doctor" in &lt;i&gt;Macbeth&lt;/i&gt; hath it. This useful property of the
      royal hand could, it appears, be transmitted along with other crown
      properties; for according to "Malcolm,"
    &lt;/p&gt;
&lt;pre&gt;
                          'tis spoken
  To the succeeding royalty he leaves
  The healing benediction.
&lt;/pre&gt;
&lt;p&gt;
      But the gift somewhere dropped out of the line of succession: the later
      sovereigns of England have not been tactual healers, and the disease once
      honored with the name "king's evil" now bears the humbler one of
      "scrofula," from &lt;i&gt;scrofa&lt;/i&gt;, a sow. The date and author of the
      following epigram are known only to the author of this dictionary, but it
      is old enough to show that the jest about Scotland's national disorder is
      not a thing of yesterday.
    &lt;/p&gt;
&lt;pre&gt;
  Ye Kynge his evill in me laye,
  Wh. he of Scottlande charmed awaye.
  He layde his hand on mine and sayd:
  "Be gone!"  Ye ill no longer stayd.
  But O ye wofull plyght in wh.
  I'm now y-pight:  I have ye itche!
&lt;/pre&gt;
&lt;p&gt;
      The superstition that maladies can be cured by royal taction is dead, but
      like many a departed conviction it has left a monument of custom to keep
      its memory green. The practice of forming a line and shaking the
      President's hand had no other origin, and when that great dignitary
      bestows his healing salutation on
    &lt;/p&gt;
&lt;pre&gt;
                      strangely visited people,
  All swoln and ulcerous, pitiful to the eye,
  The mere despair of surgery,
&lt;/pre&gt;
&lt;p&gt;
      he and his patients are handing along an extinguished torch which once was
      kindled at the altar-fire of a faith long held by all classes of men. It
      is a beautiful and edifying "survival"—one which brings the sainted
      past close home in our "business and bosoms."
    &lt;/p&gt;
&lt;p&gt;
      KISS, n. A word invented by the poets as a rhyme for "bliss." It is
      supposed to signify, in a general way, some kind of rite or ceremony
      appertaining to a good understanding; but the manner of its performance is
      unknown to this lexicographer.
    &lt;/p&gt;
&lt;p&gt;
      KLEPTOMANIAC, n. A rich thief.
    &lt;/p&gt;
&lt;p&gt;
      KNIGHT, n.
    &lt;/p&gt;
&lt;pre&gt;
  Once a warrior gentle of birth,
  Then a person of civic worth,
  Now a fellow to move our mirth.
  Warrior, person, and fellow—no more:
  We must knight our dogs to get any lower.
  Brave Knights Kennelers then shall be,
  Noble Knights of the Golden Flea,
  Knights of the Order of St. Steboy,
  Knights of St. Gorge and Sir Knights Jawy.
  God speed the day when this knighting fad
  Shall go to the dogs and the dogs go mad.
&lt;/pre&gt;
&lt;p&gt;
      KORAN, n. A book which the Mohammedans foolishly believe to have been
      written by divine inspiration, but which Christians know to be a wicked
      imposture, contradictory to the Holy Scriptures.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0014"&gt;&lt;/a&gt;
      L
    &lt;/h2&gt;
&lt;p&gt;
      LABOR, n. One of the processes by which A acquires property for B.
    &lt;/p&gt;
&lt;p&gt;
      LAND, n. A part of the earth's surface, considered as property. The theory
      that land is property subject to private ownership and control is the
      foundation of modern society, and is eminently worthy of the
      superstructure. Carried to its logical conclusion, it means that some have
      the right to prevent others from living; for the right to own implies the
      right exclusively to occupy; and in fact laws of trespass are enacted
      wherever property in land is recognized. It follows that if the whole area
      of &lt;i&gt;terra firma&lt;/i&gt; is owned by A, B and C, there will be no place for
      D, E, F and G to be born, or, born as trespassers, to exist.
    &lt;/p&gt;
&lt;pre&gt;
  A life on the ocean wave,
      A home on the rolling deep,
  For the spark that nature gave
      I have there the right to keep.

  They give me the cat-o'-nine
      Whenever I go ashore.
  Then ho! for the flashing brine—
      I'm a natural commodore!
&lt;/pre&gt;
&lt;p&gt;
      Dodle
    &lt;/p&gt;
&lt;p&gt;
      LANGUAGE, n. The music with which we charm the serpents guarding another's
      treasure.
    &lt;/p&gt;
&lt;p&gt;
      LAOCOON, n. A famous piece of antique scripture representing a priest of
      that name and his two sons in the folds of two enormous serpents. The
      skill and diligence with which the old man and lads support the serpents
      and keep them up to their work have been justly regarded as one of the
      noblest artistic illustrations of the mastery of human intelligence over
      brute inertia.
    &lt;/p&gt;
&lt;p&gt;
      LAP, n. One of the most important organs of the female system—an
      admirable provision of nature for the repose of infancy, but chiefly
      useful in rural festivities to support plates of cold chicken and heads of
      adult males. The male of our species has a rudimentary lap, imperfectly
      developed and in no way contributing to the animal's substantial welfare.
    &lt;/p&gt;
&lt;p&gt;
      LAST, n. A shoemaker's implement, named by a frowning Providence as
      opportunity to the maker of puns.
    &lt;/p&gt;
&lt;pre&gt;
  Ah, punster, would my lot were cast,
      Where the cobbler is unknown,
  So that I might forget his last
      And hear your own.
&lt;/pre&gt;
&lt;p&gt;
      Gargo Repsky
    &lt;/p&gt;
&lt;p&gt;
      LAUGHTER, n. An interior convulsion, producing a distortion of the
      features and accompanied by inarticulate noises. It is infectious and,
      though intermittent, incurable. Liability to attacks of laughter is one of
      the characteristics distinguishing man from the animals— these being
      not only inaccessible to the provocation of his example, but impregnable
      to the microbes having original jurisdiction in bestowal of the disease.
      Whether laughter could be imparted to animals by inoculation from the
      human patient is a question that has not been answered by experimentation.
      Dr. Meir Witchell holds that the infectious character of laughter is due to
      the instantaneous fermentation of &lt;i&gt;sputa&lt;/i&gt; diffused in a spray. From
      this peculiarity he names the disorder &lt;i&gt;Convulsio spargens&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      LAUREATE, adj. Crowned with leaves of the laurel. In England the Poet
      Laureate is an officer of the sovereign's court, acting as dancing
      skeleton at every royal feast and singing-mute at every royal funeral. Of
      all incumbents of that high office, Robert Southey had the most notable
      knack at drugging the Samson of public joy and cutting his hair to the
      quick; and he had an artistic color-sense which enabled him so to blacken
      a public grief as to give it the aspect of a national crime.
    &lt;/p&gt;
&lt;p&gt;
      LAUREL, n. The &lt;i&gt;laurus&lt;/i&gt;, a vegetable dedicated to Apollo, and
      formerly defoliated to wreathe the brows of victors and such poets as had
      influence at court. (&lt;i&gt;Vide supra.&lt;/i&gt;)
    &lt;/p&gt;
&lt;p&gt;
      LAW, n.
    &lt;/p&gt;
&lt;pre&gt;
  Once Law was sitting on the bench,
      And Mercy knelt a-weeping.
  "Clear out!" he cried, "disordered wench!
      Nor come before me creeping.
  Upon your knees if you appear,
  'Tis plain your have no standing here."

  Then Justice came.  His Honor cried:
      "&lt;i&gt;Your&lt;/i&gt; status?—devil seize you!"
  "&lt;i&gt;Amica curiae,&lt;/i&gt;" she replied—
      "Friend of the court, so please you."
  "Begone!" he shouted—"there's the door—
  I never saw your face before!"
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      LAWFUL, adj. Compatible with the will of a judge having jurisdiction.
    &lt;/p&gt;
&lt;p&gt;
      LAWYER, n. One skilled in circumvention of the law.
    &lt;/p&gt;
&lt;p&gt;
      LAZINESS, n. Unwarranted repose of manner in a person of low degree.
    &lt;/p&gt;
&lt;p&gt;
      LEAD, n. A heavy blue-gray metal much used in giving stability to light
      lovers—particularly to those who love not wisely but other men's
      wives. Lead is also of great service as a counterpoise to an argument of
      such weight that it turns the scale of debate the wrong way. An
      interesting fact in the chemistry of international controversy is that at
      the point of contact of two patriotisms lead is precipitated in great
      quantities.
    &lt;/p&gt;
&lt;pre&gt;
  Hail, holy Lead!—of human feuds the great
      And universal arbiter; endowed
      With penetration to pierce any cloud
  Fogging the field of controversial hate,
  And with a swift, inevitable, straight,
      Searching precision find the unavowed
      But vital point.  Thy judgment, when allowed
  By the chirurgeon, settles the debate.
  O useful metal!—were it not for thee
      We'd grapple one another's ears alway:
  But when we hear thee buzzing like a bee
      We, like old Muhlenberg, "care not to stay."
  And when the quick have run away like pellets
  Jack Satan smelts the dead to make new bullets.
&lt;/pre&gt;
&lt;p&gt;
      LEARNING, n. The kind of ignorance distinguishing the studious.
    &lt;/p&gt;
&lt;p&gt;
      LECTURER, n. One with his hand in your pocket, his tongue in your ear and
      his faith in your patience.
    &lt;/p&gt;
&lt;p&gt;
      LEGACY, n. A gift from one who is legging it out of this vale of tears.
    &lt;/p&gt;
&lt;p&gt;
      LEONINE, adj. Unlike a menagerie lion. Leonine verses are those in which a
      word in the middle of a line rhymes with a word at the end, as in this
      famous passage from Bella Peeler Silcox:
    &lt;/p&gt;
&lt;pre&gt;
  The electric light invades the dunnest deep of Hades.
  Cries Pluto, 'twixt his snores:  "O tempora! O mores!"
&lt;/pre&gt;
&lt;p&gt;
      It should be explained that Mrs. Silcox does not undertake to teach
      pronunciation of the Greek and Latin tongues. Leonine verses are so called
      in honor of a poet named Leo, whom prosodists appear to find a pleasure in
      believing to have been the first to discover that a rhyming couplet could
      be run into a single line.
    &lt;/p&gt;
&lt;p&gt;
      LETTUCE, n. An herb of the genus &lt;i&gt;Lactuca&lt;/i&gt;, "Wherewith," says that
      pious gastronome, Hengist Pelly, "God has been pleased to reward the good
      and punish the wicked. For by his inner light the righteous man has
      discerned a manner of compounding for it a dressing to the appetency
      whereof a multitude of gustible condiments conspire, being reconciled and
      ameliorated with profusion of oil, the entire comestible making glad the
      heart of the godly and causing his face to shine. But the person of
      spiritual unworth is successfully tempted to the Adversary to eat of
      lettuce with destitution of oil, mustard, egg, salt and garlic, and with a
      rascal bath of vinegar polluted with sugar. Wherefore the person of
      spiritual unworth suffers an intestinal pang of strange complexity and
      raises the song."
    &lt;/p&gt;
&lt;p&gt;
      LEVIATHAN, n. An enormous aquatic animal mentioned by Job. Some suppose it
      to have been the whale, but that distinguished ichthyologer, Dr. Jordan,
      of Stanford University, maintains with considerable heat that it was a
      species of gigantic Tadpole (&lt;i&gt;Thaddeus Polandensis&lt;/i&gt;) or Polliwig—&lt;i&gt;Maria
      pseudo-hirsuta&lt;/i&gt;. For an exhaustive description and history of the
      Tadpole consult the famous monograph of Jane Potter, &lt;i&gt;Thaddeus of Warsaw&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      LEXICOGRAPHER, n. A pestilent fellow who, under the pretense of recording
      some particular stage in the development of a language, does what he can
      to arrest its growth, stiffen its flexibility and mechanize its methods.
      For your lexicographer, having written his dictionary, comes to be
      considered "as one having authority," whereas his function is only to make
      a record, not to give a law. The natural servility of the human
      understanding having invested him with judicial power, surrenders its
      right of reason and submits itself to a chronicle as if it were a statute.
      Let the dictionary (for example) mark a good word as "obsolete" or
      "obsolescent" and few men thereafter venture to use it, whatever their
      need of it and however desirable its restoration to favor—whereby
      the process of impoverishment is accelerated and speech decays. On the
      contrary, the bold and discerning writer who, recognizing the truth that language must grow by innovation if
      it grow at all, makes new words and uses the old in an unfamiliar sense,
      has no following and is tartly reminded that "it isn't in the dictionary"
      —although down to the time of the first lexicographer (Heaven
      forgive him!) no author ever had used a word that &lt;i&gt;was&lt;/i&gt; in the
      dictionary. In the golden prime and high noon of English speech; when from
      the lips of the great Elizabethans fell words that made their own meaning
      and carried it in their very sound; when a Shakespeare and a Bacon were
      possible, and the language now rapidly perishing at one end and slowly
      renewed at the other was in vigorous growth and hardy preservation—sweeter
      than honey and stronger than a lion—the lexicographer was a person
      unknown, the dictionary a creation which his Creator had not created him
      to create.
    &lt;/p&gt;
&lt;pre&gt;
  God said:  "Let Spirit perish into Form,"
  And lexicographers arose, a swarm!
  Thought fled and left her clothing, which they took,
  And catalogued each garment in a book.
  Now, from her leafy covert when she cries:
  "Give me my clothes and I'll return," they rise
  And scan the list, and say without compassion:
  "Excuse us—they are mostly out of fashion."
&lt;/pre&gt;
&lt;p&gt;
      Sigismund Smith
    &lt;/p&gt;
&lt;p&gt;
      LIAR, n. A lawyer with a roving commission.
    &lt;/p&gt;
&lt;p&gt;
      LIBERTY, n. One of Imagination's most precious possessions.
    &lt;/p&gt;
&lt;pre&gt;
  The rising People, hot and out of breath,
  Roared around the palace:  "Liberty or death!"
  "If death will do," the King said, "let me reign;
  You'll have, I'm sure, no reason to complain."
&lt;/pre&gt;
&lt;p&gt;
      Martha Braymance
    &lt;/p&gt;
&lt;p&gt;
      LICKSPITTLE, n. A useful functionary, not infrequently found editing a
      newspaper. In his character of editor he is closely allied to the
      blackmailer by the tie of occasional identity; for in truth the
      lickspittle is only the blackmailer under another aspect, although the
      latter is frequently found as an independent species. Lickspittling is
      more detestable than blackmailing, precisely as the business of a
      confidence man is more detestable than that of a highway robber; and the
      parallel maintains itself throughout, for whereas few robbers will cheat,
      every sneak will plunder if he dare.
    &lt;/p&gt;
&lt;p&gt;
      LIFE, n. A spiritual pickle preserving the body from decay. We live in
      daily apprehension of its loss; yet when lost it is not missed. The
      question, "Is life worth living?" has been much discussed; particularly by
      those who think it is not, many of whom have written at great length in
      support of their view and by careful observance of the laws of health
      enjoyed for long terms of years the honors of successful controversy.
    &lt;/p&gt;
&lt;pre&gt;
  "Life's not worth living, and that's the truth,"
  Carelessly caroled the golden youth.
  In manhood still he maintained that view
  And held it more strongly the older he grew.
  When kicked by a jackass at eighty-three,
  "Go fetch me a surgeon at once!" cried he.
&lt;/pre&gt;
&lt;p&gt;
      Han Soper
    &lt;/p&gt;
&lt;p&gt;
      LIGHTHOUSE, n. A tall building on the seashore in which the government
      maintains a lamp and the friend of a politician.
    &lt;/p&gt;
&lt;p&gt;
      LIMB, n. The branch of a tree or the leg of an American woman.
    &lt;/p&gt;
&lt;pre&gt;
  'Twas a pair of boots that the lady bought,
      And the salesman laced them tight
      To a very remarkable height—
  Higher, indeed, than I think he ought—
      Higher than &lt;i&gt;can&lt;/i&gt; be right.
  For the Bible declares—but never mind:
      It is hardly fit
  To censure freely and fault to find
  With others for sins that I'm not inclined
      Myself to commit.
  Each has his weakness, and though my own
      Is freedom from every sin,
      It still were unfair to pitch in,
  Discharging the first censorious stone.
  Besides, the truth compels me to say,
  The boots in question were &lt;i&gt;made&lt;/i&gt; that way.
  As he drew the lace she made a grimace,
      And blushingly said to him:
  "This boot, I'm sure, is too high to endure,
  It hurts my—hurts my—limb."
  The salesman smiled in a manner mild,
  Like an artless, undesigning child;
  Then, checking himself, to his face he gave
  A look as sorrowful as the grave,
      Though he didn't care two figs
  For her pains and throes,
  As he stroked her toes,
  Remarking with speech and manner just
  Befitting his calling:  "Madam, I trust
      That it doesn't hurt your twigs."
&lt;/pre&gt;
&lt;p&gt;
      B. Percival Dike
    &lt;/p&gt;
&lt;p&gt;
      LINEN, n. "A kind of cloth the making of which, when made of hemp, entails
      a great waste of hemp."—Calcraft the Hangman.
    &lt;/p&gt;
&lt;p&gt;
      LITIGANT, n. A person about to give up his skin for the hope of retaining
      his bones.
    &lt;/p&gt;
&lt;p&gt;
      LITIGATION, n. A machine which you go into as a pig and come out of as a
      sausage.
    &lt;/p&gt;
&lt;p&gt;
      LIVER, n. A large red organ thoughtfully provided by nature to be bilious
      with. The sentiments and emotions which every literary anatomist now knows
      to haunt the heart were anciently believed to infest the liver; and even
      Gascoygne, speaking of the emotional side of human nature, calls it "our
      hepaticall parte." It was at one time considered the seat of life; hence
      its name—liver, the thing we live with. The liver is heaven's best
      gift to the goose; without it that bird would be unable to supply us with
      the Strasbourg &lt;i&gt;pate&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      LL.D. Letters indicating the degree &lt;i&gt;Legumptionorum Doctor&lt;/i&gt;, one
      learned in laws, gifted with legal gumption. Some suspicion is cast upon
      this derivation by the fact that the title was formerly &lt;i&gt;LL.d.&lt;/i&gt;, and
      conferred only upon gentlemen distinguished for their wealth. At the date
      of this writing Columbia University is considering the expediency of
      making another degree for clergymen, in place of the old D.D.—&lt;i&gt;Damnator
      Diaboli&lt;/i&gt;. The new honor will be known as &lt;i&gt;Sanctorum Custus&lt;/i&gt;, and
      written &lt;i&gt;$$c&lt;/i&gt;. The name of the Rev. John Satan has been suggested as
      a suitable recipient by a lover of consistency, who points out that
      Professor Harry Thurston Peck has long enjoyed the advantage of a degree.
    &lt;/p&gt;
&lt;p&gt;
      LOCK-AND-KEY, n. The distinguishing device of civilization and
      enlightenment.
    &lt;/p&gt;
&lt;p&gt;
      LODGER, n. A less popular name for the Second Person of that delectable
      newspaper Trinity, the Roomer, the Bedder, and the Mealer.
    &lt;/p&gt;
&lt;p&gt;
      LOGIC, n. The art of thinking and reasoning in strict accordance with the
      limitations and incapacities of the human misunderstanding. The basic of
      logic is the syllogism, consisting of a major and a minor premise and a
      conclusion—thus:
    &lt;/p&gt;
&lt;p&gt;
&lt;i&gt;Major Premise&lt;/i&gt;: Sixty men can do a piece of work sixty times as
      quickly as one man.
    &lt;/p&gt;
&lt;p&gt;
&lt;i&gt;Minor Premise&lt;/i&gt;: One man can dig a posthole in sixty seconds;
      therefore—
    &lt;/p&gt;
&lt;p&gt;
&lt;i&gt;Conclusion&lt;/i&gt;: Sixty men can dig a posthole in one second.
    &lt;/p&gt;
&lt;p&gt;
      This may be called the syllogism arithmetical, in which, by combining
      logic and mathematics, we obtain a double certainty and are twice blessed.
    &lt;/p&gt;
&lt;p&gt;
      LOGOMACHY, n. A war in which the weapons are words and the wounds
      punctures in the swim-bladder of self-esteem—a kind of contest in
      which, the vanquished being unconscious of defeat, the victor is denied
      the reward of success.
    &lt;/p&gt;
&lt;pre&gt;
  'Tis said by divers of the scholar-men
  That poor Salmasius died of Milton's pen.
  Alas! we cannot know if this is true,
  For reading Milton's wit we perish too.
&lt;/pre&gt;
&lt;p&gt;
      LONGANIMITY, n. The disposition to endure injury with meek forbearance
      while maturing a plan of revenge.
    &lt;/p&gt;
&lt;p&gt;
      LONGEVITY, n. Uncommon extension of the fear of death.
    &lt;/p&gt;
&lt;p&gt;
      LOOKING-GLASS, n. A vitreous plane upon which to display a fleeting show
      for man's disillusion given.
    &lt;/p&gt;
&lt;p&gt;
      The King of Manchuria had a magic looking-glass, whereon whoso looked saw,
      not his own image, but only that of the king. A certain courtier who had
      long enjoyed the king's favor and was thereby enriched beyond any other
      subject of the realm, said to the king: "Give me, I pray, thy wonderful
      mirror, so that when absent out of thine august presence I may yet do
      homage before thy visible shadow, prostrating myself night and morning in
      the glory of thy benign countenance, as which nothing has so divine
      splendor, O Noonday Sun of the Universe!"
    &lt;/p&gt;
&lt;p&gt;
      Please with the speech, the king commanded that the mirror be conveyed to
      the courtier's palace; but after, having gone thither without apprisal, he
      found it in an apartment where was naught but idle lumber. And the mirror
      was dimmed with dust and overlaced with cobwebs. This so angered him that
      he fisted it hard, shattering the glass, and was sorely hurt. Enraged all
      the more by this mischance, he commanded that the ungrateful courtier be
      thrown into prison, and that the glass be repaired and taken back to his
      own palace; and this was done. But when the king looked again on the
      mirror he saw not his image as before, but only the figure of a crowned
      ass, having a bloody bandage on one of its hinder hooves—as the
      artificers and all who had looked upon it had before discerned but feared
      to report. Taught wisdom and charity, the king restored his courtier to
      liberty, had the mirror set into the back of the throne and reigned many
      years with justice and humility; and one day when he fell asleep in death
      while on the throne, the whole court saw in the mirror the luminous figure
      of an angel, which remains to this day.
    &lt;/p&gt;
&lt;p&gt;
      LOQUACITY, n. A disorder which renders the sufferer unable to curb his
      tongue when you wish to talk.
    &lt;/p&gt;
&lt;p&gt;
      LORD, n. In American society, an English tourist above the state of a
      costermonger, as, lord 'Aberdasher, Lord Hartisan and so forth. The
      traveling Briton of lesser degree is addressed as "Sir," as, Sir 'Arry
      Donkiboi, or 'Amstead 'Eath. The word "Lord" is sometimes used, also, as a
      title of the Supreme Being; but this is thought to be rather flattery than
      true reverence.
    &lt;/p&gt;
&lt;pre&gt;
  Miss Sallie Ann Splurge, of her own accord,
  Wedded a wandering English lord—
  Wedded and took him to dwell with her "paw,"
  A parent who throve by the practice of Draw.
  Lord Cadde I don't hesitate to declare
  Unworthy the father-in-legal care
  Of that elderly sport, notwithstanding the truth
  That Cadde had renounced all the follies of youth;
  For, sad to relate, he'd arrived at the stage
  Of existence that's marked by the vices of age.
  Among them, cupidity caused him to urge
  Repeated demands on the pocket of Splurge,
  Till, wrecked in his fortune, that gentleman saw
  Inadequate aid in the practice of Draw,
  And took, as a means of augmenting his pelf,
  To the business of being a lord himself.
  His neat-fitting garments he wilfully shed
  And sacked himself strangely in checks instead;
  Denuded his chin, but retained at each ear
  A whisker that looked like a blasted career.
  He painted his neck an incarnadine hue
  Each morning and varnished it all that he knew.
  The moony monocular set in his eye
  Appeared to be scanning the Sweet Bye-and-Bye.
  His head was enroofed with a billycock hat,
  And his low-necked shoes were aduncous and flat.
  In speech he eschewed his American ways,
  Denying his nose to the use of his A's
  And dulling their edge till the delicate sense
  Of a babe at their temper could take no offence.
  His H's—'twas most inexpressibly sweet,
  The patter they made as they fell at his feet!
  Re-outfitted thus, Mr. Splurge without fear
  Began as Lord Splurge his recouping career.
  Alas, the Divinity shaping his end
  Entertained other views and decided to send
  His lordship in horror, despair and dismay
  From the land of the nobleman's natural prey.
  For, smit with his Old World ways, Lady Cadde
  Fell—suffering Caesar!—in love with her dad!
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      LORE, n. Learning—particularly that sort which is not derived from a
      regular course of instruction but comes of the reading of occult books, or
      by nature. This latter is commonly designated as folk-lore and embraces
      popularly myths and superstitions. In Baring-Gould's &lt;i&gt;Curious Myths of
      the Middle Ages&lt;/i&gt; the reader will find many of these traced backward,
      through various peoples on converging lines, toward a common origin in
      remote antiquity. Among these are the fables of "Teddy the Giant Killer,"
      "The Sleeping John Sharp Williams," "Little Red Riding Hood and the Sugar
      Trust," "Beauty and the Brisbane," "The Seven Aldermen of Ephesus," "Rip
      Van Fairbanks," and so forth. The fable which Goethe so affectingly relates
      under the title of "The Erl-King" was known two thousand years ago in
      Greece as "The Demos and the Infant Industry." One of the most general and
      ancient of these myths is that Arabian tale of "Ali Baba and the Forty
      Rockefellers."
    &lt;/p&gt;
&lt;p&gt;
      LOSS, n. Privation of that which we had, or had not. Thus, in the latter
      sense, it is said of a defeated candidate that he "lost his election"; and
      of that eminent man, the poet Gilder, that he has "lost his mind." It is
      in the former and more legitimate sense, that the word is used in the
      famous epitaph:
    &lt;/p&gt;
&lt;pre&gt;
  Here Huntington's ashes long have lain
  Whose loss is our eternal gain,
  For while he exercised all his powers
  Whatever he gained, the loss was ours.
&lt;/pre&gt;
&lt;p&gt;
      LOVE, n. A temporary insanity curable by marriage or by removal of the
      patient from the influences under which he incurred the disorder. This
      disease, like &lt;i&gt;caries&lt;/i&gt; and many other ailments, is prevalent only
      among civilized races living under artificial conditions; barbarous
      nations breathing pure air and eating simple food enjoy immunity from its
      ravages. It is sometimes fatal, but more frequently to the physician than
      to the patient.
    &lt;/p&gt;
&lt;p&gt;
      LOW-BRED, adj. "Raised" instead of brought up.
    &lt;/p&gt;
&lt;p&gt;
      LUMINARY, n. One who throws light upon a subject; as an editor by not
      writing about it.
    &lt;/p&gt;
&lt;p&gt;
      LUNARIAN, n. An inhabitant of the moon, as distinguished from Lunatic, one
      whom the moon inhabits. The Lunarians have been described by Lucian, Locke
      and other observers, but without much agreement. For example, Bragellos
      avers their anatomical identity with Man, but Professor Newcomb says they
      are more like the hill tribes of Vermont.
    &lt;/p&gt;
&lt;p&gt;
      LYRE, n. An ancient instrument of torture. The word is now used in a
      figurative sense to denote the poetic faculty, as in the following fiery
      lines of our great poet, Ella Wheeler Wilcox:
    &lt;/p&gt;
&lt;pre&gt;
  I sit astride Parnassus with my lyre,
  And pick with care the disobedient wire.
  That stupid shepherd lolling on his crook
  With deaf attention scarcely deigns to look.
  I bide my time, and it shall come at length,
  When, with a Titan's energy and strength,
  I'll grab a fistful of the strings, and O,
  The word shall suffer when I let them go!
&lt;/pre&gt;
&lt;p&gt;
      Farquharson Harris
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0015"&gt;&lt;/a&gt;
      M
    &lt;/h2&gt;
&lt;p&gt;
      MACE, n. A staff of office signifying authority. Its form, that of a heavy
      club, indicates its original purpose and use in dissuading from dissent.
    &lt;/p&gt;
&lt;p&gt;
      MACHINATION, n. The method employed by one's opponents in baffling one's
      open and honorable efforts to do the right thing.
    &lt;/p&gt;
&lt;pre&gt;
  So plain the advantages of machination
  It constitutes a moral obligation,
  And honest wolves who think upon't with loathing
  Feel bound to don the sheep's deceptive clothing.
  So prospers still the diplomatic art,
  And Satan bows, with hand upon his heart.
&lt;/pre&gt;
&lt;p&gt;
      R.S.K.
    &lt;/p&gt;
&lt;p&gt;
      MACROBIAN, n. One forgotten of the gods and living to a great age. History
      is abundantly supplied with examples, from Methuselah to Old Parr, but
      some notable instances of longevity are less well known. A Calabrian
      peasant named Coloni, born in 1753, lived so long that he had what he
      considered a glimpse of the dawn of universal peace. Scanavius relates
      that he knew an archbishop who was so old that he could remember a time
      when he did not deserve hanging. In 1566 a linen draper of Bristol,
      England, declared that he had lived five hundred years, and that in all
      that time he had never told a lie. There are instances of longevity (&lt;i&gt;macrobiosis&lt;/i&gt;)
      in our own country. Senator Chauncey Depew is old enough to know better.
      The editor of &lt;i&gt;The American&lt;/i&gt;, a newspaper in New York City, has a
      memory that goes back to the time when he was a rascal, but not to the
      fact. The President of the United States was born so long ago that many of
      the friends of his youth have risen to high political and military
      preferment without the assistance of personal merit. The verses following
      were written by a macrobian:
    &lt;/p&gt;
&lt;pre&gt;
  When I was young the world was fair
      And amiable and sunny.
  A brightness was in all the air,
      In all the waters, honey.
      The jokes were fine and funny,
  The statesmen honest in their views,
      And in their lives, as well,
  And when you heard a bit of news
      'Twas true enough to tell.
  Men were not ranting, shouting, reeking,
  Nor women "generally speaking."

  The Summer then was long indeed:
      It lasted one whole season!
  The sparkling Winter gave no heed
      When ordered by Unreason
      To bring the early peas on.
  Now, where the dickens is the sense
      In calling that a year
  Which does no more than just commence
      Before the end is near?
  When I was young the year extended
  From month to month until it ended.
  I know not why the world has changed
      To something dark and dreary,
  And everything is now arranged
      To make a fellow weary.
      The Weather Man—I fear he
  Has much to do with it, for, sure,
      The air is not the same:
  It chokes you when it is impure,
      When pure it makes you lame.
  With windows closed you are asthmatic;
  Open, neuralgic or sciatic.

  Well, I suppose this new regime
      Of dun degeneration
  Seems eviler than it would seem
      To a better observation,
      And has for compensation
  Some blessings in a deep disguise
      Which mortal sight has failed
  To pierce, although to angels' eyes
      They're visible unveiled.
  If Age is such a boon, good land!
  He's costumed by a master hand!
&lt;/pre&gt;
&lt;p&gt;
      Venable Strigg
    &lt;/p&gt;
&lt;p&gt;
      MAD, adj. Affected with a high degree of intellectual independence; not
      conforming to standards of thought, speech and action derived by the
      conformants from study of themselves; at odds with the majority; in short,
      unusual. It is noteworthy that persons are pronounced mad by officials
      destitute of evidence that themselves are sane. For illustration, this
      present (and illustrious) lexicographer is no firmer in the faith of his
      own sanity than is any inmate of any madhouse in the land; yet for aught
      he knows to the contrary, instead of the lofty occupation that seems to
      him to be engaging his powers he may really be beating his hands against
      the window bars of an asylum and declaring himself Noah Webster, to the
      innocent delight of many thoughtless spectators.
    &lt;/p&gt;
&lt;p&gt;
      MAGDALENE, n. An inhabitant of Magdala. Popularly, a woman found out. This
      definition of the word has the authority of ignorance, Mary of Magdala
      being another person than the penitent woman mentioned by St. Luke. It has
      also the official sanction of the governments of Great Britain and the
      United States. In England the word is pronounced Maudlin, whence maudlin,
      adjective, unpleasantly sentimental. With their Maudlin for Magdalene, and
      their Bedlam for Bethlehem, the English may justly boast themselves the
      greatest of revisers.
    &lt;/p&gt;
&lt;p&gt;
      MAGIC, n. An art of converting superstition into coin. There are other
      arts serving the same high purpose, but the discreet lexicographer does
      not name them.
    &lt;/p&gt;
&lt;p&gt;
      MAGNET, n. Something acted upon by magnetism.
    &lt;/p&gt;
&lt;p&gt;
      MAGNETISM, n. Something acting upon a magnet.
    &lt;/p&gt;
&lt;p&gt;
      The two definitions immediately foregoing are condensed from the works of
      one thousand eminent scientists, who have illuminated the subject with a
      great white light, to the inexpressible advancement of human knowledge.
    &lt;/p&gt;
&lt;p&gt;
      MAGNIFICENT, adj. Having a grandeur or splendor superior to that to which
      the spectator is accustomed, as the ears of an ass, to a rabbit, or the
      glory of a glowworm, to a maggot.
    &lt;/p&gt;
&lt;p&gt;
      MAGNITUDE, n. Size. Magnitude being purely relative, nothing is large and
      nothing small. If everything in the universe were increased in bulk one
      thousand diameters nothing would be any larger than it was before, but if
      one thing remain unchanged all the others would be larger than they had
      been. To an understanding familiar with the relativity of magnitude and
      distance the spaces and masses of the astronomer would be no more
      impressive than those of the microscopist. For anything we know to the
      contrary, the visible universe may be a small part of an atom, with its
      component ions, floating in the life-fluid (luminiferous ether) of some
      animal. Possibly the wee creatures peopling the corpuscles of our own
      blood are overcome with the proper emotion when contemplating the
      unthinkable distance from one of these to another.
    &lt;/p&gt;
&lt;p&gt;
      MAGPIE, n. A bird whose thievish disposition suggested to someone that it
      might be taught to talk.
    &lt;/p&gt;
&lt;p&gt;
      MAIDEN, n. A young person of the unfair sex addicted to clewless conduct
      and views that madden to crime. The genus has a wide geographical
      distribution, being found wherever sought and deplored wherever found. The
      maiden is not altogether unpleasing to the eye, nor (without her piano and
      her views) insupportable to the ear, though in respect to comeliness
      distinctly inferior to the rainbow, and, with regard to the part of her
      that is audible, bleaten out of the field by the canary—which,
      also, is more portable.
    &lt;/p&gt;
&lt;pre&gt;
  A lovelorn maiden she sat and sang—
      This quaint, sweet song sang she;
  "It's O for a youth with a football bang
      And a muscle fair to see!
              The Captain he
              Of a team to be!
  On the gridiron he shall shine,
  A monarch by right divine,
      And never to roast on it—me!"
&lt;/pre&gt;
&lt;p&gt;
      Opoline Jones
    &lt;/p&gt;
&lt;p&gt;
      MAJESTY, n. The state and title of a king. Regarded with a just contempt
      by the Most Eminent Grand Masters, Grand Chancellors, Great Incohonees and
      Imperial Potentates of the ancient and honorable orders of republican
      America.
    &lt;/p&gt;
&lt;p&gt;
      MALE, n. A member of the unconsidered, or negligible sex. The male of the
      human race is commonly known (to the female) as Mere Man. The genus has
      two varieties: good providers and bad providers.
    &lt;/p&gt;
&lt;p&gt;
      MALEFACTOR, n. The chief factor in the progress of the human race.
    &lt;/p&gt;
&lt;p&gt;
      MALTHUSIAN, adj. Pertaining to Malthus and his doctrines. Malthus believed
      in artificially limiting population, but found that it could not be done
      by talking. One of the most practical exponents of the Malthusian idea was
      Herod of Judea, though all the famous soldiers have been of the same way
      of thinking.
    &lt;/p&gt;
&lt;p&gt;
      MAMMALIA, n.pl. A family of vertebrate animals whose females in a state of
      nature suckle their young, but when civilized and enlightened put them out
      to nurse, or use the bottle.
    &lt;/p&gt;
&lt;p&gt;
      MAMMON, n. The god of the world's leading religion. The chief temple is in
      the holy city of New York.
    &lt;/p&gt;
&lt;pre&gt;
  He swore that all other religions were gammon,
  And wore out his knees in the worship of Mammon.
&lt;/pre&gt;
&lt;p&gt;
      Jared Oopf
    &lt;/p&gt;
&lt;p&gt;
      MAN, n. An animal so lost in rapturous contemplation of what he thinks he
      is as to overlook what he indubitably ought to be. His chief occupation is
      extermination of other animals and his own species, which, however,
      multiplies with such insistent rapidity as to infest the whole habitable
      earth and Canada.
    &lt;/p&gt;
&lt;pre&gt;
  When the world was young and Man was new,
      And everything was pleasant,
  Distinctions Nature never drew
      'Mongst kings and priest and peasant.
      We're not that way at present,
  Save here in this Republic, where
      We have that old regime,
  For all are kings, however bare
      Their backs, howe'er extreme
  Their hunger.  And, indeed, each has a voice
  To accept the tyrant of his party's choice.

  A citizen who would not vote,
      And, therefore, was detested,
  Was one day with a tarry coat
      (With feathers backed and breasted)
      By patriots invested.
  "It is your duty," cried the crowd,
      "Your ballot true to cast
  For the man o' your choice."  He humbly bowed,
      And explained his wicked past:
  "That's what I very gladly would have done,
  Dear patriots, but he has never run."
&lt;/pre&gt;
&lt;p&gt;
      Apperton Duke
    &lt;/p&gt;
&lt;p&gt;
      MANES, n. The immortal parts of dead Greeks and Romans. They were in a
      state of dull discomfort until the bodies from which they had exhaled were
      buried and burned; and they seem not to have been particularly happy
      afterward.
    &lt;/p&gt;
&lt;p&gt;
      MANICHEISM, n. The ancient Persian doctrine of an incessant warfare
      between Good and Evil. When Good gave up the fight the Persians joined the
      victorious Opposition.
    &lt;/p&gt;
&lt;p&gt;
      MANNA, n. A food miraculously given to the Israelites in the wilderness.
      When it was no longer supplied to them they settled down and tilled the
      soil, fertilizing it, as a rule, with the bodies of the original
      occupants.
    &lt;/p&gt;
&lt;p&gt;
      MARRIAGE, n. The state or condition of a community consisting of a master,
      a mistress and two slaves, making in all, two.
    &lt;/p&gt;
&lt;p&gt;
      MARTYR, n. One who moves along the line of least reluctance to a desired
      death.
    &lt;/p&gt;
&lt;p&gt;
      MATERIAL, adj. Having an actual existence, as distinguished from an
      imaginary one. Important.
    &lt;/p&gt;
&lt;pre&gt;
  Material things I know, or feel, or see;
  All else is immaterial to me.
&lt;/pre&gt;
&lt;p&gt;
      Jamrach Holobom
    &lt;/p&gt;
&lt;p&gt;
      MAUSOLEUM, n. The final and funniest folly of the rich.
    &lt;/p&gt;
&lt;p&gt;
      MAYONNAISE, n. One of the sauces which serve the French in place of a
      state religion.
    &lt;/p&gt;
&lt;p&gt;
      ME, pro. The objectionable case of I. The personal pronoun in English has
      three cases, the dominative, the objectionable and the oppressive. Each is
      all three.
    &lt;/p&gt;
&lt;p&gt;
      MEANDER, n. To proceed sinuously and aimlessly. The word is the ancient
      name of a river about one hundred and fifty miles south of Troy, which
      turned and twisted in the effort to get out of hearing when the Greeks and
      Trojans boasted of their prowess.
    &lt;/p&gt;
&lt;p&gt;
      MEDAL, n. A small metal disk given as a reward for virtues, attainments or
      services more or less authentic.
    &lt;/p&gt;
&lt;p&gt;
      It is related of Bismark, who had been awarded a medal for gallantly
      rescuing a drowning person, that, being asked the meaning of the medal, he
      replied: "I save lives sometimes." And sometimes he didn't.
    &lt;/p&gt;
&lt;p&gt;
      MEDICINE, n. A stone flung down the Bowery to kill a dog in Broadway.
    &lt;/p&gt;
&lt;p&gt;
      MEEKNESS, n. Uncommon patience in planning a revenge that is worth while.
    &lt;/p&gt;
&lt;pre&gt;
  M is for Moses,
      Who slew the Egyptian.
  As sweet as a rose is
  The meekness of Moses.
  No monument shows his
      Post-mortem inscription,
  But M is for Moses
      Who slew the Egyptian.
&lt;/pre&gt;
&lt;p&gt;
&lt;i&gt;The Biographical Alphabet&lt;/i&gt;
&lt;/p&gt;
&lt;p&gt;
      MEERSCHAUM, n. (Literally, seafoam, and by many erroneously supposed to be
      made of it.) A fine white clay, which for convenience in coloring it brown
      is made into tobacco pipes and smoked by the workmen engaged in that
      industry. The purpose of coloring it has not been disclosed by the
      manufacturers.
    &lt;/p&gt;
&lt;pre&gt;
  There was a youth (you've heard before,
      This woeful tale, may be),
  Who bought a meerschaum pipe and swore
      That color it would he!

  He shut himself from the world away,
      Nor any soul he saw.
  He smoked by night, he smoked by day,
      As hard as he could draw.

  His dog died moaning in the wrath
      Of winds that blew aloof;
  The weeds were in the gravel path,
      The owl was on the roof.

  "He's gone afar, he'll come no more,"
      The neighbors sadly say.
  And so they batter in the door
      To take his goods away.

  Dead, pipe in mouth, the youngster lay,
      Nut-brown in face and limb.
  "That pipe's a lovely white," they say,
      "But it has colored him!"

  The moral there's small need to sing—
      'Tis plain as day to you:
  Don't play your game on any thing
      That is a gamester too.
&lt;/pre&gt;
&lt;p&gt;
      Martin Bulstrode
    &lt;/p&gt;
&lt;p&gt;
      MENDACIOUS, adj. Addicted to rhetoric.
    &lt;/p&gt;
&lt;p&gt;
      MERCHANT, n. One engaged in a commercial pursuit. A commercial pursuit is
      one in which the thing pursued is a dollar.
    &lt;/p&gt;
&lt;p&gt;
      MERCY, n. An attribute beloved of detected offenders.
    &lt;/p&gt;
&lt;p&gt;
      MESMERISM, n. Hypnotism before it wore good clothes, kept a carriage and
      asked Incredulity to dinner.
    &lt;/p&gt;
&lt;p&gt;
      METROPOLIS, n. A stronghold of provincialism.
    &lt;/p&gt;
&lt;p&gt;
      MILLENNIUM, n. The period of a thousand years when the lid is to be
      screwed down, with all reformers on the under side.
    &lt;/p&gt;
&lt;p&gt;
      MIND, n. A mysterious form of matter secreted by the brain. Its chief
      activity consists in the endeavor to ascertain its own nature, the
      futility of the attempt being due to the fact that it has nothing but
      itself to know itself with. From the Latin &lt;i&gt;mens&lt;/i&gt;, a fact unknown to
      that honest shoe-seller, who, observing that his learned competitor over
      the way had displayed the motto "&lt;i&gt;Mens conscia recti&lt;/i&gt;," emblazoned
      his own front with the words "Men's, women's and children's conscia
      recti."
    &lt;/p&gt;
&lt;p&gt;
      MINE, adj. Belonging to me if I can hold or seize it.
    &lt;/p&gt;
&lt;p&gt;
      MINISTER, n. An agent of a higher power with a lower responsibility. In
      diplomacy an officer sent into a foreign country as the visible
      embodiment of his sovereign's hostility. His principal qualification is a
      degree of plausible inveracity next below that of an ambassador.
    &lt;/p&gt;
&lt;p&gt;
      MINOR, adj. Less objectionable.
    &lt;/p&gt;
&lt;p&gt;
      MINSTREL, adj. Formerly a poet, singer or musician; now a nigger with a
      color less than skin deep and a humor more than flesh and blood can bear.
    &lt;/p&gt;
&lt;p&gt;
      MIRACLE, n. An act or event out of the order of nature and unaccountable,
      as beating a normal hand of four kings and an ace with four aces and a
      king.
    &lt;/p&gt;
&lt;p&gt;
      MISCREANT, n. A person of the highest degree of unworth. Etymologically,
      the word means unbeliever, and its present signification may be regarded
      as theology's noblest contribution to the development of our language.
    &lt;/p&gt;
&lt;p&gt;
      MISDEMEANOR, n. An infraction of the law having less dignity than a felony
      and constituting no claim to admittance into the best criminal society.
    &lt;/p&gt;
&lt;pre&gt;
  By misdemeanors he essays to climb
  Into the aristocracy of crime.
  O, woe was him!—with manner chill and grand
  "Captains of industry" refused his hand,
  "Kings of finance" denied him recognition
  And "railway magnates" jeered his low condition.
  He robbed a bank to make himself respected.
  They still rebuffed him, for he was detected.
&lt;/pre&gt;
&lt;p&gt;
      S.V. Hanipur
    &lt;/p&gt;
&lt;p&gt;
      MISERICORDE, n. A dagger which in mediaeval warfare was used by the foot
      soldier to remind an unhorsed knight that he was mortal.
    &lt;/p&gt;
&lt;p&gt;
      MISFORTUNE, n. The kind of fortune that never misses.
    &lt;/p&gt;
&lt;p&gt;
      MISS, n. The title with which we brand unmarried women to indicate that
      they are in the market. Miss, Missis (Mrs.) and Mister (Mr.) are the three
      most distinctly disagreeable words in the language, in sound and sense.
      Two are corruptions of Mistress, the other of Master. In the general
      abolition of social titles in this our country they miraculously escaped
      to plague us. If we must have them let us be consistent and give one to
      the unmarried man. I venture to suggest Mush, abbreviated to Mh.
    &lt;/p&gt;
&lt;p&gt;
      MOLECULE, n. The ultimate, indivisible unit of matter. It is distinguished
      from the corpuscle, also the ultimate, indivisible unit of matter, by a
      closer resemblance to the atom, also the ultimate, indivisible unit of
      matter. Three great scientific theories of the structure of the universe
      are the molecular, the corpuscular and the atomic. A fourth affirms, with
      Haeckel, the condensation of precipitation of matter from ether—whose
      existence is proved by the condensation of precipitation. The present
      trend of scientific thought is toward the theory of ions. The ion differs
      from the molecule, the corpuscle and the atom in that it is an ion. A
      fifth theory is held by idiots, but it is doubtful if they know any more
      about the matter than the others.
    &lt;/p&gt;
&lt;p&gt;
      MONAD, n. The ultimate, indivisible unit of matter. (See &lt;i&gt;Molecule&lt;/i&gt;.)
      According to Leibnitz, as nearly as he seems willing to be understood, the
      monad has body without bulk, and mind without manifestation—Leibnitz
      knows him by the innate power of considering. He has founded upon him a
      theory of the universe, which the creature bears without resentment, for
      the monad is a gentleman. Small as he is, the monad contains all the
      powers and possibilities needful to his evolution into a German
      philosopher of the first class —altogether a very capable little
      fellow. He is not to be confounded with the microbe, or bacillus; by its
      inability to discern him, a good microscope shows him to be of an entirely
      distinct species.
    &lt;/p&gt;
&lt;p&gt;
      MONARCH, n. A person engaged in reigning. Formerly the monarch ruled, as
      the derivation of the word attests, and as many subjects have had occasion
      to learn. In Russia and the Orient the monarch has still a considerable
      influence in public affairs and in the disposition of the human head, but
      in western Europe political administration is mostly entrusted to his
      ministers, he being somewhat preoccupied with reflections relating to the
      status of his own head.
    &lt;/p&gt;
&lt;p&gt;
      MONARCHICAL GOVERNMENT, n. Government.
    &lt;/p&gt;
&lt;p&gt;
      MONDAY, n. In Christian countries, the day after the baseball game.
    &lt;/p&gt;
&lt;p&gt;
      MONEY, n. A blessing that is of no advantage to us excepting when we part
      with it. An evidence of culture and a passport to polite society.
      Supportable property.
    &lt;/p&gt;
&lt;p&gt;
      MONKEY, n. An arboreal animal which makes itself at home in genealogical
      trees.
    &lt;/p&gt;
&lt;p&gt;
      MONOSYLLABIC, adj. Composed of words of one syllable, for literary babes
      who never tire of testifying their delight in the vapid compound by
      appropriate googoogling. The words are commonly Saxon—that is to
      say, words of a barbarous people destitute of ideas and incapable of any
      but the most elementary sentiments and emotions.
    &lt;/p&gt;
&lt;pre&gt;
  The man who writes in Saxon
  Is the man to use an ax on
&lt;/pre&gt;
&lt;p&gt;
      Judibras
    &lt;/p&gt;
&lt;p&gt;
      MONSIGNOR, n. A high ecclesiastical title, of which the Founder of our
      religion overlooked the advantages.
    &lt;/p&gt;
&lt;p&gt;
      MONUMENT, n. A structure intended to commemorate something which either
      needs no commemoration or cannot be commemorated.
    &lt;/p&gt;
&lt;pre&gt;
  The bones of Agammemnon are a show,
  And ruined is his royal monument,
&lt;/pre&gt;
&lt;p&gt;
      but Agammemnon's fame suffers no diminution in consequence. The monument
      custom has its &lt;i&gt;reductiones ad absurdum&lt;/i&gt; in monuments "to the unknown
      dead"—that is to say, monuments to perpetuate the memory of those
      who have left no memory.
    &lt;/p&gt;
&lt;pre&gt;
MORAL, adj.  Conforming to a local and mutable standard of right.
Having the quality of general expediency.

  It is sayd there be a raunge of mountaynes in the Easte, on
  one syde of the which certayn conducts are immorall, yet on the other
  syde they are holden in good esteeme; wherebye the mountayneer is much
  conveenyenced, for it is given to him to goe downe eyther way and act
  as it shall suite his moode, withouten offence.

  &lt;i&gt;Gooke's Meditations&lt;/i&gt;
&lt;/pre&gt;
&lt;p&gt;
      MORE, adj. The comparative degree of too much.
    &lt;/p&gt;
&lt;p&gt;
      MOUSE, n. An animal which strews its path with fainting women. As in Rome
      Christians were thrown to the lions, so centuries earlier in Otumwee, the
      most ancient and famous city of the world, female heretics were thrown to
      the mice. Jakak-Zotp, the historian, the only Otumwump whose writings have
      descended to us, says that these martyrs met their death with little
      dignity and much exertion. He even attempts to exculpate the mice (such is
      the malice of bigotry) by declaring that the unfortunate women perished,
      some from exhaustion, some of broken necks from falling over their own
      feet, and some from lack of restoratives. The mice, he avers, enjoyed the
      pleasures of the chase with composure. But if "Roman history is
      nine-tenths lying," we can hardly expect a smaller proportion of that
      rhetorical figure in the annals of a people capable of so incredible
      cruelty to lovely women; for a hard heart has a false tongue.
    &lt;/p&gt;
&lt;p&gt;
      MOUSQUETAIRE, n. A long glove covering a part of the arm. Worn in New
      Jersey. But "mousquetaire" is a mighty poor way to spell muskeeter.
    &lt;/p&gt;
&lt;p&gt;
      MOUTH, n. In man, the gateway to the soul; in woman, the outlet of the
      heart.
    &lt;/p&gt;
&lt;p&gt;
      MUGWUMP, n. In politics one afflicted with self-respect and addicted to
      the vice of independence. A term of contempt.
    &lt;/p&gt;
&lt;p&gt;
      MULATTO, n. A child of two races, ashamed of both.
    &lt;/p&gt;
&lt;p&gt;
      MULTITUDE, n. A crowd; the source of political wisdom and virtue. In a
      republic, the object of the statesman's adoration. "In a multitude of
      counsellors there is wisdom," saith the proverb. If many men of equal
      individual wisdom are wiser than any one of them, it must be that they
      acquire the excess of wisdom by the mere act of getting together. Whence
      comes it? Obviously from nowhere—as well say that a range of
      mountains is higher than the single mountains composing it. A multitude is
      as wise as its wisest member if it obey him; if not, it is no wiser than
      its most foolish.
    &lt;/p&gt;
&lt;p&gt;
      MUMMY, n. An ancient Egyptian, formerly in universal use among modern
      civilized nations as medicine, and now engaged in supplying art with an
      excellent pigment. He is handy, too, in museums in gratifying the vulgar
      curiosity that serves to distinguish man from the lower animals.
    &lt;/p&gt;
&lt;pre&gt;
  By means of the Mummy, mankind, it is said,
  Attests to the gods its respect for the dead.
  We plunder his tomb, be he sinner or saint,
  Distil him for physic and grind him for paint,
  Exhibit for money his poor, shrunken frame,
  And with levity flock to the scene of the shame.
  O, tell me, ye gods, for the use of my rhyme:
  For respecting the dead what's the limit of time?
&lt;/pre&gt;
&lt;p&gt;
      Scopas Brune
    &lt;/p&gt;
&lt;p&gt;
      MUSTANG, n. An indocile horse of the western plains. In English society,
      the American wife of an English nobleman.
    &lt;/p&gt;
&lt;p&gt;
      MYRMIDON, n. A follower of Achilles—particularly when he didn't
      lead.
    &lt;/p&gt;
&lt;p&gt;
      MYTHOLOGY, n. The body of a primitive people's beliefs concerning its
      origin, early history, heroes, deities and so forth, as distinguished from
      the true accounts which it invents later.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0016"&gt;&lt;/a&gt;
      N
    &lt;/h2&gt;
&lt;p&gt;
      NECTAR, n. A drink served at banquets of the Olympian deities. The secret
      of its preparation is lost, but the modern Kentuckians believe that they
      come pretty near to a knowledge of its chief ingredient.
    &lt;/p&gt;
&lt;pre&gt;
  Juno drank a cup of nectar,
  But the draught did not affect her.
  Juno drank a cup of rye—
  Then she bad herself good-bye.
&lt;/pre&gt;
&lt;p&gt;
      J.G.
    &lt;/p&gt;
&lt;p&gt;
      NEGRO, n. The &lt;i&gt;piece de resistance&lt;/i&gt; in the American political
      problem. Representing him by the letter n, the Republicans begin to build
      their equation thus: "Let n = the white man." This, however, appears to
      give an unsatisfactory solution.
    &lt;/p&gt;
&lt;p&gt;
      NEIGHBOR, n. One whom we are commanded to love as ourselves, and who does
      all he knows how to make us disobedient.
    &lt;/p&gt;
&lt;p&gt;
      NEPOTISM, n. Appointing your grandmother to office for the good of the
      party.
    &lt;/p&gt;
&lt;p&gt;
      NEWTONIAN, adj. Pertaining to a philosophy of the universe invented by
      Newton, who discovered that an apple will fall to the ground, but was
      unable to say why. His successors and disciples have advanced so far as to
      be able to say when.
    &lt;/p&gt;
&lt;p&gt;
      NIHILIST, n. A Russian who denies the existence of anything but Tolstoi.
      The leader of the school is Tolstoi.
    &lt;/p&gt;
&lt;p&gt;
      NIRVANA, n. In the Buddhist religion, a state of pleasurable annihilation
      awarded to the wise, particularly to those wise enough to understand it.
    &lt;/p&gt;
&lt;p&gt;
      NOBLEMAN, n. Nature's provision for wealthy American minds ambitious to
      incur social distinction and suffer high life.
    &lt;/p&gt;
&lt;p&gt;
      NOISE, n. A stench in the ear. Undomesticated music. The chief product and
      authenticating sign of civilization.
    &lt;/p&gt;
&lt;p&gt;
      NOMINATE, v. To designate for the heaviest political assessment. To put
      forward a suitable person to incur the mudgobbing and deadcatting of the
      opposition.
    &lt;/p&gt;
&lt;p&gt;
      NOMINEE, n. A modest gentleman shrinking from the distinction of private
      life and diligently seeking the honorable obscurity of public office.
    &lt;/p&gt;
&lt;p&gt;
      NON-COMBATANT, n. A dead Quaker.
    &lt;/p&gt;
&lt;p&gt;
      NONSENSE, n. The objections that are urged against this excellent
      dictionary.
    &lt;/p&gt;
&lt;p&gt;
      NOSE, n. The extreme outpost of the face. From the circumstance that great
      conquerors have great noses, Getius, whose writings antedate the age of
      humor, calls the nose the organ of quell. It has been observed that one's
      nose is never so happy as when thrust into the affairs of others, from
      which some physiologists have drawn the inference that the nose is devoid
      of the sense of smell.
    &lt;/p&gt;
&lt;pre&gt;
      There's a man with a Nose,
      And wherever he goes
  The people run from him and shout:
      "No cotton have we
      For our ears if so be
  He blow that interminous snout!"

      So the lawyers applied
      For injunction.  "Denied,"
  Said the Judge:  "the defendant prefixion,
      Whate'er it portend,
      Appears to transcend
  The bounds of this court's jurisdiction."
&lt;/pre&gt;
&lt;p&gt;
      Arpad Singiny
    &lt;/p&gt;
&lt;p&gt;
      NOTORIETY, n. The fame of one's competitor for public honors. The kind of
      renown most accessible and acceptable to mediocrity. A Jacob's-ladder
      leading to the vaudeville stage, with angels ascending and descending.
    &lt;/p&gt;
&lt;p&gt;
      NOUMENON, n. That which exists, as distinguished from that which merely
      seems to exist, the latter being a phenomenon. The noumenon is a bit
      difficult to locate; it can be apprehended only be a process of reasoning—which
      is a phenomenon. Nevertheless, the discovery and exposition of noumena
      offer a rich field for what Lewes calls "the endless variety and
      excitement of philosophic thought." Hurrah (therefore) for the noumenon!
    &lt;/p&gt;
&lt;p&gt;
      NOVEL, n. A short story padded. A species of composition bearing the same
      relation to literature that the panorama bears to art. As it is too long
      to be read at a sitting the impressions made by its successive parts are
      successively effaced, as in the panorama. Unity, totality of effect, is
      impossible; for besides the few pages last read all that is carried in
      mind is the mere plot of what has gone before. To the romance the novel is
      what photography is to painting. Its distinguishing principle,
      probability, corresponds to the literal actuality of the photograph and
      puts it distinctly into the category of reporting; whereas the free wing
      of the romancer enables him to mount to such altitudes of imagination as
      he may be fitted to attain; and the first three essentials of the literary
      art are imagination, imagination and imagination. The art of writing
      novels, such as it was, is long dead everywhere except in Russia, where it
      is new. Peace to its ashes—some of which have a large sale.
    &lt;/p&gt;
&lt;p&gt;
      NOVEMBER, n. The eleventh twelfth of a weariness.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0017"&gt;&lt;/a&gt;
      O
    &lt;/h2&gt;
&lt;p&gt;
      OATH, n. In law, a solemn appeal to the Deity, made binding upon the
      conscience by a penalty for perjury.
    &lt;/p&gt;
&lt;p&gt;
      OBLIVION, n. The state or condition in which the wicked cease from
      struggling and the dreary are at rest. Fame's eternal dumping ground. Cold
      storage for high hopes. A place where ambitious authors meet their works
      without pride and their betters without envy. A dormitory without an alarm
      clock.
    &lt;/p&gt;
&lt;p&gt;
      OBSERVATORY, n. A place where astronomers conjecture away the guesses of
      their predecessors.
    &lt;/p&gt;
&lt;p&gt;
      OBSESSED, p.p. Vexed by an evil spirit, like the Gadarene swine and other
      critics. Obsession was once more common than it is now. Arasthus tells of
      a peasant who was occupied by a different devil for every day in the week,
      and on Sundays by two. They were frequently seen, always walking in his
      shadow, when he had one, but were finally driven away by the village
      notary, a holy man; but they took the peasant with them, for he vanished
      utterly. A devil thrown out of a woman by the Archbishop of Rheims ran
      through the trees, pursued by a hundred persons, until the open country
      was reached, where by a leap higher than a church spire he escaped into a
      bird. A chaplain in Cromwell's army exorcised a soldier's obsessing devil
      by throwing the soldier into the water, when the devil came to the
      surface. The soldier, unfortunately, did not.
    &lt;/p&gt;
&lt;p&gt;
      OBSOLETE, adj. No longer used by the timid. Said chiefly of words. A word
      which some lexicographer has marked obsolete is ever thereafter an object
      of dread and loathing to the fool writer, but if it is a good word and has
      no exact modern equivalent equally good, it is good enough for the good
      writer. Indeed, a writer's attitude toward "obsolete" words is as true a
      measure of his literary ability as anything except the character of his
      work. A dictionary of obsolete and obsolescent words would not only be
      singularly rich in strong and sweet parts of speech; it would add large
      possessions to the vocabulary of every competent writer who might not
      happen to be a competent reader.
    &lt;/p&gt;
&lt;p&gt;
      OBSTINATE, adj. Inaccessible to the truth as it is manifest in the
      splendor and stress of our advocacy.
    &lt;/p&gt;
&lt;p&gt;
      The popular type and exponent of obstinacy is the mule, a most intelligent
      animal.
    &lt;/p&gt;
&lt;p&gt;
      OCCASIONAL, adj. Afflicting us with greater or less frequency. That,
      however, is not the sense in which the word is used in the phrase
      "occasional verses," which are verses written for an "occasion," such as
      an anniversary, a celebration or other event. True, they afflict us a
      little worse than other sorts of verse, but their name has no reference to
      irregular recurrence.
    &lt;/p&gt;
&lt;p&gt;
      OCCIDENT, n. The part of the world lying west (or east) of the Orient. It
      is largely inhabited by Christians, a powerful subtribe of the Hypocrites,
      whose principal industries are murder and cheating, which they are pleased
      to call "war" and "commerce." These, also, are the principal industries of
      the Orient.
    &lt;/p&gt;
&lt;p&gt;
      OCEAN, n. A body of water occupying about two-thirds of a world made for
      man—who has no gills.
    &lt;/p&gt;
&lt;p&gt;
      OFFENSIVE, adj. Generating disagreeable emotions or sensations, as the
      advance of an army against its enemy.
    &lt;/p&gt;
&lt;p&gt;
      "Were the enemy's tactics offensive?" the king asked. "I should say so!"
      replied the unsuccessful general. "The blackguard wouldn't come out of his
      works!"
    &lt;/p&gt;
&lt;p&gt;
      OLD, adj. In that stage of usefulness which is not inconsistent with
      general inefficiency, as an &lt;i&gt;old man&lt;/i&gt;. Discredited by lapse of time
      and offensive to the popular taste, as an &lt;i&gt;old&lt;/i&gt; book.
    &lt;/p&gt;
&lt;pre&gt;
  "Old books?  The devil take them!" Goby said.
  "Fresh every day must be my books and bread."
  Nature herself approves the Goby rule
  And gives us every moment a fresh fool.
&lt;/pre&gt;
&lt;p&gt;
      Harley Shum
    &lt;/p&gt;
&lt;p&gt;
      OLEAGINOUS, adj. Oily, smooth, sleek.
    &lt;/p&gt;
&lt;p&gt;
      Disraeli once described the manner of Bishop Wilberforce as "unctuous,
      oleaginous, saponaceous." And the good prelate was ever afterward known as
      Soapy Sam. For every man there is something in the vocabulary that would
      stick to him like a second skin. His enemies have only to find it.
    &lt;/p&gt;
&lt;p&gt;
      OLYMPIAN, adj. Relating to a mountain in Thessaly, once inhabited by gods,
      now a repository of yellowing newspapers, beer bottles and mutilated
      sardine cans, attesting the presence of the tourist and his appetite.
    &lt;/p&gt;
&lt;pre&gt;
  His name the smirking tourist scrawls
  Upon Minerva's temple walls,
  Where thundered once Olympian Zeus,
  And marks his appetite's abuse.
&lt;/pre&gt;
&lt;p&gt;
      Averil Joop
    &lt;/p&gt;
&lt;p&gt;
      OMEN, n. A sign that something will happen if nothing happens.
    &lt;/p&gt;
&lt;p&gt;
      ONCE, adv. Enough.
    &lt;/p&gt;
&lt;p&gt;
      OPERA, n. A play representing life in another world, whose inhabitants
      have no speech but song, no motions but gestures and no postures but
      attitudes. All acting is simulation, and the word &lt;i&gt;simulation&lt;/i&gt; is
      from &lt;i&gt;simia&lt;/i&gt;, an ape; but in opera the actor takes for his model &lt;i&gt;Simia
      audibilis&lt;/i&gt; (or &lt;i&gt;Pithecanthropos stentor&lt;/i&gt;)—the ape that
      howls.
    &lt;/p&gt;
&lt;pre&gt;
  The actor apes a man—at least in shape;
  The opera performer apes an ape.
&lt;/pre&gt;
&lt;p&gt;
      OPIATE, n. An unlocked door in the prison of Identity. It leads into the
      jail yard.
    &lt;/p&gt;
&lt;p&gt;
      OPPORTUNITY, n. A favorable occasion for grasping a disappointment.
    &lt;/p&gt;
&lt;p&gt;
      OPPOSE, v. To assist with obstructions and objections.
    &lt;/p&gt;
&lt;pre&gt;
  How lonely he who thinks to vex
  With bandinage the Solemn Sex!
  Of levity, Mere Man, beware;
  None but the Grave deserve the Unfair.
&lt;/pre&gt;
&lt;p&gt;
      Percy P. Orminder
    &lt;/p&gt;
&lt;p&gt;
      OPPOSITION, n. In politics the party that prevents the Government from
      running amuck by hamstringing it.
    &lt;/p&gt;
&lt;p&gt;
      The King of Ghargaroo, who had been abroad to study the science of
      government, appointed one hundred of his fattest subjects as members of a
      parliament to make laws for the collection of revenue. Forty of these he
      named the Party of Opposition and had his Prime Minister carefully
      instruct them in their duty of opposing every royal measure. Nevertheless,
      the first one that was submitted passed unanimously. Greatly displeased,
      the King vetoed it, informing the Opposition that if they did that again
      they would pay for their obstinacy with their heads. The entire forty
      promptly disemboweled themselves.
    &lt;/p&gt;
&lt;p&gt;
      "What shall we do now?" the King asked. "Liberal institutions cannot be
      maintained without a party of Opposition."
    &lt;/p&gt;
&lt;p&gt;
      "Splendor of the universe," replied the Prime Minister, "it is true these
      dogs of darkness have no longer their credentials, but all is not lost.
      Leave the matter to this worm of the dust."
    &lt;/p&gt;
&lt;p&gt;
      So the Minister had the bodies of his Majesty's Opposition embalmed and
      stuffed with straw, put back into the seats of power and nailed there.
      Forty votes were recorded against every bill and the nation prospered. But
      one day a bill imposing a tax on warts was defeated—the members of
      the Government party had not been nailed to their seats! This so enraged
      the King that the Prime Minister was put to death, the parliament was
      dissolved with a battery of artillery, and government of the people, by
      the people, for the people perished from Ghargaroo.
    &lt;/p&gt;
&lt;p&gt;
      OPTIMISM, n. The doctrine, or belief, that everything is beautiful,
      including what is ugly, everything good, especially the bad, and
      everything right that is wrong. It is held with greatest tenacity by those
      most accustomed to the mischance of falling into adversity, and is most
      acceptably expounded with the grin that apes a smile. Being a blind faith,
      it is inaccessible to the light of disproof—an intellectual
      disorder, yielding to no treatment but death. It is hereditary, but
      fortunately not contagious.
    &lt;/p&gt;
&lt;p&gt;
      OPTIMIST, n. A proponent of the doctrine that black is white.
    &lt;/p&gt;
&lt;p&gt;
      A pessimist applied to God for relief.
    &lt;/p&gt;
&lt;p&gt;
      "Ah, you wish me to restore your hope and cheerfulness," said God.
    &lt;/p&gt;
&lt;p&gt;
      "No," replied the petitioner, "I wish you to create something that would
      justify them."
    &lt;/p&gt;
&lt;p&gt;
      "The world is all created," said God, "but you have overlooked something—the
      mortality of the optimist."
    &lt;/p&gt;
&lt;p&gt;
      ORATORY, n. A conspiracy between speech and action to cheat the
      understanding. A tyranny tempered by stenography.
    &lt;/p&gt;
&lt;p&gt;
      ORPHAN, n. A living person whom death has deprived of the power of filial
      ingratitude—a privation appealing with a particular eloquence to all
      that is sympathetic in human nature. When young the orphan is commonly
      sent to an asylum, where by careful cultivation of its rudimentary sense
      of locality it is taught to know its place. It is then instructed in the
      arts of dependence and servitude and eventually turned loose to prey upon
      the world as a bootblack or scullery maid.
    &lt;/p&gt;
&lt;p&gt;
      ORTHODOX, n. An ox wearing the popular religious yoke.
    &lt;/p&gt;
&lt;p&gt;
      ORTHOGRAPHY, n. The science of spelling by the eye instead of the ear.
      Advocated with more heat than light by the outmates of every asylum for
      the insane. They have had to concede a few things since the time of
      Chaucer, but are none the less hot in defence of those to be conceded
      hereafter.
    &lt;/p&gt;
&lt;pre&gt;
  A spelling reformer indicted
  For fudge was before the court cicted.
      The judge said:  "Enough—
      His candle we'll snough,
  And his sepulchre shall not be whicted."
&lt;/pre&gt;
&lt;p&gt;
      OSTRICH, n. A large bird to which (for its sins, doubtless) nature has
      denied that hinder toe in which so many pious naturalists have seen a
      conspicuous evidence of design. The absence of a good working pair of
      wings is no defect, for, as has been ingeniously pointed out, the ostrich
      does not fly.
    &lt;/p&gt;
&lt;p&gt;
      OTHERWISE, adv. No better.
    &lt;/p&gt;
&lt;p&gt;
      OUTCOME, n. A particular type of disappointment. By the kind of
      intelligence that sees in an exception a proof of the rule the wisdom of
      an act is judged by the outcome, the result. This is immortal nonsense;
      the wisdom of an act is to be judged by the light that the doer had when he
      performed it.
    &lt;/p&gt;
&lt;p&gt;
      OUTDO, v.t. To make an enemy.
    &lt;/p&gt;
&lt;p&gt;
      OUT-OF-DOORS, n. That part of one's environment upon which no government
      has been able to collect taxes. Chiefly useful to inspire poets.
    &lt;/p&gt;
&lt;pre&gt;
  I climbed to the top of a mountain one day
      To see the sun setting in glory,
  And I thought, as I looked at his vanishing ray,
      Of a perfectly splendid story.

  'Twas about an old man and the ass he bestrode
      Till the strength of the beast was o'ertested;
  Then the man would carry him miles on the road
      Till Neddy was pretty well rested.

  The moon rising solemnly over the crest
      Of the hills to the east of my station
  Displayed her broad disk to the darkening west
      Like a visible new creation.

  And I thought of a joke (and I laughed till I cried)
      Of an idle young woman who tarried
  About a church-door for a look at the bride,
      Although 'twas herself that was married.

  To poets all Nature is pregnant with grand
      Ideas—with thought and emotion.
  I pity the dunces who don't understand
      The speech of earth, heaven and ocean.
&lt;/pre&gt;
&lt;p&gt;
      Stromboli Smith
    &lt;/p&gt;
&lt;p&gt;
      OVATION, n. In ancient Rome, a definite, formal pageant in honor of one who
      had been disserviceable to the enemies of the nation. A lesser "triumph."
      In modern English the word is improperly used to signify any loose and
      spontaneous expression of popular homage to the hero of the hour and
      place.
    &lt;/p&gt;
&lt;pre&gt;
  "I had an ovation!" the actor man said,
      But I thought it uncommonly queer,
  That people and critics by him had been led
          By the ear.

  The Latin lexicon makes his absurd
      Assertion as plain as a peg;
  In "ovum" we find the true root of the word.
          It means egg.
&lt;/pre&gt;
&lt;p&gt;
      Dudley Spink
    &lt;/p&gt;
&lt;p&gt;
      OVEREAT, v. To dine.
    &lt;/p&gt;
&lt;pre&gt;
  Hail, Gastronome, Apostle of Excess,
  Well skilled to overeat without distress!
  Thy great invention, the unfatal feast,
  Shows Man's superiority to Beast.
&lt;/pre&gt;
&lt;p&gt;
      John Boop
    &lt;/p&gt;
&lt;p&gt;
      OVERWORK, n. A dangerous disorder affecting high public functionaries who
      want to go fishing.
    &lt;/p&gt;
&lt;p&gt;
      OWE, v. To have (and to hold) a debt. The word formerly signified not
      indebtedness, but possession; it meant "own," and in the minds of debtors
      there is still a good deal of confusion between assets and liabilities.
    &lt;/p&gt;
&lt;p&gt;
      OYSTER, n. A slimy, gobby shellfish which civilization gives men the
      hardihood to eat without removing its entrails! The shells are sometimes
      given to the poor.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0018"&gt;&lt;/a&gt;
      P
    &lt;/h2&gt;
&lt;p&gt;
      PAIN, n. An uncomfortable frame of mind that may have a physical basis in
      something that is being done to the body, or may be purely mental, caused
      by the good fortune of another.
    &lt;/p&gt;
&lt;p&gt;
      PAINTING, n. The art of protecting flat surfaces from the weather and
      exposing them to the critic.
    &lt;/p&gt;
&lt;p&gt;
      Formerly, painting and sculpture were combined in the same work: the
      ancients painted their statues. The only present alliance between the two
      arts is that the modern painter chisels his patrons.
    &lt;/p&gt;
&lt;p&gt;
      PALACE, n. A fine and costly residence, particularly that of a great
      official. The residence of a high dignitary of the Christian Church is
      called a palace; that of the Founder of his religion was known as a field,
      or wayside. There is progress.
    &lt;/p&gt;
&lt;p&gt;
      PALM, n. A species of tree having several varieties, of which the familiar
      "itching palm" (&lt;i&gt;Palma hominis&lt;/i&gt;) is most widely distributed and
      sedulously cultivated. This noble vegetable exudes a kind of invisible
      gum, which may be detected by applying to the bark a piece of gold or
      silver. The metal will adhere with remarkable tenacity. The fruit of the
      itching palm is so bitter and unsatisfying that a considerable percentage
      of it is sometimes given away in what are known as "benefactions."
    &lt;/p&gt;
&lt;p&gt;
      PALMISTRY, n. The 947th method (according to Mimbleshaw's classification)
      of obtaining money by false pretences. It consists in "reading character"
      in the wrinkles made by closing the hand. The pretence is not altogether
      false; character can really be read very accurately in this way, for the
      wrinkles in every hand submitted plainly spell the word "dupe." The
      imposture consists in not reading it aloud.
    &lt;/p&gt;
&lt;p&gt;
      PANDEMONIUM, n. Literally, the Place of All the Demons. Most of them have
      escaped into politics and finance, and the place is now used as a lecture
      hall by the Audible Reformer. When disturbed by his voice the ancient
      echoes clamor appropriate responses most gratifying to his pride of
      distinction.
    &lt;/p&gt;
&lt;p&gt;
      PANTALOONS, n. A nether habiliment of the adult civilized male. The
      garment is tubular and unprovided with hinges at the points of flexion.
      Supposed to have been invented by a humorist. Called "trousers" by the
      enlightened and "pants" by the unworthy.
    &lt;/p&gt;
&lt;p&gt;
      PANTHEISM, n. The doctrine that everything is God, in contradistinction to
      the doctrine that God is everything.
    &lt;/p&gt;
&lt;p&gt;
      PANTOMIME, n. A play in which the story is told without violence to the
      language. The least disagreeable form of dramatic action.
    &lt;/p&gt;
&lt;p&gt;
      PARDON, v. To remit a penalty and restore to the life of crime. To add to
      the lure of crime the temptation of ingratitude.
    &lt;/p&gt;
&lt;p&gt;
      PASSPORT, n. A document treacherously inflicted upon a citizen going
      abroad, exposing him as an alien and pointing him out for special
      reprobation and outrage.
    &lt;/p&gt;
&lt;p&gt;
      PAST, n. That part of Eternity with some small fraction of which we have a
      slight and regrettable acquaintance. A moving line called the Present
      parts it from an imaginary period known as the Future. These two grand
      divisions of Eternity, of which the one is continually effacing the other,
      are entirely unlike. The one is dark with sorrow and disappointment, the
      other bright with prosperity and joy. The Past is the region of sobs, the
      Future is the realm of song. In the one crouches Memory, clad in sackcloth
      and ashes, mumbling penitential prayer; in the sunshine of the other Hope
      flies with a free wing, beckoning to temples of success and bowers of
      ease. Yet the Past is the Future of yesterday, the Future is the Past of
      to-morrow. They are one—the knowledge and the dream.
    &lt;/p&gt;
&lt;p&gt;
      PASTIME, n. A device for promoting dejection. Gentle exercise for
      intellectual debility.
    &lt;/p&gt;
&lt;p&gt;
      PATIENCE, n. A minor form of despair, disguised as a virtue.
    &lt;/p&gt;
&lt;p&gt;
      PATRIOT, n. One to whom the interests of a part seem superior to those of
      the whole. The dupe of statesmen and the tool of conquerors.
    &lt;/p&gt;
&lt;p&gt;
      PATRIOTISM, n. Combustible rubbish ready to the torch of any one ambitious
      to illuminate his name.
    &lt;/p&gt;
&lt;p&gt;
      In Dr. Johnson's famous dictionary patriotism is defined as the last
      resort of a scoundrel. With all due respect to an enlightened but inferior
      lexicographer I beg to submit that it is the first.
    &lt;/p&gt;
&lt;p&gt;
      PEACE, n. In international affairs, a period of cheating between two
      periods of fighting.
    &lt;/p&gt;
&lt;pre&gt;
  O, what's the loud uproar assailing
      Mine ears without cease?
  'Tis the voice of the hopeful, all-hailing
      The horrors of peace.

  Ah, Peace Universal; they woo it—
      Would marry it, too.
  If only they knew how to do it
      'Twere easy to do.

  They're working by night and by day
      On their problem, like moles.
  Have mercy, O Heaven, I pray,
      On their meddlesome souls!
&lt;/pre&gt;
&lt;p&gt;
      Ro Amil
    &lt;/p&gt;
&lt;p&gt;
      PEDESTRIAN, n. The variable (an audible) part of the roadway for an
      automobile.
    &lt;/p&gt;
&lt;p&gt;
      PEDIGREE, n. The known part of the route from an arboreal ancestor with a
      swim bladder to an urban descendant with a cigarette.
    &lt;/p&gt;
&lt;p&gt;
      PENITENT, adj. Undergoing or awaiting punishment.
    &lt;/p&gt;
&lt;p&gt;
      PERFECTION, n. An imaginary state of quality distinguished from the actual
      by an element known as excellence; an attribute of the critic.
    &lt;/p&gt;
&lt;p&gt;
      The editor of an English magazine having received a letter pointing out
      the erroneous nature of his views and style, and signed "Perfection,"
      promptly wrote at the foot of the letter: "I don't agree with you," and
      mailed it to Matthew Arnold.
    &lt;/p&gt;
&lt;p&gt;
      PERIPATETIC, adj. Walking about. Relating to the philosophy of Aristotle,
      who, while expounding it, moved from place to place in order to avoid his
      pupil's objections. A needless precaution—they knew no more of the
      matter than he.
    &lt;/p&gt;
&lt;p&gt;
      PERORATION, n. The explosion of an oratorical rocket. It dazzles, but to
      an observer having the wrong kind of nose its most conspicuous peculiarity
      is the smell of the several kinds of powder used in preparing it.
    &lt;/p&gt;
&lt;p&gt;
      PERSEVERANCE, n. A lowly virtue whereby mediocrity achieves an inglorious
      success.
    &lt;/p&gt;
&lt;pre&gt;
  "Persevere, persevere!" cry the homilists all,
  Themselves, day and night, persevering to bawl.
  "Remember the fable of tortoise and hare—
  The one at the goal while the other is—where?"
  Why, back there in Dreamland, renewing his lease
  Of life, all his muscles preserving the peace,
  The goal and the rival forgotten alike,
  And the long fatigue of the needless hike.
  His spirit a-squat in the grass and the dew
  Of the dogless Land beyond the Stew,
  He sleeps, like a saint in a holy place,
  A winner of all that is good in a race.
&lt;/pre&gt;
&lt;p&gt;
      Sukker Uffro
    &lt;/p&gt;
&lt;p&gt;
      PESSIMISM, n. A philosophy forced upon the convictions of the observer by
      the disheartening prevalence of the optimist with his scarecrow hope and
      his unsightly smile.
    &lt;/p&gt;
&lt;p&gt;
      PHILANTHROPIST, n. A rich (and usually bald) old gentleman who has trained
      himself to grin while his conscience is picking his pocket.
    &lt;/p&gt;
&lt;p&gt;
      PHILISTINE, n. One whose mind is the creature of its environment,
      following the fashion in thought, feeling and sentiment. He is sometimes
      learned, frequently prosperous, commonly clean and always solemn.
    &lt;/p&gt;
&lt;p&gt;
      PHILOSOPHY, n. A route of many roads leading from nowhere to nothing.
    &lt;/p&gt;
&lt;p&gt;
      PHOENIX, n. The classical prototype of the modern "small hot bird."
    &lt;/p&gt;
&lt;p&gt;
      PHONOGRAPH, n. An irritating toy that restores life to dead noises.
    &lt;/p&gt;
&lt;p&gt;
      PHOTOGRAPH, n. A picture painted by the sun without instruction in art. It
      is a little better than the work of an Apache, but not quite so good as
      that of a Cheyenne.
    &lt;/p&gt;
&lt;p&gt;
      PHRENOLOGY, n. The science of picking the pocket through the scalp. It
      consists in locating and exploiting the organ that one is a dupe with.
    &lt;/p&gt;
&lt;p&gt;
      PHYSICIAN, n. One upon whom we set our hopes when ill and our dogs when
      well.
    &lt;/p&gt;
&lt;p&gt;
      PHYSIOGNOMY, n. The art of determining the character of another by the
      resemblances and differences between his face and our own, which is the
      standard of excellence.
    &lt;/p&gt;
&lt;pre&gt;
  "There is no art," says Shakespeare, foolish man,
      "To read the mind's construction in the face."
  The physiognomists his portrait scan,
      And say:  "How little wisdom here we trace!
  He knew his face disclosed his mind and heart,
  So, in his own defence, denied our art."
&lt;/pre&gt;
&lt;p&gt;
      Lavatar Shunk
    &lt;/p&gt;
&lt;p&gt;
      PIANO, n. A parlor utensil for subduing the impenitent visitor. It is
      operated by depressing the keys of the machine and the spirits of the
      audience.
    &lt;/p&gt;
&lt;p&gt;
      PICKANINNY, n. The young of the &lt;i&gt;Procyanthropos&lt;/i&gt;, or &lt;i&gt;Americanus
      dominans&lt;/i&gt;. It is small, black and charged with political fatalities.
    &lt;/p&gt;
&lt;p&gt;
      PICTURE, n. A representation in two dimensions of something wearisome in
      three.
    &lt;/p&gt;
&lt;pre&gt;
  "Behold great Daubert's picture here on view—
  Taken from Life."  If that description's true,
  Grant, heavenly Powers, that I be taken, too.
&lt;/pre&gt;
&lt;p&gt;
      Jali Hane
    &lt;/p&gt;
&lt;p&gt;
      PIE, n. An advance agent of the reaper whose name is Indigestion.
    &lt;/p&gt;
&lt;pre&gt;
  Cold pie was highly esteemed by the remains.
&lt;/pre&gt;
&lt;p&gt;
      Rev. Dr. Mucker
    &lt;/p&gt;
&lt;p&gt;
      (in a funeral sermon over a British nobleman)
    &lt;/p&gt;
&lt;pre&gt;
  Cold pie is a detestable
  American comestible.
  That's why I'm done—or undone—
  So far from that dear London.
&lt;/pre&gt;
&lt;p&gt;
      (from the headstone of a British nobleman in Kalamazoo)
    &lt;/p&gt;
&lt;p&gt;
      PIETY, n. Reverence for the Supreme Being, based upon His supposed
      resemblance to man.
    &lt;/p&gt;
&lt;pre&gt;
  The pig is taught by sermons and epistles
  To think the God of Swine has snout and bristles.
&lt;/pre&gt;
&lt;p&gt;
      Judibras
    &lt;/p&gt;
&lt;p&gt;
      PIG, n. An animal (&lt;i&gt;Porcus omnivorus&lt;/i&gt;) closely allied to the human
      race by the splendor and vivacity of its appetite, which, however, is
      inferior in scope, for it sticks at pig.
    &lt;/p&gt;
&lt;p&gt;
      PIGMY, n. One of a tribe of very small men found by ancient travelers in
      many parts of the world, but by modern in Central Africa only. The Pigmies
      are so called to distinguish them from the bulkier Caucasians —who
      are Hogmies.
    &lt;/p&gt;
&lt;p&gt;
      PILGRIM, n. A traveler that is taken seriously. A Pilgrim Father was one
      who, leaving Europe in 1620 because not permitted to sing psalms through
      his nose, followed it to Massachusetts, where he could personate God
      according to the dictates of his conscience.
    &lt;/p&gt;
&lt;p&gt;
      PILLORY, n. A mechanical device for inflicting personal distinction
      —prototype of the modern newspaper conducted by persons of austere
      virtues and blameless lives.
    &lt;/p&gt;
&lt;p&gt;
      PIRACY, n. Commerce without its folly-swaddles, just as God made it.
    &lt;/p&gt;
&lt;p&gt;
      PITIFUL, adj. The state of an enemy or opponent after an imaginary
      encounter with oneself.
    &lt;/p&gt;
&lt;p&gt;
      PITY, n. A failing sense of exemption, inspired by contrast.
    &lt;/p&gt;
&lt;p&gt;
      PLAGIARISM, n. A literary coincidence compounded of a discreditable
      priority and an honorable subsequence.
    &lt;/p&gt;
&lt;p&gt;
      PLAGIARIZE, v. To take the thought or style of another writer whom one has
      never, never read.
    &lt;/p&gt;
&lt;p&gt;
      PLAGUE, n. In ancient times a general punishment of the innocent for
      admonition of their ruler, as in the familiar instance of Pharaoh the
      Immune. The plague as we of to-day have the happiness to know it is merely
      Nature's fortuitous manifestation of her purposeless objectionableness.
    &lt;/p&gt;
&lt;p&gt;
      PLAN, v.t. To bother about the best method of accomplishing an accidental
      result.
    &lt;/p&gt;
&lt;p&gt;
      PLATITUDE, n. The fundamental element and special glory of popular
      literature. A thought that snores in words that smoke. The wisdom of a
      million fools in the diction of a dullard. A fossil sentiment in
      artificial rock. A moral without the fable. All that is mortal of a
      departed truth. A demi-tasse of milk-and-mortality. The Pope's-nose of a
      featherless peacock. A jelly-fish withering on the shore of the sea of
      thought. The cackle surviving the egg. A desiccated epigram.
    &lt;/p&gt;
&lt;p&gt;
      PLATONIC, adj. Pertaining to the philosophy of Socrates. Platonic Love is
      a fool's name for the affection between a disability and a frost.
    &lt;/p&gt;
&lt;p&gt;
      PLAUDITS, n. Coins with which the populace pays those who tickle and
      devour it.
    &lt;/p&gt;
&lt;p&gt;
      PLEASE, v. To lay the foundation for a superstructure of imposition.
    &lt;/p&gt;
&lt;p&gt;
      PLEASURE, n. The least hateful form of dejection.
    &lt;/p&gt;
&lt;p&gt;
      PLEBEIAN, n. An ancient Roman who in the blood of his country stained
      nothing but his hands. Distinguished from the Patrician, who was a
      saturated solution.
    &lt;/p&gt;
&lt;p&gt;
      PLEBISCITE, n. A popular vote to ascertain the will of the sovereign.
    &lt;/p&gt;
&lt;p&gt;
      PLENIPOTENTIARY, adj. Having full power. A Minister Plenipotentiary is a
      diplomatist possessing absolute authority on condition that he never exert
      it.
    &lt;/p&gt;
&lt;p&gt;
      PLEONASM, n. An army of words escorting a corporal of thought.
    &lt;/p&gt;
&lt;p&gt;
      PLOW, n. An implement that cries aloud for hands accustomed to the pen.
    &lt;/p&gt;
&lt;p&gt;
      PLUNDER, v. To take the property of another without observing the decent
      and customary reticences of theft. To effect a change of ownership with
      the candid concomitance of a brass band. To wrest the wealth of A from B
      and leave C lamenting a vanished opportunity.
    &lt;/p&gt;
&lt;p&gt;
      POCKET, n. The cradle of motive and the grave of conscience. In woman this
      organ is lacking; so she acts without motive, and her conscience, denied
      burial, remains ever alive, confessing the sins of others.
    &lt;/p&gt;
&lt;p&gt;
      POETRY, n. A form of expression peculiar to the Land beyond the Magazines.
    &lt;/p&gt;
&lt;p&gt;
      POKER, n. A game said to be played with cards for some purpose to this
      lexicographer unknown.
    &lt;/p&gt;
&lt;p&gt;
      POLICE, n. An armed force for protection and participation.
    &lt;/p&gt;
&lt;p&gt;
      POLITENESS, n. The most acceptable hypocrisy.
    &lt;/p&gt;
&lt;p&gt;
      POLITICS, n. A strife of interests masquerading as a contest of
      principles. The conduct of public affairs for private advantage.
    &lt;/p&gt;
&lt;p&gt;
      POLITICIAN, n. An eel in the fundamental mud upon which the superstructure
      of organized society is reared. When he wriggles he mistakes the agitation
      of his tail for the trembling of the edifice. As compared with the
      statesman, he suffers the disadvantage of being alive.
    &lt;/p&gt;
&lt;p&gt;
      POLYGAMY, n. A house of atonement, or expiatory chapel, fitted with
      several stools of repentance, as distinguished from monogamy, which has
      but one.
    &lt;/p&gt;
&lt;p&gt;
      POPULIST, n. A fossil patriot of the early agricultural period, found in
      the old red soapstone underlying Kansas; characterized by an uncommon
      spread of ear, which some naturalists contend gave him the power of
      flight, though Professors Morse and Whitney, pursuing independent lines of
      thought, have ingeniously pointed out that had he possessed it he would
      have gone elsewhere. In the picturesque speech of his period, some
      fragments of which have come down to us, he was known as "The Matter with
      Kansas."
    &lt;/p&gt;
&lt;p&gt;
      PORTABLE, adj. Exposed to a mutable ownership through vicissitudes of
      possession.
    &lt;/p&gt;
&lt;pre&gt;
  His light estate, if neither he did make it
  Nor yet its former guardian forsake it,
  Is portable improperty, I take it.
&lt;/pre&gt;
&lt;p&gt;
      Worgum Slupsky
    &lt;/p&gt;
&lt;p&gt;
      PORTUGUESE, n.pl. A species of geese indigenous to Portugal. They are
      mostly without feathers and imperfectly edible, even when stuffed with
      garlic.
    &lt;/p&gt;
&lt;p&gt;
      POSITIVE, adj. Mistaken at the top of one's voice.
    &lt;/p&gt;
&lt;p&gt;
      POSITIVISM, n. A philosophy that denies our knowledge of the Real and
      affirms our ignorance of the Apparent. Its longest exponent is Comte, its
      broadest Mill and its thickest Spencer.
    &lt;/p&gt;
&lt;p&gt;
      POSTERITY, n. An appellate court which reverses the judgment of a popular
      author's contemporaries, the appellant being his obscure competitor.
    &lt;/p&gt;
&lt;p&gt;
      POTABLE, n. Suitable for drinking. Water is said to be potable; indeed,
      some declare it our natural beverage, although even they find it palatable
      only when suffering from the recurrent disorder known as thirst, for which
      it is a medicine. Upon nothing has so great and diligent ingenuity been
      brought to bear in all ages and in all countries, except the most
      uncivilized, as upon the invention of substitutes for water. To hold that
      this general aversion to that liquid has no basis in the preservative
      instinct of the race is to be unscientific—and without science we
      are as the snakes and toads.
    &lt;/p&gt;
&lt;p&gt;
      POVERTY, n. A file provided for the teeth of the rats of reform. The
      number of plans for its abolition equals that of the reformers who suffer
      from it, plus that of the philosophers who know nothing about it. Its
      victims are distinguished by possession of all the virtues and by their
      faith in leaders seeking to conduct them into a prosperity where they
      believe these to be unknown.
    &lt;/p&gt;
&lt;p&gt;
      PRAY, v. To ask that the laws of the universe be annulled in behalf of a
      single petitioner confessedly unworthy.
    &lt;/p&gt;
&lt;p&gt;
      PRE-ADAMITE, n. One of an experimental and apparently unsatisfactory race
      of antedated Creation and lived under conditions not easily conceived.
      Melsius believed them to have inhabited "the Void" and to have been
      something intermediate between fishes and birds. Little is known of them
      beyond the fact that they supplied Cain with a wife and theologians with a
      controversy.
    &lt;/p&gt;
&lt;p&gt;
      PRECEDENT, n. In Law, a previous decision, rule or practice which, in the
      absence of a definite statute, has whatever force and authority a Judge
      may choose to give it, thereby greatly simplifying his task of doing as he
      pleases. As there are precedents for everything, he has only to ignore
      those that make against his interest and accentuate those in the line of
      his desire. Invention of the precedent elevates the trial-at-law from the
      low estate of a fortuitous ordeal to the noble attitude of a dirigible
      arbitrament.
    &lt;/p&gt;
&lt;p&gt;
      PRECIPITATE, adj. Anteprandial.
    &lt;/p&gt;
&lt;pre&gt;
  Precipitate in all, this sinner
  Took action first, and then his dinner.
&lt;/pre&gt;
&lt;p&gt;
      Judibras
    &lt;/p&gt;
&lt;p&gt;
      PREDESTINATION, n. The doctrine that all things occur according to
      programme. This doctrine should not be confused with that of
      foreordination, which means that all things are programmed, but does not
      affirm their occurrence, that being only an implication from other
      doctrines by which this is entailed. The difference is great enough to
      have deluged Christendom with ink, to say nothing of the gore. With the
      distinction of the two doctrines kept well in mind, and a reverent belief
      in both, one may hope to escape perdition if spared.
    &lt;/p&gt;
&lt;p&gt;
      PREDICAMENT, n. The wage of consistency.
    &lt;/p&gt;
&lt;p&gt;
      PREDILECTION, n. The preparatory stage of disillusion.
    &lt;/p&gt;
&lt;p&gt;
      PRE-EXISTENCE, n. An unnoted factor in creation.
    &lt;/p&gt;
&lt;p&gt;
      PREFERENCE, n. A sentiment, or frame of mind, induced by the erroneous
      belief that one thing is better than another.
    &lt;/p&gt;
&lt;p&gt;
      An ancient philosopher, expounding his conviction that life is no better
      than death, was asked by a disciple why, then, he did not die. "Because,"
      he replied, "death is no better than life."
    &lt;/p&gt;
&lt;p&gt;
      It is longer.
    &lt;/p&gt;
&lt;p&gt;
      PREHISTORIC, adj. Belonging to an early period and a museum. Antedating
      the art and practice of perpetuating falsehood.
    &lt;/p&gt;
&lt;pre&gt;
  He lived in a period prehistoric,
  When all was absurd and phantasmagoric.
  Born later, when Clio, celestial recorder,
  Set down great events in succession and order,
  He surely had seen nothing droll or fortuitous
  In anything here but the lies that she threw at us.
&lt;/pre&gt;
&lt;p&gt;
      Orpheus Bowen
    &lt;/p&gt;
&lt;p&gt;
      PREJUDICE, n. A vagrant opinion without visible means of support.
    &lt;/p&gt;
&lt;p&gt;
      PRELATE, n. A church officer having a superior degree of holiness and a
      fat preferment. One of Heaven's aristocracy. A gentleman of God.
    &lt;/p&gt;
&lt;p&gt;
      PREROGATIVE, n. A sovereign's right to do wrong.
    &lt;/p&gt;
&lt;p&gt;
      PRESBYTERIAN, n. One who holds the conviction that the government
      authorities of the Church should be called presbyters.
    &lt;/p&gt;
&lt;p&gt;
      PRESCRIPTION, n. A physician's guess at what will best prolong the
      situation with least harm to the patient.
    &lt;/p&gt;
&lt;p&gt;
      PRESENT, n. That part of eternity dividing the domain of disappointment
      from the realm of hope.
    &lt;/p&gt;
&lt;p&gt;
      PRESENTABLE, adj. Hideously appareled after the manner of the time and
      place.
    &lt;/p&gt;
&lt;p&gt;
      In Boorioboola-Gha a man is presentable on occasions of ceremony if he
      have his abdomen painted a bright blue and wear a cow's tail; in New York
      he may, if it please him, omit the paint, but after sunset he must wear
      two tails made of the wool of a sheep and dyed black.
    &lt;/p&gt;
&lt;p&gt;
      PRESIDE, v. To guide the action of a deliberative body to a desirable
      result. In Journalese, to perform upon a musical instrument; as, "He
      presided at the piccolo."
    &lt;/p&gt;
&lt;pre&gt;
  The Headliner, holding the copy in hand,
      Read with a solemn face:
  "The music was very uncommonly grand—
          The best that was every provided,
          For our townsman Brown presided
      At the organ with skill and grace."
  The Headliner discontinued to read,
      And, spread the paper down
  On the desk, he dashed in at the top of the screed:
      "Great playing by President Brown."
&lt;/pre&gt;
&lt;p&gt;
      Orpheus Bowen
    &lt;/p&gt;
&lt;p&gt;
      PRESIDENCY, n. The greased pig in the field game of American politics.
    &lt;/p&gt;
&lt;p&gt;
      PRESIDENT, n. The leading figure in a small group of men of whom—
      and of whom only—it is positively known that immense numbers of
      their countrymen did not want any of them for President.
    &lt;/p&gt;
&lt;pre&gt;
  If that's an honor surely 'tis a greater
  To have been a simple and undamned spectator.
  Behold in me a man of mark and note
  Whom no elector e'er denied a vote!—
  An undiscredited, unhooted gent
  Who might, for all we know, be President
  By acclamation.  Cheer, ye varlets, cheer—
  I'm passing with a wide and open ear!
&lt;/pre&gt;
&lt;p&gt;
      Jonathan Fomry
    &lt;/p&gt;
&lt;p&gt;
      PREVARICATOR, n. A liar in the caterpillar state.
    &lt;/p&gt;
&lt;p&gt;
      PRICE, n. Value, plus a reasonable sum for the wear and tear of conscience
      in demanding it.
    &lt;/p&gt;
&lt;p&gt;
      PRIMATE, n. The head of a church, especially a State church supported by
      involuntary contributions. The Primate of England is the Archbishop of
      Canterbury, an amiable old gentleman, who occupies Lambeth Palace when
      living and Westminster Abbey when dead. He is commonly dead.
    &lt;/p&gt;
&lt;p&gt;
      PRISON, n. A place of punishments and rewards. The poet assures us that—
    &lt;/p&gt;
&lt;pre&gt;
  "Stone walls do not a prison make,"
&lt;/pre&gt;
&lt;p&gt;
      but a combination of the stone wall, the political parasite and the moral
      instructor is no garden of sweets.
    &lt;/p&gt;
&lt;p&gt;
      PRIVATE, n. A military gentleman with a field-marshal's baton in his
      knapsack and an impediment in his hope.
    &lt;/p&gt;
&lt;p&gt;
      PROBOSCIS, n. The rudimentary organ of an elephant which serves him in
      place of the knife-and-fork that Evolution has as yet denied him. For
      purposes of humor it is popularly called a trunk.
    &lt;/p&gt;
&lt;p&gt;
      Asked how he knew that an elephant was going on a journey, the illustrious
      Jo. Miller cast a reproachful look upon his tormentor, and answered,
      absently: "When it is ajar," and threw himself from a high promontory into
      the sea. Thus perished in his pride the most famous humorist of antiquity,
      leaving to mankind a heritage of woe! No successor worthy of the title has
      appeared, though Mr. Edward Bok, of &lt;i&gt;The Ladies' Home Journal&lt;/i&gt;, is
      much respected for the purity and sweetness of his personal character.
    &lt;/p&gt;
&lt;p&gt;
      PROJECTILE, n. The final arbiter in international disputes. Formerly these
      disputes were settled by physical contact of the disputants, with such
      simple arguments as the rudimentary logic of the times could supply—the
      sword, the spear, and so forth. With the growth of prudence in military
      affairs the projectile came more and more into favor, and is now held in
      high esteem by the most courageous. Its capital defect is that it requires
      personal attendance at the point of propulsion.
    &lt;/p&gt;
&lt;p&gt;
      PROOF, n. Evidence having a shade more of plausibility than of
      unlikelihood. The testimony of two credible witnesses as opposed to that
      of only one.
    &lt;/p&gt;
&lt;p&gt;
      PROOF-READER, n. A malefactor who atones for making your writing nonsense
      by permitting the compositor to make it unintelligible.
    &lt;/p&gt;
&lt;p&gt;
      PROPERTY, n. Any material thing, having no particular value, that may be
      held by A against the cupidity of B. Whatever gratifies the passion for
      possession in one and disappoints it in all others. The object of man's
      brief rapacity and long indifference.
    &lt;/p&gt;
&lt;p&gt;
      PROPHECY, n. The art and practice of selling one's credibility for future
      delivery.
    &lt;/p&gt;
&lt;p&gt;
      PROSPECT, n. An outlook, usually forbidding. An expectation, usually
      forbidden.
    &lt;/p&gt;
&lt;pre&gt;
  Blow, blow, ye spicy breezes—
      O'er Ceylon blow your breath,
  Where every prospect pleases,
      Save only that of death.
&lt;/pre&gt;
&lt;p&gt;
      Bishop Sheber
    &lt;/p&gt;
&lt;p&gt;
      PROVIDENTIAL, adj. Unexpectedly and conspicuously beneficial to the person
      so describing it.
    &lt;/p&gt;
&lt;p&gt;
      PRUDE, n. A bawd hiding behind the back of her demeanor.
    &lt;/p&gt;
&lt;p&gt;
      PUBLISH, n. In literary affairs, to become the fundamental element in a
      cone of critics.
    &lt;/p&gt;
&lt;p&gt;
      PUSH, n. One of the two things mainly conducive to success, especially in
      politics. The other is Pull.
    &lt;/p&gt;
&lt;p&gt;
      PYRRHONISM, n. An ancient philosophy, named for its inventor. It consisted
      of an absolute disbelief in everything but Pyrrhonism. Its modern
      professors have added that.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0019"&gt;&lt;/a&gt;
      Q
    &lt;/h2&gt;
&lt;p&gt;
      QUEEN, n. A woman by whom the realm is ruled when there is a king, and
      through whom it is ruled when there is not.
    &lt;/p&gt;
&lt;p&gt;
      QUILL, n. An implement of torture yielded by a goose and commonly wielded
      by an ass. This use of the quill is now obsolete, but its modern
      equivalent, the steel pen, is wielded by the same everlasting Presence.
    &lt;/p&gt;
&lt;p&gt;
      QUIVER, n. A portable sheath in which the ancient statesman and the
      aboriginal lawyer carried their lighter arguments.
    &lt;/p&gt;
&lt;pre&gt;
  He extracted from his quiver,
      Did the controversial Roman,
  An argument well fitted
  To the question as submitted,
  Then addressed it to the liver,
      Of the unpersuaded foeman.
&lt;/pre&gt;
&lt;p&gt;
      Oglum P. Boomp
    &lt;/p&gt;
&lt;p&gt;
      QUIXOTIC, adj. Absurdly chivalric, like Don Quixote. An insight into the
      beauty and excellence of this incomparable adjective is unhappily denied
      to him who has the misfortune to know that the gentleman's name is
      pronounced Ke-ho-tay.
    &lt;/p&gt;
&lt;pre&gt;
  When ignorance from out of our lives can banish
  Philology, 'tis folly to know Spanish.
&lt;/pre&gt;
&lt;p&gt;
      Juan Smith
    &lt;/p&gt;
&lt;p&gt;
      QUORUM, n. A sufficient number of members of a deliberative body to have
      their own way and their own way of having it. In the United States Senate
      a quorum consists of the chairman of the Committee on Finance and a
      messenger from the White House; in the House of Representatives, of the
      Speaker and the devil.
    &lt;/p&gt;
&lt;p&gt;
      QUOTATION, n. The act of repeating erroneously the words of another. The
      words erroneously repeated.
    &lt;/p&gt;
&lt;pre&gt;
  Intent on making his quotation truer,
  He sought the page infallible of Brewer,
  Then made a solemn vow that he would be
  Condemned eternally.  Ah, me, ah, me!
&lt;/pre&gt;
&lt;p&gt;
      Stumpo Gaker
    &lt;/p&gt;
&lt;p&gt;
      QUOTIENT, n. A number showing how many times a sum of money belonging to
      one person is contained in the pocket of another—usually about as
      many times as it can be got there.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0020"&gt;&lt;/a&gt;
      R
    &lt;/h2&gt;
&lt;p&gt;
      RABBLE, n. In a republic, those who exercise a supreme authority tempered
      by fraudulent elections. The rabble is like the sacred Simurgh, of Arabian
      fable—omnipotent on condition that it do nothing. (The word is
      Aristocratese, and has no exact equivalent in our tongue, but means, as
      nearly as may be, "soaring swine.")
    &lt;/p&gt;
&lt;p&gt;
      RACK, n. An argumentative implement formerly much used in persuading
      devotees of a false faith to embrace the living truth. As a call to the
      unconverted the rack never had any particular efficacy, and is now held in
      light popular esteem.
    &lt;/p&gt;
&lt;p&gt;
      RANK, n. Relative elevation in the scale of human worth.
    &lt;/p&gt;
&lt;pre&gt;
  He held at court a rank so high
  That other noblemen asked why.
  "Because," 'twas answered, "others lack
  His skill to scratch the royal back."
&lt;/pre&gt;
&lt;p&gt;
      Aramis Jukes
    &lt;/p&gt;
&lt;p&gt;
      RANSOM, n. The purchase of that which neither belongs to the seller, nor
      can belong to the buyer. The most unprofitable of investments.
    &lt;/p&gt;
&lt;p&gt;
      RAPACITY, n. Providence without industry. The thrift of power.
    &lt;/p&gt;
&lt;p&gt;
      RAREBIT, n. A Welsh rabbit, in the speech of the humorless, who point out
      that it is not a rabbit. To whom it may be solemnly explained that the
      comestible known as toad-in-a-hole is really not a toad, and that &lt;i&gt;riz-de-veau
      a la financiere&lt;/i&gt; is not the smile of a calf prepared after the recipe
      of a she banker.
    &lt;/p&gt;
&lt;p&gt;
      RASCAL, n. A fool considered under another aspect.
    &lt;/p&gt;
&lt;p&gt;
      RASCALITY, n. Stupidity militant. The activity of a clouded intellect.
    &lt;/p&gt;
&lt;p&gt;
      RASH, adj. Insensible to the value of our advice.
    &lt;/p&gt;
&lt;pre&gt;
  "Now lay your bet with mine, nor let
      These gamblers take your cash."
  "Nay, this child makes no bet."  "Great snakes!
      How can you be so rash?"
&lt;/pre&gt;
&lt;p&gt;
      Bootle P. Gish
    &lt;/p&gt;
&lt;p&gt;
      RATIONAL, adj. Devoid of all delusions save those of observation,
      experience and reflection.
    &lt;/p&gt;
&lt;p&gt;
      RATTLESNAKE, n. Our prostrate brother, &lt;i&gt;Homo ventrambulans&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      RAZOR, n. An instrument used by the Caucasian to enhance his beauty, by
      the Mongolian to make a guy of himself, and by the Afro-American to affirm
      his worth.
    &lt;/p&gt;
&lt;p&gt;
      REACH, n. The radius of action of the human hand. The area within which it
      is possible (and customary) to gratify directly the propensity to provide.
    &lt;/p&gt;
&lt;pre&gt;
  This is a truth, as old as the hills,
      That life and experience teach:
  The poor man suffers that keenest of ills,
      An impediment in his reach.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;p&gt;
      READING, n. The general body of what one reads. In our country it
      consists, as a rule, of Indiana novels, short stories in "dialect" and
      humor in slang.
    &lt;/p&gt;
&lt;pre&gt;
  We know by one's reading
  His learning and breeding;
  By what draws his laughter
  We know his Hereafter.
  Read nothing, laugh never—
  The Sphinx was less clever!
&lt;/pre&gt;
&lt;p&gt;
      Jupiter Muke
    &lt;/p&gt;
&lt;p&gt;
      RADICALISM, n. The conservatism of to-morrow injected into the affairs of
      to-day.
    &lt;/p&gt;
&lt;p&gt;
      RADIUM, n. A mineral that gives off heat and stimulates the organ that a
      scientist is a fool with.
    &lt;/p&gt;
&lt;p&gt;
      RAILROAD, n. The chief of many mechanical devices enabling us to get away
      from where we are to where we are no better off. For this purpose the
      railroad is held in highest favor by the optimist, for it permits him to
      make the transit with great expedition.
    &lt;/p&gt;
&lt;p&gt;
      RAMSHACKLE, adj. Pertaining to a certain order of architecture, otherwise
      known as the Normal American. Most of the public buildings of the United
      States are of the Ramshackle order, though some of our earlier architects
      preferred the Ironic. Recent additions to the White House in Washington
      are Theo-Doric, the ecclesiastic order of the Dorians. They are
      exceedingly fine and cost one hundred dollars a brick.
    &lt;/p&gt;
&lt;p&gt;
      REALISM, n. The art of depicting nature as it is seen by toads. The charm
      suffusing a landscape painted by a mole, or a story written by a
      measuring-worm.
    &lt;/p&gt;
&lt;p&gt;
      REALITY, n. The dream of a mad philosopher. That which would remain in the
      cupel if one should assay a phantom. The nucleus of a vacuum.
    &lt;/p&gt;
&lt;p&gt;
      REALLY, adv. Apparently.
    &lt;/p&gt;
&lt;p&gt;
      REAR, n. In American military matters, that exposed part of the army that
      is nearest to Congress.
    &lt;/p&gt;
&lt;p&gt;
      REASON, v.i. To weigh probabilities in the scales of desire.
    &lt;/p&gt;
&lt;p&gt;
      REASON, n. Propensitate of prejudice.
    &lt;/p&gt;
&lt;p&gt;
      REASONABLE, adj. Accessible to the infection of our own opinions.
      Hospitable to persuasion, dissuasion and evasion.
    &lt;/p&gt;
&lt;p&gt;
      REBEL, n. A proponent of a new misrule who has failed to establish it.
    &lt;/p&gt;
&lt;p&gt;
      RECOLLECT, v. To recall with additions something not previously known.
    &lt;/p&gt;
&lt;p&gt;
      RECONCILIATION, n. A suspension of hostilities. An armed truce for the
      purpose of digging up the dead.
    &lt;/p&gt;
&lt;p&gt;
      RECONSIDER, v. To seek a justification for a decision already made.
    &lt;/p&gt;
&lt;p&gt;
      RECOUNT, n. In American politics, another throw of the dice, accorded to
      the player against whom they are loaded.
    &lt;/p&gt;
&lt;p&gt;
      RECREATION, n. A particular kind of dejection to relieve a general
      fatigue.
    &lt;/p&gt;
&lt;p&gt;
      RECRUIT, n. A person distinguishable from a civilian by his uniform and
      from a soldier by his gait.
    &lt;/p&gt;
&lt;pre&gt;
  Fresh from the farm or factory or street,
  His marching, in pursuit or in retreat,
      Were an impressive martial spectacle
  Except for two impediments—his feet.
&lt;/pre&gt;
&lt;p&gt;
      Thompson Johnson
    &lt;/p&gt;
&lt;p&gt;
      RECTOR, n. In the Church of England, the Third Person of the parochial
      Trinity, the Curate and the Vicar being the other two.
    &lt;/p&gt;
&lt;p&gt;
      REDEMPTION, n. Deliverance of sinners from the penalty of their sin,
      through their murder of the deity against whom they sinned. The doctrine
      of Redemption is the fundamental mystery of our holy religion, and whoso
      believeth in it shall not perish, but have everlasting life in which to
      try to understand it.
    &lt;/p&gt;
&lt;pre&gt;
  We must awake Man's spirit from his sin,
      And take some special measure for redeeming it;
  Though hard indeed the task to get it in
      Among the angels any way but teaming it,
      Or purify it otherwise than steaming it.
  I'm awkward at Redemption—a beginner:
  My method is to crucify the sinner.
&lt;/pre&gt;
&lt;p&gt;
      Golgo Brone
    &lt;/p&gt;
&lt;p&gt;
      REDRESS, n. Reparation without satisfaction.
    &lt;/p&gt;
&lt;p&gt;
      Among the Anglo-Saxon a subject conceiving himself wronged by the king was
      permitted, on proving his injury, to beat a brazen image of the royal
      offender with a switch that was afterward applied to his own naked back.
      The latter rite was performed by the public hangman, and it assured
      moderation in the plaintiff's choice of a switch.
    &lt;/p&gt;
&lt;p&gt;
      RED-SKIN, n. A North American Indian, whose skin is not red—at least
      not on the outside.
    &lt;/p&gt;
&lt;p&gt;
      REDUNDANT, adj. Superfluous; needless; &lt;i&gt;de trop&lt;/i&gt;.
    &lt;/p&gt;
&lt;pre&gt;
  The Sultan said:  "There's evidence abundant
  To prove this unbelieving dog redundant."
  To whom the Grand Vizier, with mien impressive,
  Replied:  "His head, at least, appears excessive."
&lt;/pre&gt;
&lt;p&gt;
      Habeeb Suleiman
    &lt;/p&gt;
&lt;pre&gt;
  Mr. Debs is a redundant citizen.
&lt;/pre&gt;
&lt;p&gt;
      Theodore Roosevelt
    &lt;/p&gt;
&lt;p&gt;
      REFERENDUM, n. A law for submission of proposed legislation to a popular
      vote to learn the nonsensus of public opinion.
    &lt;/p&gt;
&lt;p&gt;
      REFLECTION, n. An action of the mind whereby we obtain a clearer view of
      our relation to the things of yesterday and are able to avoid the perils
      that we shall not again encounter.
    &lt;/p&gt;
&lt;p&gt;
      REFORM, v. A thing that mostly satisfies reformers opposed to reformation.
    &lt;/p&gt;
&lt;p&gt;
      REFUGE, n. Anything assuring protection to one in peril. Moses and Joshua
      provided six cities of refuge—Bezer, Golan, Ramoth, Kadesh, Schekem
      and Hebron—to which one who had taken life inadvertently could flee
      when hunted by relatives of the deceased. This admirable expedient
      supplied him with wholesome exercise and enabled them to enjoy the
      pleasures of the chase; whereby the soul of the dead man was appropriately
      honored by observances akin to the funeral games of early Greece.
    &lt;/p&gt;
&lt;p&gt;
      REFUSAL, n. Denial of something desired; as an elderly maiden's hand in
      marriage, to a rich and handsome suitor; a valuable franchise to a rich
      corporation, by an alderman; absolution to an impenitent king, by a
      priest, and so forth. Refusals are graded in a descending scale of
      finality thus: the refusal absolute, the refusal conditional, the refusal
      tentative and the refusal feminine. The last is called by some casuists
      the refusal assentive.
    &lt;/p&gt;
&lt;p&gt;
      REGALIA, n. Distinguishing insignia, jewels and costume of such ancient
      and honorable orders as Knights of Adam; Visionaries of Detectable Bosh;
      the Ancient Order of Modern Troglodytes; the League of Holy Humbug; the
      Golden Phalanx of Phalangers; the Genteel Society of Expurgated Hoodlums;
      the Mystic Alliances of Gorgeous Regalians; Knights and Ladies of the
      Yellow Dog; the Oriental Order of Sons of the West; the Blatherhood of
      Insufferable Stuff; Warriors of the Long Bow; Guardians of the Great Horn
      Spoon; the Band of Brutes; the Impenitent Order of Wife-Beaters; the
      Sublime Legion of Flamboyant Conspicuants; Worshipers at the Electroplated
      Shrine; Shining Inaccessibles; Fee-Faw-Fummers of the Inimitable Grip;
      Jannissaries of the Broad-Blown Peacock; Plumed Increscencies of the Magic
      Temple; the Grand Cabal of Able-Bodied Sedentarians; Associated Deities of
      the Butter Trade; the Garden of Galoots; the Affectionate Fraternity of
      Men Similarly Warted; the Flashing Astonishers; Ladies of Horror;
      Cooperative Association for Breaking into the Spotlight; Dukes of Eden;
      Disciples Militant of the Hidden Faith; Knights-Champions of the Domestic
      Dog; the Holy Gregarians; the Resolute Optimists; the Ancient Sodality of
      Inhospitable Hogs; Associated Sovereigns of Mendacity; Dukes-Guardian of
      the Mystic Cess-Pool; the Society for Prevention of Prevalence; Kings of
      Drink; Polite Federation of Gents-Consequential; the Mysterious Order of
      the Undecipherable Scroll; Uniformed Rank of Lousy Cats; Monarchs of Worth
      and Hunger; Sons of the South Star; Prelates of the Tub-and-Sword.
    &lt;/p&gt;
&lt;p&gt;
      RELIGION, n. A daughter of Hope and Fear, explaining to Ignorance the
      nature of the Unknowable.
    &lt;/p&gt;
&lt;pre&gt;
  "What is your religion my son?" inquired the Archbishop of Rheims.
  "Pardon, monseigneur," replied Rochebriant; "I am ashamed of it."
  "Then why do you not become an atheist?"
  "Impossible!  I should be ashamed of atheism."
  "In that case, monsieur, you should join the Protestants."
&lt;/pre&gt;
&lt;p&gt;
      RELIQUARY, n. A receptacle for such sacred objects as pieces of the true
      cross, short-ribs of the saints, the ears of Balaam's ass, the lung of the
      cock that called Peter to repentance and so forth. Reliquaries are
      commonly of metal, and provided with a lock to prevent the contents from
      coming out and performing miracles at unseasonable times. A feather from
      the wing of the Angel of the Annunciation once escaped during a sermon in
      Saint Peter's and so tickled the noses of the congregation that they woke
      and sneezed with great vehemence three times each. It is related in the
      "Gesta Sanctorum" that a sacristan in the Canterbury cathedral surprised
      the head of Saint Dennis in the library. Reprimanded by its stern
      custodian, it explained that it was seeking a body of doctrine. This
      unseemly levity so raged the diocesan that the offender was publicly
      anathematized, thrown into the Stour and replaced by another head of Saint
      Dennis, brought from Rome.
    &lt;/p&gt;
&lt;p&gt;
      RENOWN, n. A degree of distinction between notoriety and fame—a
      little more supportable than the one and a little more intolerable than
      the other. Sometimes it is conferred by an unfriendly and inconsiderate
      hand.
    &lt;/p&gt;
&lt;pre&gt;
  I touched the harp in every key,
      But found no heeding ear;
  And then Ithuriel touched me
      With a revealing spear.

  Not all my genius, great as 'tis,
      Could urge me out of night.
  I felt the faint appulse of his,
      And leapt into the light!
&lt;/pre&gt;
&lt;p&gt;
      W.J. Candleton
    &lt;/p&gt;
&lt;p&gt;
      REPARATION, n. Satisfaction that is made for a wrong and deducted from the
      satisfaction felt in committing it.
    &lt;/p&gt;
&lt;p&gt;
      REPARTEE, n. Prudent insult in retort. Practiced by gentlemen with a
      constitutional aversion to violence, but a strong disposition to offend.
      In a war of words, the tactics of the North American Indian.
    &lt;/p&gt;
&lt;p&gt;
      REPENTANCE, n. The faithful attendant and follower of Punishment. It is
      usually manifest in a degree of reformation that is not inconsistent with
      continuity of sin.
    &lt;/p&gt;
&lt;pre&gt;
  Desirous to avoid the pains of Hell,
  You will repent and join the Church, Parnell?
  How needless!—Nick will keep you off the coals
  And add you to the woes of other souls.
&lt;/pre&gt;
&lt;p&gt;
      Jomater Abemy
    &lt;/p&gt;
&lt;p&gt;
      REPLICA, n. A reproduction of a work of art, by the artist that made the
      original. It is so called to distinguish it from a "copy," which is made
      by another artist. When the two are made with equal skill the replica is
      the more valuable, for it is supposed to be more beautiful than it looks.
    &lt;/p&gt;
&lt;p&gt;
      REPORTER, n. A writer who guesses his way to the truth and dispels it with
      a tempest of words.
    &lt;/p&gt;
&lt;pre&gt;
  "More dear than all my bosom knows, O thou
  Whose 'lips are sealed' and will not disavow!"
  So sang the blithe reporter-man as grew
  Beneath his hand the leg-long "interview."
&lt;/pre&gt;
&lt;p&gt;
      Barson Maith
    &lt;/p&gt;
&lt;p&gt;
      REPOSE, v.i. To cease from troubling.
    &lt;/p&gt;
&lt;p&gt;
      REPRESENTATIVE, n. In national politics, a member of the Lower House in
      this world, and without discernible hope of promotion in the next.
    &lt;/p&gt;
&lt;p&gt;
      REPROBATION, n. In theology, the state of a luckless mortal prenatally
      damned. The doctrine of reprobation was taught by Calvin, whose joy in it
      was somewhat marred by the sad sincerity of his conviction that although
      some are foredoomed to perdition, others are predestined to salvation.
    &lt;/p&gt;
&lt;p&gt;
      REPUBLIC, n. A nation in which, the thing governing and the thing governed
      being the same, there is only a permitted authority to enforce an optional
      obedience. In a republic, the foundation of public order is the ever
      lessening habit of submission inherited from ancestors who, being truly
      governed, submitted because they had to. There are as many kinds of
      republics as there are graduations between the despotism whence they came
      and the anarchy whither they lead.
    &lt;/p&gt;
&lt;p&gt;
      REQUIEM, n. A mass for the dead which the minor poets assure us the winds
      sing o'er the graves of their favorites. Sometimes, by way of providing a
      varied entertainment, they sing a dirge.
    &lt;/p&gt;
&lt;p&gt;
      RESIDENT, adj. Unable to leave.
    &lt;/p&gt;
&lt;p&gt;
      RESIGN, v.t. To renounce an honor for an advantage. To renounce an
      advantage for a greater advantage.
    &lt;/p&gt;
&lt;pre&gt;
  'Twas rumored Leonard Wood had signed
      A true renunciation
  Of title, rank and every kind
      Of military station—
      Each honorable station.

  By his example fired—inclined
      To noble emulation,
  The country humbly was resigned
      To Leonard's resignation—
      His Christian resignation.
&lt;/pre&gt;
&lt;p&gt;
      Politian Greame
    &lt;/p&gt;
&lt;p&gt;
      RESOLUTE, adj. Obstinate in a course that we approve.
    &lt;/p&gt;
&lt;p&gt;
      RESPECTABILITY, n. The offspring of a &lt;i&gt;liaison&lt;/i&gt; between a bald head
      and a bank account.
    &lt;/p&gt;
&lt;p&gt;
      RESPIRATOR, n. An apparatus fitted over the nose and mouth of an
      inhabitant of London, whereby to filter the visible universe in its
      passage to the lungs.
    &lt;/p&gt;
&lt;p&gt;
      RESPITE, n. A suspension of hostilities against a sentenced assassin, to
      enable the Executive to determine whether the murder may not have been
      done by the prosecuting attorney. Any break in the continuity of a
      disagreeable expectation.
    &lt;/p&gt;
&lt;pre&gt;
  Altgeld upon his incandescent bed
  Lay, an attendant demon at his head.

  "O cruel cook, pray grant me some relief—
  Some respite from the roast, however brief."

  "Remember how on earth I pardoned all
  Your friends in Illinois when held in thrall."

  "Unhappy soul! for that alone you squirm
  O'er fire unquenched, a never-dying worm.

  "Yet, for I pity your uneasy state,
  Your doom I'll mollify and pains abate.

  "Naught, for a season, shall your comfort mar,
  Not even the memory of who you are."

  Throughout eternal space dread silence fell;
  Heaven trembled as Compassion entered Hell.

  "As long, sweet demon, let my respite be
  As, governing down here, I'd respite thee."

  "As long, poor soul, as any of the pack
  You thrust from jail consumed in getting back."

  A genial chill affected Altgeld's hide
  While they were turning him on t'other side.
&lt;/pre&gt;
&lt;p&gt;
      Joel Spate Woop
    &lt;/p&gt;
&lt;p&gt;
      RESPLENDENT, adj. Like a simple American citizen beduking himself in his
      lodge, or affirming his consequence in the Scheme of Things as an
      elemental unit of a parade.
    &lt;/p&gt;
&lt;pre&gt;
      The Knights of Dominion were so resplendent in their velvet-
  and-gold that their masters would hardly have known them.
&lt;/pre&gt;
&lt;p&gt;
      "Chronicles of the Classes"
    &lt;/p&gt;
&lt;p&gt;
      RESPOND, v.i. To make answer, or disclose otherwise a consciousness of
      having inspired an interest in what Herbert Spencer calls "external
      coexistences," as Satan "squat like a toad" at the ear of Eve, responded
      to the touch of the angel's spear. To respond in damages is to contribute
      to the maintenance of the plaintiff's attorney and, incidentally, to the
      gratification of the plaintiff.
    &lt;/p&gt;
&lt;p&gt;
      RESPONSIBILITY, n. A detachable burden easily shifted to the shoulders of
      God, Fate, Fortune, Luck or one's neighbor. In the days of astrology it
      was customary to unload it upon a star.
    &lt;/p&gt;
&lt;pre&gt;
  Alas, things ain't what we should see
  If Eve had let that apple be;
  And many a feller which had ought
  To set with monarchses of thought,
  Or play some rosy little game
  With battle-chaps on fields of fame,
  Is downed by his unlucky star
  And hollers:  "Peanuts!—here you are!"
&lt;/pre&gt;
&lt;p&gt;
      "The Sturdy Beggar"
    &lt;/p&gt;
&lt;p&gt;
      RESTITUTION, n. The founding or endowing of universities and public
      libraries by gift or bequest.
    &lt;/p&gt;
&lt;p&gt;
      RESTITUTOR, n. Benefactor; philanthropist.
    &lt;/p&gt;
&lt;p&gt;
      RETALIATION, n. The natural rock upon which is reared the Temple of Law.
    &lt;/p&gt;
&lt;p&gt;
      RETRIBUTION, n. A rain of fire-and-brimstone that falls alike upon the
      just and such of the unjust as have not procured shelter by evicting them.
    &lt;/p&gt;
&lt;p&gt;
      In the lines following, addressed to an Emperor in exile by Father
      Gassalasca Jape, the reverend poet appears to hint his sense of the
      imprudence of turning about to face Retribution when it is taking
      exercise:
    &lt;/p&gt;
&lt;pre&gt;
  What, what! Dom Pedro, you desire to go
      Back to Brazil to end your days in quiet?
  Why, what assurance have you 'twould be so?
      'Tis not so long since you were in a riot,
      And your dear subjects showed a will to fly at
  Your throat and shake you like a rat.  You know
  That empires are ungrateful; are you certain
  Republics are less handy to get hurt in?
&lt;/pre&gt;
&lt;p&gt;
      REVEILLE, n. A signal to sleeping soldiers to dream of battlefields no
      more, but get up and have their blue noses counted. In the American army
      it is ingeniously called "rev-e-lee," and to that pronunciation our
      countrymen have pledged their lives, their misfortunes and their sacred
      dishonor.
    &lt;/p&gt;
&lt;p&gt;
      REVELATION, n. A famous book in which St. John the Divine concealed all
      that he knew. The revealing is done by the commentators, who know nothing.
    &lt;/p&gt;
&lt;p&gt;
      REVERENCE, n. The spiritual attitude of a man to a god and a dog to a man.
    &lt;/p&gt;
&lt;p&gt;
      REVIEW, v.t.
    &lt;/p&gt;
&lt;pre&gt;
  To set your wisdom (holding not a doubt of it,
      Although in truth there's neither bone nor skin to it)
  At work upon a book, and so read out of it
      The qualities that you have first read into it.
&lt;/pre&gt;
&lt;p&gt;
      REVOLUTION, n. In politics, an abrupt change in the form of misgovernment.
      Specifically, in American history, the substitution of the rule of an
      Administration for that of a Ministry, whereby the welfare and happiness
      of the people were advanced a full half-inch. Revolutions are usually
      accompanied by a considerable effusion of blood, but are accounted worth
      it—this appraisement being made by beneficiaries whose blood had not
      the mischance to be shed. The French revolution is of incalculable value
      to the Socialist of to-day; when he pulls the string actuating its bones
      its gestures are inexpressibly terrifying to gory tyrants suspected of
      fomenting law and order.
    &lt;/p&gt;
&lt;p&gt;
      RHADOMANCER, n. One who uses a divining-rod in prospecting for precious
      metals in the pocket of a fool.
    &lt;/p&gt;
&lt;p&gt;
      RIBALDRY, n. Censorious language by another concerning oneself.
    &lt;/p&gt;
&lt;p&gt;
      RIBROASTER, n. Censorious language by oneself concerning another. The word
      is of classical refinement, and is even said to have been used in a fable
      by Georgius Coadjutor, one of the most fastidious writers of the fifteenth
      century—commonly, indeed, regarded as the founder of the Fastidiotic
      School.
    &lt;/p&gt;
&lt;p&gt;
      RICE-WATER, n. A mystic beverage secretly used by our most popular
      novelists and poets to regulate the imagination and narcotize the
      conscience. It is said to be rich in both obtundite and lethargine, and is
      brewed in a midnight fog by a fat witch of the Dismal Swamp.
    &lt;/p&gt;
&lt;p&gt;
      RICH, adj. Holding in trust and subject to an accounting the property of
      the indolent, the incompetent, the unthrifty, the envious and the
      luckless. That is the view that prevails in the underworld, where the
      Brotherhood of Man finds its most logical development and candid advocacy.
      To denizens of the midworld the word means good and wise.
    &lt;/p&gt;
&lt;p&gt;
      RICHES, n.
    &lt;/p&gt;
&lt;pre&gt;
      A gift from Heaven signifying, "This is my beloved son, in
  whom I am well pleased."
&lt;/pre&gt;
&lt;p&gt;
      John D. Rockefeller
    &lt;/p&gt;
&lt;pre&gt;
      The reward of toil and virtue.
&lt;/pre&gt;
&lt;p&gt;
      J.P. Morgan
    &lt;/p&gt;
&lt;pre&gt;
      The savings of many in the hands of one.
&lt;/pre&gt;
&lt;p&gt;
      Eugene Debs
    &lt;/p&gt;
&lt;p&gt;
      To these excellent definitions the inspired lexicographer feels that he
      can add nothing of value.
    &lt;/p&gt;
&lt;p&gt;
      RIDICULE, n. Words designed to show that the person of whom they are
      uttered is devoid of the dignity of character distinguishing him who
      utters them. It may be graphic, mimetic or merely rident. Shaftesbury is
      quoted as having pronounced it the test of truth—a ridiculous
      assertion, for many a solemn fallacy has undergone centuries of ridicule
      with no abatement of its popular acceptance. What, for example, has been
      more valorously derided than the doctrine of Infant Respectability?
    &lt;/p&gt;
&lt;p&gt;
      RIGHT, n. Legitimate authority to be, to do or to have; as the right to be
      a king, the right to do one's neighbor, the right to have measles, and the
      like. The first of these rights was once universally believed to be
      derived directly from the will of God; and this is still sometimes
      affirmed &lt;i&gt;in partibus infidelium&lt;/i&gt; outside the enlightened realms of
      Democracy; as the well known lines of Sir Abednego Bink, following:
    &lt;/p&gt;
&lt;pre&gt;
      By what right, then, do royal rulers rule?
          Whose is the sanction of their state and pow'r?
      He surely were as stubborn as a mule
          Who, God unwilling, could maintain an hour
  His uninvited session on the throne, or air
  His pride securely in the Presidential chair.

      Whatever is is so by Right Divine;
          Whate'er occurs, God wills it so.  Good land!
      It were a wondrous thing if His design
          A fool could baffle or a rogue withstand!
  If so, then God, I say (intending no offence)
  Is guilty of contributory negligence.
&lt;/pre&gt;
&lt;p&gt;
      RIGHTEOUSNESS, n. A sturdy virtue that was once found among the
      Pantidoodles inhabiting the lower part of the peninsula of Oque. Some
      feeble attempts were made by returned missionaries to introduce it into
      several European countries, but it appears to have been imperfectly
      expounded. An example of this faulty exposition is found in the only
      extant sermon of the pious Bishop Rowley, a characteristic passage from
      which is here given:
    &lt;/p&gt;
&lt;pre&gt;
      "Now righteousness consisteth not merely in a holy state of
  mind, nor yet in performance of religious rites and obedience to
  the letter of the law.  It is not enough that one be pious and
  just:  one must see to it that others also are in the same state;
  and to this end compulsion is a proper means.  Forasmuch as my
  injustice may work ill to another, so by his injustice may evil be
  wrought upon still another, the which it is as manifestly my duty
  to estop as to forestall mine own tort.  Wherefore if I would be
  righteous I am bound to restrain my neighbor, by force if needful,
  in all those injurious enterprises from which, through a better
  disposition and by the help of Heaven, I do myself refrain."
&lt;/pre&gt;
&lt;p&gt;
      RIME, n. Agreeing sounds in the terminals of verse, mostly bad. The verses
      themselves, as distinguished from prose, mostly dull. Usually (and
      wickedly) spelled "rhyme."
    &lt;/p&gt;
&lt;p&gt;
      RIMER, n. A poet regarded with indifference or disesteem.
    &lt;/p&gt;
&lt;pre&gt;
  The rimer quenches his unheeded fires,
  The sound surceases and the sense expires.
  Then the domestic dog, to east and west,
  Expounds the passions burning in his breast.
  The rising moon o'er that enchanted land
  Pauses to hear and yearns to understand.
&lt;/pre&gt;
&lt;p&gt;
      Mowbray Myles
    &lt;/p&gt;
&lt;p&gt;
      RIOT, n. A popular entertainment given to the military by innocent
      bystanders.
    &lt;/p&gt;
&lt;p&gt;
      R.I.P. A careless abbreviation of &lt;i&gt;requiescat in pace&lt;/i&gt;, attesting an
      indolent goodwill to the dead. According to the learned Dr. Drigge,
      however, the letters originally meant nothing more than &lt;i&gt;reductus in
      pulvis&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      RITE, n. A religious or semi-religious ceremony fixed by law, precept or
      custom, with the essential oil of sincerity carefully squeezed out of it.
    &lt;/p&gt;
&lt;p&gt;
      RITUALISM, n. A Dutch Garden of God where He may walk in rectilinear
      freedom, keeping off the grass.
    &lt;/p&gt;
&lt;p&gt;
      ROAD, n. A strip of land along which one may pass from where it is too
      tiresome to be to where it is futile to go.
    &lt;/p&gt;
&lt;pre&gt;
  All roads, howsoe'er they diverge, lead to Rome,
  Whence, thank the good Lord, at least one leads back home.
&lt;/pre&gt;
&lt;p&gt;
      Borey the Bald
    &lt;/p&gt;
&lt;pre&gt;
ROBBER, n.  A candid man of affairs.
  It is related of Voltaire that one night he and some traveling
companion lodged at a wayside inn.  The surroundings were suggestive,
and after supper they agreed to tell robber stories in turn.  "Once
there was a Farmer-General of the Revenues."  Saying nothing more, he
was encouraged to continue.  "That," he said, "is the story."
&lt;/pre&gt;
&lt;p&gt;
      ROMANCE, n. Fiction that owes no allegiance to the God of Things as They
      Are. In the novel the writer's thought is tethered to probability, as a
      domestic horse to the hitching-post, but in romance it ranges at will over
      the entire region of the imagination—free, lawless, immune to bit
      and rein. Your novelist is a poor creature, as Carlyle might say—a
      mere reporter. He may invent his characters and plot, but he must not
      imagine anything taking place that might not occur, albeit his entire
      narrative is candidly a lie. Why he imposes this hard condition on
      himself, and "drags at each remove a lengthening chain" of his own forging
      he can explain in ten thick volumes without illuminating by so much as a
      candle's ray the black profound of his own ignorance of the matter. There
      are great novels, for great writers have "laid waste their powers" to
      write them, but it remains true that far and away the most fascinating
      fiction that we have is "The Thousand and One Nights."
    &lt;/p&gt;
&lt;p&gt;
      ROPE, n. An obsolescent appliance for reminding assassins that they too
      are mortal. It is put about the neck and remains in place one's whole life
      long. It has been largely superseded by a more complex electrical device
      worn upon another part of the person; and this is rapidly giving place to
      an apparatus known as the preachment.
    &lt;/p&gt;
&lt;p&gt;
      ROSTRUM, n. In Latin, the beak of a bird or the prow of a ship. In
      America, a place from which a candidate for office energetically expounds
      the wisdom, virtue and power of the rabble.
    &lt;/p&gt;
&lt;p&gt;
      ROUNDHEAD, n. A member of the Parliamentarian party in the English civil
      war—so called from his habit of wearing his hair short, whereas his
      enemy, the Cavalier, wore his long. There were other points of difference
      between them, but the fashion in hair was the fundamental cause of
      quarrel. The Cavaliers were royalists because the king, an indolent
      fellow, found it more convenient to let his hair grow than to wash his
      neck. This the Roundheads, who were mostly barbers and soap-boilers,
      deemed an injury to trade, and the royal neck was therefore the object of
      their particular indignation. Descendants of the belligerents now wear
      their hair all alike, but the fires of animosity enkindled in that ancient
      strife smoulder to this day beneath the snows of British civility.
    &lt;/p&gt;
&lt;p&gt;
      RUBBISH, n. Worthless matter, such as the religions, philosophies,
      literatures, arts and sciences of the tribes infesting the regions lying
      due south from Boreaplas.
    &lt;/p&gt;
&lt;p&gt;
      RUIN, v. To destroy. Specifically, to destroy a maid's belief in the
      virtue of maids.
    &lt;/p&gt;
&lt;p&gt;
      RUM, n. Generically, fiery liquors that produce madness in total
      abstainers.
    &lt;/p&gt;
&lt;p&gt;
      RUMOR, n. A favorite weapon of the assassins of character.
    &lt;/p&gt;
&lt;pre&gt;
  Sharp, irresistible by mail or shield,
      By guard unparried as by flight unstayed,
  O serviceable Rumor, let me wield
      Against my enemy no other blade.
  His be the terror of a foe unseen,
      His the inutile hand upon the hilt,
  And mine the deadly tongue, long, slender, keen,
      Hinting a rumor of some ancient guilt.
  So shall I slay the wretch without a blow,
  Spare me to celebrate his overthrow,
  And nurse my valor for another foe.
&lt;/pre&gt;
&lt;p&gt;
      Joel Buxter
    &lt;/p&gt;
&lt;p&gt;
      RUSSIAN, n. A person with a Caucasian body and a Mongolian soul. A Tartar
      Emetic.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0021"&gt;&lt;/a&gt;
      S
    &lt;/h2&gt;
&lt;p&gt;
      SABBATH, n. A weekly festival having its origin in the fact that God made
      the world in six days and was arrested on the seventh. Among the Jews
      observance of the day was enforced by a Commandment of which this is the
      Christian version: "Remember the seventh day to make thy neighbor keep it
      wholly." To the Creator it seemed fit and expedient that the Sabbath
      should be the last day of the week, but the Early Fathers of the Church
      held other views. So great is the sanctity of the day that even where the
      Lord holds a doubtful and precarious jurisdiction over those who go down
      to (and down into) the sea it is reverently recognized, as is manifest in
      the following deep-water version of the Fourth Commandment:
    &lt;/p&gt;
&lt;pre&gt;
  Six days shalt thou labor and do all thou art able,
  And on the seventh holystone the deck and scrape the cable.
&lt;/pre&gt;
&lt;p&gt;
      Decks are no longer holystoned, but the cable still supplies the captain
      with opportunity to attest a pious respect for the divine ordinance.
    &lt;/p&gt;
&lt;p&gt;
      SACERDOTALIST, n. One who holds the belief that a clergyman is a priest.
      Denial of this momentous doctrine is the hardest challenge that is now
      flung into the teeth of the Episcopalian church by the Neo-Dictionarians.
    &lt;/p&gt;
&lt;p&gt;
      SACRAMENT, n. A solemn religious ceremony to which several degrees of
      authority and significance are attached. Rome has seven sacraments, but
      the Protestant churches, being less prosperous, feel that they can afford
      only two, and these of inferior sanctity. Some of the smaller sects have
      no sacraments at all—for which mean economy they will indubitable be
      damned.
    &lt;/p&gt;
&lt;p&gt;
      SACRED, adj. Dedicated to some religious purpose; having a divine
      character; inspiring solemn thoughts or emotions; as, the Dalai Lama of
      Thibet; the Moogum of M'bwango; the temple of Apes in Ceylon; the Cow in
      India; the Crocodile, the Cat and the Onion of ancient Egypt; the Mufti of
      Moosh; the hair of the dog that bit Noah, etc.
    &lt;/p&gt;
&lt;pre&gt;
  All things are either sacred or profane.
  The former to ecclesiasts bring gain;
  The latter to the devil appertain.
&lt;/pre&gt;
&lt;p&gt;
      Dumbo Omohundro
    &lt;/p&gt;
&lt;p&gt;
      SANDLOTTER, n. A vertebrate mammal holding the political views of Denis
      Kearney, a notorious demagogue of San Francisco, whose audiences gathered
      in the open spaces (sandlots) of the town. True to the traditions of his
      species, this leader of the proletariat was finally bought off by his
      law-and-order enemies, living prosperously silent and dying impenitently
      rich. But before his treason he imposed upon California a constitution
      that was a confection of sin in a diction of solecisms. The similarity
      between the words "sandlotter" and "sansculotte" is problematically
      significant, but indubitably suggestive.
    &lt;/p&gt;
&lt;p&gt;
      SAFETY-CLUTCH, n. A mechanical device acting automatically to prevent the
      fall of an elevator, or cage, in case of an accident to the hoisting
      apparatus.
    &lt;/p&gt;
&lt;pre&gt;
  Once I seen a human ruin
      In an elevator-well,
  And his members was bestrewin'
      All the place where he had fell.

  And I says, apostrophisin'
      That uncommon woful wreck:
  "Your position's so surprisin'
      That I tremble for your neck!"

  Then that ruin, smilin' sadly
      And impressive, up and spoke:
  "Well, I wouldn't tremble badly,
      For it's been a fortnight broke."

  Then, for further comprehension
      Of his attitude, he begs
  I will focus my attention
      On his various arms and legs—

  How they all are contumacious;
      Where they each, respective, lie;
  How one trotter proves ungracious,
      T'other one an &lt;i&gt;alibi&lt;/i&gt;.

  These particulars is mentioned
      For to show his dismal state,
  Which I wasn't first intentioned
      To specifical relate.

  None is worser to be dreaded
      That I ever have heard tell
  Than the gent's who there was spreaded
      In that elevator-well.

  Now this tale is allegoric—
      It is figurative all,
  For the well is metaphoric
      And the feller didn't fall.

  I opine it isn't moral
      For a writer-man to cheat,
  And despise to wear a laurel
      As was gotten by deceit.

  For 'tis Politics intended
      By the elevator, mind,
  It will boost a person splendid
      If his talent is the kind.

  Col. Bryan had the talent
      (For the busted man is him)
  And it shot him up right gallant
      Till his head begun to swim.

  Then the rope it broke above him
      And he painful come to earth
  Where there's nobody to love him
      For his detrimented worth.

  Though he's livin' none would know him,
      Or at leastwise not as such.
  Moral of this woful poem:
      Frequent oil your safety-clutch.
&lt;/pre&gt;
&lt;p&gt;
      Porfer Poog
    &lt;/p&gt;
&lt;p&gt;
      SAINT, n. A dead sinner revised and edited.
    &lt;/p&gt;
&lt;p&gt;
      The Duchess of Orleans relates that the irreverent old calumniator,
      Marshal Villeroi, who in his youth had known St. Francis de Sales, said,
      on hearing him called saint: "I am delighted to hear that Monsieur de
      Sales is a saint. He was fond of saying indelicate things, and used to
      cheat at cards. In other respects he was a perfect gentleman, though a
      fool."
    &lt;/p&gt;
&lt;p&gt;
      SALACITY, n. A certain literary quality frequently observed in popular
      novels, especially in those written by women and young girls, who give it
      another name and think that in introducing it they are occupying a
      neglected field of letters and reaping an overlooked harvest. If they have
      the misfortune to live long enough they are tormented with a desire to
      burn their sheaves.
    &lt;/p&gt;
&lt;p&gt;
      SALAMANDER, n. Originally a reptile inhabiting fire; later, an
      anthropomorphous immortal, but still a pyrophile. Salamanders are now
      believed to be extinct, the last one of which we have an account having
      been seen in Carcassonne by the Abbe Belloc, who exorcised it with a
      bucket of holy water.
    &lt;/p&gt;
&lt;p&gt;
      SARCOPHAGUS, n. Among the Greeks a coffin which being made of a certain
      kind of carnivorous stone, had the peculiar property of devouring the body
      placed in it. The sarcophagus known to modern obsequiographers is commonly
      a product of the carpenter's art.
    &lt;/p&gt;
&lt;p&gt;
      SATAN, n. One of the Creator's lamentable mistakes, repented in sashcloth
      and axes. Being instated as an archangel, Satan made himself
      multifariously objectionable and was finally expelled from Heaven. Halfway
      in his descent he paused, bent his head in thought a moment and at last
      went back. "There is one favor that I should like to ask," said he.
    &lt;/p&gt;
&lt;p&gt;
      "Name it."
    &lt;/p&gt;
&lt;p&gt;
      "Man, I understand, is about to be created. He will need laws."
    &lt;/p&gt;
&lt;p&gt;
      "What, wretch! you his appointed adversary, charged from the dawn of
      eternity with hatred of his soul—you ask for the right to make his
      laws?"
    &lt;/p&gt;
&lt;p&gt;
      "Pardon; what I have to ask is that he be permitted to make them himself."
    &lt;/p&gt;
&lt;p&gt;
      It was so ordered.
    &lt;/p&gt;
&lt;p&gt;
      SATIETY, n. The feeling that one has for the plate after he has eaten its
      contents, madam.
    &lt;/p&gt;
&lt;p&gt;
      SATIRE, n. An obsolete kind of literary composition in which the vices and
      follies of the author's enemies were expounded with imperfect tenderness.
      In this country satire never had more than a sickly and uncertain
      existence, for the soul of it is wit, wherein we are dolefully deficient,
      the humor that we mistake for it, like all humor, being tolerant and
      sympathetic. Moreover, although Americans are "endowed by their Creator"
      with abundant vice and folly, it is not generally known that these are
      reprehensible qualities, wherefore the satirist is popularly regarded as a
      sour-spirited knave, and his ever victim's outcry for codefendants evokes
      a national assent.
    &lt;/p&gt;
&lt;pre&gt;
  Hail Satire! be thy praises ever sung
  In the dead language of a mummy's tongue,
  For thou thyself art dead, and damned as well—
  Thy spirit (usefully employed) in Hell.
  Had it been such as consecrates the Bible
  Thou hadst not perished by the law of libel.
&lt;/pre&gt;
&lt;p&gt;
      Barney Stims
    &lt;/p&gt;
&lt;p&gt;
      SATYR, n. One of the few characters of the Grecian mythology accorded
      recognition in the Hebrew. (Leviticus, xvii, 7.) The satyr was at first a
      member of the dissolute community acknowledging a loose allegiance with
      Dionysius, but underwent many transformations and improvements. Not
      infrequently he is confounded with the faun, a later and decenter creation
      of the Romans, who was less like a man and more like a goat.
    &lt;/p&gt;
&lt;p&gt;
      SAUCE, n. The one infallible sign of civilization and enlightenment. A
      people with no sauces has one thousand vices; a people with one sauce has
      only nine hundred and ninety-nine. For every sauce invented and accepted a
      vice is renounced and forgiven.
    &lt;/p&gt;
&lt;p&gt;
      SAW, n. A trite popular saying, or proverb. (Figurative and colloquial.)
      So called because it makes its way into a wooden head. Following are
      examples of old saws fitted with new teeth.
    &lt;/p&gt;
&lt;pre&gt;
      A penny saved is a penny to squander.

      A man is known by the company that he organizes.

      A bad workman quarrels with the man who calls him that.

      A bird in the hand is worth what it will bring.

      Better late than before anybody has invited you.

      Example is better than following it.

      Half a loaf is better than a whole one if there is much else.

      Think twice before you speak to a friend in need.

      What is worth doing is worth the trouble of asking somebody to do it.

      Least said is soonest disavowed.

      He laughs best who laughs least.

      Speak of the Devil and he will hear about it.

      Of two evils choose to be the least.

      Strike while your employer has a big contract.

      Where there's a will there's a won't.
&lt;/pre&gt;
&lt;p&gt;
      SCARABAEUS, n. The sacred beetle of the ancient Egyptians, allied to our
      familiar "tumble-bug." It was supposed to symbolize immortality, the fact
      that God knew why giving it its peculiar sanctity. Its habit of incubating
      its eggs in a ball of ordure may also have commended it to the favor of
      the priesthood, and may some day assure it an equal reverence among
      ourselves. True, the American beetle is an inferior beetle, but the
      American priest is an inferior priest.
    &lt;/p&gt;
&lt;p&gt;
      SCARABEE, n. The same as scarabaeus.
    &lt;/p&gt;
&lt;pre&gt;
              He fell by his own hand
                  Beneath the great oak tree.
              He'd traveled in a foreign land.
              He tried to make her understand
              The dance that's called the Saraband,
                  But he called it Scarabee.
  He had called it so through an afternoon,
      And she, the light of his harem if so might be,
      Had smiled and said naught.  O the body was fair to see,
  All frosted there in the shine o' the moon—
                      Dead for a Scarabee
  And a recollection that came too late.
                          O Fate!
                  They buried him where he lay,
                  He sleeps awaiting the Day,
                          In state,
  And two Possible Puns, moon-eyed and wan,
  Gloom over the grave and then move on.
                      Dead for a Scarabee!
                                                     Fernando Tapple
&lt;/pre&gt;
&lt;p&gt;
      SCARIFICATION, n. A form of penance practised by the mediaeval pious. The
      rite was performed, sometimes with a knife, sometimes with a hot iron, but
      always, says Arsenius Asceticus, acceptably if the penitent spared himself
      no pain nor harmless disfigurement. Scarification, with other crude
      penances, has now been superseded by benefaction. The founding of a
      library or endowment of a university is said to yield to the penitent a
      sharper and more lasting pain than is conferred by the knife or iron, and
      is therefore a surer means of grace. There are, however, two grave
      objections to it as a penitential method: the good that it does and the
      taint of justice.
    &lt;/p&gt;
&lt;p&gt;
      SCEPTER, n. A king's staff of office, the sign and symbol of his
      authority. It was originally a mace with which the sovereign admonished
      his jester and vetoed ministerial measures by breaking the bones of their
      proponents.
    &lt;/p&gt;
&lt;p&gt;
      SCIMITAR, n. A curved sword of exceeding keenness, in the conduct of which
      certain Orientals attain a surprising proficiency, as the incident here
      related will serve to show. The account is translated from the Japanese of
      Shusi Itama, a famous writer of the thirteenth century.
    &lt;/p&gt;
&lt;pre&gt;
      When the great Gichi-Kuktai was Mikado he condemned to
  decapitation Jijiji Ri, a high officer of the Court.  Soon after
  the hour appointed for performance of the rite what was his
  Majesty's surprise to see calmly approaching the throne the man
  who should have been at that time ten minutes dead!
      "Seventeen hundred impossible dragons!" shouted the enraged
  monarch.  "Did I not sentence you to stand in the market-place and
  have your head struck off by the public executioner at three
  o'clock?  And is it not now 3:10?"
      "Son of a thousand illustrious deities," answered the
  condemned minister, "all that you say is so true that the truth is
  a lie in comparison.  But your heavenly Majesty's sunny and
  vitalizing wishes have been pestilently disregarded.  With joy I
  ran and placed my unworthy body in the market-place.  The
  executioner appeared with his bare scimitar, ostentatiously
  whirled it in air, and then, tapping me lightly upon the neck,
  strode away, pelted by the populace, with whom I was ever a
  favorite.  I am come to pray for justice upon his own dishonorable
  and treasonous head."
      "To what regiment of executioners does the black-boweled
  caitiff belong?" asked the Mikado.
      "To the gallant Ninety-eight Hundred and Thirty-seventh—I
  know the man.  His name is Sakko-Samshi."
      "Let him be brought before me," said the Mikado to an
  attendant, and a half-hour later the culprit stood in the
  Presence.
      "Thou bastard son of a three-legged hunchback without thumbs!"
  roared the sovereign—"why didst thou but lightly tap the neck
  that it should have been thy pleasure to sever?"
      "Lord of Cranes and Cherry Blooms," replied the executioner,
  unmoved, "command him to blow his nose with his fingers."
      Being commanded, Jijiji Ri laid hold of his nose and trumpeted
  like an elephant, all expecting to see the severed head flung
  violently from him.  Nothing occurred:  the performance prospered
  peacefully to the close, without incident.
      All eyes were now turned on the executioner, who had grown as
  white as the snows on the summit of Fujiama.  His legs trembled
  and his breath came in gasps of terror.
      "Several kinds of spike-tailed brass lions!" he cried; "I am a
  ruined and disgraced swordsman!  I struck the villain feebly
  because in flourishing the scimitar I had accidentally passed it
  through my own neck!  Father of the Moon, I resign my office."
      So saying, he gasped his top-knot, lifted off his head, and
  advancing to the throne laid it humbly at the Mikado's feet.
&lt;/pre&gt;
&lt;p&gt;
      SCRAP-BOOK, n. A book that is commonly edited by a fool. Many persons of
      some small distinction compile scrap-books containing whatever they happen
      to read about themselves or employ others to collect. One of these
      egotists was addressed in the lines following, by Agamemnon Melancthon
      Peters:
    &lt;/p&gt;
&lt;pre&gt;
  Dear Frank, that scrap-book where you boast
      You keep a record true
  Of every kind of peppered roast
          That's made of you;

  Wherein you paste the printed gibes
      That revel round your name,
  Thinking the laughter of the scribes
          Attests your fame;

  Where all the pictures you arrange
      That comic pencils trace—
  Your funny figure and your strange
          Semitic face—

  Pray lend it me.  Wit I have not,
      Nor art, but there I'll list
  The daily drubbings you'd have got
          Had God a fist.
&lt;/pre&gt;
&lt;p&gt;
      SCRIBBLER, n. A professional writer whose views are antagonistic to one's
      own.
    &lt;/p&gt;
&lt;p&gt;
      SCRIPTURES, n. The sacred books of our holy religion, as distinguished
      from the false and profane writings on which all other faiths are based.
    &lt;/p&gt;
&lt;p&gt;
      SEAL, n. A mark impressed upon certain kinds of documents to attest their
      authenticity and authority. Sometimes it is stamped upon wax, and attached
      to the paper, sometimes into the paper itself. Sealing, in this sense, is
      a survival of an ancient custom of inscribing important papers with
      cabalistic words or signs to give them a magical efficacy independent of
      the authority that they represent. In the British museum are preserved
      many ancient papers, mostly of a sacerdotal character, validated by
      necromantic pentagrams and other devices, frequently initial letters of
      words to conjure with; and in many instances these are attached in the
      same way that seals are appended now. As nearly every reasonless and
      apparently meaningless custom, rite or observance of modern times had
      origin in some remote utility, it is pleasing to note an example of
      ancient nonsense evolving in the process of ages into something really
      useful. Our word "sincere" is derived from &lt;i&gt;sine cero&lt;/i&gt;, without wax,
      but the learned are not in agreement as to whether this refers to the
      absence of the cabalistic signs, or to that of the wax with which letters
      were formerly closed from public scrutiny. Either view of the matter will
      serve one in immediate need of an hypothesis. The initials L.S., commonly
      appended to signatures of legal documents, mean &lt;i&gt;locum sigillis&lt;/i&gt;, the
      place of the seal, although the seal is no longer used —an admirable
      example of conservatism distinguishing Man from the beasts that perish.
      The words &lt;i&gt;locum sigillis&lt;/i&gt; are humbly suggested as a suitable motto
      for the Pribyloff Islands whenever they shall take their place as a
      sovereign State of the American Union.
    &lt;/p&gt;
&lt;p&gt;
      SEINE, n. A kind of net for effecting an involuntary change of
      environment. For fish it is made strong and coarse, but women are more
      easily taken with a singularly delicate fabric weighted with small, cut
      stones.
    &lt;/p&gt;
&lt;pre&gt;
  The devil casting a seine of lace,
      (With precious stones 'twas weighted)
  Drew it into the landing place
      And its contents calculated.

  All souls of women were in that sack—
      A draft miraculous, precious!
  But ere he could throw it across his back
      They'd all escaped through the meshes.
&lt;/pre&gt;
&lt;p&gt;
      Baruch de Loppis
    &lt;/p&gt;
&lt;p&gt;
      SELF-ESTEEM, n. An erroneous appraisement.
    &lt;/p&gt;
&lt;p&gt;
      SELF-EVIDENT, adj. Evident to one's self and to nobody else.
    &lt;/p&gt;
&lt;p&gt;
      SELFISH, adj. Devoid of consideration for the selfishness of others.
    &lt;/p&gt;
&lt;p&gt;
      SENATE, n. A body of elderly gentlemen charged with high duties and
      misdemeanors.
    &lt;/p&gt;
&lt;p&gt;
      SERIAL, n. A literary work, usually a story that is not true, creeping
      through several issues of a newspaper or magazine. Frequently appended to
      each installment is a "synposis of preceding chapters" for those who have
      not read them, but a direr need is a synposis of succeeding chapters for
      those who do not intend to read &lt;i&gt;them&lt;/i&gt;. A synposis of the entire work
      would be still better.
    &lt;/p&gt;
&lt;p&gt;
      The late James F. Bowman was writing a serial tale for a weekly paper in
      collaboration with a genius whose name has not come down to us. They
      wrote, not jointly but alternately, Bowman supplying the installment for
      one week, his friend for the next, and so on, world without end, they
      hoped. Unfortunately they quarreled, and one Monday morning when Bowman
      read the paper to prepare himself for his task, he found his work cut out
      for him in a way to surprise and pain him. His collaborator had embarked
      every character of the narrative on a ship and sunk them all in the
      deepest part of the Atlantic.
    &lt;/p&gt;
&lt;p&gt;
      SEVERALTY, n. Separateness, as, lands in severalty, i.e., lands held
      individually, not in joint ownership. Certain tribes of Indians are
      believed now to be sufficiently civilized to have in severalty the lands
      that they have hitherto held as tribal organizations, and could not sell
      to the Whites for waxen beads and potato whiskey.
    &lt;/p&gt;
&lt;pre&gt;
  Lo! the poor Indian whose unsuited mind
  Saw death before, hell and the grave behind;
  Whom thrifty settler ne'er besought to stay—
  His small belongings their appointed prey;
  Whom Dispossession, with alluring wile,
  Persuaded elsewhere every little while!
  His fire unquenched and his undying worm
  By "land in severalty" (charming term!)
  Are cooled and killed, respectively, at last,
  And he to his new holding anchored fast!
&lt;/pre&gt;
&lt;p&gt;
      SHERIFF, n. In America the chief executive officer of a county, whose most
      characteristic duties, in some of the Western and Southern States, are the
      catching and hanging of rogues.
    &lt;/p&gt;
&lt;pre&gt;
  John Elmer Pettibone Cajee
  (I write of him with little glee)
  Was just as bad as he could be.

  'Twas frequently remarked:  "I swon!
  The sun has never looked upon
  So bad a man as Neighbor John."

  A sinner through and through, he had
  This added fault:  it made him mad
  To know another man was bad.

  In such a case he thought it right
  To rise at any hour of night
  And quench that wicked person's light.

  Despite the town's entreaties, he
  Would hale him to the nearest tree
  And leave him swinging wide and free.

  Or sometimes, if the humor came,
  A luckless wight's reluctant frame
  Was given to the cheerful flame.

  While it was turning nice and brown,
  All unconcerned John met the frown
  Of that austere and righteous town.

  "How sad," his neighbors said, "that he
  So scornful of the law should be—
  An anar c, h, i, s, t."

  (That is the way that they preferred
  To utter the abhorrent word,
  So strong the aversion that it stirred.)

  "Resolved," they said, continuing,
  "That Badman John must cease this thing
  Of having his unlawful fling.

  "Now, by these sacred relics"—here
  Each man had out a souvenir
  Got at a lynching yesteryear—

  "By these we swear he shall forsake
  His ways, nor cause our hearts to ache
  By sins of rope and torch and stake.

  "We'll tie his red right hand until
  He'll have small freedom to fulfil
  The mandates of his lawless will."

  So, in convention then and there,
  They named him Sheriff.  The affair
  Was opened, it is said, with prayer.
&lt;/pre&gt;
&lt;p&gt;
      J. Milton Sloluck
    &lt;/p&gt;
&lt;p&gt;
      SIREN, n. One of several musical prodigies famous for a vain attempt to
      dissuade Odysseus from a life on the ocean wave. Figuratively, any lady of
      splendid promise, dissembled purpose and disappointing performance.
    &lt;/p&gt;
&lt;p&gt;
      SLANG, n. The grunt of the human hog (&lt;i&gt;Pignoramus intolerabilis&lt;/i&gt;)
      with an audible memory. The speech of one who utters with his tongue what
      he thinks with his ear, and feels the pride of a creator in accomplishing
      the feat of a parrot. A means (under Providence) of setting up as a wit
      without a capital of sense.
    &lt;/p&gt;
&lt;p&gt;
      SMITHAREEN, n. A fragment, a decomponent part, a remain. The word is used
      variously, but in the following verse on a noted female reformer who
      opposed bicycle-riding by women because it "led them to the devil" it is
      seen at its best:
    &lt;/p&gt;
&lt;pre&gt;
  The wheels go round without a sound—
      The maidens hold high revel;
  In sinful mood, insanely gay,
  True spinsters spin adown the way
      From duty to the devil!
  They laugh, they sing, and—ting-a-ling!
      Their bells go all the morning;
  Their lanterns bright bestar the night
      Pedestrians a-warning.
  With lifted hands Miss Charlotte stands,
      Good-Lording and O-mying,
  Her rheumatism forgotten quite,
      Her fat with anger frying.
  She blocks the path that leads to wrath,
      Jack Satan's power defying.
  The wheels go round without a sound
      The lights burn red and blue and green.
  What's this that's found upon the ground?
      Poor Charlotte Smith's a smithareen!
&lt;/pre&gt;
&lt;p&gt;
      John William Yope
    &lt;/p&gt;
&lt;p&gt;
      SOPHISTRY, n. The controversial method of an opponent, distinguished from
      one's own by superior insincerity and fooling. This method is that of the
      later Sophists, a Grecian sect of philosophers who began by teaching
      wisdom, prudence, science, art and, in brief, whatever men ought to know,
      but lost themselves in a maze of quibbles and a fog of words.
    &lt;/p&gt;
&lt;pre&gt;
  His bad opponent's "facts" he sweeps away,
  And drags his sophistry to light of day;
  Then swears they're pushed to madness who resort
  To falsehood of so desperate a sort.
  Not so; like sods upon a dead man's breast,
  He lies most lightly who the least is pressed.
&lt;/pre&gt;
&lt;p&gt;
      Polydore Smith
    &lt;/p&gt;
&lt;p&gt;
      SORCERY, n. The ancient prototype and forerunner of political influence.
      It was, however, deemed less respectable and sometimes was punished by
      torture and death. Augustine Nicholas relates that a poor peasant who had
      been accused of sorcery was put to the torture to compel a confession.
      After enduring a few gentle agonies the suffering simpleton admitted his
      guilt, but naively asked his tormentors if it were not possible to be a
      sorcerer without knowing it.
    &lt;/p&gt;
&lt;p&gt;
      SOUL, n. A spiritual entity concerning which there hath been brave
      disputation. Plato held that those souls which in a previous state of
      existence (antedating Athens) had obtained the clearest glimpses of
      eternal truth entered into the bodies of persons who became philosophers.
      Plato himself was a philosopher. The souls that had least contemplated
      divine truth animated the bodies of usurpers and despots. Dionysius I, who
      had threatened to decapitate the broad-browed philosopher, was a usurper
      and a despot. Plato, doubtless, was not the first to construct a system of
      philosophy that could be quoted against his enemies; certainly he was not
      the last.
    &lt;/p&gt;
&lt;p&gt;
      "Concerning the nature of the soul," saith the renowned author of &lt;i&gt;Diversiones
      Sanctorum&lt;/i&gt;, "there hath been hardly more argument than that of its
      place in the body. Mine own belief is that the soul hath her seat in the
      abdomen—in which faith we may discern and interpret a truth hitherto
      unintelligible, namely that the glutton is of all men most devout. He is
      said in the Scripture to 'make a god of his belly' —why, then,
      should he not be pious, having ever his Deity with him to freshen his
      faith? Who so well as he can know the might and majesty that he shrines?
      Truly and soberly, the soul and the stomach are one Divine Entity; and
      such was the belief of Promasius, who nevertheless erred in denying it
      immortality. He had observed that its visible and material substance
      failed and decayed with the rest of the body after death, but of its
      immaterial essence he knew nothing. This is what we call the Appetite, and
      it survives the wreck and reek of mortality, to be rewarded or punished in
      another world, according to what it hath demanded in the flesh. The
      Appetite whose coarse clamoring was for the unwholesome viands of the
      general market and the public refectory shall be cast into eternal famine,
      whilst that which firmly though civilly insisted on ortolans, caviare,
      terrapin, anchovies, &lt;i&gt;pates de foie gras&lt;/i&gt; and all such Christian
      comestibles shall flesh its spiritual tooth in the souls of them forever
      and ever, and wreak its divine thirst upon the immortal parts of the
      rarest and richest wines ever quaffed here below. Such is my religious
      faith, though I grieve to confess that neither His Holiness the Pope nor
      His Grace the Archbishop of Canterbury (whom I equally and profoundly
      revere) will assent to its dissemination."
    &lt;/p&gt;
&lt;p&gt;
      SPOOKER, n. A writer whose imagination concerns itself with supernatural
      phenomena, especially in the doings of spooks. One of the most illustrious
      spookers of our time is Mr. William D. Howells, who introduces a
      well-credentialed reader to as respectable and mannerly a company of
      spooks as one could wish to meet. To the terror that invests the chairman
      of a district school board, the Howells ghost adds something of the
      mystery enveloping a farmer from another township.
    &lt;/p&gt;
&lt;p&gt;
      STORY, n. A narrative, commonly untrue. The truth of the stories here
      following has, however, not been successfully impeached.
    &lt;/p&gt;
&lt;p&gt;
      One evening Mr. Rudolph Block, of New York, found himself seated at dinner
      alongside Mr. Percival Pollard, the distinguished critic.
    &lt;/p&gt;
&lt;p&gt;
      "Mr. Pollard," said he, "my book, &lt;i&gt;The Biography of a Dead Cow&lt;/i&gt;, is
      published anonymously, but you can hardly be ignorant of its authorship.
      Yet in reviewing it you speak of it as the work of the Idiot of the
      Century. Do you think that fair criticism?"
    &lt;/p&gt;
&lt;p&gt;
      "I am very sorry, sir," replied the critic, amiably, "but it did not occur
      to me that you really might not wish the public to know who wrote it."
    &lt;/p&gt;
&lt;p&gt;
      Mr. W.C. Morrow, who used to live in San Jose, California, was addicted to
      writing ghost stories which made the reader feel as if a stream of
      lizards, fresh from the ice, were streaking it up his back and hiding in
      his hair. San Jose was at that time believed to be haunted by the visible
      spirit of a noted bandit named Vasquez, who had been hanged there. The
      town was not very well lighted, and it is putting it mildly to say that
      San Jose was reluctant to be out o' nights. One particularly dark night
      two gentlemen were abroad in the loneliest spot within the city limits,
      talking loudly to keep up their courage, when they came upon Mr. J.J.
      Owen, a well-known journalist.
    &lt;/p&gt;
&lt;p&gt;
      "Why, Owen," said one, "what brings you here on such a night as this? You
      told me that this is one of Vasquez' favorite haunts! And you are a
      believer. Aren't you afraid to be out?"
    &lt;/p&gt;
&lt;p&gt;
      "My dear fellow," the journalist replied with a drear autumnal cadence in
      his speech, like the moan of a leaf-laden wind, "I am afraid to be in. I
      have one of Will Morrow's stories in my pocket and I don't dare to go
      where there is light enough to read it."
    &lt;/p&gt;
&lt;p&gt;
      Rear-Admiral Schley and Representative Charles F. Joy were standing near
      the Peace Monument, in Washington, discussing the question, Is success a
      failure? Mr. Joy suddenly broke off in the middle of an eloquent sentence,
      exclaiming: "Hello! I've heard that band before. Santlemann's, I think."
    &lt;/p&gt;
&lt;p&gt;
      "I don't hear any band," said Schley.
    &lt;/p&gt;
&lt;p&gt;
      "Come to think, I don't either," said Joy; "but I see General Miles coming
      down the avenue, and that pageant always affects me in the same way as a
      brass band. One has to scrutinize one's impressions pretty closely, or one
      will mistake their origin."
    &lt;/p&gt;
&lt;p&gt;
      While the Admiral was digesting this hasty meal of philosophy General
      Miles passed in review, a spectacle of impressive dignity. When the tail
      of the seeming procession had passed and the two observers had recovered
      from the transient blindness caused by its effulgence—
    &lt;/p&gt;
&lt;p&gt;
      "He seems to be enjoying himself," said the Admiral.
    &lt;/p&gt;
&lt;p&gt;
      "There is nothing," assented Joy, thoughtfully, "that he enjoys one-half
      so well."
    &lt;/p&gt;
&lt;p&gt;
      The illustrious statesman, Champ Clark, once lived about a mile from the
      village of Jebigue, in Missouri. One day he rode into town on a favorite
      mule, and, hitching the beast on the sunny side of a street, in front of a
      saloon, he went inside in his character of teetotaler, to apprise the
      barkeeper that wine is a mocker. It was a dreadfully hot day. Pretty soon
      a neighbor came in and seeing Clark, said:
    &lt;/p&gt;
&lt;p&gt;
      "Champ, it is not right to leave that mule out there in the sun. He'll
      roast, sure!—he was smoking as I passed him."
    &lt;/p&gt;
&lt;p&gt;
      "O, he's all right," said Clark, lightly; "he's an inveterate smoker."
    &lt;/p&gt;
&lt;p&gt;
      The neighbor took a lemonade, but shook his head and repeated that it was
      not right.
    &lt;/p&gt;
&lt;p&gt;
      He was a conspirator. There had been a fire the night before: a stable
      just around the corner had burned and a number of horses had put on their
      immortality, among them a young colt, which was roasted to a rich
      nut-brown. Some of the boys had turned Mr. Clark's mule loose and
      substituted the mortal part of the colt. Presently another man entered the
      saloon.
    &lt;/p&gt;
&lt;p&gt;
      "For mercy's sake!" he said, taking it with sugar, "do remove that mule,
      barkeeper: it smells."
    &lt;/p&gt;
&lt;p&gt;
      "Yes," interposed Clark, "that animal has the best nose in Missouri. But
      if he doesn't mind, you shouldn't."
    &lt;/p&gt;
&lt;p&gt;
      In the course of human events Mr. Clark went out, and there, apparently,
      lay the incinerated and shrunken remains of his charger. The boys did not
      have any fun out of Mr. Clarke, who looked at the body and, with the
      non-committal expression to which he owes so much of his political
      preferment, went away. But walking home late that night he saw his mule
      standing silent and solemn by the wayside in the misty moonlight.
      Mentioning the name of Helen Blazes with uncommon emphasis, Mr. Clark took
      the back track as hard as ever he could hook it, and passed the night in
      town.
    &lt;/p&gt;
&lt;p&gt;
      General H.H. Wotherspoon, president of the Army War College, has a pet
      rib-nosed baboon, an animal of uncommon intelligence but imperfectly
      beautiful. Returning to his apartment one evening, the General was
      surprised and pained to find Adam (for so the creature is named, the
      general being a Darwinian) sitting up for him and wearing his master's
      best uniform coat, epaulettes and all.
    &lt;/p&gt;
&lt;p&gt;
      "You confounded remote ancestor!" thundered the great strategist, "what do
      you mean by being out of bed after naps?—and with my coat on!"
    &lt;/p&gt;
&lt;p&gt;
      Adam rose and with a reproachful look got down on all fours in the manner
      of his kind and, scuffling across the room to a table, returned with a
      visiting-card: General Barry had called and, judging by an empty champagne
      bottle and several cigar-stumps, had been hospitably entertained while
      waiting. The general apologized to his faithful progenitor and retired.
      The next day he met General Barry, who said:
    &lt;/p&gt;
&lt;p&gt;
      "Spoon, old man, when leaving you last evening I forgot to ask you about
      those excellent cigars. Where did you get them?"
    &lt;/p&gt;
&lt;p&gt;
      General Wotherspoon did not deign to reply, but walked away.
    &lt;/p&gt;
&lt;p&gt;
      "Pardon me, please," said Barry, moving after him; "I was joking of
      course. Why, I knew it was not you before I had been in the room fifteen
      minutes."
    &lt;/p&gt;
&lt;p&gt;
      SUCCESS, n. The one unpardonable sin against one's fellows. In literature,
      and particularly in poetry, the elements of success are exceedingly
      simple, and are admirably set forth in the following lines by the reverend
      Father Gassalasca Jape, entitled, for some mysterious reason, "John A.
      Joyce."
    &lt;/p&gt;
&lt;pre&gt;
  The bard who would prosper must carry a book,
      Do his thinking in prose and wear
  A crimson cravat, a far-away look
      And a head of hexameter hair.
  Be thin in your thought and your body'll be fat;
  If you wear your hair long you needn't your hat.
&lt;/pre&gt;
&lt;p&gt;
      SUFFRAGE, n. Expression of opinion by means of a ballot. The right of
      suffrage (which is held to be both a privilege and a duty) means, as
      commonly interpreted, the right to vote for the man of another man's
      choice, and is highly prized. Refusal to do so has the bad name of
      "incivism." The incivilian, however, cannot be properly arraigned for his
      crime, for there is no legitimate accuser. If the accuser is himself
      guilty he has no standing in the court of opinion; if not, he profits by
      the crime, for A's abstention from voting gives greater weight to the vote
      of B. By female suffrage is meant the right of a woman to vote as some man
      tells her to. It is based on female responsibility, which is somewhat
      limited. The woman most eager to jump out of her petticoat to assert her
      rights is first to jump back into it when threatened with a switching for
      misusing them.
    &lt;/p&gt;
&lt;p&gt;
      SYCOPHANT, n. One who approaches Greatness on his belly so that he may not
      be commanded to turn and be kicked. He is sometimes an editor.
    &lt;/p&gt;
&lt;pre&gt;
  As the lean leech, its victim found, is pleased
  To fix itself upon a part diseased
  Till, its black hide distended with bad blood,
  It drops to die of surfeit in the mud,
  So the base sycophant with joy descries
  His neighbor's weak spot and his mouth applies,
  Gorges and prospers like the leech, although,
  Unlike that reptile, he will not let go.
  Gelasma, if it paid you to devote
  Your talent to the service of a goat,
  Showing by forceful logic that its beard
  Is more than Aaron's fit to be revered;
  If to the task of honoring its smell
  Profit had prompted you, and love as well,
  The world would benefit at last by you
  And wealthy malefactors weep anew—
  Your favor for a moment's space denied
  And to the nobler object turned aside.
  Is't not enough that thrifty millionaires
  Who loot in freight and spoliate in fares,
  Or, cursed with consciences that bid them fly
  To safer villainies of darker dye,
  Forswearing robbery and fain, instead,
  To steal (they call it "cornering") our bread
  May see you groveling their boots to lick
  And begging for the favor of a kick?
  Still must you follow to the bitter end
  Your sycophantic disposition's trend,
  And in your eagerness to please the rich
  Hunt hungry sinners to their final ditch?
  In Morgan's praise you smite the sounding wire,
  And sing hosannas to great Havemeyer!
  What's Satan done that him you should eschew?
  He too is reeking rich—deducting &lt;i&gt;you&lt;/i&gt;.
&lt;/pre&gt;
&lt;p&gt;
      SYLLOGISM, n. A logical formula consisting of a major and a minor
      assumption and an inconsequent. (See LOGIC.)
    &lt;/p&gt;
&lt;p&gt;
      SYLPH, n. An immaterial but visible being that inhabited the air when the
      air was an element and before it was fatally polluted with factory smoke,
      sewer gas and similar products of civilization. Sylphs were allied to
      gnomes, nymphs and salamanders, which dwelt, respectively, in earth, water
      and fire, all now insalubrious. Sylphs, like fowls of the air, were male
      and female, to no purpose, apparently, for if they had progeny they must
      have nested in inaccessible places, none of the chicks having ever been
      seen.
    &lt;/p&gt;
&lt;p&gt;
      SYMBOL, n. Something that is supposed to typify or stand for something
      else. Many symbols are mere "survivals"—things which having no
      longer any utility continue to exist because we have inherited the
      tendency to make them; as funereal urns carved on memorial monuments. They
      were once real urns holding the ashes of the dead. We cannot stop making
      them, but we can give them a name that conceals our helplessness.
    &lt;/p&gt;
&lt;p&gt;
      SYMBOLIC, adj. Pertaining to symbols and the use and interpretation of
      symbols.
    &lt;/p&gt;
&lt;pre&gt;
  They say 'tis conscience feels compunction;
  I hold that that's the stomach's function,
  For of the sinner I have noted
  That when he's sinned he's somewhat bloated,
  Or ill some other ghastly fashion
  Within that bowel of compassion.
  True, I believe the only sinner
  Is he that eats a shabby dinner.
  You know how Adam with good reason,
  For eating apples out of season,
  Was "cursed."  But that is all symbolic:
  The truth is, Adam had the colic.
&lt;/pre&gt;
&lt;p&gt;
      G.J.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0022"&gt;&lt;/a&gt;
      T
    &lt;/h2&gt;
&lt;p&gt;
      T, the twentieth letter of the English alphabet, was by the Greeks
      absurdly called &lt;i&gt;tau&lt;/i&gt;. In the alphabet whence ours comes it had the
      form of the rude corkscrew of the period, and when it stood alone (which
      was more than the Phoenicians could always do) signified &lt;i&gt;Tallegal&lt;/i&gt;,
      translated by the learned Dr. Brownrigg, "tanglefoot."
    &lt;/p&gt;
&lt;p&gt;
      TABLE D'HOTE, n. A caterer's thrifty concession to the universal passion
      for irresponsibility.
    &lt;/p&gt;
&lt;pre&gt;
  Old Paunchinello, freshly wed,
      Took Madam P. to table,
  And there deliriously fed
      As fast as he was able.

  "I dote upon good grub," he cried,
      Intent upon its throatage.
  "Ah, yes," said the neglected bride,
      "You're in your &lt;i&gt;table d'hotage&lt;/i&gt;."
&lt;/pre&gt;
&lt;p&gt;
      Associated Poets
    &lt;/p&gt;
&lt;p&gt;
      TAIL, n. The part of an animal's spine that has transcended its natural
      limitations to set up an independent existence in a world of its own.
      Excepting in its foetal state, Man is without a tail, a privation of which
      he attests an hereditary and uneasy consciousness by the coat-skirt of the
      male and the train of the female, and by a marked tendency to ornament
      that part of his attire where the tail should be, and indubitably once
      was. This tendency is most observable in the female of the species, in
      whom the ancestral sense is strong and persistent. The tailed men
      described by Lord Monboddo are now generally regarded as a product of an
      imagination unusually susceptible to influences generated in the golden
      age of our pithecan past.
    &lt;/p&gt;
&lt;p&gt;
      TAKE, v.t. To acquire, frequently by force but preferably by stealth.
    &lt;/p&gt;
&lt;p&gt;
      TALK, v.t. To commit an indiscretion without temptation, from an impulse
      without purpose.
    &lt;/p&gt;
&lt;p&gt;
      TARIFF, n. A scale of taxes on imports, designed to protect the domestic
      producer against the greed of his consumer.
    &lt;/p&gt;
&lt;pre&gt;
  The Enemy of Human Souls
  Sat grieving at the cost of coals;
  For Hell had been annexed of late,
  And was a sovereign Southern State.

  "It were no more than right," said he,
  "That I should get my fuel free.
  The duty, neither just nor wise,
  Compels me to economize—
  Whereby my broilers, every one,
  Are execrably underdone.
  What would they have?—although I yearn
  To do them nicely to a turn,
  I can't afford an honest heat.
  This tariff makes even devils cheat!
  I'm ruined, and my humble trade
  All rascals may at will invade:
  Beneath my nose the public press
  Outdoes me in sulphureousness;
  The bar ingeniously applies
  To my undoing my own lies;
  My medicines the doctors use
  (Albeit vainly) to refuse
  To me my fair and rightful prey
  And keep their own in shape to pay;
  The preachers by example teach
  What, scorning to perform, I teach;
  And statesmen, aping me, all make
  More promises than they can break.
  Against such competition I
  Lift up a disregarded cry.
  Since all ignore my just complaint,
  By Hokey-Pokey!  I'll turn saint!"
  Now, the Republicans, who all
  Are saints, began at once to bawl
  Against &lt;i&gt;his&lt;/i&gt; competition; so
  There was a devil of a go!
  They locked horns with him, tete-a-tete
  In acrimonious debate,
  Till Democrats, forlorn and lone,
  Had hopes of coming by their own.
  That evil to avert, in haste
  The two belligerents embraced;
  But since 'twere wicked to relax
  A tittle of the Sacred Tax,
  'Twas finally agreed to grant
  The bold Insurgent-protestant
  A bounty on each soul that fell
  Into his ineffectual Hell.
&lt;/pre&gt;
&lt;p&gt;
      Edam Smith
    &lt;/p&gt;
&lt;p&gt;
      TECHNICALITY, n. In an English court a man named Home was tried for
      slander in having accused his neighbor of murder. His exact words were:
      "Sir Thomas Holt hath taken a cleaver and stricken his cook upon the head,
      so that one side of the head fell upon one shoulder and the other side
      upon the other shoulder." The defendant was acquitted by instruction of
      the court, the learned judges holding that the words did not charge
      murder, for they did not affirm the death of the cook, that being only an
      inference.
    &lt;/p&gt;
&lt;p&gt;
      TEDIUM, n. Ennui, the state or condition of one that is bored. Many
      fanciful derivations of the word have been affirmed, but so high an
      authority as Father Jape says that it comes from a very obvious source—the
      first words of the ancient Latin hymn &lt;i&gt;Te Deum Laudamus&lt;/i&gt;. In this
      apparently natural derivation there is something that saddens.
    &lt;/p&gt;
&lt;p&gt;
      TEETOTALER, n. One who abstains from strong drink, sometimes totally,
      sometimes tolerably totally.
    &lt;/p&gt;
&lt;p&gt;
      TELEPHONE, n. An invention of the devil which abrogates some of the
      advantages of making a disagreeable person keep his distance.
    &lt;/p&gt;
&lt;p&gt;
      TELESCOPE, n. A device having a relation to the eye similar to that of the
      telephone to the ear, enabling distant objects to plague us with a
      multitude of needless details. Luckily it is unprovided with a bell
      summoning us to the sacrifice.
    &lt;/p&gt;
&lt;p&gt;
      TENACITY, n. A certain quality of the human hand in its relation to the
      coin of the realm. It attains its highest development in the hand of
      authority and is considered a serviceable equipment for a career in
      politics. The following illustrative lines were written of a Californian
      gentleman in high political preferment, who has passed to his accounting:
    &lt;/p&gt;
&lt;pre&gt;
  Of such tenacity his grip
  That nothing from his hand can slip.
  Well-buttered eels you may o'erwhelm
  In tubs of liquid slippery-elm
  In vain—from his detaining pinch
  They cannot struggle half an inch!
  'Tis lucky that he so is planned
  That breath he draws not with his hand,
  For if he did, so great his greed
  He'd draw his last with eager speed.
  Nay, that were well, you say.  Not so
  He'd draw but never let it go!
&lt;/pre&gt;
&lt;p&gt;
      THEOSOPHY, n. An ancient faith having all the certitude of religion and
      all the mystery of science. The modern Theosophist holds, with the
      Buddhists, that we live an incalculable number of times on this earth, in
      as many several bodies, because one life is not long enough for our
      complete spiritual development; that is, a single lifetime does not
      suffice for us to become as wise and good as we choose to wish to become.
      To be absolutely wise and good—that is perfection; and the
      Theosophist is so keen-sighted as to have observed that everything
      desirous of improvement eventually attains perfection. Less competent
      observers are disposed to except cats, which seem neither wiser nor better
      than they were last year. The greatest and fattest of recent Theosophists
      was the late Madame Blavatsky, who had no cat.
    &lt;/p&gt;
&lt;p&gt;
      TIGHTS, n. An habiliment of the stage designed to reinforce the general
      acclamation of the press agent with a particular publicity. Public
      attention was once somewhat diverted from this garment to Miss Lillian
      Russell's refusal to wear it, and many were the conjectures as to her
      motive, the guess of Miss Pauline Hall showing a high order of ingenuity
      and sustained reflection. It was Miss Hall's belief that nature had not
      endowed Miss Russell with beautiful legs. This theory was impossible of
      acceptance by the male understanding, but the conception of a faulty
      female leg was of so prodigious originality as to rank among the most
      brilliant feats of philosophical speculation! It is strange that in all
      the controversy regarding Miss Russell's aversion to tights no one seems
      to have thought to ascribe it to what was known among the ancients as
      "modesty." The nature of that sentiment is now imperfectly understood, and
      possibly incapable of exposition with the vocabulary that remains to us.
      The study of lost arts has, however, been recently revived and some of the
      arts themselves recovered. This is an epoch of &lt;i&gt;renaissances&lt;/i&gt;, and
      there is ground for hope that the primitive "blush" may be dragged from
      its hiding-place amongst the tombs of antiquity and hissed on to the
      stage.
    &lt;/p&gt;
&lt;p&gt;
      TOMB, n. The House of Indifference. Tombs are now by common consent
      invested with a certain sanctity, but when they have been long tenanted it
      is considered no sin to break them open and rifle them, the famous
      Egyptologist, Dr. Huggyns, explaining that a tomb may be innocently
      "glened" as soon as its occupant is done "smellynge," the soul being then
      all exhaled. This reasonable view is now generally accepted by
      archaeologists, whereby the noble science of Curiosity has been greatly
      dignified.
    &lt;/p&gt;
&lt;p&gt;
      TOPE, v. To tipple, booze, swill, soak, guzzle, lush, bib, or swig. In the
      individual, toping is regarded with disesteem, but toping nations are in
      the forefront of civilization and power. When pitted against the
      hard-drinking Christians the abstemious Mahometans go down like grass
      before the scythe. In India one hundred thousand beef-eating and
      brandy-and-soda guzzling Britons hold in subjection two hundred and fifty
      million vegetarian abstainers of the same Aryan race. With what an easy
      grace the whisky-loving American pushed the temperate Spaniard out of his
      possessions! From the time when the Berserkers ravaged all the coasts of
      western Europe and lay drunk in every conquered port it has been the same
      way: everywhere the nations that drink too much are observed to fight
      rather well and not too righteously. Wherefore the estimable old ladies
      who abolished the canteen from the American army may justly boast of
      having materially augmented the nation's military power.
    &lt;/p&gt;
&lt;p&gt;
      TORTOISE, n. A creature thoughtfully created to supply occasion for the
      following lines by the illustrious Ambat Delaso:
    &lt;/p&gt;
&lt;p&gt;
      TO MY PET TORTOISE
    &lt;/p&gt;
&lt;pre&gt;
  My friend, you are not graceful—not at all;
  Your gait's between a stagger and a sprawl.

  Nor are you beautiful:  your head's a snake's
  To look at, and I do not doubt it aches.

  As to your feet, they'd make an angel weep.
  'Tis true you take them in whene'er you sleep.

  No, you're not pretty, but you have, I own,
  A certain firmness—mostly you're backbone.

  Firmness and strength (you have a giant's thews)
  Are virtues that the great know how to use—

  I wish that they did not; yet, on the whole,
  You lack—excuse my mentioning it—Soul.

  So, to be candid, unreserved and true,
  I'd rather you were I than I were you.

  Perhaps, however, in a time to be,
  When Man's extinct, a better world may see

  Your progeny in power and control,
  Due to the genesis and growth of Soul.

  So I salute you as a reptile grand
  Predestined to regenerate the land.

  Father of Possibilities, O deign
  To accept the homage of a dying reign!

  In the far region of the unforeknown
  I dream a tortoise upon every throne.

  I see an Emperor his head withdraw
  Into his carapace for fear of Law;

  A King who carries something else than fat,
  Howe'er acceptably he carries that;

  A President not strenuously bent
  On punishment of audible dissent—

  Who never shot (it were a vain attack)
  An armed or unarmed tortoise in the back;

  Subject and citizens that feel no need
  To make the March of Mind a wild stampede;

  All progress slow, contemplative, sedate,
  And "Take your time" the word, in Church and State.

  O Tortoise, 'tis a happy, happy dream,
  My glorious testudinous regime!

  I wish in Eden you'd brought this about
  By slouching in and chasing Adam out.
&lt;/pre&gt;
&lt;p&gt;
      TREE, n. A tall vegetable intended by nature to serve as a penal
      apparatus, though through a miscarriage of justice most trees bear only a
      negligible fruit, or none at all. When naturally fruited, the tree is a
      beneficient agency of civilization and an important factor in public
      morals. In the stern West and the sensitive South its fruit (white and
      black respectively) though not eaten, is agreeable to the public taste
      and, though not exported, profitable to the general welfare. That the
      legitimate relation of the tree to justice was no discovery of Judge Lynch
      (who, indeed, conceded it no primacy over the lamp-post and the
      bridge-girder) is made plain by the following passage from Morryster, who
      antedated him by two centuries:
    &lt;/p&gt;
&lt;pre&gt;
      While in yt londe I was carried to see ye Ghogo tree, whereof
  I had hearde moch talk; but sayynge yt I saw naught remarkabyll in
  it, ye hed manne of ye villayge where it grewe made answer as
  followeth:
      "Ye tree is not nowe in fruite, but in his seasonne you shall
  see dependynge fr. his braunches all soch as have affroynted ye
  King his Majesty."
      And I was furder tolde yt ye worde "Ghogo" sygnifyeth in yr
  tong ye same as "rapscal" in our owne.
&lt;/pre&gt;
&lt;p&gt;
&lt;i&gt;Trauvells in ye Easte&lt;/i&gt;
&lt;/p&gt;
&lt;p&gt;
      TRIAL, n. A formal inquiry designed to prove and put upon record the
      blameless characters of judges, advocates and jurors. In order to effect
      this purpose it is necessary to supply a contrast in the person of one who
      is called the defendant, the prisoner, or the accused. If the contrast is
      made sufficiently clear this person is made to undergo such an affliction
      as will give the virtuous gentlemen a comfortable sense of their immunity,
      added to that of their worth. In our day the accused is usually a human
      being, or a socialist, but in mediaeval times, animals, fishes, reptiles
      and insects were brought to trial. A beast that had taken human life, or
      practiced sorcery, was duly arrested, tried and, if condemned, put to
      death by the public executioner. Insects ravaging grain fields, orchards
      or vineyards were cited to appeal by counsel before a civil tribunal, and
      after testimony, argument and condemnation, if they continued &lt;i&gt;in
      contumaciam&lt;/i&gt; the matter was taken to a high ecclesiastical court, where
      they were solemnly excommunicated and anathematized. In a street of
      Toledo, some pigs that had wickedly run between the viceroy's legs,
      upsetting him, were arrested on a warrant, tried and punished. In Naples
      an ass was condemned to be burned at the stake, but the sentence appears
      not to have been executed. D'Addosio relates from the court records many
      trials of pigs, bulls, horses, cocks, dogs, goats, etc., greatly, it is
      believed, to the betterment of their conduct and morals. In 1451 a suit
      was brought against the leeches infesting some ponds about Berne, and the
      Bishop of Lausanne, instructed by the faculty of Heidelberg University,
      directed that some of "the aquatic worms" be brought before the local
      magistracy. This was done and the leeches, both present and absent, were
      ordered to leave the places that they had infested within three days on
      pain of incurring "the malediction of God." In the voluminous records of
      this &lt;i&gt;cause celebre&lt;/i&gt; nothing is found to show whether the offenders
      braved the punishment, or departed forthwith out of that inhospitable
      jurisdiction.
    &lt;/p&gt;
&lt;p&gt;
      TRICHINOSIS, n. The pig's reply to proponents of porcophagy.
    &lt;/p&gt;
&lt;p&gt;
      Moses Mendlessohn having fallen ill sent for a Christian physician, who at
      once diagnosed the philosopher's disorder as trichinosis, but tactfully
      gave it another name. "You need an immediate change of diet," he said;
      "you must eat six ounces of pork every other day."
    &lt;/p&gt;
&lt;p&gt;
      "Pork?" shrieked the patient—"pork? Nothing shall induce me to touch
      it!"
    &lt;/p&gt;
&lt;p&gt;
      "Do you mean that?" the doctor gravely asked.
    &lt;/p&gt;
&lt;p&gt;
      "I swear it!"
    &lt;/p&gt;
&lt;p&gt;
      "Good!—then I will undertake to cure you."
    &lt;/p&gt;
&lt;p&gt;
      TRINITY, n. In the multiplex theism of certain Christian churches, three
      entirely distinct deities consistent with only one. Subordinate deities of
      the polytheistic faith, such as devils and angels, are not dowered with
      the power of combination, and must urge individually their claims to
      adoration and propitiation. The Trinity is one of the most sublime
      mysteries of our holy religion. In rejecting it because it is
      incomprehensible, Unitarians betray their inadequate sense of theological
      fundamentals. In religion we believe only what we do not understand,
      except in the instance of an intelligible doctrine that contradicts an
      incomprehensible one. In that case we believe the former as a part of the
      latter.
    &lt;/p&gt;
&lt;p&gt;
      TROGLODYTE, n. Specifically, a cave-dweller of the paleolithic period,
      after the Tree and before the Flat. A famous community of troglodytes
      dwelt with David in the Cave of Adullam. The colony consisted of "every
      one that was in distress, and every one that was in debt, and every one
      that was discontented"—in brief, all the Socialists of Judah.
    &lt;/p&gt;
&lt;p&gt;
      TRUCE, n. Friendship.
    &lt;/p&gt;
&lt;p&gt;
      TRUTH, n. An ingenious compound of desirability and appearance. Discovery
      of truth is the sole purpose of philosophy, which is the most ancient
      occupation of the human mind and has a fair prospect of existing with
      increasing activity to the end of time.
    &lt;/p&gt;
&lt;p&gt;
      TRUTHFUL, adj. Dumb and illiterate.
    &lt;/p&gt;
&lt;p&gt;
      TRUST, n. In American politics, a large corporation composed in greater
      part of thrifty working men, widows of small means, orphans in the care of
      guardians and the courts, with many similar malefactors and public
      enemies.
    &lt;/p&gt;
&lt;p&gt;
      TURKEY, n. A large bird whose flesh when eaten on certain religious
      anniversaries has the peculiar property of attesting piety and gratitude.
      Incidentally, it is pretty good eating.
    &lt;/p&gt;
&lt;p&gt;
      TWICE, adv. Once too often.
    &lt;/p&gt;
&lt;p&gt;
      TYPE, n. Pestilent bits of metal suspected of destroying civilization and
      enlightenment, despite their obvious agency in this incomparable
      dictionary.
    &lt;/p&gt;
&lt;p&gt;
      TZETZE (or TSETSE) FLY, n. An African insect (&lt;i&gt;Glossina morsitans&lt;/i&gt;)
      whose bite is commonly regarded as nature's most efficacious remedy for
      insomnia, though some patients prefer that of the American novelist (&lt;i&gt;Mendax
      interminabilis&lt;/i&gt;).
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0023"&gt;&lt;/a&gt;
      U
    &lt;/h2&gt;
&lt;p&gt;
      UBIQUITY, n. The gift or power of being in all places at one time, but not
      in all places at all times, which is omnipresence, an attribute of God and
      the luminiferous ether only. This important distinction between ubiquity
      and omnipresence was not clear to the mediaeval Church and there was much
      bloodshed about it. Certain Lutherans, who affirmed the presence
      everywhere of Christ's body were known as Ubiquitarians. For this error
      they were doubtless damned, for Christ's body is present only in the
      eucharist, though that sacrament may be performed in more than one place
      simultaneously. In recent times ubiquity has not always been understood—not
      even by Sir Boyle Roche, for example, who held that a man cannot be in two
      places at once unless he is a bird.
    &lt;/p&gt;
&lt;p&gt;
      UGLINESS, n. A gift of the gods to certain women, entailing virtue without
      humility.
    &lt;/p&gt;
&lt;p&gt;
      ULTIMATUM, n. In diplomacy, a last demand before resorting to concessions.
    &lt;/p&gt;
&lt;p&gt;
      Having received an ultimatum from Austria, the Turkish Ministry met to
      consider it.
    &lt;/p&gt;
&lt;p&gt;
      "O servant of the Prophet," said the Sheik of the Imperial Chibouk to the
      Mamoosh of the Invincible Army, "how many unconquerable soldiers have we
      in arms?"
    &lt;/p&gt;
&lt;p&gt;
      "Upholder of the Faith," that dignitary replied after examining his
      memoranda, "they are in numbers as the leaves of the forest!"
    &lt;/p&gt;
&lt;p&gt;
      "And how many impenetrable battleships strike terror to the hearts of all
      Christian swine?" he asked the Imaum of the Ever Victorious Navy.
    &lt;/p&gt;
&lt;p&gt;
      "Uncle of the Full Moon," was the reply, "deign to know that they are as
      the waves of the ocean, the sands of the desert and the stars of Heaven!"
    &lt;/p&gt;
&lt;p&gt;
      For eight hours the broad brow of the Sheik of the Imperial Chibouk was
      corrugated with evidences of deep thought: he was calculating the chances
      of war. Then, "Sons of angels," he said, "the die is cast! I shall suggest
      to the Ulema of the Imperial Ear that he advise inaction. In the name of
      Allah, the council is adjourned."
    &lt;/p&gt;
&lt;p&gt;
      UN-AMERICAN, adj. Wicked, intolerable, heathenish.
    &lt;/p&gt;
&lt;p&gt;
      UNCTION, n. An oiling, or greasing. The rite of extreme unction consists
      in touching with oil consecrated by a bishop several parts of the body of
      one engaged in dying. Marbury relates that after the rite had been
      administered to a certain wicked English nobleman it was discovered that
      the oil had not been properly consecrated and no other could be obtained.
      When informed of this the sick man said in anger: "Then I'll be damned if
      I die!"
    &lt;/p&gt;
&lt;p&gt;
      "My son," said the priest, "this is what we fear."
    &lt;/p&gt;
&lt;p&gt;
      UNDERSTANDING, n. A cerebral secretion that enables one having it to know
      a house from a horse by the roof on the house. Its nature and laws have
      been exhaustively expounded by Locke, who rode a house, and Kant, who
      lived in a horse.
    &lt;/p&gt;
&lt;pre&gt;
  His understanding was so keen
  That all things which he'd felt, heard, seen,
  He could interpret without fail
  If he was in or out of jail.
  He wrote at Inspiration's call
  Deep disquisitions on them all,
  Then, pent at last in an asylum,
  Performed the service to compile 'em.
  So great a writer, all men swore,
  They never had not read before.
&lt;/pre&gt;
&lt;p&gt;
      Jorrock Wormley
    &lt;/p&gt;
&lt;p&gt;
      UNITARIAN, n. One who denies the divinity of a Trinitarian.
    &lt;/p&gt;
&lt;p&gt;
      UNIVERSALIST, n. One who forgoes the advantage of a Hell for persons of
      another faith.
    &lt;/p&gt;
&lt;p&gt;
      URBANITY, n. The kind of civility that urban observers ascribe to dwellers
      in all cities but New York. Its commonest expression is heard in the
      words, "I beg your pardon," and it is not inconsistent with disregard of the
      rights of others.
    &lt;/p&gt;
&lt;pre&gt;
  The owner of a powder mill
  Was musing on a distant hill—
      Something his mind foreboded—
  When from the cloudless sky there fell
  A deviled human kidney!  Well,
      The man's mill had exploded.
  His hat he lifted from his head;
  "I beg your pardon, sir," he said;
      "I didn't know 'twas loaded."
&lt;/pre&gt;
&lt;p&gt;
      Swatkin
    &lt;/p&gt;
&lt;p&gt;
      USAGE, n. The First Person of the literary Trinity, the Second and Third
      being Custom and Conventionality. Imbued with a decent reverence for this
      Holy Triad an industrious writer may hope to produce books that will live
      as long as the fashion.
    &lt;/p&gt;
&lt;p&gt;
      UXORIOUSNESS, n. A perverted affection that has strayed to one's own wife.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0024"&gt;&lt;/a&gt;
      V
    &lt;/h2&gt;
&lt;p&gt;
      VALOR, n. A soldierly compound of vanity, duty and the gambler's hope.
    &lt;/p&gt;
&lt;p&gt;
      "Why have you halted?" roared the commander of a division and Chickamauga,
      who had ordered a charge; "move forward, sir, at once."
    &lt;/p&gt;
&lt;p&gt;
      "General," said the commander of the delinquent brigade, "I am persuaded
      that any further display of valor by my troops will bring them into
      collision with the enemy."
    &lt;/p&gt;
&lt;p&gt;
      VANITY, n. The tribute of a fool to the worth of the nearest ass.
    &lt;/p&gt;
&lt;pre&gt;
  They say that hens do cackle loudest when
      There's nothing vital in the eggs they've laid;
      And there are hens, professing to have made
  A study of mankind, who say that men
  Whose business 'tis to drive the tongue or pen
      Make the most clamorous fanfaronade
      O'er their most worthless work; and I'm afraid
  They're not entirely different from the hen.
  Lo! the drum-major in his coat of gold,
      His blazing breeches and high-towering cap—
  Imperiously pompous, grandly bold,
      Grim, resolute, an awe-inspiring chap!
  Who'd think this gorgeous creature's only virtue
  Is that in battle he will never hurt you?
&lt;/pre&gt;
&lt;p&gt;
      Hannibal Hunsiker
    &lt;/p&gt;
&lt;p&gt;
      VIRTUES, n.pl. Certain abstentions.
    &lt;/p&gt;
&lt;p&gt;
      VITUPERATION, n. Satire, as understood by dunces and all such as suffer
      from an impediment in their wit.
    &lt;/p&gt;
&lt;p&gt;
      VOTE, n. The instrument and symbol of a freeman's power to make a fool of
      himself and a wreck of his country.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0025"&gt;&lt;/a&gt;
      W
    &lt;/h2&gt;
&lt;p&gt;
      W (double U) has, of all the letters in our alphabet, the only cumbrous
      name, the names of the others being monosyllabic. This advantage of the
      Roman alphabet over the Grecian is the more valued after audibly spelling
      out some simple Greek word, like &lt;i&gt;epixoriambikos&lt;/i&gt;. Still, it is now
      thought by the learned that other agencies than the difference of the two
      alphabets may have been concerned in the decline of "the glory that was
      Greece" and the rise of "the grandeur that was Rome." There can be no
      doubt, however, that by simplifying the name of W (calling it "wow," for
      example) our civilization could be, if not promoted, at least better
      endured.
    &lt;/p&gt;
&lt;p&gt;
      WALL STREET, n. A symbol of sin for every devil to rebuke. That Wall
      Street is a den of thieves is a belief that serves every unsuccessful
      thief in place of a hope in Heaven. Even the great and good Andrew
      Carnegie has made his profession of faith in the matter.
    &lt;/p&gt;
&lt;pre&gt;
  Carnegie the dauntless has uttered his call
  To battle:  "The brokers are parasites all!"
  Carnegie, Carnegie, you'll never prevail;
  Keep the wind of your slogan to belly your sail,
  Go back to your isle of perpetual brume,
  Silence your pibroch, doff tartan and plume:
  Ben Lomond is calling his son from the fray—
  Fly, fly from the region of Wall Street away!
  While still you're possessed of a single baubee
  (I wish it were pledged to endowment of me)
  'Twere wise to retreat from the wars of finance
  Lest its value decline ere your credit advance.
  For a man 'twixt a king of finance and the sea,
  Carnegie, Carnegie, your tongue is too free!
&lt;/pre&gt;
&lt;p&gt;
      Anonymus Bink
    &lt;/p&gt;
&lt;p&gt;
      WAR, n. A by-product of the arts of peace. The most menacing political
      condition is a period of international amity. The student of history who
      has not been taught to expect the unexpected may justly boast himself
      inaccessible to the light. "In time of peace prepare for war" has a deeper
      meaning than is commonly discerned; it means, not merely that all things
      earthly have an end—that change is the one immutable and eternal law—but
      that the soil of peace is thickly sown with the seeds of war and
      singularly suited to their germination and growth. It was when Kubla Khan
      had decreed his "stately pleasure dome"—when, that is to say, there
      were peace and fat feasting in Xanadu—that he
    &lt;/p&gt;
&lt;pre&gt;
                      heard from afar
  Ancestral voices prophesying war.
&lt;/pre&gt;
&lt;p&gt;
      One of the greatest of poets, Coleridge was one of the wisest of men, and
      it was not for nothing that he read us this parable. Let us have a little
      less of "hands across the sea," and a little more of that elemental
      distrust that is the security of nations. War loves to come like a thief
      in the night; professions of eternal amity provide the night.
    &lt;/p&gt;
&lt;p&gt;
      WASHINGTONIAN, n. A Potomac tribesman who exchanged the privilege of
      governing himself for the advantage of good government. In justice to him
      it should be said that he did not want to.
    &lt;/p&gt;
&lt;pre&gt;
  They took away his vote and gave instead
  The right, when he had earned, to &lt;i&gt;eat&lt;/i&gt; his bread.
  In vain—he clamors for his "boss," pour soul,
  To come again and part him from his roll.
&lt;/pre&gt;
&lt;p&gt;
      Offenbach Stutz
    &lt;/p&gt;
&lt;p&gt;
      WEAKNESSES, n.pl. Certain primal powers of Tyrant Woman wherewith she
      holds dominion over the male of her species, binding him to the service of
      her will and paralyzing his rebellious energies.
    &lt;/p&gt;
&lt;p&gt;
      WEATHER, n. The climate of the hour. A permanent topic of conversation
      among persons whom it does not interest, but who have inherited the
      tendency to chatter about it from naked arboreal ancestors whom it keenly
      concerned. The setting up official weather bureaus and their maintenance
      in mendacity prove that even governments are accessible to suasion by the
      rude forefathers of the jungle.
    &lt;/p&gt;
&lt;pre&gt;
  Once I dipt into the future far as human eye could see,
  And I saw the Chief Forecaster, dead as any one can be—
  Dead and damned and shut in Hades as a liar from his birth,
  With a record of unreason seldom paralleled on earth.
  While I looked he reared him solemnly, that incandescent youth,
  From the coals that he'd preferred to the advantages of truth.
  He cast his eyes about him and above him; then he wrote
  On a slab of thin asbestos what I venture here to quote—
  For I read it in the rose-light of the everlasting glow:
  "Cloudy; variable winds, with local showers; cooler; snow."
&lt;/pre&gt;
&lt;p&gt;
      Halcyon Jones
    &lt;/p&gt;
&lt;p&gt;
      WEDDING, n. A ceremony at which two persons undertake to become one, one
      undertakes to become nothing, and nothing undertakes to become
      supportable.
    &lt;/p&gt;
&lt;p&gt;
      WEREWOLF, n. A wolf that was once, or is sometimes, a man. All werewolves
      are of evil disposition, having assumed a bestial form to gratify a
      beastial appetite, but some, transformed by sorcery, are as humane as is
      consistent with an acquired taste for human flesh.
    &lt;/p&gt;
&lt;p&gt;
      Some Bavarian peasants having caught a wolf one evening, tied it to a post
      by the tail and went to bed. The next morning nothing was there! Greatly
      perplexed, they consulted the local priest, who told them that their
      captive was undoubtedly a werewolf and had resumed its human form during
      the night. "The next time that you take a wolf," the good man said, "see
      that you chain it by the leg, and in the morning you will find a
      Lutheran."
    &lt;/p&gt;
&lt;p&gt;
      WHANGDEPOOTENAWAH, n. In the Ojibwa tongue, disaster; an unexpected
      affliction that strikes hard.
    &lt;/p&gt;
&lt;pre&gt;
  Should you ask me whence this laughter,
  Whence this audible big-smiling,
  With its labial extension,
  With its maxillar distortion
  And its diaphragmic rhythmus
  Like the billowing of an ocean,
  Like the shaking of a carpet,
  I should answer, I should tell you:
  From the great deeps of the spirit,
  From the unplummeted abysmus
  Of the soul this laughter welleth
  As the fountain, the gug-guggle,
  Like the river from the canon,
  To entoken and give warning
  That my present mood is sunny.
  Should you ask me further question—
  Why the great deeps of the spirit,
  Why the unplummeted abysmus
  Of the soule extrudes this laughter,
  This all audible big-smiling,
  I should answer, I should tell you
  With a white heart, tumpitumpy,
  With a true tongue, honest Injun:
  William Bryan, he has Caught It,
  Caught the Whangdepootenawah!

  Is't the sandhill crane, the shankank,
  Standing in the marsh, the kneedeep,
  Standing silent in the kneedeep
  With his wing-tips crossed behind him
  And his neck close-reefed before him,
  With his bill, his william, buried
  In the down upon his bosom,
  With his head retracted inly,
  While his shoulders overlook it?
  Does the sandhill crane, the shankank,
  Shiver grayly in the north wind,
  Wishing he had died when little,
  As the sparrow, the chipchip, does?
  No 'tis not the Shankank standing,
  Standing in the gray and dismal
  Marsh, the gray and dismal kneedeep.
  No, 'tis peerless William Bryan
  Realizing that he's Caught It,
  Caught the Whangdepootenawah!
&lt;/pre&gt;
&lt;p&gt;
      WHEAT, n. A cereal from which a tolerably good whisky can with some
      difficulty be made, and which is used also for bread. The French are said
      to eat more bread &lt;i&gt;per capita&lt;/i&gt; of population than any other people,
      which is natural, for only they know how to make the stuff palatable.
    &lt;/p&gt;
&lt;p&gt;
      WHITE, adj. and n. Black.
    &lt;/p&gt;
&lt;p&gt;
      WIDOW, n. A pathetic figure that the Christian world has agreed to take
      humorously, although Christ's tenderness towards widows was one of the
      most marked features of his character.
    &lt;/p&gt;
&lt;p&gt;
      WINE, n. Fermented grape-juice known to the Women's Christian Union as
      "liquor," sometimes as "rum." Wine, madam, is God's next best gift to man.
    &lt;/p&gt;
&lt;p&gt;
      WIT, n. The salt with which the American humorist spoils his intellectual
      cookery by leaving it out.
    &lt;/p&gt;
&lt;p&gt;
      WITCH, n. (1) Any ugly and repulsive old woman, in a wicked league with
      the devil. (2) A beautiful and attractive young woman, in wickedness a
      league beyond the devil.
    &lt;/p&gt;
&lt;p&gt;
      WITTICISM, n. A sharp and clever remark, usually quoted, and seldom noted;
      what the Philistine is pleased to call a "joke."
    &lt;/p&gt;
&lt;p&gt;
      WOMAN, n.
    &lt;/p&gt;
&lt;pre&gt;
      An animal usually living in the vicinity of Man, and having a
  rudimentary susceptibility to domestication.  It is credited by
  many of the elder zoologists with a certain vestigial docility
  acquired in a former state of seclusion, but naturalists of the
  postsusananthony period, having no knowledge of the seclusion,
  deny the virtue and declare that such as creation's dawn beheld,
  it roareth now.  The species is the most widely distributed of all
  beasts of prey, infesting all habitable parts of the globe, from
  Greenland's spicy mountains to India's moral strand.  The popular
  name (wolfman) is incorrect, for the creature is of the cat kind.
  The woman is lithe and graceful in its movement, especially the
  American variety (&lt;i&gt;felis pugnans&lt;/i&gt;), is omnivorous and can be
  taught not to talk.
&lt;/pre&gt;
&lt;p&gt;
      Balthasar Pober
    &lt;/p&gt;
&lt;p&gt;
      WORMS'-MEAT, n. The finished product of which we are the raw material. The
      contents of the Taj Mahal, the Tombeau Napoleon and the Grantarium.
      Worms'-meat is usually outlasted by the structure that houses it, but
      "this too must pass away." Probably the silliest work in which a human
      being can engage is construction of a tomb for himself. The solemn purpose
      cannot dignify, but only accentuates by contrast the foreknown futility.
    &lt;/p&gt;
&lt;pre&gt;
  Ambitious fool! so mad to be a show!
  How profitless the labor you bestow
      Upon a dwelling whose magnificence
  The tenant neither can admire nor know.

  Build deep, build high, build massive as you can,
  The wanton grass-roots will defeat the plan
      By shouldering asunder all the stones
  In what to you would be a moment's span.

  Time to the dead so all unreckoned flies
  That when your marble is all dust, arise,
      If wakened, stretch your limbs and yawn—
  You'll think you scarcely can have closed your eyes.

  What though of all man's works your tomb alone
  Should stand till Time himself be overthrown?
      Would it advantage you to dwell therein
  Forever as a stain upon a stone?
&lt;/pre&gt;
&lt;p&gt;
      Joel Huck
    &lt;/p&gt;
&lt;p&gt;
      WORSHIP, n. Homo Creator's testimony to the sound construction and fine
      finish of Deus Creatus. A popular form of abjection, having an element of
      pride.
    &lt;/p&gt;
&lt;p&gt;
      WRATH, n. Anger of a superior quality and degree, appropriate to exalted
      characters and momentous occasions; as, "the wrath of God," "the day of
      wrath," etc. Amongst the ancients the wrath of kings was deemed sacred,
      for it could usually command the agency of some god for its fit
      manifestation, as could also that of a priest. The Greeks before Troy were
      so harried by Apollo that they jumped out of the frying-pan of the wrath
      of Chryses into the fire of the wrath of Achilles, though Agamemnon, the
      sole offender, was neither fried nor roasted. A similar noted immunity was
      that of David when he incurred the wrath of Yahveh by numbering his
      people, seventy thousand of whom paid the penalty with their lives. God is
      now Love, and a director of the census performs his work without
      apprehension of disaster.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0026"&gt;&lt;/a&gt;
      X
    &lt;/h2&gt;
&lt;p&gt;
      X in our alphabet being a needless letter has an added invincibility to
      the attacks of the spelling reformers, and like them, will doubtless last
      as long as the language. X is the sacred symbol of ten dollars, and in
      such words as Xmas, Xn, etc., stands for Christ, not, as is popular
      supposed, because it represents a cross, but because the corresponding
      letter in the Greek alphabet is the initial of his name —&lt;i&gt;Xristos&lt;/i&gt;.
      If it represented a cross it would stand for St. Andrew, who "testified"
      upon one of that shape. In the algebra of psychology x stands for Woman's
      mind. Words beginning with X are Grecian and will not be defined in this
      standard English dictionary.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0027"&gt;&lt;/a&gt;
      Y
    &lt;/h2&gt;
&lt;p&gt;
      YANKEE, n. In Europe, an American. In the Northern States of our Union, a
      New Englander. In the Southern States the word is unknown. (See DAMNYANK.)
    &lt;/p&gt;
&lt;p&gt;
      YEAR, n. A period of three hundred and sixty-five disappointments.
    &lt;/p&gt;
&lt;p&gt;
      YESTERDAY, n. The infancy of youth, the youth of manhood, the entire past
      of age.
    &lt;/p&gt;
&lt;pre&gt;
  But yesterday I should have thought me blest
      To stand high-pinnacled upon the peak
      Of middle life and look adown the bleak
  And unfamiliar foreslope to the West,
  Where solemn shadows all the land invest
      And stilly voices, half-remembered, speak
      Unfinished prophecy, and witch-fires freak
  The haunted twilight of the Dark of Rest.
  Yea, yesterday my soul was all aflame
      To stay the shadow on the dial's face
  At manhood's noonmark!  Now, in God His name
      I chide aloud the little interspace
  Disparting me from Certitude, and fain
  Would know the dream and vision ne'er again.
&lt;/pre&gt;
&lt;p&gt;
      Baruch Arnegriff
    &lt;/p&gt;
&lt;p&gt;
      It is said that in his last illness the poet Arnegriff was attended at
      different times by seven doctors.
    &lt;/p&gt;
&lt;p&gt;
      YOKE, n. An implement, madam, to whose Latin name, &lt;i&gt;jugum&lt;/i&gt;, we owe
      one of the most illuminating words in our language—a word that
      defines the matrimonial situation with precision, point and poignancy. A
      thousand apologies for withholding it.
    &lt;/p&gt;
&lt;p&gt;
      YOUTH, n. The Period of Possibility, when Archimedes finds a fulcrum,
      Cassandra has a following and seven cities compete for the honor of
      endowing a living Homer.
    &lt;/p&gt;
&lt;pre&gt;
      Youth is the true Saturnian Reign, the Golden Age on earth
  again, when figs are grown on thistles, and pigs betailed with
  whistles and, wearing silken bristles, live ever in clover, and
  cows fly over, delivering milk at every door, and Justice never
  is heard to snore, and every assassin is made a ghost and,
  howling, is cast into Baltimost!
&lt;/pre&gt;
&lt;p&gt;
      Polydore Smith
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="link2H_4_0028"&gt;&lt;/a&gt;
      Z
    &lt;/h2&gt;
&lt;p&gt;
      ZANY, n. A popular character in old Italian plays, who imitated with
      ludicrous incompetence the &lt;i&gt;buffone&lt;/i&gt;, or clown, and was therefore the
      ape of an ape; for the clown himself imitated the serious characters of
      the play. The zany was progenitor to the specialist in humor, as we to-day
      have the unhappiness to know him. In the zany we see an example of
      creation; in the humorist, of transmission. Another excellent specimen of
      the modern zany is the curate, who apes the rector, who apes the bishop,
      who apes the archbishop, who apes the devil.
    &lt;/p&gt;
&lt;p&gt;
      ZANZIBARI, n. An inhabitant of the Sultanate of Zanzibar, off the eastern
      coast of Africa. The Zanzibaris, a warlike people, are best known in this
      country through a threatening diplomatic incident that occurred a few
      years ago. The American consul at the capital occupied a dwelling that
      faced the sea, with a sandy beach between. Greatly to the scandal of this
      official's family, and against repeated remonstrances of the official
      himself, the people of the city persisted in using the beach for bathing.
      One day a woman came down to the edge of the water and was stooping to
      remove her attire (a pair of sandals) when the consul, incensed beyond
      restraint, fired a charge of bird-shot into the most conspicuous part of
      her person. Unfortunately for the existing &lt;i&gt;entente cordiale&lt;/i&gt; between
      two great nations, she was the Sultana.
    &lt;/p&gt;
&lt;p&gt;
      ZEAL, n. A certain nervous disorder afflicting the young and
      inexperienced. A passion that goeth before a sprawl.
    &lt;/p&gt;
&lt;pre&gt;
  When Zeal sought Gratitude for his reward
  He went away exclaiming:  "O my Lord!"
  "What do you want?" the Lord asked, bending down.
  "An ointment for my cracked and bleeding crown."
&lt;/pre&gt;
&lt;p&gt;
      Jum Coople
    &lt;/p&gt;
&lt;p&gt;
      ZENITH, n. The point in the heavens directly overhead to a man standing or
      a growing cabbage. A man in bed or a cabbage in the pot is not considered
      as having a zenith, though from this view of the matter there was once a
      considerably dissent among the learned, some holding that the posture of
      the body was immaterial. These were called Horizontalists, their
      opponents, Verticalists. The Horizontalist heresy was finally extinguished
      by Xanobus, the philosopher-king of Abara, a zealous Verticalist. Entering
      an assembly of philosophers who were debating the matter, he cast a
      severed human head at the feet of his opponents and asked them to
      determine its zenith, explaining that its body was hanging by the heels
      outside. Observing that it was the head of their leader, the
      Horizontalists hastened to profess themselves converted to whatever
      opinion the Crown might be pleased to hold, and Horizontalism took its
      place among &lt;i&gt;fides defuncti&lt;/i&gt;.
    &lt;/p&gt;
&lt;p&gt;
      ZEUS, n. The chief of Grecian gods, adored by the Romans as Jupiter and by
      the modern Americans as God, Gold, Mob and Dog. Some explorers who have
      touched upon the shores of America, and one who professes to have
      penetrated a considerable distance to the interior, have thought that
      these four names stand for as many distinct deities, but in his monumental
      work on Surviving Faiths, Frumpp insists that the natives are monotheists,
      each having no other god than himself, whom he worships under many sacred
      names.
    &lt;/p&gt;
&lt;p&gt;
      ZIGZAG, v.t. To move forward uncertainly, from side to side, as one
      carrying the white man's burden. (From &lt;i&gt;zed&lt;/i&gt;, &lt;i&gt;z&lt;/i&gt;, and &lt;i&gt;jag&lt;/i&gt;,
      an Icelandic word of unknown meaning.)
    &lt;/p&gt;
&lt;pre&gt;
  He zedjagged so uncomen wyde
  Thet non coude pas on eyder syde;
  So, to com saufly thruh, I been
  Constreynet for to doodge betwene.
&lt;/pre&gt;
&lt;p&gt;
      Munwele
    &lt;/p&gt;
&lt;p&gt;
      ZOOLOGY, n. The science and history of the animal kingdom, including its
      king, the House Fly (&lt;i&gt;Musca maledicta&lt;/i&gt;). The father of Zoology was
      Aristotle, as is universally conceded, but the name of its mother has not
      come down to us. Two of the science's most illustrious expounders were
      Buffon and Oliver Goldsmith, from both of whom we learn (&lt;i&gt;L'Histoire
      generale des animaux&lt;/i&gt; and &lt;i&gt;A History of Animated Nature&lt;/i&gt;) that the
      domestic cow sheds its horns every two years.
    &lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div style="text-align:center"&gt;&lt;/div&gt;&lt;section class="pg-boilerplate pgheader" id="pg-footer" lang="en"&gt;
&lt;div id="pg-end-separator"&gt;
&lt;span&gt;*** END OF THE PROJECT GUTENBERG EBOOK THE DEVIL'S DICTIONARY ***&lt;/span&gt;
&lt;/div&gt;


&lt;div&gt;
Updated editions will replace the previous one—the old editions will
be renamed.
&lt;/div&gt;&lt;div&gt;
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
&lt;/div&gt;

&lt;div id="project-gutenberg-license"&gt;START: FULL LICENSE&lt;/div&gt;

&lt;h2 id="pg-footer-heading"&gt;THE FULL PROJECT GUTENBERG LICENSE&lt;/h2&gt;

&lt;div class="agate"&gt;PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
&lt;/div&gt;&lt;div&gt;
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works
&lt;/div&gt;&lt;div&gt;
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
&lt;/div&gt;&lt;div&gt;
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
&lt;/div&gt;&lt;div&gt;
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
&lt;/div&gt;&lt;div&gt;
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
&lt;/div&gt;&lt;div&gt;
1.E. Unless you have removed all references to Project Gutenberg:
&lt;/div&gt;&lt;div&gt;
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
&lt;/div&gt;&lt;blockquote&gt;&lt;div&gt;
    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at &lt;a href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  &lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
&lt;/div&gt;&lt;div&gt;
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
&lt;/div&gt;&lt;div&gt;
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
&lt;/div&gt;&lt;div&gt;
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
&lt;/div&gt;&lt;div&gt;
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
&lt;/div&gt;&lt;div&gt;
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
&lt;/div&gt;&lt;div&gt;
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
&lt;/div&gt;&lt;ul&gt;
    &lt;li&gt;• You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    &lt;/li&gt;
    &lt;li&gt;• You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    &lt;/li&gt;
    &lt;li&gt;• You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    &lt;/li&gt;
    &lt;li&gt;• You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    &lt;/li&gt;
&lt;/ul&gt;&lt;div&gt;
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
&lt;/div&gt;&lt;div&gt;
1.F.
&lt;/div&gt;&lt;div&gt;
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
&lt;/div&gt;&lt;div&gt;
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
&lt;/div&gt;&lt;div&gt;
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
&lt;/div&gt;&lt;div&gt;
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
&lt;/div&gt;&lt;div&gt;
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
&lt;/div&gt;&lt;div&gt;
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 2. Information about the Mission of Project Gutenberg™
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
&lt;/div&gt;&lt;div&gt;
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 3. Information about the Project Gutenberg Literary Archive Foundation
&lt;/div&gt;&lt;div&gt;
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
&lt;/div&gt;&lt;div&gt;
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
&lt;/div&gt;&lt;div&gt;
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit &lt;a href="https://www.gutenberg.org/donate/"&gt;www.gutenberg.org/donate&lt;/a&gt;.
&lt;/div&gt;&lt;div&gt;
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
&lt;/div&gt;&lt;div&gt;
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
&lt;/div&gt;&lt;div&gt;
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 5. General Information About Project Gutenberg™ electronic works
&lt;/div&gt;&lt;div&gt;
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
&lt;/div&gt;&lt;div&gt;
Most people start at our website which has the main PG search
facility: &lt;a href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;.
&lt;/div&gt;&lt;div&gt;
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
&lt;/div&gt;

&lt;/section&gt;&lt;/body&gt;</content><category term="Book"/></entry><entry><title>The Wonders of Radium</title><link href="https://uofa-cmput404.github.io/w26-labsignment-pelican-Zumzu/the-wonders-of-radium.html" rel="alternate"/><published>1927-02-17T00:00:00-07:00</published><updated>1927-02-17T00:00:00-07:00</updated><author><name>Maynard Shipley</name></author><id>tag:uofa-cmput404.github.io,1927-02-17:/w26-labsignment-pelican-Zumzu/the-wonders-of-radium.html</id><summary type="html">&lt;body&gt;&lt;section class="pg-boilerplate pgheader" id="pg-header" lang="en"&gt;&lt;h2 id="pg-header-heading" title=""&gt;The Project Gutenberg eBook of &lt;span lang="en" id="pg-title-no-subtitle"&gt;The wonders of radium&lt;/span&gt;&lt;/h2&gt;

&lt;div&gt;This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the …&lt;/div&gt;&lt;/section&gt;&lt;/body&gt;</summary><content type="html">&lt;body&gt;&lt;section class="pg-boilerplate pgheader" id="pg-header" lang="en"&gt;&lt;h2 id="pg-header-heading" title=""&gt;The Project Gutenberg eBook of &lt;span lang="en" id="pg-title-no-subtitle"&gt;The wonders of radium&lt;/span&gt;&lt;/h2&gt;

&lt;div&gt;This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at &lt;a class="reference external" href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.&lt;/div&gt;

&lt;div class="container" id="pg-machine-header"&gt;&lt;p&gt;&lt;strong&gt;Title&lt;/strong&gt;: The wonders of radium&lt;/p&gt;
&lt;div id="pg-header-authlist"&gt;
&lt;p&gt;&lt;strong&gt;Author&lt;/strong&gt;: Maynard Shipley&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Editor&lt;/strong&gt;: E. Haldeman-Julius&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Release date&lt;/strong&gt;: February 17, 2025 [eBook #75392]&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Language&lt;/strong&gt;: English&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Original publication&lt;/strong&gt;: Girard: Haldeman-Julius Company, 1926&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Credits&lt;/strong&gt;: Tim Miller and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)&lt;/p&gt;

&lt;/div&gt;&lt;div id="pg-start-separator"&gt;
&lt;span&gt;*** START OF THE PROJECT GUTENBERG EBOOK THE WONDERS OF RADIUM ***&lt;/span&gt;
&lt;/div&gt;&lt;/section&gt;&lt;div style="text-align:center"&gt;&lt;/div&gt;

&lt;div class="section center"&gt;
&lt;p class="in0"&gt;LITTLE BLUE BOOK NO. &lt;span class="in1 xxxlarge" style="vertical-align: -30%;"&gt;1000&lt;/span&gt;&lt;/p&gt;
&lt;p class="in0 lx up1"&gt;Edited by E. Haldeman-Julius&lt;/p&gt;

&lt;h1&gt;The Wonders&lt;br&gt;
of Radium&lt;/h1&gt;

&lt;p class="larger"&gt;Maynard Shipley&lt;/p&gt;

&lt;p class="p2"&gt;HALDEMAN-JULIUS COMPANY&lt;br&gt;
GIRARD, KANSAS&lt;/p&gt;
&lt;hr class="chap x-ebookmaker-drop"&gt;
&lt;div&gt;                                                                                                                                                                                                                           &lt;/div&gt;
&lt;/div&gt;

&lt;div class="section center"&gt;
&lt;p class="p4"&gt;Copyright, 1926,&lt;br&gt;
Haldeman-Julius Company&lt;/p&gt;

&lt;p class="p2"&gt;PRINTED IN THE UNITED STATES OF AMERICA&lt;/p&gt;

&lt;hr class="chap x-ebookmaker-drop"&gt;
&lt;div&gt;                                                                                                                                                                                                                           &lt;/div&gt;
&lt;/div&gt;

&lt;div class="section"&gt;
&lt;h2 class="nobreak" id="THE_WONDERS_OF_RADIUM"&gt;THE WONDERS OF RADIUM&lt;/h2&gt;
&lt;hr class="chap x-ebookmaker-drop"&gt;
&lt;div&gt;                                                                                                                                                                                                                           &lt;/div&gt;
&lt;/div&gt;

&lt;div class="chapter section"&gt;
&lt;h2 class="nobreak" id="CONTENTS"&gt;CONTENTS&lt;/h2&gt;

&lt;table id="toc"&gt;
&lt;tbody&gt;&lt;tr&gt;
  &lt;td class="tdr"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;&lt;/td&gt;
  &lt;td class="tdr"&gt;Page&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;I.&lt;/td&gt;
  &lt;td class="tdl"&gt;Introductory&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_5" class="pginternal"&gt;5&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bpad"&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;All Matter Radioactive&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_9" class="pginternal"&gt;9&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;II.&lt;/td&gt;
  &lt;td class="tdl"&gt;Everyday Uses of Radium&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_16" class="pginternal"&gt;16&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;Radium Makes Gems Blush&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_18" class="pginternal"&gt;18&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bpad"&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;A Radium Clock&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_19" class="pginternal"&gt;19&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bpad"&gt;
  &lt;td class="tdr top"&gt;III.&lt;/td&gt;
  &lt;td class="tdl"&gt;Radium and the Age of the Earth&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_21" class="pginternal"&gt;21&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;IV.&lt;/td&gt;
  &lt;td class="tdl"&gt;An Epoch-Making Discovery&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_30" class="pginternal"&gt;30&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bpad"&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;How Radium is Converted to Lead&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_34" class="pginternal"&gt;34&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bpad"&gt;
  &lt;td class="tdr top"&gt;V.&lt;/td&gt;
  &lt;td class="tdl"&gt;Radium in the Treatment of Cancer&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_45" class="pginternal"&gt;45&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bpad"&gt;
  &lt;td class="tdr top"&gt;VI.&lt;/td&gt;
  &lt;td class="tdl"&gt;Efficiency of Radium in Treatment of Various Diseases&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_51" class="pginternal"&gt;51&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;VII.&lt;/td&gt;
  &lt;td class="tdl"&gt;Where We Get Radium&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_55" class="pginternal"&gt;55&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;New Sources of Radium&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_58" class="pginternal"&gt;58&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;The Radioactive Disintegration Series&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_60" class="pginternal"&gt;60&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;Uranium I Series&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_62" class="pginternal"&gt;63&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;Uranium Y Series&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_63" class="pginternal"&gt;63&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdr top"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;Thorium Series&lt;/td&gt;
  &lt;td class="tdr"&gt;&lt;a href="#toclink_64" class="pginternal"&gt;64&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;

&lt;hr class="chap x-ebookmaker-drop"&gt;
&lt;/div&gt;

&lt;div class="chapter section"&gt;
&lt;p&gt;&lt;span class="pagenum" id="Page_5"&gt;5&lt;/span&gt;&lt;/p&gt;

&lt;h2 class="nobreak" title="THE_WONDERS_OF_RADIUM"&gt; &lt;span class="larger"&gt;THE WONDERS OF RADIUM&lt;/span&gt;&lt;/h2&gt;

&lt;h2 class="nobreak" id="CHAPTER_I"&gt;&lt;span id="toclink_5"&gt;&lt;/span&gt;CHAPTER I&lt;br&gt;

&lt;span class="subhead"&gt;INTRODUCTORY&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;

&lt;p&gt;It has been well said that a general idea of
what radioactivity signifies is a necessary part
of the education of every intelligent person,
since “it is the one thing of paramount importance
in the chemical and physical science
of the day.” But its importance extends much
farther, since radioactivity is now employed in
many departments of industry, as well as in
biology and medicine.&lt;/p&gt;

&lt;p&gt;It is known that the rays from radium have
the power to stimulate all forms of life, even
to the extent of speeding up the growth of
plants and of making dormant plants burst into
bud. Some authorities, as we shall see later,
are fully convinced that the radiations can be
employed successfully in the prolongation of
human life. It is well known that radiotherapy
has, for some years now, been employed advantageously
in the treatment of many forms
of illness, and is, in some institutions, the sole
medium for the cure or alleviation of cancer
and other malignant growths.&lt;/p&gt;

&lt;p&gt;Not long ago the discovery was made that
the curative agent in certain famous baths in
Europe is the radium which the waters of
their springs contain.&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_6"&gt;6&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;If one could really buy bottled water which
has been properly treated with radium rays
or the “emanation,” beneficial results would
no doubt be obtained. The trouble is that such
waters are difficult to secure.&lt;/p&gt;

&lt;p&gt;“None of the foreign or domestic commercial
bottled water sold to consumers on the claim
of radioactive content really contains sufficient
radioactivity to warrant its purchase,” according
to the report of investigation completed by
the water and beverage laboratory of the
United States Department of Agriculture, Washington,
D. C.&lt;/p&gt;

&lt;p&gt;“In the examination of 46 samples from 15
states and eight foreign countries, the bureau
found the highest quantity of radioactivity of
a temporary nature in a bottled water from
Massachusetts.&lt;/p&gt;

&lt;p&gt;“The largest amount of permanent radioactivity
was in a sample from a deep well in
Ohio. It was found, however, that it would be
necessary to consume 2,810 gallons of the Massachusetts
water, or 1,957 gallons of the Ohio
water daily to obtain an efficient dose of radioactive
salts.&lt;/p&gt;

&lt;p&gt;“During the tests radioactivity of samples
was determined by means of electroscopes.”&lt;/p&gt;

&lt;p&gt;When radium is taken in soluble form, 25
or 50 percent of it remains in the body for
four or five days. The rate of excretion after
that is only about one percent a day. “Wherever
it is located, it carries on a constant bombardment
in releasing its energy, giving
strength to the tissues, cells and protoplasm of&lt;span class="pagenum" id="Page_7"&gt;7&lt;/span&gt;
the body. And when once these begin to function
actively, they begin to rebuild themselves.”&lt;/p&gt;

&lt;p&gt;Radium does not combine chemically with
any known substance in the body. The
therapeutic effects are indirect. When the
electrons are ejected with great speed from
the atoms of the radioactive salts, they pass
through millions of other atoms, knocking out
new electrons as they go, leaving the atoms
with a positive charge, in which condition they
are called “ions.” These positively charged
particles at once enter into new combinations,
new chemical unions, which produce new substances.
But these may be injurious to the
normal tissues as well as to the cells of the
disease which it is desired to destroy. In some
cases, the diseased cells are more susceptible
to the rays than are the normal cells, in which
instances the growth of the abnormal or diseased
cells may be retarded, or they may even
be totally destroyed. It is thus seen that application
of the rays may result in alleviation of
the disease, or, possibly, effect a complete cure,
as the case may be.&lt;/p&gt;

&lt;p&gt;The action of radium on various (colloidal)
substances is now well understood from the
point of view of the biophysicist; but this phase
of the subject is too highly technical for exposition
in a book intended for popular circulation.&lt;/p&gt;

&lt;p&gt;While it is fully recognized that there are
quite definite limitations to the efficacy of
radioactivity in its application to disease, as a
matter of fact the use of radium as a therapeutic
agent would be much more extensive were&lt;span class="pagenum" id="Page_8"&gt;8&lt;/span&gt;
it not for its high cost and scarcity. No one
questions its exceptional value in the treatment
of certain diseases, and a method will
probably be discovered, in the near future, by
which it may veritably be used to postpone the
age of senility.&lt;/p&gt;

&lt;p&gt;A young man who had read somewhere that
radium is a sure cure for any and all of the
ills to which flesh is heir, entered a drug store
and asked: “How much is radium an ounce?”
The druggist smiled, and named a figure which
made the young man blink. “Not really?”
observed the prospective customer. “Then you
may give me an ounce of cough lozenges.”&lt;/p&gt;

&lt;p&gt;Until quite recently, an ounce of radium
cost almost as much as 3¾ tons of gold! That
is to say, an ounce of radium, if this much
could be purchased “off hand”—which it
couldn’t—would cost about $2,500,000. The price
was at one time $3,000,000 an ounce.&lt;/p&gt;

&lt;p&gt;When we speak of “radium,” we really mean—or
ought to mean—&lt;em&gt;radium salts&lt;/em&gt;. Pure radium
soon abandons its metallic form by entering
into chemical combinations. It is the purified
radium salts that cost, as late as 1923, $2,500,000
an ounce—the price of ¾ of a ton of
platinum, the most “precious” of all the metals
excepting radium. In 1920, radium was 200
times more valuable than an equal weight of
pure blue diamonds, and 180,600 times as valuable
as gold. A cubic foot of the salts—had
this amount been obtainable—would have been
worth $7,000,000,000.&lt;/p&gt;

&lt;p&gt;The reason for the high cost of radium is
not far to seek. First, the demand for the&lt;span class="pagenum" id="Page_9"&gt;9&lt;/span&gt;
pure salts far exceeded the supply—and this
is still the case, though relief is now in sight.
Secondly, the scarcity of radium was due to
the enormous amount of time and labor involved
in its production.&lt;/p&gt;

&lt;p&gt;Although radium was discovered and isolated
by Mme. Curie in 1898, 22 years later—at the
close of 1920—scarcely 140 grams (or about
five ounces) of pure radium salts had been extracted
and put on the world market. Of this
amount, about 70 grams had been produced in
the United States (during the preceding seven
years). The market value of the standard salts
was at this time about $100,000 a gram (about
1/28 ounce). Eighteen grams were produced
in this country in 1920, and the value of the
purified salts was quoted in some journals as
$2,160,000. At this price, about $100,000 worth
of radium could be put into a glass tube about
the diameter of a very coarse pencil lead and
not more than an inch in length.&lt;/p&gt;

&lt;p&gt;To produce the gram of radium salts presented
to Mme. Curie by the women of America
(in May, 1921), 500 tons of carnotite ore—containing
two percent or less of uranium oxide—were
treated, consuming in the process 1,500
tons of coal, more than a ton of chemicals, and
over 30 tons of water.&lt;/p&gt;

&lt;h3 id="toclink_9"&gt;ALL MATTER RADIOACTIVE&lt;/h3&gt;

&lt;p&gt;While certain substances have been designated
as “radioactive,” it is not to be understood
that these bodies alone emit charged particles,
or radiant energy.&lt;/p&gt;

&lt;p&gt;“All bodies whatever are a constant source&lt;span class="pagenum" id="Page_10"&gt;10&lt;/span&gt;
of visible or invisible radiations, which, whether
of one kind or the other, are always radiations
of light” (Le Bon, “The Evolution of Forces,”
p. 318, 1908).&lt;/p&gt;

&lt;p&gt;Compounds of potassium, and also of rubidium,
caesium and lanthanum, as shown by
Campbell, Wood, McLennan, Kennedy, and
other investigators, possess very high radioactive
properties. While the atomic weight of
potassium is only about 39, and of rubidium
about 84, the typical radioactive elements have
atomic weights ranging from 200 to 238. Of
the 12 to 15 elements essential to life, potassium
is the only one possessing distinct if minute
radioactivity. “The activity of potassium may
readily be demonstrated by means of the goldleaf
electroscope. It is shown that Beta rays
are emitted” (Burns). But potassium is 1000
times weaker than uranium, and 1,000,000,000
times weaker than radium, in the emission of
Beta (negative) rays. Caesium and lanthanum
emit Alpha (positive) rays.&lt;/p&gt;

&lt;p&gt;Professor Dufour, the distinguished French
scientist, has shown that even air that has
been breathed emits radioactive particles. The
presence of radioactive matter in the atmosphere
has been shown to account for its electric
conductivity. Thomson found (1906) that
many specimens of water from deep wells contain
a radioactive gas, and Elster and Gertel
have found that a similar gas is contained in
the soil.&lt;/p&gt;

&lt;p&gt;It is probably safe to assert, with Le Bon,
that all matter, “down to the absolute zero of
temperature,” radiates electrified and more or&lt;span class="pagenum" id="Page_11"&gt;11&lt;/span&gt;
less luminous particles, albeit they are invisible
to the human eye.&lt;/p&gt;

&lt;p&gt;It is because of its property of emitting negative
electrons (Beta rays) that potassium is a
necessary constituent of all living matter. It
may, however, be replaced, under certain conditions,
by other radioactive substances.&lt;/p&gt;

&lt;p&gt;Prof. Barton Scammel, of the British Radium
Society, gave it as his opinion (in 1922) that
further experience in the proper uses of potassium
salts and radium in solution would lead
to the realization of a new golden age. He
predicted, among other “good tidings,” life for
120 years in the bloom of youth, the “pep” of
25 years at 75, a third set of teeth, new hirsute
coverings for erstwhile bald heads, muscles like
Jack Dempsey’s.&lt;/p&gt;

&lt;p&gt;Dr. C. Everett Field, of the New York Radium
Institute, stated publicly, in backing up
Scammel’s hopes and theories, that he thinks
another ten years will see human life vastly
prolonged as a matter of course by the use of
radium. He said:&lt;/p&gt;

&lt;p&gt;“We have ascertained beyond question that
potassium salts are necessary to heart action,
that they are slightly radioactive, and that radium
can be substituted for them with a degree
of success.&lt;/p&gt;

&lt;p&gt;“It was Dr. Zwaardemaker, physiologist of
the University of Utrecht, who first discovered,
a number of years ago, that radium could
do in the blood stream what potassium salts do
in the normal person. He took an animal’s
heart, which was kept beating outside the animal,
and removed the potassium element. It&lt;span class="pagenum" id="Page_12"&gt;12&lt;/span&gt;
was not longer possible then to keep it in
action. Then he substituted a radium solution
and it was possible to restore action.”&lt;/p&gt;

&lt;p&gt;Dr. Field stated that it had been discovered
that the systems of victims of cancer and other
wasting diseases were deficient in potassium
salts, and that as their systems were made to
assimilate potassium a tonic effect was noticeable
at once. The greatest trouble was to make
the body assimilate the potassium.&lt;/p&gt;

&lt;p&gt;“The fact is,” said Dr. Field, one of the more
conservative radium therapists, “that radium
does not do the healing. But, for that matter,
neither does any other form of healing. The
healing exists within the organism. And radium,
I am convinced, in some cases, is the
most efficient medicine to give needed stimulus
to the healing apparatus of diseased organisms.”&lt;/p&gt;

&lt;p&gt;Even now, he believes, radioactive treatment
may prolong life at least 15 years. For internal
treatment, either doses of radioactive water, or
extremely minute quantities of radium itself,
are administered. Radioactive water is taken
from springs found to contain traces of radium,
or radium is used to make ordinary water
radioactive. The difficulty with spring waters
is that they lose their radioactive power when
bottled and transported, and must be consumed
at their source.&lt;/p&gt;

&lt;p&gt;“Because of this fact,” says a writer for &lt;cite&gt;The
Popular Science Monthly&lt;/cite&gt; (June, 1923), “a group
of physicians interested in the use of radium as
a curative stimulant have invented an ingenious
device for imparting radioactive properties to&lt;span class="pagenum" id="Page_13"&gt;13&lt;/span&gt;
ordinary water. As designed for use in the
home, this instrument consists of a case containing
an arrangement of glass tubes and vessels
in which emanations from radium salts in
solution are imparted to air, which is then
mixed with the water.&lt;/p&gt;

&lt;p&gt;“A much simpler apparatus, available for
office use, somewhat resembles a hypodermic
syringe, containing special capsules of radium
salts. Pushing a plunger forces air
through the radium capsules and into a glass
of water and is said to make the water radioactive.
The doses of radium in each case are
constant, because radium emanates at a constant
rate, and only a certain amount can be
dissolved in water, no matter how many times
a day the apparatus is brought into use.&lt;/p&gt;

&lt;p&gt;“Whether radium treatment will prove able
to restore youth to old age, grow new sets of
teeth and perform other marvels that its more
ardent supporters predict for it, only time
will tell.&lt;/p&gt;

&lt;p&gt;“If radium treatment proves to facilitate the
process of cell elimination, it will have gone a
long way toward delivering the world from its
enemies of disease.”&lt;/p&gt;

&lt;p&gt;The philosopher-scientist, Le Bon, makes bold
to suggest that light-waves which are invisible
to human eyes may be perceptible to nocturnal
animals, which would include most of the
lemurs and the felines, and some other beasts
which seem to be capable of finding their way
and carrying on their predatory or other activities
in the dark. “To them,” says Le Bon, “the
body of a living being, whose temperature is&lt;span class="pagenum" id="Page_14"&gt;14&lt;/span&gt;
about 37° C., or about 98° F., ought to be surrounded
by a luminous halo, which the want of
sensitiveness of our eyes alone prevents our
discovering. There do not exist in nature, in
reality, any dark bodies, but only imperfect
eyes.”&lt;/p&gt;

&lt;p&gt;Le Bon has also said that the human body is
sufficiently radioactive to photograph itself by
its own rays, if we could find a substance sensitive
to these radiations, as the photographic
plate is to the actinic rays. Nothing would then
be easier, he declares, than to photograph a
living body in the dark without any other
source of light than the invisible light which it
is continually emitting.&lt;/p&gt;

&lt;p&gt;Some recent (1924) experiments of the
French scientist, Dr. Albert Nodon, seem to
afford the actual proof of Le Bon’s &lt;i lang="la"&gt;a priori&lt;/i&gt;
conclusions. In the presence of a number of
noted scientists, Dr. Nodon exhibited three
photographic plates on which were unmistakable
light impressions, which, he claimed, were
caused by the rays emitted by a radioactive
mineral, an insect, and a green leaf, which had
been placed on the emulsion side of the plates
in a dark-room.&lt;/p&gt;

&lt;p&gt;A similar experiment, in which a dead insect
and a dead leaf were used, resulted in no ray
impressions on the plates. Dr. Nodon offered
as his conclusion that radioactivity is an inevitable
accompaniment of living processes, and
stated that the strength of photographic impressions
produced in experiments such as his
are an accurate measure of vitality (see &lt;cite&gt;Popular
Science Monthly&lt;/cite&gt;, October, 1924).&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_15"&gt;15&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;Radium is probably present in all the planets
and stars. Some time ago the Astronomer
Royal of England, Dr. F. W. Dyson, demonstrated
the existence of radium and of radium emanation
in the sun’s chromosphere (the ocean
of incandescent hydrogen gas surrounding the
photosphere, or actual surface of the sun).&lt;/p&gt;
&lt;hr class="chap x-ebookmaker-drop"&gt;

&lt;div class="chapter"&gt;
&lt;p&gt;&lt;span class="pagenum" id="Page_16"&gt;16&lt;/span&gt;&lt;/p&gt;

&lt;h2 class="nobreak" id="CHAPTER_II"&gt;&lt;span id="toclink_16"&gt;&lt;/span&gt;CHAPTER II&lt;br&gt;

&lt;span class="subhead"&gt;EVERYDAY USES OF RADIUM&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;

&lt;p&gt;During the World War large quantities of
radium were employed by the Allies for night
compasses, luminous dials on airplanes, gun-sights,
etc. In times of peace it is used on
pendants for locating electric lights and
switches in the dark, key-holes, fire-extinguishers,
poison bottles, emergency call-bells, and in
many other ways. For example, some mining
corporations use signs in their mines made luminous
in the dark by phosphorescent paint
made from radioactive substances. These luminous
signs are not affected by atmospheric conditions.&lt;/p&gt;

&lt;p&gt;Yet for all these uses, including “radium
watches” and clocks, not more than half an
ounce of radium has been used since its discovery
in 1898. A few millionth parts of a gram
of radium, in the form of radioactive barium
sulphate, a large portion of phosphorescent zinc
sulphide (crystallized zinc), mixed with varnish
and some adhesive substance, give enough
material to illuminate 40 or 50 watches. One
gram of radium (= 16 grains) combined with
20,000 grams of secret process phosphorescent
zinc sulphide is sufficient to make 667,000
watches luminous for many years. The factories
of this country are now turning out
about four million radium watches annually.&lt;/p&gt;

&lt;p&gt;Unless a special preparation—known only to&lt;span class="pagenum" id="Page_17"&gt;17&lt;/span&gt;
the manufacturer—is used, the luminosity of
the material gradually disappears, owing to the
destruction of the zinc sulphide crystals by the
powerful rays constantly bombarding them, producing
flashes at the rate of 200,000 a second.
The radium itself does not glow, nor does it
deteriorate in power.&lt;/p&gt;

&lt;p&gt;If we examine a luminous dial through a
magnifying glass, after the eyes have been in
total darkness for a few minutes, tiny flashes
of light may be seen. These are caused by the
explosion of hundreds of millions of radium
atoms. The more radium there is in the paint,
the greater the number of flashes per second,
and the more durable the luminosity. Since
every flash means a blow upon a crystal of
zinc sulphide, the crystals gradually break
under the strain. In this process helium is
released from the disintegrating radium atoms.&lt;/p&gt;

&lt;p&gt;Mr. M. A. Henry (&lt;cite&gt;Scientific American&lt;/cite&gt;, April
2, 1921) points out that the problem of the
chemist “is to produce a phophorescent substance
which will stand up longest under the
terrific bombardment of the radium rays and
which, at the same time, will give off the most
light. Such progress is being made in this direction
that today [1921] only about one-twentieth
the amount of radium used four years
ago [1917] is needed in the making of luminous
material. And the chemist insists that he has
only scratched the surface of possibilities in
this direction and that even better results can
be attained. At present the life of the zinc
crystals is from 15 to 20 years, although the
radium lasts for centuries.&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_18"&gt;18&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;“This life will be much longer if the instrument
to which it is applied is kept away from
the light most of the time. The crystals,
already stressed by the radium rays, have an
additional strain imposed by the light and this
hastens the process of disintegration. Strong
sunlight, especially at the seashore where the
presence of much ozone in the air intensifies
the ultra-violet rays, has a very destructive effect
on luminous material. For this reason the
manufacturers of this delicate substance usually
guarantee it for about half its normal life,
or ten years.”&lt;/p&gt;

&lt;p&gt;A radium-lighted fish-bait is now on the market,
and fishermen say that this bait is very
successful in attracting fish which haunt deep
water.&lt;/p&gt;

&lt;h3 id="toclink_18"&gt;RADIUM MAKES GEMS BLUSH&lt;/h3&gt;

&lt;p&gt;D. Berthelot, F. Bordes, C. Doelter, and
others observed that the rays from radium induced
important changes in the colors of minerals.&lt;/p&gt;

&lt;p&gt;Dr. T. Squance, of Sunderland, England, succeeded
in transforming a sapphire of faint
pink hue into a gorgeous ruby color, and a
faint green sapphire into an oriental emerald
hue. It was already known that a diamond
exposed to the rays of radium glows with a
beautiful green light.&lt;/p&gt;

&lt;p&gt;In experiments carried out at the United
States Bureau of Mines (1921), in Reno,
Nevada, a colorless Colorado topaz was tinted
yellow by exposure to penetrating radiation.
If a method can be devised to make the color&lt;span class="pagenum" id="Page_19"&gt;19&lt;/span&gt;
permanent, the discovery will greatly increase
the value of the gem-stone material found in
the west.&lt;/p&gt;

&lt;p&gt;If we submit yellow phosphorous to the
action of radioactive substances, it becomes
changed into the red “alotropic” variety. Certain
of the rays decompose ammonia, and water
under their influence is subjected to electrolysis,
yielding oxygen and hydrogen.&lt;/p&gt;

&lt;h3 id="toclink_19"&gt;A RADIUM CLOCK&lt;/h3&gt;

&lt;p&gt;A very interesting instrument was devised by
Sir William Strutt (now Lord Rayleigh) which
has been called a “radium clock.” It consists
of a glass vessel containing a tube of radium
salts in the center, from which two gold leaves
are hung. The inner surface of the containing
vessel is coated with tinfoil, and this foil is
grounded. The radium salts cause the leaves
to become electrically charged. They then diverge,
and, coming in contact with the grounded
tinfoil coating, they are discharged, only to
fall back again and repeat the process. This
clock will operate as long as the supply of
radioactive material will act, which in the case
of pure radium would be nearly 2000 years.&lt;/p&gt;

&lt;p&gt;G. Lentner has recently succeeded in utilizing
atmospheric potential by the aid of radioactive
substances, which, in some way not yet clearly
understood, exert an influence upon the
transformer. The method is as follows: A post
about 12 m. in height, forming a sort of antenna,
is erected; the post ends in a collector consisting
of an aluminum sphere provided with
points covered with radioactive substances.
This collector communicates by a conducting&lt;span class="pagenum" id="Page_20"&gt;20&lt;/span&gt;
wire with a special transformer. Under these
conditions the earth and atmospheric currents
attract each other through reciprocal induction.&lt;/p&gt;

&lt;p&gt;Dr. S. A. Sochocky, the well known radium
expert, has made radium oil paints, and made
paintings with them. “Pictures painted with
radium look like any other pictures in the
daytime, but at night they illuminate themselves
and create an interesting and weirdly
artistic effect. This paint would be particularly
adaptable for pictures of moonlight or winter
scenes, and I have no doubt that some day
a fine artist will make a name for himself and
greatly interest us by painting pictures which
will be unique, and particularly beautiful at
night in a dark or semi-darkened room.”&lt;/p&gt;

&lt;p&gt;Dr. Sochocky also predicts that “the time
will doubtless come when you will have in
your own home (or someone you know will
have) a room lighted entirely by radium. It
would be possible today to illuminate a room,
so that at night, without the aid of electricity
or other artificial illumination, you could read
fine newspaper print without difficulty. The
light in such a room, thrown off by radium
paint on walls and ceiling, would in color and
tone be like soft moonlight, blue with a tint
of yellow. Today, a room ten by nine feet
could be illuminated in this way at a cost of
$400, and the illumination would last ten years.&lt;/p&gt;

&lt;p&gt;“However, such illumination will soon be
much cheaper, because of new discoveries as
to the best materials to combine with radium
to produce light.”&lt;/p&gt;
&lt;hr class="chap x-ebookmaker-drop"&gt;

&lt;div class="chapter"&gt;
&lt;p&gt;&lt;span class="pagenum" id="Page_21"&gt;21&lt;/span&gt;&lt;/p&gt;

&lt;h2 class="nobreak" id="CHAPTER_III"&gt;&lt;span id="toclink_21"&gt;&lt;/span&gt;CHAPTER III&lt;br&gt;

&lt;span class="subhead"&gt;RADIUM AND THE AGE OF THE EARTH&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;

&lt;p&gt;One of the important consequences of the
discovery of radioactivity was to afford the
scientist a means for solving the problem of
the earth’s age. By “age of the earth” we
mean here the time which has elapsed since
the earth’s surface became fitted for the habitation
of living beings. By means of radioactivity
we can form an approximate estimate
of the time which has passed since the formation
of any given series of geological strata.
Radium is our geological time clock.&lt;/p&gt;

&lt;p&gt;It is now known that all the common rocks
and soils of which the earth’s crust is built up
contain measurable amounts of radium. According
to the computation made by Prof. John
Joly, the total quantity of radioactive matter
may be as much as one 500 billionth part of
the whole volume of the globe, or something
over half a cubic mile.&lt;/p&gt;

&lt;p&gt;All of the 36 known radio-elements are disintegration
products of the primary radio-elements
uranium and thorium—&lt;i&gt;i.e.&lt;/i&gt;, they are
produced from one or the other of these in their
long sequence of changes. And the rate at
which the radioactive products change—their
average life period,—from the first transmutation
to the final product, radium lead, an
isotrope of common lead, is accurately known.&lt;span class="pagenum" id="Page_22"&gt;22&lt;/span&gt;
(Helium atoms are “the debris shed at the
various stages of the transformation.”)&lt;/p&gt;

&lt;p&gt;It is now well established that a gram of
uranium as found along with its products in
rocks and minerals is changing at a rate represented
by the production of 1.88 x 10&lt;sup&gt;-11&lt;/sup&gt; grams
of helium and 1.22 x 10&lt;sup&gt;-10&lt;/sup&gt; grams of lead
(isotrope) &lt;i lang="la"&gt;per annum&lt;/i&gt;. We do not know for a
certainty, of course, that this rate of production
has been maintained throughout geological
time. In the opinion of Lord Rayleigh, we
may safely assume that the rate of transformation
has not changed, so that “it would
seem that in the disintegration of a gram of
uranium we have a process the rate of which
can be relied upon to have been the same in
the past as we now observe it to be” (&lt;cite&gt;Nature&lt;/cite&gt;,
October 27, 1921).&lt;/p&gt;

&lt;p&gt;Acting on Rutherford’s suggestion, the Hon.
R. J. Strutt (later Lord Rayleigh) made a
determination of the amount of radium in the
superficial parts of the earth—which are alone
accessible; and he also determined the ratio
of the lead (isotope) to the uranium, which
was found to be 1.3 (specifically, in the broggerite
found in the Pre-Cambrian rocks at Moss,
Norway). Now, if we assume—as the evidence
seems to warrant—that the lead of this atomic
weight (206.06) was all produced by uranium
at the rate given above, we get an age of 925
million years for these rocks. Some minerals
from other Archaean rocks in Norway give a
rather larger figure.&lt;/p&gt;

&lt;p&gt;“In other cases,” says Lord Rayleigh, “there
is some complication, owing to the fact that&lt;span class="pagenum" id="Page_23"&gt;23&lt;/span&gt;
thorium is associated with uranium in the
mineral and that it, too, produces helium and
an isotrope of lead of atomic weight probably
208 exactly, about one unit higher than common
lead.”&lt;/p&gt;

&lt;p&gt;Sir Ernest Rutherford estimated the time
required for the accumulation of the radium
content of a uranium mineral in the Glastonbury
granitic gneiss of the early Cambrian as
no less than 500,000,000 years. Later investigations
give some of the Pre-Cambrian rocks an
antiquity of 1,640 millions of years! The zoologist
may now have all the time he wants for
the slowly evolving organisms revealed by the
sedimentary strata.&lt;/p&gt;

&lt;p&gt;Prof. John W. Gruner, of the geology department
of the University of Minnesota, discovered
(in 1925) microscopic forms of plant life
(algae) embedded in iron formations of the Vermillion
Range near Lake Armstrong, Minnesota.
Most of Minnesota’s iron deposits are due
to the algae, Dr. Gruner thinks. The growth
has the property of extracting iron from sea
water and making of it a solid shell with
which to surround itself. Accumulations of
these iron shells through millions of years
have been embedded in rock formations forming
the iron ore.&lt;/p&gt;

&lt;p&gt;Slices of rock a thousandth of an inch thick
were examined under microscopes in the search
for the algae. Algae began to flourish immediately
after the earth, in cooling (according to
one cosmological theory), got below the boiling
point. Their form is much like seaweed, and
they thrive at a temperature of 95° C. Dr. Gruner&lt;span class="pagenum" id="Page_24"&gt;24&lt;/span&gt;
estimates the age of these algae-bearing
deposits at 200,000,000 years, ten million years
earlier than previous evidence showed.&lt;/p&gt;

&lt;p&gt;If we employ the radioactivity test as a measure
of geological time, the age of these fossil
algae would have to be placed much higher—older
by hundreds of millions of years. And
the same must be said of the amphibian footprints
recently (1925) discovered in the sandstone
slabs of the Grand Canyon, by the caretaker
on Hermit’s Trail, a thousand feet below
the rim of the canyon. On the older geological
time scale, these deposits date back some 50,000,000
years (lower Carboniferous period—the
so-called “Mississippian” system). On the radium
time schedule, these figures would need to
be multiplied considerably (according to Boltwood
and Holmes, by a multiple of six or
more). It should be said, however, that on the
time deposits of Walcott and Schuchert, based
on the rate of deposition of sediments, the
lower Carboniferous (Mississippian) deposits
are not older than some 18,000,000 years.&lt;/p&gt;

&lt;p&gt;But amphibian footprints are known from the
far older Devonian period, whose strata are, on
the radium basis, some 370 million years old.&lt;/p&gt;

&lt;p&gt;Prof. Charles Schuchert, of Yale, regards the
estimates of geological time based upon the
rate of disintegration of radioactive minerals
as, on the whole, far more reliable than estimates
based upon the rate of deposition of
sediments. No scientist pretends to be able to
state exactly the age of strata by the amount
of radium lead contained in them.&lt;/p&gt;

&lt;p&gt;“In a third class of cases,” Lord Rayleigh&lt;span class="pagenum" id="Page_25"&gt;25&lt;/span&gt;
points out, “the uranium mineral, pitchblende,
occurs in a metalliferous vein, and the lead
isotope produced in the mineral is diluted with
common lead which entered into its original
composition, ... but the complications cannot,
I think, be considered to modify the broad
result.&lt;/p&gt;

&lt;p&gt;“A determination of the amount of helium in
minerals gives an alternative method of estimating
geological age; but helium, unlike lead,
is liable to leak away, hence the estimate gives
a minimum only. I have found in this way
ages which, speaking generally, are about one-third
of the values which estimates of lead
have given, and are, therefore, generally confirmatory,
having regard to leakage of helium.”&lt;/p&gt;

&lt;p&gt;Dr. Homer P. Little, of the National Research
Council, Washington, D. C., tells us (&lt;cite&gt;Scientific
American Monthly&lt;/cite&gt;, August, 1921, p. 173) that
“from both calculation and experiment it is
found that one gram of uranium will produce
helium at the rate of one cubic centimeter in
9,600,000 years. The ratio between the amount
of radium in a mineral and the amount of
helium present therefore allows us to calculate
the age of the mineral. The amount of uranium
originally present compared to that left
does not enter into the problem unless extreme
lengths of time are under consideration, because
of the fact that it is calculated to take
5,000 million years for one-half a given volume
of uranium to disintegrate.&lt;/p&gt;

&lt;p&gt;“It is perfectly true that much of the helium
generated may escape. The assumption is, however,
that in some minerals comparatively little&lt;span class="pagenum" id="Page_26"&gt;26&lt;/span&gt;
escapes: zircon, particularly, seems to be an
effective retainer. This mineral shows very
effectively the increasing ratio of helium to
uranium as consecutively older rocks are examined.
Recent or Pleistocene specimens from
Vesuvius show an apparent age of 1 million
years; Miocene specimens from the Auvergne,
France, of 6.3 million. The Devonian of Norway
furnishes specimens 54 million years in
age, and the Upper Cambrian of Colorado specimens
of 141 million years; the Archaean of
Ceylon, of the diamond-bearing rocks of South
Africa, and of certain rocks of Ontario furnish
specimens aged 286, 321 and 715 million years,
respectively.”&lt;/p&gt;

&lt;p&gt;The following table gives the mean of the
results of Professors Boltwood and Holmes’
careful studies, based upon the accumulation
of lead as a final product of the uranium
series:&lt;/p&gt;

&lt;table id="t26"&gt;
&lt;tbody&gt;&lt;tr&gt;
  &lt;td class="tdl"&gt;&lt;/td&gt;
  &lt;td class="tdc"&gt;MILLIONS OF YEARS&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Carboniferous&lt;/td&gt;
  &lt;td class="tdc"&gt;340&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Devonian&lt;/td&gt;
  &lt;td class="tdc"&gt;370&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Pre-Carboniferous&lt;/td&gt;
  &lt;td class="tdc"&gt;410&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Silurian or Ordovician&lt;/td&gt;
  &lt;td class="tdc"&gt;430&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Pre-Cambrian:&lt;/td&gt;
  &lt;td&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;&lt;span class="in1"&gt;Sweden&lt;/span&gt;&lt;/td&gt;
  &lt;td class="tdc"&gt;1,025&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;&lt;span class="in1"&gt;United States of America&lt;/span&gt;&lt;/td&gt;
  &lt;td class="tdc"&gt;1,310–1,435&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;&lt;span class="in1"&gt;Ceylon&lt;/span&gt;&lt;/td&gt;
  &lt;td class="tdc"&gt;1,640&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;

&lt;p&gt;These results, a total of 1,400,000,000 years,
greatly transcend Lord Rayleigh’s (Strutt’s)
earlier calculations regarding the antiquity
they assign to Paleozoic and Pre-Cambrian
times.&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_27"&gt;27&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;In 1918, Prof. Joseph Barrell reviewed the
various methods employed and the results obtained
in the attempt to determine from geological,
chemical and physical evidences the
time that has elapsed since the beginning of
the Cambrian Period (when abundant fossil
invertebrates are first met with), and reached
the following time estimates for the principal
divisions of the geologic record (exclusive of
the Pre-Cambrian rocks):&lt;/p&gt;

&lt;ul&gt;
&lt;li&gt;
Cenozoic time,    55,000,000 to   65,000,000 years long&lt;/li&gt;
&lt;li&gt;Mesozoic time,  135,000,000 to 180,000,000 years long&lt;/li&gt;
&lt;li&gt;Paleozoic time,  360,000,000 to 540,000,000 years long
&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The time thus established covers a period of
from 550,000,000 to 700,000,000 years, or from
ten to 15 times longer than has usually been
accepted by geologists. Pre-Cambrian time was
found to have a similar order of magnitude;
but here the evidence rests largely upon the
radioactivity of the crystalline rocks formed
during this vast period.&lt;/p&gt;

&lt;p&gt;It is now universally accepted that the time
required for the formation of the Pre-Cambrian
rocks was fully as long as, if not longer than,
that for the succeeding geological divisions.
The Archaean deposits have a vertical thickness,
in the regions north of the Great Lakes,
estimated at about 65,000 feet, or 12 miles.
Their base, as a matter of fact, has never been
reached. It is interesting to note that the
granites of Norway, Canada, Texas and East
Africa have an indicated age of 1,120,000,000
years, measured in terms of radium products.
Prof. Henry Norris Russell, of Princeton University,
concludes, from his careful investigations&lt;span class="pagenum" id="Page_28"&gt;28&lt;/span&gt;
in radioactivity, that the age of the
earth is “a moderate multiple of 1000 million
years.”&lt;/p&gt;

&lt;p&gt;Professor Joly has computed that if there
are two parts of radioactive material for every
million million parts of other matter throughout
the whole volume of the earth, and this is
considerably less than he has found on the
average in the earth’s crust, then this earth,
instead of cooling off, is actually now heating
up, so that in a hundred million years the
temperature of the core will have risen through
1,800 degrees centigrade.&lt;/p&gt;

&lt;p&gt;Dr. Millikan observes (&lt;cite&gt;Science&lt;/cite&gt;, July 9, 1921)
that this is a temperature “which will melt
almost all of our ordinary substances.... It
means that a planet that seems to be dead,
as this our earth seems to be, may, a few eons
hence, be a luminous body, and that it may go
through periods of expansion when it radiates
enormously, and then of contraction when it
becomes like our present earth, a body which
is a heat insulator and holds in its interior
the energy given off by radioactive processes,
until another period of luminosity ensues.”&lt;/p&gt;

&lt;p&gt;Lord Rayleigh’s series of researches for the
purpose of determining the quantity of radium
present in a number of representative rocks,
both igneous and sedimentary, seems to prove
that the average amount of radium in the
earth’s crust is about 20 times larger than the
amount calculated by Rutherford to be necessary
to retain its temperature unaltered. Joly’s
investigations revealed values in general agreement&lt;span class="pagenum" id="Page_29"&gt;29&lt;/span&gt;
with these, but in many cases he obtained
a value several times greater than the amount
found by Lord Rayleigh. Further investigations
showed that thorium is as widely distributed
as radium in the earth’s crust, which is
true also of uranium.&lt;/p&gt;

&lt;p&gt;“Incredible as it may appear,” remarks Rutherford,
“the radioactive bodies must have been
steadily radiating energy since the time of
their formation in the earth’s crust. While the
activity of uranium itself must decrease with
the lapse of time, the variation is so slow that
an interval measured by millions of years
would be required to show any detectible
change.”&lt;/p&gt;

&lt;p&gt;In his 1921 address to the British Association
for the Advancement of Science, Lord Rayleigh
said: “It appears certain that the radioactive
materials present in the earth are generating
at least as much heat as is now leaking out
from the earth into space. If they are generating
more than this (and there is evidence to
suggest that they are), the temperature must,
according to all received views, be rising.”&lt;/p&gt;
&lt;hr class="chap x-ebookmaker-drop"&gt;

&lt;div class="chapter"&gt;
&lt;p&gt;&lt;span class="pagenum" id="Page_30"&gt;30&lt;/span&gt;&lt;/p&gt;

&lt;h2 class="nobreak" id="CHAPTER_IV"&gt;&lt;span id="toclink_30"&gt;&lt;/span&gt;CHAPTER IV&lt;br&gt;

&lt;span class="subhead"&gt;AN EPOCH-MAKING DISCOVERY&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;

&lt;p&gt;When radium was discovered by Mme. Curie
in 1898, the effect upon the scientific world
was startling, not to say “catastrophic”—as one
author wrote at the time—since its activities
ran counter to every known principle of physical
science. “Some of the most solid foundations
of science were destroyed, some of its
noblest edifices wrecked, and scientists had to
nerve themselves to face and investigate a new
form of energy.”&lt;/p&gt;

&lt;p&gt;So soon as radium compounds (salts) became
available, however, the amount of energy given
out in radioactive processes—the emission of
powerful radiations which can be transformed
into light and heat—was measured; and it was
found that radium, weight for weight, gives out
as much heat as any known fuel every three
days, and in the course of fifteen years releases
a quantity of energy nearly 2,000 times as
much as is obtained from the best fuel, with
no signs of exhaustion (Soddy). In the combustion
of coal, the heat evolved is sufficient to
raise a weight of water some 80 to 100 times
the weight of the fuel from the freezing-point
to the boiling-point. The spontaneous heat from
radium is sufficient to heat a quantity of water
equal to the weight of radium from the freezing-point
to the boiling-point every three-quarters
of an hour. In other words, a pound of&lt;span class="pagenum" id="Page_31"&gt;31&lt;/span&gt;
radium contains and evolves in its changes the
same amount of energy as 100 tons or more of
coal evolve in their combustion.&lt;/p&gt;

&lt;p&gt;In ordinary chemical changes it is the &lt;em&gt;molecules&lt;/em&gt;
(groups of atoms) which are altered or
rearranged; in radioactive change the atoms
themselves suffer disintegration and rearrangements.
The energy of radioactivity, then, is—according
to the accepted view—intra-atomic—stored-up
energy within the atom itself. It
was calculated by Prof. Curie that the energy
of one gram of radium would suffice to lift a
weight of 500 tons to a height of one mile.
If it were possible to obtain one cubic centimeter
(a thimbleful) of the “emanation” from
radium in the form of a gas, we should find
that it possessed the power, altogether, of
emitting more than seven million calories of
heat! A thimbleful of this invisible gas would
be more than sufficient to raise 15,000 pounds
of water 1°. But in every mass of radium,
small or large, not more than 13 trillionths of
it is undergoing change per second.&lt;/p&gt;

&lt;p&gt;“The processes occurring in the radio-elements,”
says Rutherford again, “are of a character
quite distinct from any previously observed
in chemistry. Although it has been
shown that the radioactivity is due to the
spontaneous and continuous production of new
types of active matter, the laws which control
this production are different from the laws of
ordinary chemical reactions. It has not been
found possible in any way to alter either the
rate at which the matter is produced or its
rate of change when produced. Temperature,&lt;span class="pagenum" id="Page_32"&gt;32&lt;/span&gt;
which is such an important factor in altering
the rate of chemical reactions, is, in these
cases, entirely without influence. In addition,
no ordinary chemical change is known which
is accompanied by the expulsion of charged
atoms with great velocity.... Besides their
high atomic weights, [they] do not possess in
common any special chemical characteristics
which differentiate them from the other elements.”&lt;/p&gt;

&lt;p&gt;It was early observed by Curie and Laborde
that the temperature of a radium salt is always
a degree or two above that of the atmosphere,
and they estimated that a gram of pure radium
would emit about 100 gram-calories per hour.
Giesel later showed that radium was always at
a temperature 5° higher than the surrounding
air, regardless of what the temperature of the
air might be. This continues unchanged
whether the temperature of the surroundings
be 250° below zero Centigrade, or in the intense
heat of an electric furnace.&lt;/p&gt;

&lt;p&gt;“Perhaps,” remarks a writer in &lt;cite&gt;The Scientific
American&lt;/cite&gt; (February, 1922), “there will
come a time when we shall use the energy in
the atoms to drive our machines, cook our food
and heat our rooms. Besides, already today we
are actually using—even if only a very tiny
part—the atomic energy. Thus, for instance,
the rays emanating from radium are used for
therapeutic purposes and the electrons emanating
from a glowing filament can be directed
so easily that they can be used in a large number
of apparatus for wireless telegraphy and
telephony. Most probably plants also make use&lt;span class="pagenum" id="Page_33"&gt;33&lt;/span&gt;
of this energy in their growth because it has
been demonstrated that the rays of the sun
liberate electrons from the green leaves, and
lastly it may also be mentioned that we humans
use a little of this intra-atomic energy when
seeing with our eyes, which we are enabled to
do by the photoelectric action of light.”&lt;a class="fnanchor pginternal" href="#Footnote_1" id="FNanchor_1"&gt;A&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;During the course of the process of disintegration,
atoms of uranium and thorium and
their products give rise to no fewer than 36
different substances (A. S. Russell), and of
these at least a dozen are “new elements.”&lt;/p&gt;

&lt;p&gt;All of the 36 radioactive elements are disintegration
products of one or the other of the
two parent elements, uranium and thorium.
They are arranged by the chemist in three
series: namely, Uranium 1, Uranium 2 (the
Actinium Series), and Thorium. In the first
series there are known to be 15 transmutations
of matter; in the second, 11; and in the third,
10. The periods of “half change”—the period
required for one-half of a given quantity of a
radioactive element to decompose—of the different
radioactive elements vary all the way
from thousands of millions of years for the
longest lived primary elements—2.6x10&lt;sup&gt;10&lt;/sup&gt; years
for thorium, 8x10&lt;sup&gt;9&lt;/sup&gt; for uranium 1—to .002 second
for actinium A. In the case of radium itself,
1,670 years are demanded for the disintegration
of half of any portion, according to the
exact measurements of Profs. B. O. Boltwood
and Ellen Gleditsch. The stable end product
appears to be in each case an &lt;em&gt;isotope&lt;/em&gt; of lead—leads&lt;span class="pagenum" id="Page_34"&gt;34&lt;/span&gt;
having similar chemical properties but
of different &lt;em&gt;atomic weights&lt;/em&gt; (&lt;i&gt;i.e.&lt;/i&gt;, different
atomic composition).&lt;/p&gt;

&lt;div class="footnote"&gt;

&lt;p&gt;&lt;a class="label pginternal" href="#FNanchor_1" id="Footnote_1"&gt;A&lt;/a&gt; See Shipley, Maynard, “Electricity and Life,”
ch. vi., Little Blue Book No. 722.&lt;/p&gt;

&lt;/div&gt;

&lt;p&gt;Isotopes are groups of elements which cannot
be distinguished (or separated from) one
another by any known chemical methods, and
which differ only in the atomic weights of
the members of the group. In the radioactive
groups, the various elements differ also in degree
of stability of their atoms.&lt;/p&gt;

&lt;p&gt;Chemists cannot actually weigh the mass of
an atom of an element on a pair of scales, or
by any other method. But if we put down 16
as the “atomic weight” of oxygen, and ascertain
the “combining weight” (ratio) of hydrogen to
oxygen, we can determine the “atomic weight”
of hydrogen (1.008). (See Shipley, “The A B C
of the Electron Theory of Matter,” p. 14, Little
Blue Book, No. 603.) The ratio of the masses
of &lt;em&gt;any&lt;/em&gt; two elements in a chemical compound
can be very accurately determined. Without
going into the details here, it may be said that
the &lt;em&gt;relative&lt;/em&gt; weights of the atoms of any element
can be determined to 0.01% in many
cases (by chemical analysis and synthesis);
while the &lt;em&gt;actual&lt;/em&gt; weight of any atom has not
yet been determined to better than 0.1%.&lt;/p&gt;

&lt;h3 id="toclink_34"&gt;HOW RADIUM IS CONVERTED TO LEAD&lt;/h3&gt;

&lt;p&gt;Lead is produced from uranium by a successive
series of losses of Alpha particles—or
helium atoms. Omitting the less essential outcomes,
or transition stages, we find that each
atom of uranium spontaneously ejects three
atoms of another element, helium, and thereby&lt;span class="pagenum" id="Page_35"&gt;35&lt;/span&gt;
is converted into still another element, radium.
By losing one atom of helium, radium, in turn,
is converted into the so-called emanation, or
&lt;em&gt;niton&lt;/em&gt;. The latter quickly loses four more
atoms of helium and is converted into lead,
“uranium lead,” having an atomic weight of
206.08. Ordinary (common) lead, constituting
the vast bulk of the lead of the world, has a
much higher atomic weight, namely, 207 (Prof.
Theodore Richards). Lead from thorium has
an atomic weight of 208; from actinium, 206.
So we have, in fact, four kinds of lead.&lt;/p&gt;

&lt;p&gt;Omitting the less stable transition products,
we may say, then, that an atom of uranium is
converted into lead by the loss of eight atoms
of helium—losing three to become radium, then
one to become the emanation, and finally four
to become lead. No known human agency can
either retard or hasten this breaking down of
the uranium atom into radium, or of the
radium into emanation, with the final production
of lead.&lt;/p&gt;

&lt;p&gt;This statement has been universally accepted
as true. Nevertheless, Dr. A. Glaschler stated
(&lt;cite&gt;Nature&lt;/cite&gt; [London], September 12, 1925) that
he had succeeded in accelerating the change of
uranium to uranium X (the first product of
uranium 1) by submitting uranium oxide to
“strong rushes of momentary high-tension currents.”
As early as 1923, A. Nodon (&lt;cite&gt;Comp.
rend., 176&lt;/cite&gt;, 1705 [1923]) brought forward
strong evidence of an increase of the activity
of radioactive substances when outdoors and
enclosed by envelopes of small absorbing power
for Gamma rays as contrasted to the smaller&lt;span class="pagenum" id="Page_36"&gt;36&lt;/span&gt;
radioactivity of the same substances in cellars
and when heavily enveloped by lead. For a
tentative explanation of this phenomenon, see
&lt;cite&gt;Science&lt;/cite&gt;, January 8, 1926 (Vol. LXIII, No. 1619),
pp. 44–45.&lt;/p&gt;

&lt;p&gt;Both uranium and thorium, as we have just
stated, break down and become radium, then
change to helium and lead.&lt;/p&gt;

&lt;p&gt;Says Rutherford: “Although thorium is
nearly always present in old uranium minerals
and uranium in thorium minerals, there does
not appear to be any radioactive connection
between these two elements. Uranium and
thorium are to be regarded as two distinct
radioactive elements.&lt;/p&gt;

&lt;p&gt;“With regard to actinium, there is still no
definite information of its place in the scheme
of transformations. Boltwood has shown that
the amount of actinium in uranium minerals is
proportional to the amount of uranium. This
indicates that actinium, like radium, is in
genetic connection with uranium....”&lt;/p&gt;

&lt;p&gt;The recently discovered product, &lt;em&gt;protoactinium&lt;/em&gt;,—isolated
by Hahn and Soddy,—is the
hitherto missing link between uranium Y and
actinium. “This substance emits Alpha rays
and has an estimated period of 10,000 years.
The actinium series is believed to have its
origin in a dual transformation of uranium X.
The first branch product, representing about
4% of the total, is believed to be uranium Y,
a Beta-ray product of period one day. This is
directly transformed into protoactinium.” This
element has not yet been obtained in a pure
state.&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_37"&gt;37&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;Many of the radioactive elements are isotropic
with known chemical elements—&lt;i&gt;i.e.&lt;/i&gt;,
alike in their chemical properties, but dissimilar
in radioactive properties. Since they cannot
be distinguished—or separated—from the
ordinary elements with which they are isotropic,
by any chemical methods, they must
occupy the same place in the periodic classification
of the elements. Radium and mesothorium,
for example (as Soddy was first to
show) do not have the same atomic weight,
but they cannot be distinguished from each
other by any chemical methods. Therefore they
both have the atomic &lt;em&gt;number&lt;/em&gt; 88, though the
atomic &lt;em&gt;weight&lt;/em&gt; of radium is 226 and of mesothorium
228. (See Shipley, “Origin and Development
of the Atomic Theory,” p. 64, Little
Blue Book, No. 608.) Radium D and lead, and
thorium and ionium, are examples of radioactive
isotropes.&lt;/p&gt;

&lt;p&gt;The nature of the end-product was first suggested
by Boltwood, who pointed out the invariable
presence of lead in old radium minerals,
and in amount to be expected from their uranium
content and geologic age. “Thus,” says
Prof. T. W. Richards, of Harvard University,
“we must adopt a kind of limited transmutation
of the elements,” although not of the
immediately profitable type [gold] sought by
the ancient alchemists.”&lt;/p&gt;

&lt;p&gt;Sir Ernest Rutherford, who succeeded Sir
J. J. Thomson as Cavendish Professor of Physics
at Cambridge University, was first to recognize
that the rays from uranium and radium
were not all alike, but consisted of three distinct&lt;span class="pagenum" id="Page_38"&gt;38&lt;/span&gt;
kinds. In order to distinguish them clearly,
without committing himself in advance as
to their exact nature, he christened them Alpha,
Beta, and Gamma rays—the first three letters
of the Greek alphabet. We know now that the
Alpha rays are positively charged helium
atoms, with two negative electrons missing;
that the Beta rays are negatively charged electrons
(disembodied “particles” of electricity,
exactly like cathode rays); and that the Gamma
rays are a type of X-rays, not material particles
but merely extremely short magnetic
waves or oscillations, akin to ordinary light
waves or rays.&lt;/p&gt;

&lt;p&gt;Dr. R. A. Millikan calls them “the wireless
waves of the denizens of the sub-atomic world.
They are ether waves, just like light or just
like wireless waves, except that the vibration
frequency ... amounts to 30 billion billions per
second. These are the Gamma rays.” This
means that this number of light waves would
pass a given point in space each second. Since
these rays do not consist of charged particles
they are not deflected by electromagnetic or
electrostatic fields, as are the Alpha and Beta
rays. It has been found that one gram of
radium ejects 136,000,000,000 particles a second!&lt;/p&gt;

&lt;p&gt;The Gamma rays of radium have such penetrating
power that a half-inch sheet of lead
will reduce their original intensity by only
one-half, and they are not absolutely stopped
by 20 inches. These invisible light waves,
thousands of times shorter than those of visible&lt;span class="pagenum" id="Page_39"&gt;39&lt;/span&gt;
light, are produced whenever a cathode ray
(negative electron) hits matter. Of the atoms
forming the substance penetrated, perhaps only
one in a billion is struck. It has been said
that the Gamma rays (and X-rays) are the
result of the back-kick of ejected electrons.
Prof. Comstock says that the connection between
the Beta rays and the Gamma rays “is
probably similar to that between the bullet and
the sound in the case of a gun.” However this
may be, we know that the Gamma rays are,
after all, in essence only excessively minute
light waves. While the longest visible light
waves are 0.00008 centimeter, the longest Gamma
rays are 0.000000013 centimeter; and whereas
the shortest visible light waves are 0.00004
centimeter, the shortest Gamma rays are but
0.0000000007 centimeter.&lt;/p&gt;

&lt;p&gt;The Beta particles are ejected with a velocity
of from 90,000 to 160,000 miles a second.&lt;/p&gt;

&lt;p&gt;Prof. Gustave Le Bon calculated that it would
require 340,000 barrels of powder to discharge
one bullet at this inconceivable speed! These
negatively charged electrons normally revolve
around the positively charged nucleus. Under
certain conditions, an electron will make 2200
billion revolutions within an atom in one second.&lt;/p&gt;

&lt;p&gt;Radium is not only continually losing matter
and energy as electricity, but it is also losing
energy as heat. Professor and Mme. Curie discovered
that any substance placed near radium
becomes itself a &lt;em&gt;false&lt;/em&gt; radium. This applies to
all substances. The acquired radioactivity persists&lt;span class="pagenum" id="Page_40"&gt;40&lt;/span&gt;
for many hours, or even days, after the
removal of the radium. In the case of zinc,
these secondary radiations were found to be
four times as intense as ordinary uranium. It
vanishes sooner or later upon the removal
from the neighborhood of the potent radium.&lt;/p&gt;

&lt;p&gt;The radioactive something which passes out
of radium was not the already known group of
Alpha, Beta and Gamma rays, but an &lt;em&gt;emanation&lt;/em&gt;
akin to gas. Rutherford, its original discoverer,
was not sure that it was a gas, so he
cautiously gave it the name &lt;em&gt;emanation&lt;/em&gt;. When
the radium was heated, or dissolved in water,
the quantity of emanation was greatly increased,
which seemed to show that it was a gas
of some kind occluded (bound up) in the radium.
The quantity obtained was insufficient to
bring the emanation within the testing power
of spectroscope or balance.&lt;/p&gt;

&lt;p&gt;Nevertheless, the emanation has been detected,
and investigated by the electroscope, which
measures the radium rays by the power to discharge
its electrified gold leaves. “The electroscope
is about a million times more sensitive
than the most sensitive spectroscope and yet
the spectroscope is capable of detecting easily
the millionth part of a milligram of matter”
(Duncan).&lt;/p&gt;

&lt;p&gt;Calculations made by Rutherford show that
if a thimbleful of this active gas could be collected,
the bombardment of its powerful rays
would heat to a red heat, or even might melt
down, the walls of the glass containing it. The
emanation emits only Alpha rays (or particles)
forming helium.&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_41"&gt;41&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;The radium from which the emanation has
been abstracted, after the lapse of an hour or
so, loses 75% of its activity. During the course
of a single month, radium will be found to
have restored all its lost emanation. In thirty
days it will have regained all its original
activity. It was soon discovered that the emanation
abstracted from the radium loses its
radioactivity at the same rate and according to
the same laws as the de-emanated radium regains
it. The radium is therefore said to be
“in equilibrium with its products.”&lt;/p&gt;

&lt;p&gt;Since these processes are wholly outside the
sphere of known controllable forces, and cannot
be created, altered or destroyed—“since the
process is independent of the chemical form of
the radium, whether bromide, chloride, sulphate,
etc., we are absolutely shut up to the
conviction that it is a function of the atom.
We are in the presence of an actual decay of
the atom. The atom of radium breaks down
into atoms of emanation and the atoms of emanation
in their turn break down into something
else. The activity of emanation decays
and falls to half value in about 3.7 days.”&lt;/p&gt;

&lt;p&gt;Although the amount of emanation produced
from a gram of radium does not amount to
more than a needle-point of the gas (= 1.3 cubic
millimeter), this is sufficient to raise the temperature
of 75 grams of water 1° per hour,
which is enough heat to melt &lt;em&gt;more than its
own weight of ice&lt;/em&gt; in an hour, and to raise it
to the boiling-point in the next hour, which is
equivalent to 60,000 horse-power days! In other
words, the heat evolved by the radium emanation&lt;span class="pagenum" id="Page_42"&gt;42&lt;/span&gt;
is more than 3,500,000 times greater than
that produced in any known chemical reaction:
such as, for example, the union of oxygen and
hydrogen to form water.&lt;/p&gt;

&lt;p&gt;It was soon discovered that if the spectrum
of this mysterious gas—or radium emanation—be
examined again after an interval of about
four weeks, it has changed into a familiar spectrum
easily recognized as that of the gaseous
element known as helium. Here the chemist
comes face to face with the astounding fact
that the element radium is decomposed and produces
another element, helium—a discovery
made by Ramsay and Soddy in the summer of
1903.&lt;/p&gt;

&lt;p&gt;In the successive radioactive changes, one
Alpha particle (sometimes called “ray”) is
ejected from each atom disintegrated by the
change—in some cases, at least, accompanied
by Beta particles (negative electrons). The
Alpha particle, as already stated, is really an
atom of helium carrying two atomic charges
of positive electricity—twice that of an atom
of hydrogen. Strictly speaking, the Alpha particle
is only the &lt;em&gt;nucleus&lt;/em&gt; of a helium atom,
since it has lost two of its negatively charged
electrons, which are combined in the ordinary
helium atom. The exact velocity of the expelled
Alpha particle “varies in the different
radioactive elements” (Joly)—say from 10,000
to 18,000 miles each second—a velocity sufficient
to carry the particle around the earth
in less than two seconds, if unchecked.&lt;/p&gt;

&lt;p&gt;But these relatively heavy particles (of
atomic size) are actually soon checked, even&lt;span class="pagenum" id="Page_43"&gt;43&lt;/span&gt;
by seven centimeters (about a third of a foot)
of air. The Beta particle (1,845 the mass of a
hydrogen atom) “shoots a hundred times as
far [as the Alpha particle] and the Gamma
rays are a hundred times more penetrating
still” (Millikan). But the Alpha particle is
sometimes ejected with a velocity nearly 40,000
times that of a rifle bullet,—the velocity of the
latter being about half a mile a second. Even
the super-guns which bombarded Paris could
not eject a projectile with a speed of more than
about a mile a second. Rutherford observes
that if it were possible to give an equal velocity
to an iron cannon ball, the heat generated on
a target would be many thousand times more
than sufficient to melt the cannon ball and dissipate
it into vapor.&lt;/p&gt;

&lt;p&gt;The flashes of light seen when the Alpha
rays bombard a screen of zinc sulphide, as in
Crookes’ spinthariscope, are due to cleavages
produced in the zinc sulphide crystals by the
impact of the Alpha rays (positive ions). Each
impact on a crystal produces a splash of light
big enough to be seen by a microscope.&lt;/p&gt;

&lt;p&gt;In the phosphorescence caused by the approach
of an emanation of radium to zinc sulphate,
the atoms throw off the Alpha (helium)
particles to the number of five billion each
second, with velocities of 10,000 miles or more
a second. If the helium projectile should chance
to “crash” into an atom of nitrogen or of
oxygen, an atom of hydrogen can be knocked
out of it, as was discovered by Sir Ernest
Rutherford, perhaps the most distinguished of
Mme. Curie’s pupils. (Strictly speaking, the&lt;span class="pagenum" id="Page_44"&gt;44&lt;/span&gt;
disintegration particles are isotropes of helium,
of atomic weight 3, the atomic weight of helium
being 4.) Despite its large size as compared
with an electron (or Beta particle), the Alpha
particle passes through a glass wall without
leaving a hole behind, and without in any way
interfering with the molecules of the glass. It
shoots through hundreds of thousands of atoms
without ever going near enough to them to be
deflected from its course.&lt;/p&gt;
&lt;hr class="chap x-ebookmaker-drop"&gt;

&lt;div class="chapter"&gt;
&lt;p&gt;&lt;span class="pagenum" id="Page_45"&gt;45&lt;/span&gt;&lt;/p&gt;

&lt;h2 class="nobreak" id="CHAPTER_V"&gt;&lt;span id="toclink_45"&gt;&lt;/span&gt;CHAPTER V&lt;br&gt;

&lt;span class="subhead"&gt;RADIUM IN THE TREATMENT OF CANCER&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;

&lt;p&gt;The action of radium on human tissues was
unknown until 1896, when Prof. Henri Becquerel
of Paris, having incautiously carried a lump of
pitchblende in his pocket, discovered on his
skin, within two weeks, a severe inflammation,
or ulcer, which was known as the famous
“Becquerel burn.” As physicians of the nineteenth
century were accustomed to burn out
cancers with caustics, the idea occurred to
them that the application of radium might
prove to be an improvement on the older
method.&lt;/p&gt;

&lt;p&gt;It has proved to be so, affording in many
cases not only relief, but in some instances,
even a cure, not only for cancer, but for many
other ailments—as we shall see presently. Since
that time active investigation into the action
of radium on diseased tissues has been carried
on, resulting in the establishment in Paris
of the “&lt;i lang="fr"&gt;Laboratoire biologique du Radium&lt;/i&gt;,”
and also of the Radium Institute of Vienna,
followed by the establishment of somewhat
similar institutions in various other countries,
notably in England and the United States.&lt;/p&gt;

&lt;p&gt;One of the most famous institutions for
radiotherapy is the recently established Radium
Institute of Paris, under the management of
Mme. Curie and Professor Debierne. This is
composed of two distinct compartments. In one&lt;span class="pagenum" id="Page_46"&gt;46&lt;/span&gt;
the scientific properties of radium are studied,
while the other is devoted to its therapeutic
applications. Dr. Regaud, who is in charge of
the latter department (a branch of the widely
known Pasteur Institute), endeavors to cure
cancer and tumors by application of radium and
X-rays.&lt;/p&gt;

&lt;p&gt;New York City boasts a magnificently
equipped Radium Institute, under the directorship
of Dr. C. Everett Field. And an even more
famous institution is that founded by the Mayo
brothers, in Rochester, Minnesota, where these
eminent surgeons had accumulated an entire
gram of radium as early, at least, as 1920—the
largest amount owned by private individuals.
This great institution—now known as the Mayo
Foundation—is no longer privately owned, but
it is still under the direction of the Mayos.&lt;/p&gt;

&lt;p&gt;Radiotherapy (or, in France, &lt;em&gt;curietherapy&lt;/em&gt;,
in honor of the discoverer of radium) or the
treatment of various diseases by radioactive
substances, has not been applied so extensively
as has treatment by X-rays (Roentgen rays),
produced in vacuum tubes. On the other hand,
the X-rays are not so effective (as usually applied)
in the treatment of certain morbid conditions
as are the more penetrating Gamma
rays from radioactive substances; though the
latter are essentially identical with X-rays—swift
Beta particles, or negative electrons—of
very short wave-length. To produce X-rays as
penetrating as the Gamma rays, about two million
volts would have to be “cut” on the discharge
tube.&lt;/p&gt;

&lt;p&gt;The Alpha rays are not often used in medical&lt;span class="pagenum" id="Page_47"&gt;47&lt;/span&gt;
practice, and have little penetrating power.
They are stopped by 3½ cm. of air, or by a
thin sheet of paper. They are employed only in
the way of radium “emanation” (a gas) dissolved
in saline solution, or by the use of
needles upon which active deposit from radium
emanation has been collected. “In either case
the emanation water or the active deposit
needles must be introduced into the system—whether
intravenously or into the solid tissues,—otherwise
the Alpha rays would have no
power to act. In either case, too, they act along
with the Beta and Gamma rays produced by
the active deposit” (Lozarus-Barlow).&lt;/p&gt;

&lt;p&gt;Beta radiation is used only for superficial
conditions and always in conjunction with
Gamma radiation. “Instead of a radium salt,
one of its products, viz., radium emanation, is
often employed chemically. No essential difference
is introduced by the use of this emanation
excepting that its intensity undergoes a progressive
diminution with time, since it falls
to half value in 3.85 days. Early rodent cancer,
certain conditions of the eyelids, some cutaneous
non-malignant tumors and birth-marks,
are treated successfully in this way.”&lt;/p&gt;

&lt;p&gt;Physicians of the Memorial Hospital, New
York City, announced in October, 1925, that by
filtering out 90% of the caustic Beta rays
emanating from radium and the high voltage
X-ray tube, and using principally the healing
and stimulating Gamma rays, radiation treatment
of cancer of the tongue, lips, nose, ears
or other part of the head has been greatly improved.&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_48"&gt;48&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;In the first six months after the new method
was begun, more than 100 cases had been treated
with what were considered very satisfactory
results. Owing to the elimination of the caustic
rays, much stronger applications of the beneficial
rays can be used, and painful effects are
largely obviated.&lt;/p&gt;

&lt;p&gt;If experience and special research lead
eventually to successful treatment of cancer, it
will be a great boon to the human race. The
United States leads the world in deaths from
this dread disease, with its average of 90 per
100,000 of the population. The mean average
of cancer deaths in Europe is 76, in Asia 54,
in Africa 33, in Oceania 73. Several races, including
the American Indians, are stated to
be entirely free from cancer, and others are
partially immune. The Japanese, for example,
are subject to all forms except cancer of the
breast. Eighty-five percent of Americans afflicted
with this malady are persons over 40
years of age.&lt;/p&gt;

&lt;p&gt;Science Service states that a careful analysis
of cancer statistics gathered by the United
States Census Bureau over a period of about
20 years in ten Eastern states reveals definitely
that cancer mortality is from 25 to 30%
higher than it was about 20 years ago. This
is the claim of Dr. J. W. Schereschewsky, of the
United States Public Health Service, who made
the statistical analysis and reported it to the
American Medical Association. “There has been
a pronounced increase in the observed death
rate from cancer in persons 40 years old and
over in the ten states comprising the original&lt;span class="pagenum" id="Page_49"&gt;49&lt;/span&gt;
death registration area,” Dr. Schereschewsky
said. “Part of this increase is due to greater
precision and accuracy in the filling out of
death returns, but the remainder is an actual
increase in the mortality of the disease.”&lt;/p&gt;

&lt;p&gt;The only way to stop the ravages of cancer,
says the Paris Academy of Medicine, is to
diagnose it early—in time for operation. For
this to be practicable, physicians must be specially
instructed. Family doctors are often
ignorant of all but a few forms of cancer and
do not recognize it in its first manifestations.
Women of 40 to 50 are apt to consider little
irregularities of bleeding to be associated with
the menopause and therefore harmless. Often
this is right, but unfortunately the bleeding
from an early cancer may not differ in the
slightest degree from such harmless irregularities
and by the time other symptoms have developed,
the cancer has perhaps grown through
the wall of the uterus and has spread to regions
where no treatment can hope to reach
it. The only safe rule to go by is to seek
expert investigation for any unusual or irregular
bleeding or discharge, however slight, especially
if these occur at or near the “change of
life.”&lt;/p&gt;

&lt;p&gt;One phase of this subject of special interest
is that of the use of radium in the treatment of
cancer, especially of the neck or lower end of
the uterus. There is already sufficient evidence
to warrant the statement that some cancers of
this region have been permanently cured by
radium alone. And as a relief measure in the
late and hopeless stages of the disease, radium&lt;span class="pagenum" id="Page_50"&gt;50&lt;/span&gt;
prolongs life, relieves pain and adds much to
the comfort of the victim.&lt;/p&gt;

&lt;p&gt;It has been amply demonstrated that radium
treatment increases the permanency of the results
obtained by surgery, and often converts
inoperable into operable cases.&lt;/p&gt;
&lt;hr class="chap x-ebookmaker-drop"&gt;

&lt;div class="chapter"&gt;
&lt;p&gt;&lt;span class="pagenum" id="Page_51"&gt;51&lt;/span&gt;&lt;/p&gt;

&lt;h2 class="nobreak" id="CHAPTER_VI"&gt;&lt;span id="toclink_51"&gt;&lt;/span&gt;CHAPTER VI&lt;br&gt;

&lt;span class="subhead"&gt;EFFICIENCY OF RADIUM IN TREATMENT OF
VARIOUS DISEASES&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;

&lt;p&gt;In 1923, Dr. R. E. Loucks, president of the
American Radium Society, announced that
toxic goiter had been cured by radium. Exophthalmic
goiter has been, in most cases, successfully
treated by irradiation. Just how the cure
is effected is still unknown; for the thyroid
body from animals exposed for many hours to
the Gamma irradiations of radium bromide
shows no perceptible histological changes. Yet
far less radiation produces marked changes in
the tadpoles derived from normal ova fertilized
by spermatazoa which have been radiated in
the frog, though no testicular changes can be
detected with certainty (Encyclopaedia Britannica,
Vol. 32, p. 224, 12th Ed.).&lt;/p&gt;

&lt;p&gt;Among other diseases which have been more
or less successfully treated by radium may be
mentioned lupus vulgarus, epithelial tumors,
syphilitic ulcers, chronic itching of the skin,
papillomata (an epithelial tumor formed by
hypertrophy of the papillae of the skin or
mucuous membrane, as a corn or a wart), angiomata
(tumor composed chiefly of dilated
blood or lymph vessels), pigmentary naevi
(blemish of the skin due to pigment, as a birth-mark),
and pruritus (itching). Radium has
been particularly effective in treating serious
affections of the eyes, as was first fully demonstrated&lt;span class="pagenum" id="Page_52"&gt;52&lt;/span&gt;
by Dr. Walter S. Franklin and Frederick
C. Cordes, of San Francisco.&lt;/p&gt;

&lt;p&gt;The most brilliant successes of radium have
been in those cases “where some serious complicating
ailment, such as heart disease, tuberculosis,
Bright’s disease, or an extreme
anemia, contra-indicates anesthesia or any
procedure which will tax the patient’s vital resources;
radium steps in and does its work
quietly, imperceptibly and, indeed, without the
slightest risk to life.”&lt;/p&gt;

&lt;p&gt;Dr. Howard A. Kelly, of Johns Hopkins University,
has been very successful in curing
swollen masses of glands on the sides of the
neck, cancer of the thyroid and of the cervix,
and sarcoma of the chest. Dr. E. S. Molyneaux
of London, has cured obdurate cases of tubercular
glands in the neck, a disease rather frequent
among children. Thanks to the patient
researches of Dr. John A. Marshall, associate
professor of biochemistry and dental pathology
at the University of California, it is now known
that a radioactive liquid may be used for sterilizing
infected tissue. Experiments employing
the radioactive liquid in the treatment of root
canals have been conducted at the George
Williams Hooper Foundation for Medical Research
and at the College of Dentistry of the
University of California.&lt;/p&gt;

&lt;p&gt;Within the time that the new antiseptic has
been in use at these colleges, 85% of all the
cases treated have been successful; and, with
one exception, no soreness or pain has followed
its use. This radioactive preparation is
a solution of radium salts, “Radium D plus E,”&lt;span class="pagenum" id="Page_53"&gt;53&lt;/span&gt;
which results from the decomposition of radium
emanation, which, readily soluble in water, possesses
definite radioactive properties. In making
the solution the tiny capillary tubes containing
the decomposed radium are crushed under
water in a mortar and the liquid is then
ready for use in the treatment of an ulcerated
root of a tooth.&lt;/p&gt;

&lt;p&gt;Dr. Marshall had been working with radium
for months before admitting the success of his
investigations, which were conducted in a long
series of experiments on the lower animals.
“Microscopic examinations of abscessed tissue,”
he said, “which have been treated with radioactive
solutions, indicate that the bacteria producing
the affection were killed. And in no
cases observed has the treatment produced
radium burns; the amounts used have been too
small and the effects of too transitory a nature.
That sterilization of tissue can be produced,
however, seems apparent.&lt;/p&gt;

&lt;p&gt;“The discovery is purely of academic interest
because of the fact that radium is too expensive,
and it is possible to obtain it only in
limited quantities; so that the chief value of
the discovery will rest in the fact that it will
stimulate further work for the identification of
more accessible material.”&lt;/p&gt;

&lt;p&gt;In external treatment by radium itself, emanations
from a certain quantity of radium are
allowed to focus on parts of the body over the
diseased organs. Thus the curative functions
of the diseased portion are stimulated to activity.
The atrophying of diseased tonsils has&lt;span class="pagenum" id="Page_54"&gt;54&lt;/span&gt;
been the most successful use of this form of
treatment.&lt;/p&gt;

&lt;p&gt;In the destruction of disease germs the radium
emanation has been found more useful
than the direct rays. The emanations kill or
check the growth of anthrax, typhoid, and
diphtheric germs. The direct rays are efficient
in the relief of severe cases of enurites and
facial neuralgia, cancer, tumors, affections of
the skin and abnormal growths. Dr. Guyenot
has proved that radium effects a complete cure
for rheumatism, which he accounts for in these
words: “Uric acid circulates in the blood in
the form of urate of soda, of which there are
two isomeric forms differing from each other
by their respective solubility in the blood
plasms. The soluble salt is converted into an
insoluble form.” Radium breaks up this compound.
The “rheumatism” disappears.&lt;/p&gt;
&lt;hr class="chap x-ebookmaker-drop"&gt;

&lt;div class="chapter"&gt;
&lt;p&gt;&lt;span class="pagenum" id="Page_55"&gt;55&lt;/span&gt;&lt;/p&gt;

&lt;h2 class="nobreak" id="CHAPTER_VII"&gt;&lt;span id="toclink_55"&gt;&lt;/span&gt;CHAPTER VII&lt;br&gt;

&lt;span class="subhead"&gt;WHERE WE GET RADIUM&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;

&lt;p&gt;The extraction process consists in eliminating
the various substances in the ore until
only the radium salts are left. But, in the case
of carnotite, more than 900 different operations,
requiring six months of labor, are required between
the digging of the ore and the production
of a gram of pure radium salt. A solution
containing barium and radium salts in the ratio
of ten parts of radium to a billion is treated
with sulphate to precipitate an insoluble “raw
sulphate of barium.”&lt;/p&gt;

&lt;p&gt;Radium ores are generally found in connection
with granitic masses—&lt;i&gt;i.e.&lt;/i&gt;, in places where
granite forms at least part of the rock of the
country. The carnotite ore usually consists of
a thin layer of sandstone which crops out on
the side of a canyon wall and is recognized by
the characteristic sulphur-yellow color. The
narrow seams are usually in the form of
pockets, so that the value of a claim is dubious
until it has been thoroughly explored and
worked.&lt;/p&gt;

&lt;p&gt;Most of the original radium minerals, such
as uraninite, samarskite, and brannerite, are
black and have a shiny fracture and a high
specific gravity. These minerals are, however,
rarely found in commercially valuable quantities.&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_56"&gt;56&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;Pitchblende, the richest source of radium,
has the same composition as uraninite and the
same general appearance, except that it shows
no crystal form. It occurs in veins. There are
extensive deposits of pitchblende or uraninite
at Joachimstahl, Bohemia (Czecho-Slovakia),
containing from 30 to 70 per cent uranium
oxide, from which the radium is extracted.
But here the uranium ore occurs in small
pockets in widely separated localities, so that
it is merely a by-product of other mining operations.
However, after separation of the uranium
from the ore, the residues are three to
five times as radioactive, weight for weight, as
the uranium. The amount of radium in old unaltered
mineral is always proportional to its
content of uranium in the ratio of 3.3 parts of
radium by weight to ten million parts of
uranium.&lt;/p&gt;

&lt;p&gt;New radium ore fields were discovered in
Czecho-Slovakia in 1922. The production of
radium in that country increased from .7746
gram in 1911, to 1.7118 grams in 1915, and
2.2310 grams in 1920. In 1922, steps were taken
to modernize the plants in the Jachcymov district
(Bohemia), where the known supply will
last 20 years at the present rate of production—a
little more than two grams a year.&lt;/p&gt;

&lt;p&gt;The famous Joachimstahl pitchblende deposits
were a monopoly of the Austrian Government
before the World War, but they are now
being worked by the Imperial and Foreign
Corporation of London, under an agreement
with the Czecho-Slovak Government. In 1922
a loan of two grams of radium (valued at&lt;span class="pagenum" id="Page_57"&gt;57&lt;/span&gt;
more than $300,000) was made to Oxford University,
for a period of fifteen years. This material
is being used for experimental purposes
by Prof. Frederick Soddy, of Oxford, and his
associates. It has been stated that one of the
chief objectives is the discovery of a method
for the release and control of intra-atomic
energy.&lt;/p&gt;

&lt;p&gt;Pitchblende has been found in only a few
places—in Bohemia (Czecho-Slovakia), southern
Saxony, Cornwall, and Gilpin County, Colorado.
So far, this ore has not been the source
of any radium produced in this country.&lt;/p&gt;

&lt;p&gt;When the original radium minerals (uraninite,
samarskite, brannerite, etc.) break down
through weathering, other radium minerals are
formed from them, such as autunite, trobernite,
carnotite, and tyuyamunite. The two latter
ores are the most widespread and abundant.
Autunite, a phosphate of calcium and uranium,
is as active as uranium. Carnotite and tyuyamunite
cannot be distinguished visually from
each other. Both are a bright canary-yellow
in color, and are powdery, finely crystalline,
or, rarely, clay-like in texture. Both these
minerals are found in the same section of Utah
and of Colorado, usually associated with fossil
wood and other vegetation, in friable, porous,
fine-grained sandstone.&lt;/p&gt;

&lt;p&gt;The only other deposits that yield tyuyamunite
in marked quantity are those of Tyua-Muyun,
in the Andiyan district, Ferghana Government,
central Asiatic Russia (Russian Turkestan),&lt;span class="pagenum" id="Page_58"&gt;58&lt;/span&gt;
where it occurs with rich copper ores
in a pipe in limestone.&lt;/p&gt;

&lt;p&gt;The radium salts—hydrous sulphate, chloride,
or bromide—are all white or nearly white
substances, no more remarkable in appearance
than common salt. Neither radium nor the
radium minerals are in themselves luminescent.
Tubes containing radium salts glow because
they include impurities which the invisible radiations
from the radium cause to give light.
The pure radium metal has been isolated only
two or three times, and few persons have seen
it.&lt;/p&gt;

&lt;h3 id="toclink_58"&gt;NEW SOURCES OF RADIUM&lt;/h3&gt;

&lt;p&gt;In 1921, a rich deposit of pitchblende was
discovered in the province of Ontario, Canada.
Since 1921 there has been a rather considerable
exportation of radioactive minerals from Madagascar;
and in 1922 deposits of uranium oxide
(U&lt;sub&gt;3&lt;/sub&gt;O&lt;sub&gt;8&lt;/sub&gt;) were discovered in Switzerland. During
the same year an unknown Belgian traveler
sold to a curio dealer a strange stone picked
up in the Congo. The dealer sold it to the British
Museum. Upon examination the stone was
found to be radioactive. Belgian geologists
were immediately informed, and a Belgian mission
was sent to the Katanga district, where
the stone was found. Two veins of chalcolite
(torbernite) containing substances rich in radium
were soon located by the geologists, one
near the Portuguese frontier. Chalcolite, the
crystallized phosphate of copper and uranium,
is twice as active as uranium.&lt;/p&gt;

&lt;p&gt;The newly discovered mineral has been given&lt;span class="pagenum" id="Page_59"&gt;59&lt;/span&gt;
the name “curite,” in honor of Mme. Curie, the
discoverer of radium. These deposits are now
known to be the richest in the world. And,
what is hardly less important, the radium may
be isolated by simple dissolution in nitric acid,
even in the cold. It is also readily dissolved
in warm hydrochloric acid. Only 15 tons of
the ore need to be treated to produce a gram
of radium.&lt;/p&gt;

&lt;p&gt;Curite is found in three forms, as translucent
reddish brown needle-like crystals; as compact
saccharoid crystalline aggregates, orange in
color; and as orange-colored earthy masses
surrounding the preceding variety. The chemical
composition is expressed by the formula
2(PbO)5(UO&lt;sub&gt;3&lt;/sub&gt;)4(H&lt;sub&gt;2&lt;/sub&gt;O).&lt;/p&gt;

&lt;p&gt;In 1924 a pitchblende deposit, very rich in
radium, was discovered in Ferghana, in Russian
Turkestan. Soviet Russia is now mining
the ore and extracting the radium, which is
kept at the Radium Institute of the Academy
of Science.&lt;/p&gt;

&lt;p&gt;Curiously enough, more than $500,000 worth
of radium has been added to the world’s store
of this valuable element by “boiling down”
British cannons used in the World War. No
fewer than five grams—less than a tablespoonful—have
been secured by British scientists by
this process. The radium is stored in a lead
safe weighing almost two tons—a container
which was invented by a Dr. Kuss, and the
composition of which is known only to himself.
One of the greatest difficulties of scientists
has been to find some material which would&lt;span class="pagenum" id="Page_60"&gt;60&lt;/span&gt;
prevent the constant bombardment of the radium
rays.&lt;/p&gt;

&lt;p&gt;One important result of these recent discoveries—especially
that of the Congo deposits—is
that the price of radium dropped $30,000 a
gram, and sells now at the rate of $70,000 a
gram instead of some $100,000. The Standard
Chemical Company of Denver, Colorado, has
been obliged to close down its three-story laboratory,
which until the close of the year 1922
had, for several years previously, been producing
a million dollars’ worth of radium annually.
The Paradox Valley carnotite ore cannot
be worked in competition with the rich deposits
of the Belgian Congo. It has been stated
that five pounds annually could be produced
from these Congo deposits. The Colorado company
had been selling at the rate of $58,500,000
a pound. The Congo company can profitably
sell the precious element at $29,250,000 less a
pound.&lt;/p&gt;

&lt;p&gt;So, unless war breaks out again to prevent
shipments from abroad, the United States of
America will produce no more radium for a
long while to come.&lt;/p&gt;

&lt;h3 id="toclink_60"&gt;THE RADIOACTIVE DISINTEGRATION SERIES&lt;/h3&gt;

&lt;p&gt;In order to show the decomposition products
of the two parent radioactive elements—Uranium
and Thorium—and their chief characteristics,
together with their relations to one
another, and the time required for the product
(element) to be half transformed, it is customary
to arrange them in a &lt;em&gt;disintegration series&lt;/em&gt;.&lt;span class="pagenum" id="Page_61"&gt;61&lt;/span&gt;
There are three series, Uranium I,
Uranium Y, and Thorium.&lt;/p&gt;

&lt;p&gt;In the first table given below is shown how
the series known as Uranium I is transformed
into the end-product, uranium lead. This is followed
by the Uranium Y (or Actinium) series,
and by the Thorium series; the end-product of
all three being a characteristic type of lead.
In the tables T is the “time-period” of a product,
or the time required for the product to be
&lt;em&gt;half transformed&lt;/em&gt;. In the column “Rays” is
shown what type of ray, or rays, is, or are,
emitted during the disintegration process—A=Alpha
rays (or particles), B=Beta rays
(negative electrons), and G=Gamma rays (or
X-rays of very high “frequency”).&lt;/p&gt;

&lt;p&gt;“In the great majority of cases,” says Sir
Ernest Rutherford, “each of the radioactive
elements breaks up in a definite way, giving
rise to one Alpha or Beta particle and to one
atom of the new product. Undoubted evidence,
however, has been obtained that in a few cases
the atoms break up in two or more distinct
ways, giving rise to two or more products
characterized by different radioactive properties.
A branching of the uranium series was
early demanded in order to account for the
origin of Actinium.”&lt;/p&gt;

&lt;p&gt;In the first column is given the “atomic
weight” of each radioactive element, the weight
decreasing with (almost) every “disintegration
period.” The figures followed by an interrogation
point are Rutherford’s, and indicate
that slightly different figures are given by
other authorities.&lt;/p&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_62"&gt;62&lt;/span&gt;&lt;/p&gt;

&lt;h3 class="section" id="toclink_62"&gt;URANIUM I SERIES&lt;/h3&gt;

&lt;table class="series" id="t62"&gt;
&lt;tbody&gt;&lt;tr class="bb head"&gt;
  &lt;td class="tdc"&gt;Element&lt;/td&gt;
  &lt;td class="tdc"&gt;Atomic Weight&lt;/td&gt;
  &lt;td class="tdc"&gt;T (average time-period—half transformed)&lt;/td&gt;
  &lt;td class="tdc"&gt;Rays (given out in each decomposition)&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Uranium I&lt;/td&gt;
  &lt;td class="tdc"&gt;238&lt;/td&gt;
  &lt;td class="tdl"&gt;4.5 × 10&lt;sup&gt;9&lt;/sup&gt; yrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Uranium X1&lt;/td&gt;
  &lt;td class="tdc"&gt;234&lt;/td&gt;
  &lt;td class="tdl"&gt;23.8 days&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Uranium X2&lt;/td&gt;
  &lt;td class="tdc"&gt;234&lt;/td&gt;
  &lt;td class="tdl"&gt;1.15 min.&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Uranium II&lt;/td&gt;
  &lt;td class="tdc"&gt;234&lt;/td&gt;
  &lt;td class="tdl"&gt;About 2 × 10&lt;sup&gt;6&lt;/sup&gt; yrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Ionium&lt;/td&gt;
  &lt;td class="tdc"&gt;230&lt;/td&gt;
  &lt;td class="tdl"&gt;About 9 × 10&lt;sup&gt;4&lt;/sup&gt; yrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radium&lt;/td&gt;
  &lt;td class="tdc"&gt;226&lt;/td&gt;
  &lt;td class="tdl"&gt;(+) 1700 yrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Niton (Emanation)&lt;/td&gt;
  &lt;td class="tdc"&gt;222&lt;/td&gt;
  &lt;td class="tdl"&gt;3.85 days&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radium A&lt;/td&gt;
  &lt;td class="tdc"&gt;218&lt;/td&gt;
  &lt;td class="tdl"&gt;3.05 min. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radium B&lt;/td&gt;
  &lt;td class="tdc"&gt;214&lt;/td&gt;
  &lt;td class="tdl"&gt;26.8 min. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radium C&lt;/td&gt;
  &lt;td class="tdc"&gt;214&lt;/td&gt;
  &lt;td class="tdl"&gt;19.5 min. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha, Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radium C′&lt;/td&gt;
  &lt;td class="tdc"&gt;214&lt;/td&gt;
  &lt;td class="tdl"&gt;10&lt;sup&gt;-6&lt;/sup&gt; sec. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radium D&lt;/td&gt;
  &lt;td class="tdc"&gt;210&lt;/td&gt;
  &lt;td class="tdl"&gt;(+) 16 yrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radium E&lt;/td&gt;
  &lt;td class="tdc"&gt;210&lt;/td&gt;
  &lt;td class="tdl"&gt;(+) 4.85 days&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radium F (Polonium)&lt;/td&gt;
  &lt;td class="tdc"&gt;210&lt;/td&gt;
  &lt;td class="tdl"&gt;(+) 136.5 days&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bb"&gt;
  &lt;td class="tdl"&gt;Radium G (End-product uranium-lead)&lt;/td&gt;
  &lt;td class="tdc top"&gt;206&lt;/td&gt;
  &lt;td class="tdl"&gt;...............&lt;/td&gt;
  &lt;td class="tdl"&gt;...............&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_63"&gt;63&lt;/span&gt;&lt;/p&gt;

&lt;h3 class="section" id="toclink_63"&gt;URANIUM Y (ACTINIUM) SERIES&lt;/h3&gt;

&lt;table class="series" id="t63"&gt;
&lt;tbody&gt;&lt;tr class="bb head"&gt;
  &lt;td class="tdc"&gt;Element&lt;/td&gt;
  &lt;td class="tdc"&gt;Atomic Weight&lt;/td&gt;
  &lt;td class="tdc"&gt;T (average time-period—half transformed)&lt;/td&gt;
  &lt;td class="tdc"&gt;Rays (given out in each decomposition)&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Uranium Y&lt;/td&gt;
  &lt;td class="tdc"&gt;234&lt;/td&gt;
  &lt;td class="tdl"&gt;(+) 24.6 hrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;&lt;span class="in1"&gt;(branching from Uranium II)&lt;/span&gt;&lt;/td&gt;
  &lt;td class="tdc"&gt;&lt;/td&gt;
  &lt;td class="tdl"&gt;(2.2 days?)&lt;/td&gt;
  &lt;td class="tdl"&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Protoactinium&lt;/td&gt;
  &lt;td class="tdc"&gt;230&lt;/td&gt;
  &lt;td class="tdl"&gt;About 10&lt;sup&gt;4&lt;/sup&gt; yrs. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Actinium&lt;/td&gt;
  &lt;td class="tdc"&gt;226&lt;/td&gt;
  &lt;td class="tdl"&gt;20 yrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radio-actinium&lt;/td&gt;
  &lt;td class="tdc"&gt;226&lt;/td&gt;
  &lt;td class="tdl"&gt;19 days&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Actinium X&lt;/td&gt;
  &lt;td class="tdc"&gt;222&lt;/td&gt;
  &lt;td class="tdl"&gt;(+) 11.2 days&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Actinium (Emanation)&lt;/td&gt;
  &lt;td class="tdc"&gt;218&lt;/td&gt;
  &lt;td class="tdl"&gt;3.92 sec.&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Actinium A&lt;/td&gt;
  &lt;td class="tdc"&gt;214&lt;/td&gt;
  &lt;td class="tdl"&gt;.002 sec.&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Actinium B&lt;/td&gt;
  &lt;td class="tdc"&gt;210&lt;/td&gt;
  &lt;td class="tdl"&gt;36 min. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Actinium C&lt;/td&gt;
  &lt;td class="tdc"&gt;210&lt;/td&gt;
  &lt;td class="tdl"&gt;2.16 min. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Actinium D&lt;/td&gt;
  &lt;td class="tdc"&gt;206&lt;/td&gt;
  &lt;td class="tdl"&gt;4.76 min.&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bb"&gt;
  &lt;td class="tdl"&gt;Actinium E (End-product actinium-lead)&lt;/td&gt;
  &lt;td class="tdc top"&gt;206&lt;/td&gt;
  &lt;td class="tdl"&gt;...............&lt;/td&gt;
  &lt;td class="tdl"&gt;...............&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;

&lt;p&gt;&lt;span class="pagenum" id="Page_64"&gt;64&lt;/span&gt;&lt;/p&gt;

&lt;h3 class="section" id="toclink_64"&gt;THORIUM SERIES&lt;/h3&gt;

&lt;table class="series" id="t64"&gt;
&lt;tbody&gt;&lt;tr class="bb head"&gt;
  &lt;td class="tdc"&gt;Element&lt;/td&gt;
  &lt;td class="tdc"&gt;Atomic Weight&lt;/td&gt;
  &lt;td class="tdc"&gt;T (average time-period—half transformed)&lt;/td&gt;
  &lt;td class="tdc"&gt;Rays (given out in each decomposition)&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Thorium&lt;/td&gt;
  &lt;td class="tdc"&gt;232.1&lt;/td&gt;
  &lt;td class="tdl"&gt;2.2 × 10&lt;sup&gt;10&lt;/sup&gt; yrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Mesothorium I&lt;/td&gt;
  &lt;td class="tdc"&gt;228&lt;/td&gt;
  &lt;td class="tdl"&gt;6.7 yrs.&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Mesothorium II&lt;/td&gt;
  &lt;td class="tdc"&gt;228&lt;/td&gt;
  &lt;td class="tdl"&gt;6.2 hrs. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Radio-thorium&lt;/td&gt;
  &lt;td class="tdc"&gt;228&lt;/td&gt;
  &lt;td class="tdl"&gt;1.90 yrs. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Thorium X&lt;/td&gt;
  &lt;td class="tdc"&gt;224&lt;/td&gt;
  &lt;td class="tdl"&gt;3.64 days&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Thorium (Emanation)&lt;/td&gt;
  &lt;td class="tdc"&gt;220&lt;/td&gt;
  &lt;td class="tdl"&gt;54 sec. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Thorium A&lt;/td&gt;
  &lt;td class="tdc"&gt;216&lt;/td&gt;
  &lt;td class="tdl"&gt;.14 sec. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Thorium B&lt;/td&gt;
  &lt;td class="tdc"&gt;216&lt;/td&gt;
  &lt;td class="tdl"&gt;10.6 hrs. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Thorium C&lt;/td&gt;
  &lt;td class="tdc"&gt;212&lt;/td&gt;
  &lt;td class="tdl"&gt;60 min. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Alpha&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td class="tdl"&gt;Thorium D&lt;/td&gt;
  &lt;td class="tdc"&gt;208&lt;/td&gt;
  &lt;td class="tdl"&gt;3.2 min. (?)&lt;/td&gt;
  &lt;td class="tdl"&gt;Beta, Gamma&lt;/td&gt;
&lt;/tr&gt;
&lt;tr class="bb"&gt;
  &lt;td class="tdl"&gt;Thorium E (End-product thorium-lead)&lt;/td&gt;
  &lt;td class="tdc top"&gt;208&lt;/td&gt;
  &lt;td class="tdl"&gt;...............&lt;/td&gt;
  &lt;td class="tdl"&gt;...............&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;

&lt;div class="chapter transnote"&gt;
&lt;h2 class="nobreak" id="Transcribers_Notes"&gt;Transcriber’s Notes&lt;/h2&gt;

&lt;p&gt;Punctuation, hyphenation, and spelling were made
consistent when a predominant preference was found
in the original book; otherwise they were not changed.&lt;/p&gt;

&lt;p&gt;Simple typographical errors were corrected; unbalanced
quotation marks were remedied when the change was
obvious, and otherwise left unbalanced.&lt;/p&gt;

&lt;p&gt;This book uses terminology that was current at the
time of publication, and reflects the state of
science as it was understood by the author at that
time.
&lt;/p&gt;
&lt;div&gt;                                                                                                                                                                                                                           &lt;/div&gt;
&lt;/div&gt;

&lt;div style="text-align:center"&gt;&lt;/div&gt;&lt;section class="pg-boilerplate pgheader" id="pg-footer" lang="en"&gt;
&lt;div id="pg-end-separator"&gt;
&lt;span&gt;*** END OF THE PROJECT GUTENBERG EBOOK THE WONDERS OF RADIUM ***&lt;/span&gt;
&lt;/div&gt;


&lt;div&gt;
Updated editions will replace the previous one—the old editions will
be renamed.
&lt;/div&gt;&lt;div&gt;
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
&lt;/div&gt;

&lt;div id="project-gutenberg-license"&gt;START: FULL LICENSE&lt;/div&gt;

&lt;h2 id="pg-footer-heading"&gt;THE FULL PROJECT GUTENBERG LICENSE&lt;/h2&gt;

&lt;div class="agate"&gt;PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
&lt;/div&gt;&lt;div&gt;
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works
&lt;/div&gt;&lt;div&gt;
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
&lt;/div&gt;&lt;div&gt;
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
&lt;/div&gt;&lt;div&gt;
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
&lt;/div&gt;&lt;div&gt;
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
&lt;/div&gt;&lt;div&gt;
1.E. Unless you have removed all references to Project Gutenberg:
&lt;/div&gt;&lt;div&gt;
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
&lt;/div&gt;&lt;blockquote&gt;&lt;div&gt;
    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at &lt;a href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  &lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
&lt;/div&gt;&lt;div&gt;
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
&lt;/div&gt;&lt;div&gt;
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
&lt;/div&gt;&lt;div&gt;
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
&lt;/div&gt;&lt;div&gt;
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
&lt;/div&gt;&lt;div&gt;
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
&lt;/div&gt;&lt;div&gt;
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
&lt;/div&gt;&lt;ul&gt;
    &lt;li&gt;• You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    &lt;/li&gt;
    &lt;li&gt;• You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    &lt;/li&gt;
    &lt;li&gt;• You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    &lt;/li&gt;
    &lt;li&gt;• You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    &lt;/li&gt;
&lt;/ul&gt;&lt;div&gt;
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
&lt;/div&gt;&lt;div&gt;
1.F.
&lt;/div&gt;&lt;div&gt;
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
&lt;/div&gt;&lt;div&gt;
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
&lt;/div&gt;&lt;div&gt;
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
&lt;/div&gt;&lt;div&gt;
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
&lt;/div&gt;&lt;div&gt;
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
&lt;/div&gt;&lt;div&gt;
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 2. Information about the Mission of Project Gutenberg™
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
&lt;/div&gt;&lt;div&gt;
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 3. Information about the Project Gutenberg Literary Archive Foundation
&lt;/div&gt;&lt;div&gt;
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
&lt;/div&gt;&lt;div&gt;
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
&lt;/div&gt;&lt;div&gt;
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit &lt;a href="https://www.gutenberg.org/donate/"&gt;www.gutenberg.org/donate&lt;/a&gt;.
&lt;/div&gt;&lt;div&gt;
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
&lt;/div&gt;&lt;div&gt;
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
&lt;/div&gt;&lt;div&gt;
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 5. General Information About Project Gutenberg™ electronic works
&lt;/div&gt;&lt;div&gt;
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
&lt;/div&gt;&lt;div&gt;
Most people start at our website which has the main PG search
facility: &lt;a href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;.
&lt;/div&gt;&lt;div&gt;
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
&lt;/div&gt;

&lt;/section&gt;&lt;/body&gt;</content><category term="Book"/></entry><entry><title>The Art of War</title><link href="https://uofa-cmput404.github.io/w26-labsignment-pelican-Zumzu/the-art-of-war.html" rel="alternate"/><published>1910-01-01T00:00:00-07:00</published><updated>1910-01-01T00:00:00-07:00</updated><author><name>Sunzi</name></author><id>tag:uofa-cmput404.github.io,1910-01-01:/w26-labsignment-pelican-Zumzu/the-art-of-war.html</id><summary type="html">&lt;body&gt;&lt;section class="pg-boilerplate pgheader" id="pg-header" lang="en"&gt;&lt;h2 id="pg-header-heading" title=""&gt;The Project Gutenberg eBook of &lt;span lang="en" id="pg-title-no-subtitle"&gt;The Art of War&lt;/span&gt;&lt;/h2&gt;

&lt;div&gt;This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the …&lt;/div&gt;&lt;/section&gt;&lt;/body&gt;</summary><content type="html">&lt;body&gt;&lt;section class="pg-boilerplate pgheader" id="pg-header" lang="en"&gt;&lt;h2 id="pg-header-heading" title=""&gt;The Project Gutenberg eBook of &lt;span lang="en" id="pg-title-no-subtitle"&gt;The Art of War&lt;/span&gt;&lt;/h2&gt;

&lt;div&gt;This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at &lt;a class="reference external" href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.&lt;/div&gt;

&lt;div class="container" id="pg-machine-header"&gt;&lt;p&gt;&lt;strong&gt;Title&lt;/strong&gt;: The Art of War&lt;/p&gt;
&lt;div id="pg-header-authlist"&gt;
&lt;p&gt;&lt;strong&gt;Author&lt;/strong&gt;: active 6th century B.C. Sunzi&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Translator&lt;/strong&gt;: Lionel Giles&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Release date&lt;/strong&gt;: May 1, 1994 [eBook #132]&lt;br&gt;
                Most recently updated: October 29, 2024&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Language&lt;/strong&gt;: English&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Original publication&lt;/strong&gt;: , 1910&lt;/p&gt;

&lt;/div&gt;&lt;div id="pg-start-separator"&gt;
&lt;span&gt;*** START OF THE PROJECT GUTENBERG EBOOK THE ART OF WAR ***&lt;/span&gt;
&lt;/div&gt;&lt;/section&gt;&lt;div&gt;&lt;/div&gt;
&lt;h1&gt;Sun Tzu&lt;br&gt;
on&lt;br&gt;
The Art of War&lt;/h1&gt;
&lt;h4&gt;THE OLDEST MILITARY TREATISE IN THE WORLD&lt;/h4&gt;
&lt;h4&gt;Translated from the Chinese with Introduction and Critical Notes&lt;/h4&gt;
&lt;h5&gt;BY&lt;/h5&gt;
&lt;h3&gt;LIONEL GILES, M.A.&lt;/h3&gt;
&lt;p class="center"&gt;
Assistant in the Department of Oriental Printed Books and MSS.
in the British Museum
&lt;/p&gt;
&lt;p class="center"&gt;
1910
&lt;/p&gt;
&lt;hr&gt;
&lt;p class="center"&gt;
To my brother&lt;br&gt;
Captain Valentine Giles, R.G.&lt;br&gt;
in the hope that&lt;br&gt;
a work 2400 years old&lt;br&gt;
may yet contain lessons worth consideration&lt;br&gt;
by the soldier of today&lt;br&gt;
this translation&lt;br&gt;
is affectionately dedicated.
&lt;/p&gt;
&lt;hr&gt;
&lt;h2&gt;Contents&lt;/h2&gt;
&lt;table style="margin-left: auto; margin-right: auto"&gt;
&lt;tbody&gt;&lt;tr&gt;
&lt;td&gt; &lt;a href="#pref01" class="pginternal"&gt;Preface to the Project Gutenberg Etext&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap01" class="pginternal"&gt;Preface by Lionel Giles&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap02" class="pginternal"&gt;INTRODUCTION&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap03" class="pginternal"&gt;Sun Wu and his Book&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap04" class="pginternal"&gt;The Text of Sun Tzŭ&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap05" class="pginternal"&gt;The Commentators&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap06" class="pginternal"&gt;Appreciations of Sun Tzŭ&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap07" class="pginternal"&gt;Apologies for War&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap08" class="pginternal"&gt;Bibliography&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap09" class="pginternal"&gt;Chapter I. Laying plans&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap10" class="pginternal"&gt;Chapter II. Waging War&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap11" class="pginternal"&gt;Chapter III. Attack by Stratagem&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap12" class="pginternal"&gt;Chapter IV. Tactical Dispositions&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap13" class="pginternal"&gt;Chapter V. Energy&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap14" class="pginternal"&gt;Chapter VI. Weak Points and Strong&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap15" class="pginternal"&gt;Chapter VII Manœuvring&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap16" class="pginternal"&gt;Chapter VIII. Variation of Tactics&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap17" class="pginternal"&gt;Chapter IX. The Army on the March&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap18" class="pginternal"&gt;Chapter X. Terrain&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap19" class="pginternal"&gt;Chapter XI. The Nine Situations&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap20" class="pginternal"&gt;Chapter XII. The Attack by Fire&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt; &lt;a href="#chap21" class="pginternal"&gt;Chapter XIII. The Use of Spies&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="pref01"&gt;&lt;/a&gt;Preface to the Project Gutenberg Etext&lt;/h2&gt;
&lt;p&gt;
When Lionel Giles began his translation of Sun Tzŭ’s &lt;i&gt;Art of War&lt;/i&gt;, the
work was virtually unknown in Europe. Its introduction to Europe began in 1782
when a French Jesuit Father living in China, Joseph Amiot, acquired a copy of
it, and translated it into French. It was not a good translation because,
according to Dr. Giles, "[I]t contains a great deal that Sun Tzŭ did not write,
and very little indeed of what he did."
&lt;/p&gt;
&lt;p&gt;
The first translation into English was published in 1905 in Tokyo by Capt. E.
F. Calthrop, R.F.A. However, this translation is, in the words of Dr. Giles,
"excessively bad." He goes further in this criticism: "It is not merely a
question of downright blunders, from which none can hope to be wholly exempt.
Omissions were frequent; hard passages were willfully distorted or slurred
over. Such offenses are less pardonable. They would not be tolerated in any
edition of a Latin or Greek classic, and a similar standard of honesty ought to
be insisted upon in translations from Chinese." In 1908 a new edition of Capt.
Calthrop’s translation was published in London. It was an improvement on the
first—omissions filled up and numerous mistakes corrected—but new
errors were created in the process. Dr. Giles, in justifying his translation,
wrote: "It was not undertaken out of any inflated estimate of my own powers;
but I could not help feeling that Sun Tzŭ deserved a better fate than had
befallen him, and I knew that, at any rate, I could hardly fail to improve on
the work of my predecessors."
&lt;/p&gt;
&lt;p&gt;
Clearly, Dr. Giles’ work established much of the groundwork for the work of
later translators who published their own editions. Of the later editions of
the &lt;i&gt;Art of War&lt;/i&gt; I have examined; two feature Giles’ edited translation
and notes, the other two present the same basic information from the ancient
Chinese commentators found in the Giles edition. Of these four, Giles’ 1910
edition is the most scholarly and presents the reader an incredible amount of
information concerning Sun Tzŭ’s text, much more than any other translation.
&lt;/p&gt;
&lt;p&gt;
The Giles’ edition of the &lt;i&gt;Art of War&lt;/i&gt;, as stated above, was a scholarly
work. Dr. Giles was a leading sinologue at the time and an assistant in the
Department of Oriental Printed Books and Manuscripts in the British Museum.
Apparently he wanted to produce a definitive edition, superior to anything else
that existed and perhaps something that would become a standard translation. It
was the best translation available for 50 years. But apparently there was not
much interest in Sun Tzŭ in English-speaking countries since it took the start
of the Second World War to renew interest in his work. Several people published
unsatisfactory English translations of Sun Tzŭ. In 1944, Dr. Giles’ translation
was edited and published in the United States in a series of military science
books. But it wasn’t until 1963 that a good English translation (by Samuel B.
Griffith and still in print) was published that was an equal to Giles’
translation. While this translation is more lucid than Dr. Giles’ translation,
it lacks his copious notes that make his so interesting.
&lt;/p&gt;
&lt;p&gt;
Dr. Giles produced a work primarily intended for scholars of the Chinese
civilization and language. It contains the Chinese text of Sun Tzŭ, the English
translation, and voluminous notes along with numerous footnotes. Unfortunately,
some of his notes and footnotes contain Chinese characters; some are completely
Chinese. Thus, a conversion to a Latin alphabet etext was difficult. I did the
conversion in complete ignorance of Chinese (except for what I learned while
doing the conversion). Thus, I faced the difficult task of paraphrasing it
while retaining as much of the important text as I could. Every paraphrase
represents a loss; thus I did what I could to retain as much of the text as
possible. Because the 1910 text contains a Chinese concordance, I was able to
transliterate proper names, books, and the like at the risk of making the text
more obscure. However, the text, on the whole, is quite satisfactory for the
casual reader, a transformation made possible by conversion to an etext.
However, I come away from this task with the feeling of loss because I know
that someone with a background in Chinese can do a better job than I did; any
such attempt would be welcomed.
&lt;/p&gt;
&lt;p&gt;
Bob Sutton
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap01"&gt;&lt;/a&gt;Preface by Lionel Giles&lt;/h2&gt;
&lt;p&gt;
The seventh volume of &lt;i&gt;Mémoires concernant l’histoire, les sciences, les
arts, les mœurs, les usages, &amp;amp;c., des Chinois&lt;/i&gt; is devoted to the Art of
War, and contains, amongst other treatises, “Les Treize Articles de
Sun-tse,” translated from the Chinese by a Jesuit Father, Joseph Amiot.
Père Amiot appears to have enjoyed no small reputation as a sinologue in his
day, and the field of his labours was certainly extensive. But his so-called
translation of the Sun Tzŭ, if placed side by side with the original, is seen
at once to be little better than an imposture. It contains a great deal that
Sun Tzŭ did not write, and very little indeed of what he did. Here is a fair
specimen, taken from the opening sentences of chapter 5:—
&lt;/p&gt;
&lt;p class="p1"&gt;
&lt;i&gt;De l’habileté dans le gouvernement des Troupes.&lt;/i&gt; Sun-tse dit : Ayez
les noms de tous les Officiers tant généraux que subalternes; inscrivez-les
dans un catalogue à part, avec la note des talents &amp;amp; de la capacité de
chacun d’eux, afin de pouvoir les employer avec avantage lorsque
l’occasion en sera venue. Faites en sorte que tous ceux que vous devez
commander soient persuadés que votre principale attention est de les préserver
de tout dommage. Les troupes que vous ferez avancer contre l’ennemi
doivent être comme des pierres que vous lanceriez contre des œufs. De vous à
l’ennemi il ne doit y avoir d’autre différence que celle du fort au
faible, du vide au plein. Attaquez à découvert, mais soyez vainqueur en secret.
Voilà en peu de mots en quoi consiste l’habileté &amp;amp; toute la
perfection même du gouvernement des troupes.
&lt;/p&gt;
&lt;p&gt;
Throughout the nineteenth century, which saw a wonderful development in the
study of Chinese literature, no translator ventured to tackle Sun Tzŭ, although
his work was known to be highly valued in China as by far the oldest and best
compendium of military science. It was not until the year 1905 that the first
English translation, by Capt. E.F. Calthrop. R.F.A., appeared at Tokyo under
the title “Sonshi”(the Japanese form of Sun Tzŭ). Unfortunately, it
was evident that the translator’s knowledge of Chinese was far too scanty
to fit him to grapple with the manifold difficulties of Sun Tzŭ. He himself
plainly acknowledges that without the aid of two Japanese gentlemen “the
accompanying translation would have been impossible.” We can only wonder,
then, that with their help it should have been so excessively bad. It is not
merely a question of downright blunders, from which none can hope to be wholly
exempt. Omissions were frequent; hard passages were wilfully distorted or
slurred over. Such offences are less pardonable. They would not be tolerated in
any edition of a Greek or Latin classic, and a similar standard of honesty
ought to be insisted upon in translations from Chinese.
&lt;/p&gt;
&lt;p&gt;
From blemishes of this nature, at least, I believe that the present translation
is free. It was not undertaken out of any inflated estimate of my own powers;
but I could not help feeling that Sun Tzŭ deserved a better fate than had
befallen him, and I knew that, at any rate, I could hardly fail to improve on
the work of my predecessors. Towards the end of 1908, a new and revised edition
of Capt. Calthrop’s translation was published in London, this time,
however, without any allusion to his Japanese collaborators. My first three
chapters were then already in the printer’s hands, so that the criticisms
of Capt. Calthrop therein contained must be understood as referring to his
earlier edition. This is on the whole an improvement on the other, thought
there still remains much that cannot pass muster. Some of the grosser blunders
have been rectified and lacunae filled up, but on the other hand a certain
number of new mistakes appear. The very first sentence of the introduction is
startlingly inaccurate; and later on, while mention is made of “an army
of Japanese commentators” on Sun Tzŭ (who are these, by the way?), not a
word is vouchsafed about the Chinese commentators, who nevertheless, I venture
to assert, form a much more numerous and infinitely more important
“army.”
&lt;/p&gt;
&lt;p&gt;
A few special features of the present volume may now be noticed. In the first
place, the text has been cut up into numbered paragraphs, both in order to
facilitate cross-reference and for the convenience of students generally. The
division follows broadly that of Sun Hsing-yen’s edition; but I have
sometimes found it desirable to join two or more of his paragraphs into one. In
quoting from other works, Chinese writers seldom give more than the bare title
by way of reference, and the task of research is apt to be seriously hampered
in consequence. With a view to obviating this difficulty so far as Sun Tzŭ is
concerned, I have also appended a complete concordance of Chinese characters,
following in this the admirable example of Legge, though an alphabetical
arrangement has been preferred to the distribution under radicals which he
adopted. Another feature borrowed from “The Chinese Classics” is
the printing of text, translation and notes on the same page; the notes,
however, are inserted, according to the Chinese method, immediately after the
passages to which they refer. From the mass of native commentary my aim has
been to extract the cream only, adding the Chinese text here and there when it
seemed to present points of literary interest. Though constituting in itself an
important branch of Chinese literature, very little commentary of this kind has
hitherto been made directly accessible by translation.
&lt;/p&gt;
&lt;p&gt;
I may say in conclusion that, owing to the printing off of my sheets as they
were completed, the work has not had the benefit of a final revision. On a
review of the whole, without modifying the substance of my criticisms, I might
have been inclined in a few instances to temper their asperity. Having chosen
to wield a bludgeon, however, I shall not cry out if in return I am visited
with more than a rap over the knuckles. Indeed, I have been at some pains to
put a sword into the hands of future opponents by scrupulously giving either
text or reference for every passage translated. A scathing review, even from
the pen of the Shanghai critic who despises “mere translations,”
would not, I must confess, be altogether unwelcome. For, after all, the worst
fate I shall have to dread is that which befell the ingenious paradoxes of
George in &lt;i&gt;The Vicar of Wakefield&lt;/i&gt;.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap02"&gt;&lt;/a&gt;INTRODUCTION&lt;/h2&gt;
&lt;h2&gt;&lt;a id="chap03"&gt;&lt;/a&gt;Sun Wu and his Book&lt;/h2&gt;
&lt;p&gt;
Ssu-ma Ch’ien gives the following biography of Sun Tzŭ: [1]&lt;br&gt;&lt;br&gt;
&lt;/p&gt;
&lt;p class="p2"&gt;
Sun Tzŭ Wu was a native of the Ch’i State. His &lt;i&gt;Art of War&lt;/i&gt; brought
him to the notice of Ho Lu, [2] King of Wu. Ho Lu said to him:
&lt;/p&gt;
&lt;p class="p2"&gt;
"I have carefully perused your 13 chapters. May I submit your theory of
managing soldiers to a slight test?"
&lt;/p&gt;
&lt;p class="p2"&gt;
Sun Tzŭ replied: "You may."
&lt;/p&gt;
&lt;p class="p2"&gt;
Ho Lu asked: "May the test be applied to women?"
&lt;/p&gt;
&lt;p class="p2"&gt;
The answer was again in the affirmative, so arrangements were made to bring 180
ladies out of the Palace. Sun Tzŭ divided them into two companies, and placed
one of the King’s favourite concubines at the head of each. He then bade them
all take spears in their hands, and addressed them thus: "I presume you know
the difference between front and back, right hand and left hand?"
&lt;/p&gt;
&lt;p class="p2"&gt;
The girls replied: Yes.
&lt;/p&gt;
&lt;p class="p2"&gt;
Sun Tzŭ went on: "When I say "Eyes front," you must look straight ahead. When I
say "Left turn," you must face towards your left hand. When I say "Right turn,"
you must face towards your right hand. When I say "About turn," you must face
right round towards your back."
&lt;/p&gt;
&lt;p class="p2"&gt;
Again the girls assented. The words of command having been thus explained, he
set up the halberds and battle-axes in order to begin the drill. Then, to the
sound of drums, he gave the order "Right turn." But the girls only burst out
laughing. Sun Tzŭ said: "If words of command are not clear and distinct, if
orders are not thoroughly understood, then the general is to blame."
&lt;/p&gt;
&lt;p class="p2"&gt;
So he started drilling them again, and this time gave the order "Left turn,"
whereupon the girls once more burst into fits of laughter. Sun Tzŭ: "If words
of command are not clear and distinct, if orders are not thoroughly understood,
the general is to blame. But if his orders &lt;i&gt;are&lt;/i&gt; clear, and the soldiers
nevertheless disobey, then it is the fault of their officers."
&lt;/p&gt;
&lt;p class="p2"&gt;
So saying, he ordered the leaders of the two companies to be beheaded. Now the
king of Wu was watching the scene from the top of a raised pavilion; and when
he saw that his favourite concubines were about to be executed, he was greatly
alarmed and hurriedly sent down the following message: "We are now quite
satisfied as to our general’s ability to handle troops. If we are bereft of
these two concubines, our meat and drink will lose their savor. It is our wish
that they shall not be beheaded."
&lt;/p&gt;
&lt;p class="p2"&gt;
Sun Tzŭ replied: "Having once received His Majesty’s commission to be the
general of his forces, there are certain commands of His Majesty which, acting
in that capacity, I am unable to accept."
&lt;/p&gt;
&lt;p class="p2"&gt;
Accordingly, he had the two leaders beheaded, and straightway installed the
pair next in order as leaders in their place. When this had been done, the drum
was sounded for the drill once more; and the girls went through all the
evolutions, turning to the right or to the left, marching ahead or wheeling
back, kneeling or standing, with perfect accuracy and precision, not venturing
to utter a sound. Then Sun Tzŭ sent a messenger to the King saying: "Your
soldiers, Sire, are now properly drilled and disciplined, and ready for your
majesty’s inspection. They can be put to any use that their sovereign may
desire; bid them go through fire and water, and they will not disobey."
&lt;/p&gt;
&lt;p class="p2"&gt;
But the King replied: "Let our general cease drilling and return to camp. As
for us, We have no wish to come down and inspect the troops."
&lt;/p&gt;
&lt;p class="p2"&gt;
Thereupon Sun Tzŭ said: "The King is only fond of words, and cannot translate
them into deeds."
&lt;/p&gt;
&lt;p class="p2"&gt;
After that, Ho Lu saw that Sun Tzŭ was
one who knew how to handle an army, and finally appointed him general. In the
west, he defeated the Ch’u State and forced his way into Ying, the
capital; to the north he put fear into the States of Ch’i and Chin, and
spread his fame abroad amongst the feudal princes. And Sun Tzŭ shared in the
might of the King.
&lt;/p&gt;
&lt;p class="p3"&gt;
About Sun Tzŭ himself this is all that Ssu-ma Ch’ien has to tell us in
this chapter. But he proceeds to give a biography of his descendant, Sun Pin,
born about a hundred years after his famous ancestor’s death, and also the
outstanding military genius of his time. The historian speaks of him too as Sun
Tzŭ, and in his preface we read: "Sun Tzŭ had his feet cut off and yet
continued to discuss the art of war." [3] It seems likely, then, that "Pin" was
a nickname bestowed on him after his mutilation, unless the story was invented
in order to account for the name. The crowning incident of his career, the
crushing defeat of his treacherous rival P’ang Chuan, will be found
briefly related in Chapter V. § 19, note.
&lt;/p&gt;
&lt;p&gt;
To return to the elder Sun Tzŭ. He is mentioned in two other passages of the
&lt;i&gt;Shih Chi:&lt;/i&gt;—
&lt;/p&gt;
&lt;p class="p1"&gt;
In the third year of his reign [512 B.C.] Ho Lu, king of Wu, took the field
with Tzŭ-hsu [i.e. Wu Yuan] and Po P’ei, and attacked Ch’u. He
captured the town of Shu and slew the two prince’s sons who had formerly been
generals of Wu. He was then meditating a descent on Ying [the capital]; but the
general Sun Wu said: "The army is exhausted. It is not yet possible. We must
wait"…. [After further successful fighting,] "in the ninth year [506 B.C.],
King Ho Lu addressed Wu Tzŭ-hsu and Sun Wu, saying: "Formerly, you declared
that it was not yet possible for us to enter Ying. Is the time ripe now?" The
two men replied: "Ch’u’s general Tzŭ-ch’ang, [4] is grasping and
covetous, and the princes of T’ang and Ts’ai both have a grudge
against him. If Your Majesty has resolved to make a grand attack, you must win
over T’ang and Ts’ai, and then you may succeed." Ho Lu followed
this advice, [beat Ch’u in five pitched battles and marched into Ying.]
[5]
&lt;/p&gt;
&lt;p&gt;
This is the latest date at which anything is recorded of Sun Wu. He does not
appear to have survived his patron, who died from the effects of a wound in
496. In another chapter there occurs this passage:[6]
&lt;/p&gt;
&lt;p class="p1"&gt;
From this time onward, a number of famous soldiers arose, one after the other:
Kao-fan, [7] who was employed by the Chin State; Wang-tzu, [8] in the service
of Ch’i; and Sun Wu, in the service of Wu. These men developed and threw
light upon the principles of war.
&lt;/p&gt;
&lt;p&gt;
It is obvious enough that Ssu-ma Ch’ien at least had no doubt about the
reality of Sun Wu as an historical personage; and with one exception, to be
noticed presently, he is by far the most important authority on the period in
question. It will not be necessary, therefore, to say much of such a work as
the &lt;i&gt;Wu Yüeh Ch’un Ch’iu&lt;/i&gt;, which is supposed to have been
written by Chao Yeh of the 1st century A.D. The attribution is somewhat
doubtful; but even if it were otherwise, his account would be of little value,
based as it is on the &lt;i&gt;Shih Chi&lt;/i&gt; and expanded with romantic details. The story of
Sun Tzŭ will be found, for what it is worth, in chapter 2. The only new points
in it worth noting are: (1) Sun Tzŭ was first recommended to Ho Lu by Wu
Tzŭ-hsu. (2) He is called a native of Wu. (3) He had previously lived a retired
life, and his contemporaries were unaware of his ability.
&lt;/p&gt;
&lt;p&gt;
The following passage occurs in the Huai-nan Tzŭ: "When sovereign and ministers
show perversity of mind, it is impossible even for a Sun Tzŭ to encounter the
foe." Assuming that this work is genuine (and hitherto no doubt has been cast
upon it), we have here the earliest direct reference for Sun Tzŭ, for Huai-nan
Tzŭ died in 122 B.C., many years before the &lt;i&gt;Shih Chi&lt;/i&gt; was given to the world.
&lt;/p&gt;
&lt;p&gt;
Liu Hsiang (80-9 B.C.) says: "The reason why Sun Tzŭ at the head of 30,000 men
beat Ch’u with 200,000 is that the latter were undisciplined."
&lt;/p&gt;
&lt;p&gt;
Teng Ming-shih informs us that the surname "Sun" was bestowed on Sun Wu’s
grandfather by Duke Ching of Ch’i [547-490 B.C.]. Sun Wu’s father Sun
P’ing, rose to be a Minister of State in Ch’i, and Sun Wu himself,
whose style was Ch’ang-ch’ing, fled to Wu on account of the
rebellion which was being fomented by the kindred of T’ien Pao. He had
three sons, of whom the second, named Ming, was the father of Sun Pin.
According to this account then, Pin was the grandson of Wu, which, considering
that Sun Pin’s victory over Wei was gained in 341 B.C., may be dismissed as
chronologically impossible. Whence these data were obtained by Teng Ming-shih I
do not know, but of course no reliance whatever can be placed in them.
&lt;/p&gt;
&lt;p&gt;
An interesting document which has survived from the close of the Han period is
the short preface written by the Great Ts’ao Ts’ao, or Wei Wu Ti,
for his edition of Sun Tzŭ. I shall give it in full:—&lt;br&gt;&lt;br&gt;
&lt;/p&gt;
&lt;p class="p2"&gt;
I have heard that the ancients used bows and arrows to their advantage. [10]
The &lt;i&gt;Lun Yu&lt;/i&gt; says: “There must be a sufficiency of military
strength.” The &lt;i&gt;Shu Ching&lt;/i&gt; mentions "the army" among the "eight
objects of government." The &lt;i&gt;I Ching&lt;/i&gt; says: "‘army’ indicates firmness and
justice; the experienced leader will have good fortune." The &lt;i&gt;Shih Ching&lt;/i&gt;
says: "The King rose majestic in his wrath, and he marshalled his troops." The
Yellow Emperor, T’ang the Completer and Wu Wang all used spears and
battle-axes in order to succour their generation. The &lt;i&gt;Ssu-ma Fa&lt;/i&gt; says: "If
one man slay another of set purpose, he himself may rightfully be slain." He
who relies solely on warlike measures shall be exterminated; he who relies
solely on peaceful measures shall perish. Instances of this are Fu Ch’ai
[11] on the one hand and Yen Wang on the other. [12] In military matters, the
Sage’s rule is normally to keep the peace, and to move his forces only when
occasion requires. He will not use armed force unless driven to it by necessity.
&lt;/p&gt;
&lt;p class="p2"&gt;
Many books have I read on the subject of war and fighting; but the work
composed by Sun Wu is the profoundest of them all. [Sun Tzŭ was a native of the
Ch’i state, his personal name was Wu. He wrote the &lt;i&gt;Art of War&lt;/i&gt; in
13 chapters for Ho Lu, King of Wu. Its principles were tested on women, and he
was subsequently made a general. He led an army westwards, crushed the
Ch’u state and entered Ying the capital. In the north, he kept Ch’i
and Chin in awe. A hundred years and more after his time, Sun Pin lived. He was
a descendant of Wu.] [13] In his treatment of deliberation and planning, the
importance of rapidity in taking the field, [14] clearness of conception, and
depth of design, Sun Tzŭ stands beyond the reach of carping criticism. My
contemporaries, however, have failed to grasp the full meaning of his
instructions, and while putting into practice the smaller details in which his
work abounds, they have overlooked its essential purport. That is the motive
which has led me to outline a rough explanation of the whole.
&lt;/p&gt;
&lt;p class="p3"&gt;
One thing to be noticed in the above is the explicit statement that the 13
chapters were specially composed for King Ho Lu. This is supported by the
internal evidence of I. § 15, in which it seems clear that some ruler is
addressed.
&lt;/p&gt;
&lt;p&gt;
In the bibliographic section of the &lt;i&gt;Han Shu&lt;/i&gt;, there is an entry which has given
rise to much discussion: "The works of Sun Tzŭ of Wu in 82 &lt;i&gt;p’ien&lt;/i&gt; (or
chapters), with diagrams in 9 &lt;i&gt;chuan&lt;/i&gt;." It is evident that this cannot be merely
the 13 chapters known to Ssu-ma Ch’ien, or those we possess today. Chang
Shou-chieh refers to an edition of Sun Tzŭ’s &lt;i&gt;Art of War&lt;/i&gt; of which the "13
chapters" formed the first &lt;i&gt;chuan&lt;/i&gt;, adding that there were two other &lt;i&gt;chuan&lt;/i&gt;
besides. This has brought forth a theory, that the bulk of these 82 chapters
consisted of other writings of Sun Tzŭ—we should call them
apocryphal—similar to the &lt;i&gt;Wen Ta&lt;/i&gt;, of which a specimen dealing with the
Nine Situations [15] is preserved in the &lt;i&gt;T’ung Tien&lt;/i&gt;, and another in Ho
Shin’s commentary. It is suggested that before his interview with Ho Lu, Sun
Tzŭ had only written the 13 chapters, but afterwards composed a sort of
exegesis in the form of question and answer between himself and the King. Pi
I-hsun, the author of the &lt;i&gt;Sun Tzŭ Hsu Lu&lt;/i&gt;, backs this up with a quotation from
the &lt;i&gt;Wu Yüeh Ch’un Ch’iu:&lt;/i&gt; "The King of Wu summoned Sun Tzŭ, and
asked him questions about the art of war. Each time he set forth a chapter of
his work, the King could not find words enough to praise him." As he points
out, if the whole work was expounded on the same scale as in the
above-mentioned fragments, the total number of chapters could not fail to be
considerable. Then the numerous other treatises attributed to Sun Tzŭ might be
included. The fact that the &lt;i&gt;Han Chih&lt;/i&gt; mentions no work of Sun Tzŭ except the 82
&lt;i&gt;p’ien&lt;/i&gt;, whereas the Sui and T’ang bibliographies give the titles of
others in addition to the "13 chapters," is good proof, Pi I-hsun thinks, that
all of these were contained in the 82 &lt;i&gt;p’ien&lt;/i&gt;. Without pinning our faith to
the accuracy of details supplied by the &lt;i&gt;Wu Yüeh Ch’un Ch’iu&lt;/i&gt;, or
admitting the genuineness of any of the treatises cited by Pi I-hsun, we may
see in this theory a probable solution of the mystery. Between Ssu-ma
Ch’ien and Pan Ku there was plenty of time for a luxuriant crop of
forgeries to have grown up under the magic name of Sun Tzŭ, and the 82
&lt;i&gt;p’ien&lt;/i&gt; may very well represent a collected edition of these lumped
together with the original work. It is also possible, though less likely, that
some of them existed in the time of the earlier historian and were purposely
ignored by him. [16]
&lt;/p&gt;
&lt;p&gt;
Tu Mu’s conjecture seems to be based on a passage which states: "Wei Wu Ti
strung together Sun Wu’s &lt;i&gt;Art of War&lt;/i&gt;," which in turn may have resulted from a
misunderstanding of the final words of Ts’ao King’s preface. This, as Sun
Hsing-yen points out, is only a modest way of saying that he made an
explanatory paraphrase, or in other words, wrote a commentary on it. On the
whole, this theory has met with very little acceptance. Thus, the &lt;i&gt;Ssu K’u
Ch’uan Shu&lt;/i&gt; says: "The mention of the 13 chapters in the &lt;i&gt;Shih Chi&lt;/i&gt; shows
that they were in existence before the &lt;i&gt;Han Chih&lt;/i&gt;, and that latter accretions are
not to be considered part of the original work. Tu Mu’s assertion can certainly
not be taken as proof."
&lt;/p&gt;
&lt;p&gt;
There is every reason to suppose, then, that the 13 chapters existed in the
time of Ssu-ma Ch’ien practically as we have them now. That the work was
then well known he tells us in so many words. "Sun Tzŭ’s &lt;i&gt;13 Chapters&lt;/i&gt; and Wu
Ch’i’s &lt;i&gt;Art of War&lt;/i&gt; are the two books that people commonly refer to on the
subject of military matters. Both of them are widely distributed, so I will not
discuss them here." But as we go further back, serious difficulties begin to
arise. The salient fact which has to be faced is that the &lt;i&gt;Tso Chuan&lt;/i&gt;, the
greatest contemporary record, makes no mention whatsoever of Sun Wu, either as
a general or as a writer. It is natural, in view of this awkward circumstance,
that many scholars should not only cast doubt on the story of Sun Wu as given
in the &lt;i&gt;Shih Chi&lt;/i&gt;, but even show themselves frankly skeptical as to the existence
of the man at all. The most powerful presentment of this side of the case is to
be found in the following disposition by Yeh Shui-hsin: [17]—&lt;br&gt;&lt;br&gt;
&lt;/p&gt;
&lt;p class="p2"&gt;
It is stated in Ssu-ma Ch’ien’s history that Sun Wu was a native of the
Ch’i State, and employed by Wu; and that in the reign of Ho Lu he crushed
Ch’u, entered Ying, and was a great general. But in Tso’s Commentary no
Sun Wu appears at all. It is true that Tso’s Commentary need not contain
absolutely everything that other histories contain. But Tso has not omitted to
mention vulgar plebeians and hireling ruffians such as Ying K’ao-shu,
[18] Ts’ao Kuei, [19], Chu Chih-wu and Chuan She-chu [20]. In the case of
Sun Wu, whose fame and achievements were so brilliant, the omission is much
more glaring. Again, details are given, in their due order, about his
contemporaries Wu Yuan and the Minister P’ei. [21] Is it credible that
Sun Wu alone should have been passed over?
&lt;/p&gt;
&lt;p class="p2"&gt;
In point of literary style, Sun Tzŭ’s work belongs to the same school as &lt;i&gt;Kuan
Tzŭ&lt;/i&gt;, [22] &lt;i&gt;Liu T’ao&lt;/i&gt;, [23] and the &lt;i&gt;Yüeh Yu&lt;/i&gt; [24] and may have been the
production of some private scholar living towards the end of the "Spring and
Autumn" or the beginning of the "Warring States" period. [25] The story that
his precepts were actually applied by the Wu State, is merely the outcome of
big talk on the part of his followers.
&lt;/p&gt;
&lt;p class="p2"&gt;
From the flourishing period of the Chou dynasty [26] down to the time of the
"Spring and Autumn," all military commanders were statesmen as well, and the
class of professional generals, for conducting external campaigns, did not then
exist. It was not until the period of the "Six States" [27] that this custom
changed. Now although Wu was an uncivilized State, it is conceivable that Tso
should have left unrecorded the fact that Sun Wu was a great general and yet
held no civil office? What we are told, therefore, about Jang-chu [28] and Sun
Wu, is not authentic matter, but the reckless fabrication of theorizing
pundits. The story of Ho Lu’s experiment on the women, in particular, is
utterly preposterous and incredible.
&lt;/p&gt;
&lt;p class="p3"&gt;
Yeh Shui-hsin represents Ssu-ma Ch’ien as having said that Sun Wu crushed
Ch’u and entered Ying. This is not quite correct. No doubt the impression
left on the reader’s mind is that he at least shared in these exploits. The
fact may or may not be significant; but it is nowhere explicitly stated in the
&lt;i&gt;Shih Chi&lt;/i&gt; either that Sun Tzŭ was general on the occasion of the taking of Ying,
or that he even went there at all. Moreover, as we know that Wu Yuan and Po
P’ei both took part in the expedition, and also that its success was
largely due to the dash and enterprise of Fu Kai, Ho Lu’s younger brother, it
is not easy to see how yet another general could have played a very prominent
part in the same campaign.
&lt;/p&gt;
&lt;p&gt;
Ch’en Chen-sun of the Sung dynasty has the note:—
&lt;/p&gt;
&lt;p class="p1"&gt;
Military writers look upon Sun Wu as the father of their art. But the fact that
he does not appear in the &lt;i&gt;Tso Chuan&lt;/i&gt;, although he is said to have served under
Ho Lu King of Wu, makes it uncertain what period he really belonged to.
&lt;/p&gt;
&lt;p&gt;
He also says:—
&lt;/p&gt;
&lt;p class="p1"&gt;
The works of Sun Wu and Wu Ch’i may be of genuine antiquity.
&lt;/p&gt;
&lt;p&gt;
It is noticeable that both Yeh Shui-hsin and Ch’en Chen-sun, while
rejecting the personality of Sun Wu as he figures in Ssu-ma Ch’ien’s
history, are inclined to accept the date traditionally assigned to the work
which passes under his name. The author of the &lt;i&gt;Hsu Lu&lt;/i&gt; fails to appreciate this
distinction, and consequently his bitter attack on Ch’en Chen-sun really
misses its mark. He makes one of two points, however, which certainly tell in
favour of the high antiquity of our "13 chapters." "Sun Tzŭ," he says, "must
have lived in the age of Ching Wang [519-476], because he is frequently
plagiarized in subsequent works of the Chou, Ch’in and Han dynasties."
The two most shameless offenders in this respect are Wu Ch’i and Huai-nan
Tzŭ, both of them important historical personages in their day. The former
lived only a century after the alleged date of Sun Tzŭ, and his death is known
to have taken place in 381 B.C. It was to him, according to Liu Hsiang, that
Tseng Shen delivered the &lt;i&gt;Tso Chuan&lt;/i&gt;, which had been entrusted to him by its
author. [29] Now the fact that quotations from the &lt;i&gt;Art of War&lt;/i&gt;,
acknowledged or otherwise, are to be found in so many authors of different
epochs, establishes a very strong anterior to them all,—in other words,
that Sun Tzŭ’s treatise was already in existence towards the end of the 5th
century B.C. Further proof of Sun Tzŭ’s antiquity is furnished by the archaic
or wholly obsolete meanings attaching to a number of the words he uses. A list
of these, which might perhaps be extended, is given in the &lt;i&gt;Hsu Lu;&lt;/i&gt; and though
some of the interpretations are doubtful, the main argument is hardly affected
thereby. Again, it must not be forgotten that Yeh Shui-hsin, a scholar and
critic of the first rank, deliberately pronounces the style of the 13 chapters
to belong to the early part of the fifth century. Seeing that he is actually
engaged in an attempt to disprove the existence of Sun Wu himself, we may be
sure that he would not have hesitated to assign the work to a later date had he
not honestly believed the contrary. And it is precisely on such a point that
the judgment of an educated Chinaman will carry most weight. Other internal
evidence is not far to seek. Thus in XIII. § 1, there is an unmistakable
allusion to the ancient system of land-tenure which had already passed away by
the time of Mencius, who was anxious to see it revived in a modified form. [30]
The only warfare Sun Tzŭ knows is that carried on between the various feudal
princes, in which armored chariots play a large part. Their use seems to have
entirely died out before the end of the Chou dynasty. He speaks as a man of Wu,
a state which ceased to exist as early as 473 B.C. On this I shall touch
presently.
&lt;/p&gt;
&lt;p&gt;
But once refer the work to the 5th century or earlier, and the chances of its
being other than a &lt;i&gt;bonâ fide&lt;/i&gt; production are sensibly diminished. The
great age of forgeries did not come until long after. That it should have been
forged in the period immediately following 473 is particularly unlikely, for no
one, as a rule, hastens to identify himself with a lost cause. As for Yeh
Shui-hsin’s theory, that the author was a literary recluse, that seems to me
quite untenable. If one thing is more apparent than another after reading the
maxims of Sun Tzŭ, it is that their essence has been distilled from a large
store of personal observation and experience. They reflect the mind not only of
a born strategist, gifted with a rare faculty of generalization, but also of a
practical soldier closely acquainted with the military conditions of his time.
To say nothing of the fact that these sayings have been accepted and endorsed
by all the greatest captains of Chinese history, they offer a combination of
freshness and sincerity, acuteness and common sense, which quite excludes the
idea that they were artificially concocted in the study. If we admit, then,
that the 13 chapters were the genuine production of a military man living
towards the end of the "&lt;i&gt;Ch’un Ch’iu&lt;/i&gt;" period, are we not bound, in
spite of the silence of the &lt;i&gt;Tso Chuan&lt;/i&gt;, to accept Ssu-ma Ch’ien’s account
in its entirety? In view of his high repute as a sober historian, must we not
hesitate to assume that the records he drew upon for Sun Wu’s biography were
false and untrustworthy? The answer, I fear, must be in the negative. There is
still one grave, if not fatal, objection to the chronology involved in the
story as told in the &lt;i&gt;Shih Chi&lt;/i&gt;, which, so far as I am aware, nobody has yet
pointed out. There are two passages in Sun Tzŭ in which he alludes to
contemporary affairs. The first in in VI. § 21:—
&lt;/p&gt;
&lt;p class="p1"&gt;
Though according to my estimate the soldiers of Yüeh exceed our own in number,
that shall advantage them nothing in the matter of victory. I say then that
victory can be achieved.
&lt;/p&gt;
&lt;p&gt;
The other is in XI. § 30:—
&lt;/p&gt;
&lt;p class="p1"&gt;
Asked if an army can be made to imitate the &lt;i&gt;shuai-jan&lt;/i&gt;, I should answer,
Yes. For the men of Wu and the men of Yüeh are enemies; yet if they are
crossing a river in the same boat and are caught by a storm, they will come to
each other’s assistance just as the left hand helps the right.
&lt;/p&gt;
&lt;p&gt;
These two paragraphs are extremely valuable as evidence of the date of
composition. They assign the work to the period of the struggle between Wu and
Yüeh. So much has been observed by Pi I-hsun. But what has hitherto escaped
notice is that they also seriously impair the credibility of Ssu-ma
Ch’ien’s narrative. As we have seen above, the first positive date given
in connection with Sun Wu is 512 B.C. He is then spoken of as a general, acting
as confidential adviser to Ho Lu, so that his alleged introduction to that
monarch had already taken place, and of course the 13 chapters must have been
written earlier still. But at that time, and for several years after, down to
the capture of Ying in 506, Ch’u and not Yüeh, was the great hereditary
enemy of Wu. The two states, Ch’u and Wu, had been constantly at war for
over half a century, [31] whereas the first war between Wu and Yüeh was waged
only in 510, [32] and even then was no more than a short interlude sandwiched
in the midst of the fierce struggle with Ch’u. Now Ch’u is not
mentioned in the 13 chapters at all. The natural inference is that they were
written at a time when Yüeh had become the prime antagonist of Wu, that is,
after Ch’u had suffered the great humiliation of 506. At this point, a
table of dates may be found useful.&lt;br&gt;&lt;br&gt;
&lt;/p&gt;
&lt;table&gt;
&lt;tbody&gt;&lt;tr&gt; &lt;td&gt;B.C.&lt;/td&gt;&lt;td&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;514&lt;/td&gt;&lt;td&gt;Accession of Ho Lu.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;512&lt;/td&gt;&lt;td&gt;Ho Lu attacks Ch’u, but is dissuaded from entering
Ying,&lt;br&gt;
the capital. &lt;i&gt;Shih Chi&lt;/i&gt; mentions Sun Wu as general.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;511&lt;/td&gt;&lt;td&gt;Another attack on Ch’u.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;510&lt;/td&gt;&lt;td&gt;Wu makes a successful attack on Yüeh. This is the
first&lt;br&gt;
war between the two states.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;509 or 508&lt;/td&gt;&lt;td&gt;Ch’u invades Wu, but is signally defeated at
Yu-chang.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;506&lt;/td&gt;&lt;td&gt;Ho Lu attacks Ch’u with the aid of T’ang and
Ts’ai.&lt;br&gt;
Decisive battle of Po-chu, and capture of Ying. Last&lt;br&gt;
mention of Sun Wu in &lt;i&gt;Shih Chi&lt;/i&gt;.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;505&lt;/td&gt;&lt;td&gt;Yüeh makes a raid on Wu in the absence of its army.
Wu&lt;br&gt;
is beaten by Ch’in and evacuates Ying.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;504&lt;/td&gt;&lt;td&gt;Ho Lu sends Fu Ch’ai to attack Ch’u.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;497&lt;/td&gt;&lt;td&gt;Kou Chien becomes King of Yüeh.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;496&lt;/td&gt;&lt;td&gt;Wu attacks Yüeh, but is defeated by Kou Chien at
Tsui-li.&lt;br&gt;
Ho Lu is killed.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;494&lt;/td&gt;&lt;td&gt;Fu Ch’ai defeats Kou Chien in the great battle of
Fu-&lt;br&gt;
chaio, and enters the capital of Yüeh.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;485 or 484&lt;/td&gt;&lt;td&gt;Kou Chien renders homage to Wu. Death of Wu
Tzŭ-hsu.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;482&lt;/td&gt;&lt;td&gt;Kou Chien invades Wu in the absence of Fu
Ch’ai.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;478 to 476&lt;/td&gt;&lt;td&gt;Further attacks by Yüeh on Wu.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;475&lt;/td&gt;&lt;td&gt;Kou Chien lays siege to the capital of Wu.&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;473&lt;/td&gt;&lt;td&gt;Final defeat and extinction of Wu.&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;p class="p3"&gt;
The sentence quoted above from VI. § 21 hardly strikes me as one that could
have been written in the full flush of victory. It seems rather to imply that,
for the moment at least, the tide had turned against Wu, and that she was
getting the worst of the struggle. Hence we may conclude that our treatise was
not in existence in 505, before which date Yüeh does not appear to have scored
any notable success against Wu. Ho Lu died in 496, so that if the book was
written for him, it must have been during the period 505-496, when there was a
lull in the hostilities, Wu having presumably exhausted by its supreme effort
against Ch’u. On the other hand, if we choose to disregard the tradition
connecting Sun Wu’s name with Ho Lu, it might equally well have seen the light
between 496 and 494, or possibly in the period 482-473, when Yüeh was once
again becoming a very serious menace. [33] We may feel fairly certain that the
author, whoever he may have been, was not a man of any great eminence in his
own day. On this point the negative testimony of the &lt;i&gt;Tso Chuan&lt;/i&gt; far outweighs
any shred of authority still attaching to the &lt;i&gt;Shih Chi&lt;/i&gt;, if once its other facts
are discredited. Sun Hsing-yen, however, makes a feeble attempt to explain the
omission of his name from the great commentary. It was Wu Tzŭ-hsu, he says, who
got all the credit of Sun Wu’s exploits, because the latter (being an alien)
was not rewarded with an office in the State.
&lt;/p&gt;
&lt;p&gt;
How then did the Sun Tzŭ legend originate? It may be that the growing celebrity
of the book imparted by degrees a kind of factitious renown to its author. It
was felt to be only right and proper that one so well versed in the science of
war should have solid achievements to his credit as well. Now the capture of
Ying was undoubtedly the greatest feat of arms in Ho Lu’s reign; it made a deep
and lasting impression on all the surrounding states, and raised Wu to the
short-lived zenith of her power. Hence, what more natural, as time went on,
than that the acknowledged master of strategy, Sun Wu, should be popularly
identified with that campaign, at first perhaps only in the sense that his
brain conceived and planned it; afterwards, that it was actually carried out by
him in conjunction with Wu Yuan, [34] Po P’ei and Fu Kai?
&lt;/p&gt;
&lt;p&gt;
It is obvious that any attempt to reconstruct even the outline of Sun Tzŭ’s
life must be based almost wholly on conjecture. With this necessary proviso, I
should say that he probably entered the service of Wu about the time of Ho Lu’s
accession, and gathered experience, though only in the capacity of a
subordinate officer, during the intense military activity which marked the
first half of the prince’s reign. [35] If he rose to be a general at all, he
certainly was never on an equal footing with the three above mentioned. He was
doubtless present at the investment and occupation of Ying, and witnessed Wu’s
sudden collapse in the following year. Yüeh’s attack at this critical juncture,
when her rival was embarrassed on every side, seems to have convinced him that
this upstart kingdom was the great enemy against whom every effort would
henceforth have to be directed. Sun Wu was thus a well-seasoned warrior when he
sat down to write his famous book, which according to my reckoning must have
appeared towards the end, rather than the beginning of Ho Lu’s reign. The story
of the women may possibly have grown out of some real incident occurring about
the same time. As we hear no more of Sun Wu after this from any source, he is
hardly likely to have survived his patron or to have taken part in the
death-struggle with Yüeh, which began with the disaster at Tsui-li.
&lt;/p&gt;
&lt;p&gt;
If these inferences are approximately correct, there is a certain irony in the
fate which decreed that China’s most illustrious man of peace should be
contemporary with her greatest writer on war.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap04"&gt;&lt;/a&gt;The Text of Sun Tzŭ&lt;/h2&gt;
&lt;p&gt;
I have found it difficult to glean much about the history of Sun Tzŭ’s text.
The quotations that occur in early authors go to show that the "13 chapters" of
which Ssu-ma Ch’ien speaks were essentially the same as those now extant.
We have his word for it that they were widely circulated in his day, and can
only regret that he refrained from discussing them on that account. Sun
Hsing-yen says in his preface:—
&lt;/p&gt;
&lt;p class="p1"&gt;
During the Ch’in and Han dynasties Sun Tzŭ’s &lt;i&gt;Art of War&lt;/i&gt; was in
general use amongst military commanders, but they seem to have treated it as a
work of mysterious import, and were unwilling to expound it for the benefit of
posterity. Thus it came about that Wei Wu was the first to write a commentary
on it.
&lt;/p&gt;
&lt;p&gt;
As we have already seen, there is no reasonable ground to suppose that
Ts’ao Kung tampered with the text. But the text itself is often so
obscure, and the number of editions which appeared from that time onward so
great, especially during the T’ang and Sung dynasties, that it would be
surprising if numerous corruptions had not managed to creep in. Towards the
middle of the Sung period, by which time all the chief commentaries on Sun Tzŭ
were in existence, a certain Chi T’ien-pao published a work in 15
&lt;i&gt;chuan&lt;/i&gt; entitled "Sun Tzŭ with the collected commentaries of ten writers."
There was another text, with variant readings put forward by Chu Fu of
Ta-hsing, which also had supporters among the scholars of that period; but in
the Ming editions, Sun Hsing-yen tells us, these readings were for some reason
or other no longer put into circulation. Thus, until the end of the 18th
century, the text in sole possession of the field was one derived from Chi
T’ien-pao’s edition, although no actual copy of that important work was
known to have survived. That, therefore, is the text of Sun Tzŭ which appears
in the War section of the great Imperial encyclopedia printed in 1726, the
&lt;i&gt;Ku Chin T’u Shu Chi Ch’eng&lt;/i&gt;. Another copy at my disposal of
what is practically the same text, with slight variations, is that contained in
the "Eleven philosophers of the Chou and Ch’in dynasties" [1758]. And the
Chinese printed in Capt. Calthrop’s first edition is evidently a similar
version which has filtered through Japanese channels. So things remained until
Sun Hsing-yen [1752-1818], a distinguished antiquarian and classical scholar,
who claimed to be an actual descendant of Sun Wu, [36] accidentally discovered
a copy of Chi T’ien-pao’s long-lost work, when on a visit to the library
of the Hua-yin temple. [37] Appended to it was the &lt;i&gt;I Shuo&lt;/i&gt; of Cheng
Yu-Hsien, mentioned in the &lt;i&gt;T’ung Chih&lt;/i&gt;, and also believed to have
perished. This is what Sun Hsing-yen designates as the "original edition (or
text)"—a rather misleading name, for it cannot by any means claim to set
before us the text of Sun Tzŭ in its pristine purity. Chi T’ien-pao was a
careless compiler, and appears to have been content to reproduce the somewhat
debased version current in his day, without troubling to collate it with the
earliest editions then available. Fortunately, two versions of Sun Tzŭ, even
older than the newly discovered work, were still extant, one buried in the
&lt;i&gt;T’ung Tien&lt;/i&gt;, Tu Yu’s great treatise on the Constitution, the other
similarly enshrined in the &lt;i&gt;T’ai P’ing Yu Lan&lt;/i&gt; encyclopedia.
In both the complete text is to be found, though split up into fragments,
intermixed with other matter, and scattered piecemeal over a number of
different sections. Considering that the &lt;i&gt;Yu Lan&lt;/i&gt; takes us back to the
year 983, and the &lt;i&gt;T’ung Tien&lt;/i&gt; about 200 years further still, to the
middle of the T’ang dynasty, the value of these early transcripts of Sun
Tzŭ can hardly be overestimated. Yet the idea of utilizing them does not seem
to have occurred to anyone until Sun Hsing-yen, acting under Government
instructions, undertook a thorough recension of the text. This is his own
account:—
&lt;/p&gt;
&lt;p class="p1"&gt;
Because of the numerous mistakes in the text of Sun Tzŭ which his editors had
handed down, the Government ordered that the ancient edition [of Chi
T’ien-pao] should be used, and that the text should be revised and
corrected throughout. It happened that Wu Nien-hu, the Governor Pi Kua, and
Hsi, a graduate of the second degree, had all devoted themselves to this study,
probably surpassing me therein. Accordingly, I have had the whole work cut on
blocks as a textbook for military men.
&lt;/p&gt;
&lt;p&gt;
The three individuals here referred to had evidently been occupied on the text
of Sun Tzŭ prior to Sun Hsing-yen’s commission, but we are left in doubt as to
the work they really accomplished. At any rate, the new edition, when
ultimately produced, appeared in the names of Sun Hsing-yen and only one
co-editor Wu Jen-shi. They took the "original edition" as their basis, and by
careful comparison with older versions, as well as the extant commentaries and
other sources of information such as the &lt;i&gt;I Shuo&lt;/i&gt;, succeeded in restoring a very
large number of doubtful passages, and turned out, on the whole, what must be
accepted as the closest approximation we are ever likely to get to Sun Tzŭ’s
original work. This is what will hereafter be denominated the "standard text."
&lt;/p&gt;
&lt;p&gt;
The copy which I have used belongs to a reissue dated 1877. It is in 6 &lt;i&gt;pen&lt;/i&gt;,
forming part of a well-printed set of 23 early philosophical works in 83 &lt;i&gt;pen&lt;/i&gt;.
[38] It opens with a preface by Sun Hsing-yen (largely quoted in this
introduction), vindicating the traditional view of Sun Tzŭ’s life and
performances, and summing up in remarkably concise fashion the evidence in its
favour. This is followed by Ts’ao Kung’s preface to his edition, and the
biography of Sun Tzŭ from the &lt;i&gt;Shih Chi&lt;/i&gt;, both translated above. Then come,
firstly, Cheng Yu-hsien’s &lt;i&gt;I Shuo&lt;/i&gt;, [39] with author’s preface, and next, a short
miscellany of historical and bibliographical information entitled &lt;i&gt;Sun Tzŭ Hsu
Lu&lt;/i&gt;, compiled by Pi I-hsun. As regards the body of the work, each separate
sentence is followed by a note on the text, if required, and then by the
various commentaries appertaining to it, arranged in chronological order. These
we shall now proceed to discuss briefly, one by one.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap05"&gt;&lt;/a&gt;The Commentators&lt;/h2&gt;
&lt;p&gt;
Sun Tzŭ can boast an exceptionally long distinguished roll of commentators,
which would do honour to any classic. Ou-yang Hsiu remarks on this fact, though
he wrote before the tale was complete, and rather ingeniously explains it by
saying that the artifices of war, being inexhaustible, must therefore be
susceptible of treatment in a great variety of ways.
&lt;/p&gt;
&lt;p&gt;
1. TS’AO TS’AO or Ts’ao Kung, afterwards known as Wei Wu Ti
[A.D. 155-220]. There is hardly any room for doubt that the earliest commentary
on Sun Tzŭ actually came from the pen of this extraordinary man, whose
biography in the &lt;i&gt;San Kuo Chih&lt;/i&gt; reads like a romance. One of the greatest
military geniuses that the world has seen, and Napoleonic in the scale of his
operations, he was especially famed for the marvelous rapidity of his marches,
which has found expression in the line "Talk of Ts’ao Ts’ao, and
Ts’ao Ts’ao will appear." Ou-yang Hsiu says of him that he was a
great captain who "measured his strength against Tung Cho, Lu Pu and the two
Yuan, father and son, and vanquished them all; whereupon he divided the Empire
of Han with Wu and Shu, and made himself king. It is recorded that whenever a
council of war was held by Wei on the eve of a far-reaching campaign, he had
all his calculations ready; those generals who made use of them did not lose
one battle in ten; those who ran counter to them in any particular saw their
armies incontinently beaten and put to flight." Ts’ao Kung’s notes on Sun
Tzŭ, models of austere brevity, are so thoroughly characteristic of the stern
commander known to history, that it is hard indeed to conceive of them as the
work of a mere &lt;i&gt;littérateur&lt;/i&gt;. Sometimes, indeed, owing to extreme compression,
they are scarcely intelligible and stand no less in need of a commentary than
the text itself. [40]
&lt;/p&gt;
&lt;p&gt;
2. MENG SHIH. The commentary which has come down to us under this name is
comparatively meager, and nothing about the author is known. Even his personal
name has not been recorded. Chi T’ien-pao’s edition places him after Chia
Lin, and Ch’ao Kung-wu also assigns him to the T’ang dynasty, [41]
but this is a mistake. In Sun Hsing-yen’s preface, he appears as Meng Shih of
the Liang dynasty [502-557]. Others would identify him with Meng K’ang of
the 3rd century. He is named in one work as the last of the "Five
Commentators," the others being Wei Wu Ti, Tu Mu, Ch’en Hao and Chia Lin.
&lt;/p&gt;
&lt;p&gt;
3. LI CH’UAN of the 8th century was a well-known writer on military
tactics. One of his works has been in constant use down to the present day. The
&lt;i&gt;T’ung Chih&lt;/i&gt; mentions "Lives of famous generals from the Chou to the
T’ang dynasty" as written by him. [42] According to Ch’ao Kung-wu
and the &lt;i&gt;T’ien-i-ko&lt;/i&gt; catalogue, he followed a variant of the text of Sun
Tzŭ which differs considerably from those now extant. His notes are mostly
short and to the point, and he frequently illustrates his remarks by anecdotes
from Chinese history.
&lt;/p&gt;
&lt;p&gt;
4. TU YU (died 812) did not publish a separate commentary on Sun Tzŭ, his notes
being taken from the &lt;i&gt;T’ung Tien&lt;/i&gt;, the encyclopedic treatise on the
Constitution which was his life-work. They are largely repetitions of
Ts’ao Kung and Meng Shih, besides which it is believed that he drew on
the ancient commentaries of Wang Ling and others. Owing to the peculiar
arrangement of &lt;i&gt;T’ung Tien&lt;/i&gt;, he has to explain each passage on its merits,
apart from the context, and sometimes his own explanation does not agree with
that of Ts’ao Kung, whom he always quotes first. Though not strictly to
be reckoned as one of the "Ten Commentators," he was added to their number by
Chi T’ien-pao, being wrongly placed after his grandson Tu Mu.
&lt;/p&gt;
&lt;p&gt;
5. TU MU (803-852) is perhaps the best known as a poet—a bright star even
in the glorious galaxy of the T’ang period. We learn from Ch’ao
Kung-wu that although he had no practical experience of war, he was extremely
fond of discussing the subject, and was moreover well read in the military
history of the &lt;i&gt;Ch’un Ch’iu&lt;/i&gt; and &lt;i&gt;Chan Kuo&lt;/i&gt; eras. His notes, therefore,
are well worth attention. They are very copious, and replete with historical
parallels. The gist of Sun Tzŭ’s work is thus summarized by him: "Practice
benevolence and justice, but on the other hand make full use of artifice and
measures of expediency." He further declared that all the military triumphs and
disasters of the thousand years which had elapsed since Sun Tzŭ’s death would,
upon examination, be found to uphold and corroborate, in every particular, the
maxims contained in his book. Tu Mu’s somewhat spiteful charge against
Ts’ao Kung has already been considered elsewhere.
&lt;/p&gt;
&lt;p&gt;
6. CH’EN HAO appears to have been a contemporary of Tu Mu. Ch’ao
Kung-wu says that he was impelled to write a new commentary on Sun Tzŭ because
Ts’ao Kung’s on the one hand was too obscure and subtle, and that of Tu
Mu on the other too long-winded and diffuse. Ou-yang Hsiu, writing in the
middle of the 11th century, calls Ts’ao Kung, Tu Mu and Ch’en Hao
the three chief commentators on Sun Tzŭ, and observes that Ch’en Hao is
continually attacking Tu Mu’s shortcomings. His commentary, though not lacking
in merit, must rank below those of his predecessors.
&lt;/p&gt;
&lt;p&gt;
7. CHIA LIN is known to have lived under the T’ang dynasty, for his
commentary on Sun Tzŭ is mentioned in the &lt;i&gt;T’ang Shu&lt;/i&gt; and was afterwards
republished by Chi Hsieh of the same dynasty together with those of Meng Shih
and Tu Yu. It is of somewhat scanty texture, and in point of quality, too,
perhaps the least valuable of the eleven.
&lt;/p&gt;
&lt;p&gt;
8. MEI YAO-CH’EN (1002-1060), commonly known by his "style" as Mei
Sheng-yu, was, like Tu Mu, a poet of distinction. His commentary was published
with a laudatory preface by the great Ou-yang Hsiu, from which we may cull the
following:—
&lt;/p&gt;
&lt;p class="p1"&gt;
Later scholars have misread Sun Tzŭ, distorting his words and trying to make
them square with their own one-sided views. Thus, though commentators have not
been lacking, only a few have proved equal to the task. My friend Sheng-yu has
not fallen into this mistake. In attempting to provide a critical commentary
for Sun Tzŭ’s work, he does not lose sight of the fact that these sayings were
intended for states engaged in internecine warfare; that the author is not
concerned with the military conditions prevailing under the sovereigns of the
three ancient dynasties, [43] nor with the nine punitive measures prescribed to
the Minister of War. [44] Again, Sun Wu loved brevity of diction, but his
meaning is always deep. Whether the subject be marching an army, or handling
soldiers, or estimating the enemy, or controlling the forces of victory, it is
always systematically treated; the sayings are bound together in strict logical
sequence, though this has been obscured by commentators who have probably
failed to grasp their meaning. In his own commentary, Mei Sheng-yu has brushed
aside all the obstinate prejudices of these critics, and has tried to bring out
the true meaning of Sun Tzŭ himself. In this way, the clouds of confusion have
been dispersed and the sayings made clear. I am convinced that the present work
deserves to be handed down side by side with the three great commentaries; and
for a great deal that they find in the sayings, coming generations will have
constant reason to thank my friend Sheng-yu.
&lt;/p&gt;
&lt;p&gt;
Making some allowance for the exuberance of friendship, I am inclined to
endorse this favourable judgment, and would certainly place him above
Ch’en Hao in order of merit.
&lt;/p&gt;
&lt;p&gt;
9. WANG HSI, also of the Sung dynasty, is decidedly original in some of his
interpretations, but much less judicious than Mei Yao-ch’en, and on the
whole not a very trustworthy guide. He is fond of comparing his own commentary
with that of Ts’ao Kung, but the comparison is not often flattering to
him. We learn from Ch’ao Kung-wu that Wang Hsi revised the ancient text
of Sun Tzŭ, filling up lacunae and correcting mistakes. [45]
&lt;/p&gt;
&lt;p&gt;
10. HO YEN-HSI of the Sung dynasty. The personal name of this commentator is
given as above by Cheng Ch’iao in the &lt;i&gt;Tung Chih&lt;/i&gt;, written about the middle
of the twelfth century, but he appears simply as Ho Shih in the &lt;i&gt;Yu Hai&lt;/i&gt;, and Ma
Tuan-lin quotes Ch’ao Kung-wu as saying that his personal name is
unknown. There seems to be no reason to doubt Cheng Ch’iao’s statement,
otherwise I should have been inclined to hazard a guess and identify him with
one Ho Ch’u-fei, the author of a short treatise on war, who lived in the
latter part of the 11th century. Ho Shih’s commentary, in the words of the
&lt;i&gt;T’ien-i-ko&lt;/i&gt; catalogue, "contains helpful additions" here and there, but is
chiefly remarkable for the copious extracts taken, in adapted form, from the
dynastic histories and other sources.
&lt;/p&gt;
&lt;p&gt;
11. CHANG YU. The list closes with a commentator of no great originality
perhaps, but gifted with admirable powers of lucid exposition. His commentator
is based on that of Ts’ao Kung, whose terse sentences he contrives to
expand and develop in masterly fashion. Without Chang Yu, it is safe to say
that much of Ts’ao Kung’s commentary would have remained cloaked in its
pristine obscurity and therefore valueless. His work is not mentioned in the
Sung history, the &lt;i&gt;T’ung K’ao&lt;/i&gt;, or the &lt;i&gt;Yu Hai&lt;/i&gt;, but it finds a niche
in the &lt;i&gt;T’ung Chih&lt;/i&gt;, which also names him as the author of the "Lives of
Famous Generals." [46]
&lt;/p&gt;
&lt;p&gt;
It is rather remarkable that the last-named four should all have flourished
within so short a space of time. Ch’ao Kung-wu accounts for it by saying:
"During the early years of the Sung dynasty the Empire enjoyed a long spell of
peace, and men ceased to practice the art of war. but when [Chao] Yuan-hao’s
rebellion came [1038-42] and the frontier generals were defeated time after
time, the Court made strenuous inquiry for men skilled in war, and military
topics became the vogue amongst all the high officials. Hence it is that the
commentators of Sun Tzŭ in our dynasty belong mainly to that period. [47]
&lt;/p&gt;
&lt;p&gt;
Besides these eleven commentators, there are several others whose work has not
come down to us. The &lt;i&gt;Sui Shu&lt;/i&gt; mentions four, namely Wang Ling (often quoted by
Tu Yu as Wang Tzŭ); Chang Tzŭ-shang; Chia Hsu of Wei; [48] and Shen Yu of Wu.
The &lt;i&gt;T’ang Shu&lt;/i&gt; adds Sun Hao, and the &lt;i&gt;T’ung Chih&lt;/i&gt; Hsiao Chi, while the
&lt;i&gt;T’u Shu&lt;/i&gt; mentions a Ming commentator, Huang Jun-yu. It is possible that
some of these may have been merely collectors and editors of other
commentaries, like Chi T’ien-pao and Chi Hsieh, mentioned above.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap06"&gt;&lt;/a&gt;Appreciations of Sun Tzŭ&lt;/h2&gt;
&lt;p&gt;
Sun Tzŭ has exercised a potent fascination over the minds of some of China’s
greatest men. Among the famous generals who are known to have studied his pages
with enthusiasm may be mentioned Han Hsin (&lt;i&gt;d&lt;/i&gt;. 196 B.C.), [49] Feng I (&lt;i&gt;d&lt;/i&gt;. 34
A.D.), [50] Lu Meng (&lt;i&gt;d&lt;/i&gt;. 219), [51] and Yo Fei (1103-1141). [52] The opinion of
Ts’ao Kung, who disputes with Han Hsin the highest place in Chinese
military annals, has already been recorded. [53] Still more remarkable, in one
way, is the testimony of purely literary men, such as Su Hsun (the father of Su
Tung-p’o), who wrote several essays on military topics, all of which owe
their chief inspiration to Sun Tzŭ. The following short passage by him is
preserved in the &lt;i&gt;Yu Hai:&lt;/i&gt; [54]—
&lt;/p&gt;
&lt;p class="p1"&gt;
Sun Wu’s saying, that in war one cannot make certain of conquering, [55] is
very different indeed from what other books tell us. [56] Wu Ch’i was a
man of the same stamp as Sun Wu: they both wrote books on war, and they are
linked together in popular speech as "Sun and Wu." But Wu Ch’i’s remarks
on war are less weighty, his rules are rougher and more crudely stated, and
there is not the same unity of plan as in Sun Tzŭ’s work, where the style is
terse, but the meaning fully brought out.
&lt;/p&gt;
&lt;p&gt;
The following is an extract from the "Impartial Judgments in the Garden of
Literature" by Cheng Hou:—
&lt;/p&gt;
&lt;p class="p1"&gt;
Sun Tzŭ’s 13 chapters are not only the staple and base of all military men’s
training, but also compel the most careful attention of scholars and men of
letters. His sayings are terse yet elegant, simple yet profound, perspicuous
and eminently practical. Such works as the &lt;i&gt;Lun Yu&lt;/i&gt;, the &lt;i&gt;I Ching&lt;/i&gt;
and the great Commentary, [57] as well as the writings of Mencius, Hsun
K’uang and Yang Chu, all fall below the level of Sun Tzŭ.
&lt;/p&gt;
&lt;p&gt;
Chu Hsi, commenting on this, fully admits the first part of the criticism,
although he dislikes the audacious comparison with the venerated classical
works. Language of this sort, he says, "encourages a ruler’s bent towards
unrelenting warfare and reckless militarism."
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap07"&gt;&lt;/a&gt;Apologies for War&lt;/h2&gt;
&lt;p&gt;
Accustomed as we are to think of China as the greatest peace-loving nation on
earth, we are in some danger of forgetting that her experience of war in all
its phases has also been such as no modern State can parallel. Her long
military annals stretch back to a point at which they are lost in the mists of
time. She had built the Great Wall and was maintaining a huge standing army
along her frontier centuries before the first Roman legionary was seen on the
Danube. What with the perpetual collisions of the ancient feudal States, the
grim conflicts with Huns, Turks and other invaders after the centralization of
government, the terrific upheavals which accompanied the overthrow of so many
dynasties, besides the countless rebellions and minor disturbances that have
flamed up and flickered out again one by one, it is hardly too much to say that
the clash of arms has never ceased to resound in one portion or another of the
Empire.
&lt;/p&gt;
&lt;p&gt;
No less remarkable is the succession of illustrious captains to whom China can
point with pride. As in all countries, the greatest are fond of emerging at the
most fateful crises of her history. Thus, Po Ch’i stands out conspicuous
in the period when Ch’in was entering upon her final struggle with the
remaining independent states. The stormy years which followed the break-up of
the Ch’in dynasty are illuminated by the transcendent genius of Han Hsin.
When the House of Han in turn is tottering to its fall, the great and baleful
figure of Ts’ao Ts’ao dominates the scene. And in the establishment
of the T’ang dynasty, one of the mightiest tasks achieved by man, the
superhuman energy of Li Shih-min (afterwards the Emperor T’ai Tsung) was
seconded by the brilliant strategy of Li Ching. None of these generals need
fear comparison with the greatest names in the military history of Europe.
&lt;/p&gt;
&lt;p&gt;
In spite of all this, the great body of Chinese sentiment, from Lao Tzŭ
downwards, and especially as reflected in the standard literature of
Confucianism, has been consistently pacific and intensely opposed to militarism
in any form. It is such an uncommon thing to find any of the literati defending
warfare on principle, that I have thought it worth while to collect and
translate a few passages in which the unorthodox view is upheld. The following,
by Ssu-ma Ch’ien, shows that for all his ardent admiration of Confucius,
he was yet no advocate of peace at any price:—
&lt;/p&gt;
&lt;p class="p1"&gt;
Military weapons are the means used by the Sage to punish violence and cruelty,
to give peace to troublous times, to remove difficulties and dangers, and to
succour those who are in peril. Every animal with blood in its veins and horns
on its head will fight when it is attacked. How much more so will man, who
carries in his breast the faculties of love and hatred, joy and anger! When he
is pleased, a feeling of affection springs up within him; when angry, his
poisoned sting is brought into play. That is the natural law which governs his
being…. What then shall be said of those scholars of our time, blind to all
great issues, and without any appreciation of relative values, who can only
bark out their stale formulas about "virtue" and "civilization," condemning the
use of military weapons? They will surely bring our country to impotence and
dishonour and the loss of her rightful heritage; or, at the very least, they
will bring about invasion and rebellion, sacrifice of territory and general
enfeeblement. Yet they obstinately refuse to modify the position they have
taken up. The truth is that, just as in the family the teacher must not spare
the rod, and punishments cannot be dispensed with in the State, so military
chastisement can never be allowed to fall into abeyance in the Empire. All one
can say is that this power will be exercised wisely by some, foolishly by
others, and that among those who bear arms some will be loyal and others
rebellious. [58]
&lt;/p&gt;
&lt;p&gt;
The next piece is taken from Tu Mu’s preface to his commentary on Sun
Tzŭ:—&lt;br&gt;&lt;br&gt;
&lt;/p&gt;
&lt;p class="p2"&gt;
War may be defined as punishment, which is one of the functions of government.
It was the profession of Chung Yu and Jan Ch’iu, both disciples of
Confucius. Nowadays, the holding of trials and hearing of litigation, the
imprisonment of offenders and their execution by flogging in the market-place,
are all done by officials. But the wielding of huge armies, the throwing down
of fortified cities, the hauling of women and children into captivity, and the
beheading of traitors—this is also work which is done by officials. The
objects of the rack and of military weapons are essentially the same. There is
no intrinsic difference between the punishment of flogging and cutting off
heads in war. For the lesser infractions of law, which are easily dealt with,
only a small amount of force need be employed: hence the use of military
weapons and wholesale decapitation. In both cases, however, the end in view is
to get rid of wicked people, and to give comfort and relief to the good….
&lt;/p&gt;
&lt;p class="p2"&gt;
Chi-sun asked Jan Yu, saying: "Have you, Sir, acquired your military aptitude
by study, or is it innate?" Jan Yu replied: "It has been acquired by study."
[59] "How can that be so," said Chi-sun, "seeing that you are a disciple of
Confucius?" "It is a fact," replied Jan Yu; "I was taught by Confucius. It is
fitting that the great Sage should exercise both civil and military functions,
though to be sure my instruction in the art of fighting has not yet gone very
far."
&lt;/p&gt;
&lt;p class="p2"&gt;
Now, who the author was of this rigid distinction between the "civil" and the
"military," and the limitation of each to a separate sphere of action, or in
what year of which dynasty it was first introduced, is more than I can say.
But, at any rate, it has come about that the members of the governing class are
quite afraid of enlarging on military topics, or do so only in a shamefaced
manner. If any are bold enough to discuss the subject, they are at once set
down as eccentric individuals of coarse and brutal propensities. This is an
extraordinary instance in which, through sheer lack of reasoning, men unhappily
lose sight of fundamental principles.
&lt;/p&gt;
&lt;p class="p2"&gt;
When the Duke of Chou was minister under Ch’eng Wang, he regulated
ceremonies and made music, and venerated the arts of scholarship and learning;
yet when the barbarians of the River Huai revolted, [60] he sallied forth and
chastised them. When Confucius held office under the Duke of Lu, and a meeting
was convened at Chia-ku, [61] he said: "If pacific negotiations are in
progress, warlike preparations should have been made beforehand." He rebuked
and shamed the Marquis of Ch’i, who cowered under him and dared not
proceed to violence. How can it be said that these two great Sages had no
knowledge of military matters?
&lt;/p&gt;
&lt;p class="p3"&gt;
We have seen that the great Chu Hsi held Sun Tzŭ in high esteem. He also
appeals to the authority of the Classics:—
&lt;/p&gt;
&lt;p class="p1"&gt;
Our Master Confucius, answering Duke Ling of Wei, said: "I have never studied
matters connected with armies and battalions." [62] Replying to K’ung
Wen-tzu, he said: I have not been instructed about buff-coats and weapons." But
if we turn to the meeting at Chia-ku, we find that he used armed force against
the men of Lai, so that the marquis of Ch’i was overawed. Again, when the
inhabitants of Pi revolted; he ordered his officers to attack them, whereupon
they were defeated and fled in confusion. He once uttered the words: "If I
fight, I conquer." [63] And Jan Yu also said: "The Sage exercises both civil
and military functions." [64] Can it be a fact that Confucius never studied or
received instruction in the art of war? We can only say that he did not
specially choose matters connected with armies and fighting to be the subject
of his teaching.
&lt;/p&gt;
&lt;p&gt;
Sun Hsing-yen, the editor of Sun Tzŭ, writes in similar strain:—&lt;br&gt;&lt;br&gt;
&lt;/p&gt;
&lt;p class="p2"&gt;
Confucius said: "I am unversed in military matters." [65] He also said: "If I
fight, I conquer." Confucius ordered ceremonies and regulated music. Now war
constitutes one of the five classes of State ceremonial, [66] and must not be
treated as an independent branch of study. Hence, the words "I am unversed in"
must be taken to mean that there are things which even an inspired Teacher does
not know. Those who have to lead an army and devise stratagems, must learn the
art of war. But if one can command the services of a good general like Sun Tzŭ,
who was employed by Wu Tzŭ-hsu, there is no need to learn it oneself. Hence the
remark added by Confucius: "If I fight, I conquer."
&lt;/p&gt;
&lt;p class="p2"&gt;
The men of the present day, however, willfully interpret these words of
Confucius in their narrowest sense, as though he meant that books on the art of
war were not worth reading. With blind persistency, they adduce the example of
Chao Kua, who pored over his father’s books to no purpose, [67] as a proof that
all military theory is useless. Again, seeing that books on war have to do with
such things as opportunism in designing plans, and the conversion of spies,
they hold that the art is immoral and unworthy of a sage. These people ignore
the fact that the studies of our scholars and the civil administration of our
officials also require steady application and practice before efficiency is
reached. The ancients were particularly chary of allowing mere novices to botch
their work. [68] Weapons are baneful [69] and fighting perilous; and useless
unless a general is in constant practice, he ought not to hazard other men’s
lives in battle. [70] Hence it is essential that Sun Tzŭ’s 13 chapters should
be studied.
&lt;/p&gt;
&lt;p class="p2"&gt;
Hsiang Liang used to instruct his nephew Chi [71] in the art of war. Chi got a
rough idea of the art in its general bearings, but would not pursue his studies
to their proper outcome, the consequence being that he was finally defeated and
overthrown. He did not realize that the tricks and artifices of war are beyond
verbal computation. Duke Hsiang of Sung and King Yen of Hsu were brought to
destruction by their misplaced humanity. The treacherous and underhand nature
of war necessitates the use of guile and stratagem suited to the occasion.
There is a case on record of Confucius himself having violated an extorted
oath, [72] and also of his having left the Sung State in disguise. [73] Can we
then recklessly arraign Sun Tzŭ for disregarding truth and honesty?
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap08"&gt;&lt;/a&gt;Bibliography&lt;/h2&gt;
&lt;p&gt;
The following are the oldest Chinese treatises on war, after Sun Tzŭ. The notes
on each have been drawn principally from the &lt;i&gt;Ssu k’u ch’uan shu
chien ming mu lu&lt;/i&gt;, ch. 9, fol. 22 sqq.
&lt;/p&gt;
&lt;p&gt;
1. &lt;i&gt;Wu Tzŭ&lt;/i&gt;, in 1 &lt;i&gt;chuan&lt;/i&gt; or 6 chapters. By Wu Ch’i (&lt;i&gt;d&lt;/i&gt;. 381 B.C.). A genuine
work. See &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 65.
&lt;/p&gt;
&lt;p&gt;
2. &lt;i&gt;Ssu-ma Fa&lt;/i&gt;, in 1 &lt;i&gt;chuan&lt;/i&gt; or 5 chapters. Wrongly attributed to Ssu-ma Jang-chu
of the 6th century B.C. Its date, however, must be early, as the customs of the
three ancient dynasties are constantly to be met within its pages. See &lt;i&gt;Shih
Chi&lt;/i&gt;, ch. 64.
&lt;/p&gt;
&lt;p&gt;
The &lt;i&gt;Ssu K’u Ch’uan Shu&lt;/i&gt; (ch. 99, f. 1) remarks that the oldest three
treatises on war, &lt;i&gt;Sun Tzŭ&lt;/i&gt;, &lt;i&gt;Wu Tzŭ&lt;/i&gt; and &lt;i&gt;Ssu-ma Fa&lt;/i&gt;, are, generally speaking, only
concerned with things strictly military—the art of producing, collecting,
training and drilling troops, and the correct theory with regard to measures of
expediency, laying plans, transport of goods and the handling of
soldiers—in strong contrast to later works, in which the science of war
is usually blended with metaphysics, divination and magical arts in general.
&lt;/p&gt;
&lt;p&gt;
3. &lt;i&gt;Liu T’ao&lt;/i&gt;, in 6 &lt;i&gt;chuan&lt;/i&gt;, or 60 chapters. Attributed to Lu Wang (or Lu
Shang, also known as T’ai Kung) of the 12th century B.C. [74] But its
style does not belong to the era of the Three Dynasties. Lu Te-ming (550-625
A.D.) mentions the work, and enumerates the headings of the six sections so
that the forgery cannot have been later than Sui dynasty.
&lt;/p&gt;
&lt;p&gt;
4. &lt;i&gt;Wei Liao Tzŭ&lt;/i&gt;, in 5 &lt;i&gt;chuan&lt;/i&gt;. Attributed to Wei Liao (4th cent. B.C.), who
studied under the famous Kuei-ku Tzŭ. The work appears to have been originally
in 31 chapters, whereas the text we possess contains only 24. Its matter is
sound enough in the main, though the strategical devices differ considerably
from those of the Warring States period. It is been furnished with a commentary
by the well-known Sung philosopher Chang Tsai.
&lt;/p&gt;
&lt;p&gt;
5. &lt;i&gt;San Lueh&lt;/i&gt; in 3 &lt;i&gt;chuan&lt;/i&gt;. Attributed to Huang-shih Kung, a legendary personage
who is said to have bestowed it on Chang Liang (&lt;i&gt;d&lt;/i&gt;. 187 B.C.) in an interview on
a bridge. But here again, the style is not that of works dating from the
Ch’in or Han period. The Han Emperor Kuang Wu [25-57 A.D.] apparently
quotes from it in one of his proclamations; but the passage in question may
have been inserted later on, in order to prove the genuineness of the work. We
shall not be far out if we refer it to the Northern Sung period [420-478 A.D.],
or somewhat earlier.
&lt;/p&gt;
&lt;p&gt;
6. &lt;i&gt;Li Wei Kung Wen Tui&lt;/i&gt;, in 3 sections. Written in the form of a dialogue
between T’ai Tsung and his great general Li Ching, it is usually ascribed
to the latter. Competent authorities consider it a forgery, though the author
was evidently well versed in the art of war.
&lt;/p&gt;
&lt;p&gt;
7. &lt;i&gt;Li Ching Ping Fa&lt;/i&gt; (not to be confounded with the foregoing) is a short
treatise in 8 chapters, preserved in the T’ung Tien, but not published
separately. This fact explains its omission from the &lt;i&gt;Ssu K’u Ch’uan
Shu&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt;
8. &lt;i&gt;Wu Ch’i Ching&lt;/i&gt;, in 1 &lt;i&gt;chuan&lt;/i&gt;. Attributed to the legendary minister Feng
Hou, with exegetical notes by Kung-sun Hung of the Han dynasty (&lt;i&gt;d&lt;/i&gt;. 121 B.C.),
and said to have been eulogized by the celebrated general Ma Lung (&lt;i&gt;d&lt;/i&gt;. 300
A.D.). Yet the earliest mention of it is in the &lt;i&gt;Sung Chih&lt;/i&gt;. Although a forgery,
the work is well put together.
&lt;/p&gt;
&lt;p&gt;
Considering the high popular estimation in which Chu-ko Liang has always been
held, it is not surprising to find more than one work on war ascribed to his
pen. Such are (1) the &lt;i&gt;Shih Liu Ts’e&lt;/i&gt; (1 &lt;i&gt;chuan&lt;/i&gt;), preserved in the &lt;i&gt;Yung Lo
Ta Tien;&lt;/i&gt; (2) &lt;i&gt;Chiang Yuan&lt;/i&gt; (1 &lt;i&gt;chuan&lt;/i&gt;); and (3) &lt;i&gt;Hsin Shu&lt;/i&gt; (1 &lt;i&gt;chuan&lt;/i&gt;), which steals
wholesale from Sun Tzŭ. None of these has the slightest claim to be considered
genuine.
&lt;/p&gt;
&lt;p&gt;
Most of the large Chinese encyclopedias contain extensive sections devoted to
the literature of war. The following references may be found useful:—
&lt;/p&gt;
&lt;p class="noindent"&gt;
&lt;i&gt;T’ung Tien&lt;/i&gt; (circa 800 A.D.), ch. 148-162.&lt;br&gt;
&lt;i&gt;T’ai P’ing Yu Lan&lt;/i&gt; (983), ch. 270-359.&lt;br&gt;
&lt;i&gt;Wen Hsien Tung K’ao&lt;/i&gt; (13th cent.), ch. 221.&lt;br&gt;
&lt;i&gt;Yu Hai&lt;/i&gt; (13th cent.), ch. 140, 141.&lt;br&gt;
&lt;i&gt;San Ts’ai T’u Hui&lt;/i&gt; (16th cent).&lt;br&gt;
&lt;i&gt;Kuang Po Wu Chih&lt;/i&gt; (1607), ch. 31, 32.&lt;br&gt;
&lt;i&gt;Ch’ien Ch’io Lei Shu&lt;/i&gt; (1632), ch. 75.&lt;br&gt;
&lt;i&gt;Yuan Chien Lei Han&lt;/i&gt; (1710), ch. 206-229.&lt;br&gt;
&lt;i&gt;Ku Chin T’u Shu Chi Ch’eng&lt;/i&gt; (1726), section XXX, esp. ch.
81-90.&lt;br&gt;
&lt;i&gt;Hsu Wen Hsien T’ung K’ao&lt;/i&gt; (1784), ch. 121-134.&lt;br&gt;
&lt;i&gt;Huang Ch’ao Ching Shih Wen Pien&lt;/i&gt; (1826), ch. 76, 77.&lt;br&gt;&lt;/p&gt;
&lt;p&gt;
The bibliographical sections of certain historical works also deserve
mention:—
&lt;/p&gt;
&lt;p class="noindent"&gt;
&lt;i&gt;Ch’ien Han Shu&lt;/i&gt;, ch. 30.&lt;br&gt;
&lt;i&gt;Sui Shu&lt;/i&gt;, ch. 32-35.&lt;br&gt;
&lt;i&gt;Chiu T’ang Shu&lt;/i&gt;, ch. 46, 47.&lt;br&gt;
&lt;i&gt;Hsin T’ang Shu&lt;/i&gt;, ch. 57,60.&lt;br&gt;
&lt;i&gt;Sung Shih&lt;/i&gt;, ch. 202-209.&lt;br&gt;
&lt;i&gt;T’ung Chih&lt;/i&gt; (circa 1150), ch. 68.&lt;br&gt;&lt;/p&gt;
&lt;p&gt;
To these of course must be added the great Catalogue of the Imperial
Library:—
&lt;/p&gt;
&lt;p&gt;
&lt;i&gt;Ssu K’u Ch’uan Shu Tsung Mu T’i Yao&lt;/i&gt; (1790), ch. 99, 100.
&lt;/p&gt;
&lt;h2&gt;Footnotes&lt;/h2&gt;
&lt;p&gt;
1. &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 65.
&lt;/p&gt;
&lt;p&gt;
2. He reigned from 514 to 496 B.C.
&lt;/p&gt;
&lt;p&gt;
3. &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 130.
&lt;/p&gt;
&lt;p&gt;
4. The appellation of Nang Wa.
&lt;/p&gt;
&lt;p&gt;
5. &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 31.
&lt;/p&gt;
&lt;p&gt;
6. &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 25.
&lt;/p&gt;
&lt;p&gt;
7. The appellation of Hu Yen, mentioned in ch. 39 under the year 637.
&lt;/p&gt;
&lt;p&gt;
8. Wang-tzu Ch’eng-fu, ch. 32, year 607.
&lt;/p&gt;
&lt;p&gt;
9. The mistake is natural enough. Native critics refer to a work of the Han
dynasty, which says: "Ten &lt;i&gt;li&lt;/i&gt; outside the &lt;i&gt;Wu&lt;/i&gt; gate [of the city of
Wu, now Soochow in Kiangsu] there is a great mound, raised to commemorate the
entertainment of Sun Wu of Ch’i, who excelled in the art of war, by the
King of Wu."
&lt;/p&gt;
&lt;p&gt;
10. "They attached strings to wood to make bows, and sharpened wood to make
arrows. The use of bows and arrows is to keep the Empire in awe."
&lt;/p&gt;
&lt;p&gt;
11. The son and successor of Ho Lu. He was finally defeated and overthrown by
Kou chien, King of Yüeh, in 473 B.C. See post.
&lt;/p&gt;
&lt;p&gt;
12. King Yen of Hsu, a fabulous being, of whom Sun Hsing-yen says in his
preface: "His humanity brought him to destruction."
&lt;/p&gt;
&lt;p&gt;
13. The passage I have put in brackets is omitted in the &lt;i&gt;T’u Shu&lt;/i&gt;, and may
be an interpolation. It was known, however to Chang Shou-chieh of the
T’ang dynasty, and appears in the &lt;i&gt;T’ai P’ing Yu Lan&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt;
14. Ts’ao Kung seems to be thinking of the first part of chap. II,
perhaps especially of § 8.
&lt;/p&gt;
&lt;p&gt;
15. See chap. XI.
&lt;/p&gt;
&lt;p&gt;
16. On the other hand, it is noteworthy that &lt;i&gt;Wu Tzŭ&lt;/i&gt;, which is not in 6
chapters, has 48 assigned to it in the &lt;i&gt;Han Chih&lt;/i&gt;. Likewise, the &lt;i&gt;Chung Yung&lt;/i&gt; is
credited with 49 chapters, though now only in one only. In the case of very
short works, one is tempted to think that &lt;i&gt;p’ien&lt;/i&gt; might simply mean
"leaves."
&lt;/p&gt;
&lt;p&gt;
17. Yeh Shih of the Sung dynasty [1151-1223].
&lt;/p&gt;
&lt;p&gt;
18. He hardly deserves to be bracketed with assassins.
&lt;/p&gt;
&lt;p&gt;
19. See Chapter 7, § 27 and Chapter 11, § 28.
&lt;/p&gt;
&lt;p&gt;
20. See Chapter 11, § 28. Chuan Chu is the abbreviated form of his name.
&lt;/p&gt;
&lt;p&gt;
21. I.e. Po P’ei. See ante.
&lt;/p&gt;
&lt;p&gt;
22. The nucleus of this work is probably genuine, though large additions have
been made by later hands. Kuan chung died in 645 B.C.
&lt;/p&gt;
&lt;p&gt;
23. See infra, beginning of INTRODUCTION.
&lt;/p&gt;
&lt;p&gt;
24. I do not know what this work, unless it be the last chapter of another
work. Why that chapter should be singled out, however, is not clear.
&lt;/p&gt;
&lt;p&gt;
25. About 480 B.C.
&lt;/p&gt;
&lt;p&gt;
26. That is, I suppose, the age of Wu Wang and Chou Kung.
&lt;/p&gt;
&lt;p&gt;
27. In the 3rd century B.C.
&lt;/p&gt;
&lt;p&gt;
28. Ssu-ma Jang-chu, whose family name was T’ien, lived in the latter
half of the 6th century B.C., and is also believed to have written a work on
war. See &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 64, and infra at the beginning of the INTRODUCTION.
&lt;/p&gt;
&lt;p&gt;
29. See Legge’s Classics, vol. V, Prolegomena p. 27. Legge thinks that the
&lt;i&gt;Tso Chuan&lt;/i&gt; must have been written in the 5th century, but not before 424 B.C.
&lt;/p&gt;
&lt;p&gt;
30. See &lt;i&gt;Mencius&lt;/i&gt; III. 1. iii. 13-20.
&lt;/p&gt;
&lt;p&gt;
31. When Wu first appears in the &lt;i&gt;Ch’un Ch’iu&lt;/i&gt; in 584, it is already
at variance with its powerful neighbour. The &lt;i&gt;Ch’un Ch’iu&lt;/i&gt; first
mentions Yüeh in 537, the &lt;i&gt;Tso Chuan&lt;/i&gt; in 601.
&lt;/p&gt;
&lt;p&gt;
32. This is explicitly stated in the &lt;i&gt;Tso Chuan&lt;/i&gt;, XXXII, 2.
&lt;/p&gt;
&lt;p&gt;
33. There is this to be said for the later period, that the feud would tend to
grow more bitter after each encounter, and thus more fully justify the language
used in XI. § 30.
&lt;/p&gt;
&lt;p&gt;
34. With Wu Yuan himself the case is just the reverse:—a spurious
treatise on war has been fathered on him simply because he was a great general.
Here we have an obvious inducement to forgery. Sun Wu, on the other hand,
cannot have been widely known to fame in the 5th century.
&lt;/p&gt;
&lt;p&gt;
35. From &lt;i&gt;Tso Chuan:&lt;/i&gt; "From the date of King Chao’s accession [515] there was no
year in which Ch’u was not attacked by Wu."
&lt;/p&gt;
&lt;p&gt;
36. Preface ad fin: "My family comes from Lo-an, and we are really descended
from Sun Tzŭ. I am ashamed to say that I only read my ancestor’s work from a
literary point of view, without comprehending the military technique. So long
have we been enjoying the blessings of peace!"
&lt;/p&gt;
&lt;p&gt;
37. Hoa-yin is about 14 miles from T’ung-kuan on the eastern border of
Shensi. The temple in question is still visited by those about the ascent of
the Western Sacred Mountain. It is mentioned in a text as being "situated five
&lt;i&gt;li&lt;/i&gt; east of the district city of Hua-yin. The temple contains the
Hua-shan tablet inscribed by the T’ang Emperor Hsuan Tsung [713-755]."
&lt;/p&gt;
&lt;p&gt;
38. See my "Catalogue of Chinese Books" (Luzac &amp;amp; Co., 1908), no. 40.
&lt;/p&gt;
&lt;p&gt;
39. This is a discussion of 29 difficult passages in Sun Tzŭ.
&lt;/p&gt;
&lt;p&gt;
40. Cf. Catalogue of the library of Fan family at Ningpo: "His commentary is
frequently obscure; it furnishes a clue, but does not fully develop the
meaning."
&lt;/p&gt;
&lt;p&gt;
41. &lt;i&gt;Wen Hsien T’ung K’ao&lt;/i&gt;, ch. 221.
&lt;/p&gt;
&lt;p&gt;
42. It is interesting to note that M. Pelliot has recently discovered chapters
1, 4 and 5 of this lost work in the "Grottos of the Thousand Buddhas." See
B.E.F.E.O., t. VIII, nos. 3-4, p. 525.
&lt;/p&gt;
&lt;p&gt;
43. The Hsia, the Shang and the Chou. Although the last-named was nominally
existent in Sun Tzŭ’s day, it retained hardly a vestige of power, and the old
military organization had practically gone by the board. I can suggest no other
explanation of the passage.
&lt;/p&gt;
&lt;p&gt;
44. See &lt;i&gt;Chou Li&lt;/i&gt;, xxix. 6-10.
&lt;/p&gt;
&lt;p&gt;
45. &lt;i&gt;T’ung K’ao&lt;/i&gt;, ch. 221.
&lt;/p&gt;
&lt;p&gt;
46. This appears to be still extant. See Wylie’s "Notes," p. 91 (new edition).
&lt;/p&gt;
&lt;p&gt;
47. &lt;i&gt;T’ung K’ao&lt;/i&gt;, loc. cit.
&lt;/p&gt;
&lt;p&gt;
48. A notable person in his day. His biography is given in the &lt;i&gt;San Kuo Chih&lt;/i&gt;,
ch. 10.
&lt;/p&gt;
&lt;p&gt;
49. See XI. § 58, note.
&lt;/p&gt;
&lt;p&gt;
50. &lt;i&gt;Hou Han Shu&lt;/i&gt;, ch. 17 ad init.
&lt;/p&gt;
&lt;p&gt;
51. &lt;i&gt;San Kuo Chih&lt;/i&gt;, ch. 54.
&lt;/p&gt;
&lt;p&gt;
52. &lt;i&gt;Sung Shih&lt;/i&gt;, ch. 365 ad init.
&lt;/p&gt;
&lt;p&gt;
53. The few Europeans who have yet had an opportunity of acquainting themselves
with Sun Tzŭ are not behindhand in their praise. In this connection, I may
perhaps be excused for quoting from a letter from Lord Roberts, to whom the
sheets of the present work were submitted previous to publication: "Many of Sun
Wu’s maxims are perfectly applicable to the present day, and no. 11 [in Chapter
VIII] is one that the people of this country would do well to take to heart."
&lt;/p&gt;
&lt;p&gt;
54. Ch. 140.
&lt;/p&gt;
&lt;p&gt;
55. See IV. § 3.
&lt;/p&gt;
&lt;p&gt;
56. The allusion may be to Mencius VI. 2. ix. 2.
&lt;/p&gt;
&lt;p&gt;
57. The &lt;i&gt;Tso Chuan&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt;
58. &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 25, fol. I.
&lt;/p&gt;
&lt;p&gt;
59. Cf. &lt;i&gt;Shih Chi&lt;/i&gt;, ch 47.
&lt;/p&gt;
&lt;p&gt;
60. See &lt;i&gt;Shu Ching&lt;/i&gt;, preface § 55.
&lt;/p&gt;
&lt;p&gt;
61. See &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 47.
&lt;/p&gt;
&lt;p&gt;
62. &lt;i&gt;Lun Yu&lt;/i&gt;, XV. 1.
&lt;/p&gt;
&lt;p&gt;
63. I failed to trace this utterance.
&lt;/p&gt;
&lt;p&gt;
64. Supra.
&lt;/p&gt;
&lt;p&gt;
65. Supra.
&lt;/p&gt;
&lt;p&gt;
66. The other four being worship, mourning, entertainment of guests, and
festive rites. See &lt;i&gt;Shu Ching&lt;/i&gt;, ii. 1. III. 8, and &lt;i&gt;Chou Li&lt;/i&gt;, IX. fol. 49.
&lt;/p&gt;
&lt;p&gt;
67. See XIII. § 11, note.
&lt;/p&gt;
&lt;p&gt;
68. This is a rather obscure allusion to the &lt;i&gt;Tso Chuan&lt;/i&gt;, where Tzŭ-ch’an
says: "If you have a piece of beautiful brocade, you will not employ a mere
learner to make it up."
&lt;/p&gt;
&lt;p&gt;
69. Cf. &lt;i&gt;Tao Te Ching&lt;/i&gt;, ch. 31.
&lt;/p&gt;
&lt;p&gt;
70. Sun Hsing-yen might have quoted Confucius again. See &lt;i&gt;Lun Yu&lt;/i&gt;, XIII. 29, 30.
&lt;/p&gt;
&lt;p&gt;
71. Better known as Hsiang Yu [233-202 B.C.].
&lt;/p&gt;
&lt;p&gt;
72. &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 47.
&lt;/p&gt;
&lt;p&gt;
73. &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 38.
&lt;/p&gt;
&lt;p&gt;
74. See XIII. § 27, note. Further details on T’ai Kung will be found in
the &lt;i&gt;Shih Chi&lt;/i&gt;, ch. 32 ad init. Besides the tradition which makes him a former
minister of Chou Hsin, two other accounts of him are there given, according to
which he would appear to have been first raised from a humble private station
by Wen Wang.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap09"&gt;&lt;/a&gt;Chapter I. LAYING PLANS&lt;/h2&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung, in defining the meaning of the Chinese for the title of this
chapter, says it refers to the deliberations in the temple selected by the
general for his temporary use, or as we should say, in his tent. See. § 26.]
&lt;/p&gt;
&lt;p&gt;
1. Sun Tzŭ said: The art of war is of vital importance to the State.
&lt;/p&gt;
&lt;p&gt;
2. It is a matter of life and death, a road either to safety or to ruin. Hence
it is a subject of inquiry which can on no account be neglected.
&lt;/p&gt;
&lt;p&gt;
3. The art of war, then, is governed by five constant factors, to be taken into
account in one’s deliberations, when seeking to determine the conditions
obtaining in the field.
&lt;/p&gt;
&lt;p&gt;
4. These are: (1) The Moral Law; (2) Heaven; (3) Earth; (4) The Commander; (5)
Method and discipline.
&lt;/p&gt;
&lt;p class="p1"&gt;
[It appears from what follows that Sun Tzŭ means by "Moral Law" a principle of
harmony, not unlike the Tao of Lao Tzŭ in its moral aspect. One might be
tempted to render it by "morale," were it not considered as an attribute of the
&lt;i&gt;ruler&lt;/i&gt; in § 13.]
&lt;/p&gt;
&lt;p&gt;
5, 6. &lt;i&gt;The Moral Law&lt;/i&gt; causes the people to be in complete accord with their
ruler, so that they will follow him regardless of their lives, undismayed by
any danger.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu quotes Wang Tzŭ as saying: "Without constant practice, the officers will
be nervous and undecided when mustering for battle; without constant practice,
the general will be wavering and irresolute when the crisis is at hand."]
&lt;/p&gt;
&lt;p&gt;
7. &lt;i&gt;Heaven&lt;/i&gt; signifies night and day, cold and heat, times and seasons.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The commentators, I think, make an unnecessary mystery of two words here. Meng
Shih refers to "the hard and the soft, waxing and waning" of Heaven. Wang Hsi,
however, may be right in saying that what is meant is "the general economy of
Heaven," including the five elements, the four seasons, wind and clouds, and
other phenomena.]
&lt;/p&gt;
&lt;p&gt;
8. &lt;i&gt;Earth&lt;/i&gt; comprises distances, great and small; danger and security; open ground
and narrow passes; the chances of life and death.
&lt;/p&gt;
&lt;p&gt;
9. &lt;i&gt;The Commander&lt;/i&gt; stands for the virtues of wisdom, sincerity, benevolence,
courage and strictness.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The five cardinal virtues of the Chinese are (1) humanity or benevolence; (2)
uprightness of mind; (3) self-respect, self-control, or "proper feeling;" (4)
wisdom; (5) sincerity or good faith. Here "wisdom" and "sincerity" are put
before "humanity or benevolence," and the two military virtues of "courage" and
"strictness" substituted for "uprightness of mind" and "self-respect,
self-control, or ‘proper feeling.’"]
&lt;/p&gt;
&lt;p&gt;
10. By &lt;i&gt;Method and discipline&lt;/i&gt; are to be understood the marshalling of the
army in its proper subdivisions, the gradations of rank among the officers,
the maintenance of roads by which supplies may reach the army, and the control
of military expenditure.
&lt;/p&gt;
&lt;p&gt;
11. These five heads should be familiar to every general: he who knows them
will be victorious; he who knows them not will fail.
&lt;/p&gt;
&lt;p&gt;
12. Therefore, in your deliberations, when seeking to determine the military
conditions, let them be made the basis of a comparison, in this wise:—
&lt;/p&gt;
&lt;p&gt;
13. (1) Which of the two sovereigns is imbued with the Moral law?&lt;br&gt;
&lt;/p&gt;
&lt;p class="p1"&gt;
[I.e., "is in harmony with his subjects." Cf. § 5.]&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
    (2) Which of the two generals has most ability?&lt;br&gt;
    (3) With whom lie the advantages derived from Heaven and Earth?
&lt;/p&gt;
&lt;p class="p1"&gt;
[See §§ 7, 8]
&lt;/p&gt;
&lt;p&gt;
(4) On which side is discipline most rigorously enforced?
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu alludes to the remarkable story of Ts’ao Ts’ao (A.D.
155-220), who was such a strict disciplinarian that once, in accordance with
his own severe regulations against injury to standing crops, he condemned
himself to death for having allowed his horse to shy into a field of corn!
However, in lieu of losing his head, he was persuaded to satisfy his sense of
justice by cutting off his hair. Ts’ao Ts’ao’s own comment on the
present passage is characteristically curt: "when you lay down a law, see that
it is not disobeyed; if it is disobeyed the offender must be put to death."]
&lt;/p&gt;
&lt;p&gt;
(5) Which army is the stronger?
&lt;/p&gt;
&lt;p class="p1"&gt;
[Morally as well as physically. As Mei Yao-ch’en puts it, freely
rendered, "&lt;i&gt;esprit de corps&lt;/i&gt; and ‘big battalions.’"]
&lt;/p&gt;
&lt;p&gt;
(6) On which side are officers and men more highly trained?
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu quotes Wang Tzŭ as saying: "Without constant practice, the officers will
be nervous and undecided when mustering for battle; without constant practice,
the general will be wavering and irresolute when the crisis is at hand."]
&lt;/p&gt;
&lt;p&gt;
(7) In which army is there the greater constancy both in reward and punishment?
&lt;/p&gt;
&lt;p class="p1"&gt;
[On which side is there the most absolute certainty that merit will be properly
rewarded and misdeeds summarily punished?]
&lt;/p&gt;
&lt;p&gt;
14. By means of these seven considerations I can forecast victory or defeat.
&lt;/p&gt;
&lt;p&gt;
15. The general that hearkens to my counsel and acts upon it, will
conquer:—let such a one be retained in command! The general that hearkens
not to my counsel nor acts upon it, will suffer defeat:—let such a one be
dismissed!
&lt;/p&gt;
&lt;p class="p1"&gt;
[The form of this paragraph reminds us that Sun Tzŭ’s treatise was composed
expressly for the benefit of his patron Ho Lu, king of the Wu State.]
&lt;/p&gt;
&lt;p&gt;
16. While heeding the profit of my counsel, avail yourself also of any helpful
circumstances over and beyond the ordinary rules.
&lt;/p&gt;
&lt;p&gt;
17. According as circumstances are favourable, one should modify one’s plans.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Sun Tzŭ, as a practical soldier, will have none of the "bookish theoric." He
cautions us here not to pin our faith to abstract principles; "for," as Chang
Yu puts it, "while the main laws of strategy can be stated clearly enough for
the benefit of all and sundry, you must be guided by the actions of the enemy
in attempting to secure a favourable position in actual warfare." On the eve of
the battle of Waterloo, Lord Uxbridge, commanding the cavalry, went to the Duke
of Wellington in order to learn what his plans and calculations were for the
morrow, because, as he explained, he might suddenly find himself
Commander-in-chief and would be unable to frame new plans in a critical moment.
The Duke listened quietly and then said: "Who will attack the first
tomorrow—I or Bonaparte?" "Bonaparte," replied Lord Uxbridge. "Well,"
continued the Duke, "Bonaparte has not given me any idea of his projects; and
as my plans will depend upon his, how can you expect me to tell you what mine
are?" [1] ]
&lt;/p&gt;
&lt;p&gt;
18. All warfare is based on deception.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The truth of this pithy and profound saying will be admitted by every soldier.
Col. Henderson tells us that Wellington, great in so many military qualities,
was especially distinguished by "the extraordinary skill with which he
concealed his movements and deceived both friend and foe."]
&lt;/p&gt;
&lt;p&gt;
19. Hence, when able to attack, we must seem unable; when using our forces, we
must seem inactive; when we are near, we must make the enemy believe we are far
away; when far away, we must make him believe we are near.
&lt;/p&gt;
&lt;p&gt;
20. Hold out baits to entice the enemy. Feign disorder, and crush him.
&lt;/p&gt;
&lt;p class="p1"&gt;
[All commentators, except Chang Yu, say, "When he is in disorder, crush him."
It is more natural to suppose that Sun Tzŭ is still illustrating the uses of
deception in war.]
&lt;/p&gt;
&lt;p&gt;
21. If he is secure at all points, be prepared for him. If he is in superior
strength, evade him.
&lt;/p&gt;
&lt;p&gt;
22. If your opponent is of choleric temper, seek to irritate him. Pretend to be
weak, that he may grow arrogant.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Wang Tzŭ, quoted by Tu Yu, says that the good tactician plays with his
adversary as a cat plays with a mouse, first feigning weakness and immobility,
and then suddenly pouncing upon him.]
&lt;/p&gt;
&lt;p&gt;
23. If he is taking his ease, give him no rest.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This is probably the meaning though Mei Yao-ch’en has the note: "while
we are taking our ease, wait for the enemy to tire himself out." The &lt;i&gt;Yu Lan&lt;/i&gt; has
"Lure him on and tire him out."]
&lt;/p&gt;
&lt;p&gt;
If his forces are united, separate them.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Less plausible is the interpretation favoured by most of the commentators: "If
sovereign and subject are in accord, put division between them."]
&lt;/p&gt;
&lt;p&gt;
24. Attack him where he is unprepared, appear where you are not expected.
&lt;/p&gt;
&lt;p&gt;
25. These military devices, leading to victory, must not be divulged
beforehand.
&lt;/p&gt;
&lt;p&gt;
26. Now the general who wins a battle makes many calculations in his temple ere
the battle is fought.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu tells us that in ancient times it was customary for a temple to be
set apart for the use of a general who was about to take the field, in order
that he might there elaborate his plan of campaign.]
&lt;/p&gt;
&lt;p&gt;
The general who loses a battle makes but few calculations beforehand. Thus do
many calculations lead to victory, and few calculations to defeat: how much
more no calculation at all! It is by attention to this point that I can foresee
who is likely to win or lose.
&lt;/p&gt;
&lt;p&gt;
[1] "Words on Wellington," by Sir. W. Fraser.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap10"&gt;&lt;/a&gt;Chapter II. WAGING WAR&lt;/h2&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung has the note: "He who wishes to fight must first count the
cost," which prepares us for the discovery that the subject of the chapter is
not what we might expect from the title, but is primarily a consideration of
ways and means.]
&lt;/p&gt;
&lt;p&gt;
1. Sun Tzŭ said: In the operations of war, where there are in the field a
thousand swift chariots, as many heavy chariots, and a hundred thousand
mail-clad soldiers,
&lt;/p&gt;
&lt;p class="p1"&gt;
[The "swift chariots" were lightly built and, according to Chang Yu, used for
the attack; the "heavy chariots" were heavier, and designed for purposes of
defence. Li Ch’uan, it is true, says that the latter were light, but this
seems hardly probable. It is interesting to note the analogies between early
Chinese warfare and that of the Homeric Greeks. In each case, the war-chariot
was the important factor, forming as it did the nucleus round which was grouped
a certain number of foot-soldiers. With regard to the numbers given here, we
are informed that each swift chariot was accompanied by 75 footmen, and each
heavy chariot by 25 footmen, so that the whole army would be divided up into a
thousand battalions, each consisting of two chariots and a hundred men.]
&lt;/p&gt;
&lt;p&gt;
with provisions enough to carry them a thousand &lt;i&gt;li&lt;/i&gt;,
&lt;/p&gt;
&lt;p class="p1"&gt;
[2.78 modern &lt;i&gt;li&lt;/i&gt; go to a mile. The length may have varied slightly since
Sun Tzŭ’s time.]
&lt;/p&gt;
&lt;p&gt;
the expenditure at home and at the front, including entertainment of guests,
small items such as glue and paint, and sums spent on chariots and armour, will
reach the total of a thousand ounces of silver per day. Such is the cost of
raising an army of 100,000 men.
&lt;/p&gt;
&lt;p&gt;
2. When you engage in actual fighting, if victory is long in coming, the men’s
weapons will grow dull and their ardour will be damped. If you lay siege to a
town, you will exhaust your strength.
&lt;/p&gt;
&lt;p&gt;
3. Again, if the campaign is protracted, the resources of the State will not be
equal to the strain.
&lt;/p&gt;
&lt;p&gt;
4. Now, when your weapons are dulled, your ardour damped, your strength
exhausted and your treasure spent, other chieftains will spring up to take
advantage of your extremity. Then no man, however wise, will be able to avert
the consequences that must ensue.
&lt;/p&gt;
&lt;p&gt;
5. Thus, though we have heard of stupid haste in war, cleverness has never been
seen associated with long delays.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This concise and difficult sentence is not well explained by any of the
commentators. Ts’ao Kung, Li Ch’uan, Meng Shih, Tu Yu, Tu Mu and
Mei Yao-ch’en have notes to the effect that a general, though naturally
stupid, may nevertheless conquer through sheer force of rapidity. Ho Shih says:
"Haste may be stupid, but at any rate it saves expenditure of energy and
treasure; protracted operations may be very clever, but they bring calamity in
their train." Wang Hsi evades the difficulty by remarking: "Lengthy operations
mean an army growing old, wealth being expended, an empty exchequer and
distress among the people; true cleverness insures against the occurrence of
such calamities." Chang Yu says: "So long as victory can be attained, stupid
haste is preferable to clever dilatoriness." Now Sun Tzŭ says nothing whatever,
except possibly by implication, about ill-considered haste being better than
ingenious but lengthy operations. What he does say is something much more
guarded, namely that, while speed may sometimes be injudicious, tardiness can
never be anything but foolish—if only because it means impoverishment to
the nation. In considering the point raised here by Sun Tzŭ, the classic
example of Fabius Cunctator will inevitably occur to the mind. That general
deliberately measured the endurance of Rome against that of Hannibals’s
isolated army, because it seemed to him that the latter was more likely to
suffer from a long campaign in a strange country. But it is quite a moot
question whether his tactics would have proved successful in the long run.
Their reversal it is true, led to Cannae; but this only establishes a negative
presumption in their favour.]
&lt;/p&gt;
&lt;p&gt;
6. There is no instance of a country having benefited from prolonged warfare.
&lt;/p&gt;
&lt;p&gt;
7. It is only one who is thoroughly acquainted with the evils of war that can
thoroughly understand the profitable way of carrying it on.
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, with rapidity. Only one who knows the disastrous effects of a long
war can realize the supreme importance of rapidity in bringing it to a close.
Only two commentators seem to favour this interpretation, but it fits well into
the logic of the context, whereas the rendering, "He who does not know the
evils of war cannot appreciate its benefits," is distinctly pointless.]
&lt;/p&gt;
&lt;p&gt;
8. The skilful soldier does not raise a second levy, neither are his
supply-waggons loaded more than twice.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Once war is declared, he will not waste precious time in waiting for
reinforcements, nor will he return his army back for fresh supplies, but
crosses the enemy’s frontier without delay. This may seem an audacious policy
to recommend, but with all great strategists, from Julius Caesar to Napoleon
Bonaparte, the value of time—that is, being a little ahead of your
opponent—has counted for more than either numerical superiority or the
nicest calculations with regard to commissariat.]
&lt;/p&gt;
&lt;p&gt;
9. Bring war material with you from home, but forage on the enemy. Thus the
army will have food enough for its needs.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The Chinese word translated here as "war material" literally means "things to
be used", and is meant in the widest sense. It includes all the impedimenta of
an army, apart from provisions.]
&lt;/p&gt;
&lt;p&gt;
10. Poverty of the State exchequer causes an army to be maintained by
contributions from a distance. Contributing to maintain an army at a distance
causes the people to be impoverished.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The beginning of this sentence does not balance properly with the next, though
obviously intended to do so. The arrangement, moreover, is so awkward that I
cannot help suspecting some corruption in the text. It never seems to occur to
Chinese commentators that an emendation may be necessary for the sense, and we
get no help from them there. The Chinese words Sun Tzŭ used to indicate the
cause of the people’s impoverishment clearly have reference to some system by
which the husbandmen sent their contributions of corn to the army direct. But
why should it fall on them to maintain an army in this way, except because the
State or Government is too poor to do so?]
&lt;/p&gt;
&lt;p&gt;
11. On the other hand, the proximity of an army causes prices to go up; and
high prices cause the people’s substance to be drained away.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Wang Hsi says high prices occur before the army has left its own territory.
Ts’ao Kung understands it of an army that has already crossed the
frontier.]
&lt;/p&gt;
&lt;p&gt;
12. When their substance is drained away, the peasantry will be afflicted by
heavy exactions.
&lt;/p&gt;
&lt;p&gt;
13, 14. With this loss of substance and exhaustion of strength, the homes of
the people will be stripped bare, and three-tenths of their incomes will be
dissipated;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu and Wang Hsi agree that the people are not mulcted not of 3/10, but of
7/10, of their income. But this is hardly to be extracted from our text. Ho
Shih has a characteristic tag: "The &lt;i&gt;people&lt;/i&gt; being regarded as the essential part
of the State, and &lt;i&gt;food&lt;/i&gt; as the people’s heaven, is it not right that those in
authority should value and be careful of both?"]
&lt;/p&gt;
&lt;p&gt;
while Government expenses for broken chariots, worn-out horses, breast-plates
and helmets, bows and arrows, spears and shields, protective mantlets,
draught-oxen and heavy waggons, will amount to four-tenths of its total revenue.
&lt;/p&gt;
&lt;p&gt;
15. Hence a wise general makes a point of foraging on the enemy. One cartload
of the enemy’s provisions is equivalent to twenty of one’s own, and likewise a
single &lt;i&gt;picul&lt;/i&gt; of his provender is equivalent to twenty from one’s own store.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Because twenty cartloads will be consumed in the process of transporting one
cartload to the front. A &lt;i&gt;picul&lt;/i&gt; is a unit of measure equal to 133.3 pounds (65.5
kilograms).]
&lt;/p&gt;
&lt;p&gt;
16. Now in order to kill the enemy, our men must be roused to anger; that there
may be advantage from defeating the enemy, they must have their rewards.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "Rewards are necessary in order to make the soldiers see the
advantage of beating the enemy; thus, when you capture spoils from the enemy,
they must be used as rewards, so that all your men may have a keen desire to
fight, each on his own account."]
&lt;/p&gt;
&lt;p&gt;
17. Therefore in chariot fighting, when ten or more chariots have been taken,
those should be rewarded who took the first. Our own flags should be
substituted for those of the enemy, and the chariots mingled and used in
conjunction with ours. The captured soldiers should be kindly treated and kept.
&lt;/p&gt;
&lt;p&gt;
18. This is called, using the conquered foe to augment one’s own strength.
&lt;/p&gt;
&lt;p&gt;
19. In war, then, let your great object be victory, not lengthy campaigns.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As Ho Shih remarks: "War is not a thing to be trifled with." Sun Tzŭ here
reiterates the main lesson which this chapter is intended to enforce."]
&lt;/p&gt;
&lt;p&gt;
20. Thus it may be known that the leader of armies is the arbiter of the
people’s fate, the man on whom it depends whether the nation shall be in peace
or in peril.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap11"&gt;&lt;/a&gt;Chapter III. ATTACK BY STRATAGEM&lt;/h2&gt;
&lt;p&gt;
1. Sun Tzŭ said: In the practical art of war, the best thing of all is to take
the enemy’s country whole and intact; to shatter and destroy it is not so good.
So, too, it is better to capture an army entire than to destroy it, to
capture a regiment, a detachment or a company entire than to destroy them.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The equivalent to an army corps, according to Ssu-ma Fa, consisted nominally
of 12500 men; according to Ts’ao Kung, the equivalent of a regiment
contained 500 men, the equivalent to a detachment consists from any number
between 100 and 500, and the equivalent of a company contains from 5 to 100
men. For the last two, however, Chang Yu gives the exact figures of 100 and 5
respectively.]
&lt;/p&gt;
&lt;p&gt;
2. Hence to fight and conquer in all your battles is not supreme excellence;
supreme excellence consists in breaking the enemy’s resistance without
fighting.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Here again, no modern strategist but will approve the words of the old Chinese
general. Moltke’s greatest triumph, the capitulation of the huge French army at
Sedan, was won practically without bloodshed.]
&lt;/p&gt;
&lt;p&gt;
3. Thus the highest form of generalship is to baulk the enemy’s plans;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Perhaps the word "balk" falls short of expressing the full force of the
Chinese word, which implies not an attitude of defence, whereby one might be
content to foil the enemy’s stratagems one after another, but an active policy
of counter-attack. Ho Shih puts this very clearly in his note: "When the enemy
has made a plan of attack against us, we must anticipate him by delivering our
own attack first."]
&lt;/p&gt;
&lt;p&gt;
the next best is to prevent the junction of the enemy’s forces;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Isolating him from his allies. We must not forget that Sun Tzŭ, in speaking of
hostilities, always has in mind the numerous states or principalities into
which the China of his day was split up.]
&lt;/p&gt;
&lt;p&gt;
the next in order is to attack the enemy’s army in the field;
&lt;/p&gt;
&lt;p class="p1"&gt;
[When he is already at full strength.]
&lt;/p&gt;
&lt;p&gt;
and the worst policy of all is to besiege walled cities.
&lt;/p&gt;
&lt;p&gt;
4. The rule is, not to besiege walled cities if it can possibly be avoided.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Another sound piece of military theory. Had the Boers acted upon it in 1899,
and refrained from dissipating their strength before Kimberley, Mafeking, or
even Ladysmith, it is more than probable that they would have been masters of
the situation before the British were ready seriously to oppose them.]
&lt;/p&gt;
&lt;p&gt;
The preparation of mantlets, movable shelters, and various implements of war,
will take up three whole months;
&lt;/p&gt;
&lt;p class="p1"&gt;
[It is not quite clear what the Chinese word, here translated as "mantlets",
described. Ts’ao Kung simply defines them as "large shields," but we get
a better idea of them from Li Ch’uan, who says they were to protect the
heads of those who were assaulting the city walls at close quarters. This seems
to suggest a sort of Roman &lt;i&gt;testudo&lt;/i&gt;, ready made. Tu Mu says they were wheeled
vehicles used in repelling attacks, but this is denied by Ch’en Hao. See
&lt;i&gt;supra&lt;/i&gt; II. 14. The name is also applied to turrets on city walls. Of the
"movable shelters" we get a fairly clear description from several commentators.
They were wooden missile-proof structures on four wheels, propelled from
within, covered over with raw hides, and used in sieges to convey parties of
men to and from the walls, for the purpose of filling up the encircling moat
with earth. Tu Mu adds that they are now called "wooden donkeys."]
&lt;/p&gt;
&lt;p&gt;
and the piling up of mounds over against the walls will take three months more.
&lt;/p&gt;
&lt;p class="p1"&gt;
[These were great mounds or ramparts of earth heaped up to the level of the
enemy’s walls in order to discover the weak points in the defence, and also to
destroy the fortified turrets mentioned in the preceding note.]
&lt;/p&gt;
&lt;p&gt;
5. The general, unable to control his irritation, will launch his men to the
assault like swarming ants,
&lt;/p&gt;
&lt;p class="p1"&gt;
[This vivid simile of Ts’ao Kung is taken from the spectacle of an army
of ants climbing a wall. The meaning is that the general, losing patience at
the long delay, may make a premature attempt to storm the place before his
engines of war are ready.]
&lt;/p&gt;
&lt;p&gt;
with the result that one-third of his men are slain, while the town still
remains untaken. Such are the disastrous effects of a siege.
&lt;/p&gt;
&lt;p class="p1"&gt;
[We are reminded of the terrible losses of the Japanese before Port Arthur, in
the most recent siege which history has to record.]
&lt;/p&gt;
&lt;p&gt;
6. Therefore the skilful leader subdues the enemy’s troops without any
fighting; he captures their cities without laying siege to them; he overthrows
their kingdom without lengthy operations in the field.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chia Lin notes that he only overthrows the Government, but does no harm to
individuals. The classical instance is Wu Wang, who after having put an end to
the Yin dynasty was acclaimed "Father and mother of the people."]
&lt;/p&gt;
&lt;p&gt;
7. With his forces intact he will dispute the mastery of the Empire, and thus,
without losing a man, his triumph will be complete.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Owing to the double meanings in the Chinese text, the latter part of the
sentence is susceptible of quite a different meaning: "And thus, the weapon not
being blunted by use, its keenness remains perfect."]
&lt;/p&gt;
&lt;p&gt;
This is the method of attacking by stratagem.
&lt;/p&gt;
&lt;p&gt;
8. It is the rule in war, if our forces are ten to the enemy’s one, to surround
him; if five to one, to attack him;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Straightway, without waiting for any further advantage.]
&lt;/p&gt;
&lt;p&gt;
if twice as numerous, to divide our army into two.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu takes exception to the saying; and at first sight, indeed, it appears to
violate a fundamental principle of war. Ts’ao Kung, however, gives a clue to
Sun Tzŭ’s meaning: "Being two to the enemy’s one, we may use one part of our
army in the regular way, and the other for some special diversion." Chang Yu
thus further elucidates the point: "If our force is twice as numerous as that
of the enemy, it should be split up into two divisions, one to meet the enemy
in front, and one to fall upon his rear; if he replies to the frontal attack,
he may be crushed from behind; if to the rearward attack, he may be crushed in
front." This is what is meant by saying that ‘one part may be used in the
regular way, and the other for some special diversion.’ Tu Mu does not
understand that dividing one’s army is simply an irregular, just as
concentrating it is the regular, strategical method, and he is too hasty in
calling this a mistake."]
&lt;/p&gt;
&lt;p&gt;
9. If equally matched, we can offer battle;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan, followed by Ho Shih, gives the following paraphrase: "If
attackers and attacked are equally matched in strength, only the able general
will fight."]
&lt;/p&gt;
&lt;p&gt;
if slightly inferior in numbers, we can avoid the enemy;
&lt;/p&gt;
&lt;p class="p1"&gt;
[The meaning, "we can &lt;i&gt;watch&lt;/i&gt; the enemy," is certainly a great improvement
on the above; but unfortunately there appears to be no very good authority for
the variant. Chang Yu reminds us that the saying only applies if the other
factors are equal; a small difference in numbers is often more than
counterbalanced by superior energy and discipline.]
&lt;/p&gt;
&lt;p&gt;
if quite unequal in every way, we can flee from him.
&lt;/p&gt;
&lt;p&gt;
10. Hence, though an obstinate fight may be made by a small force, in the end
it must be captured by the larger force.
&lt;/p&gt;
&lt;p&gt;
11. Now the general is the bulwark of the State: if the bulwark is complete at
all points; the State will be strong; if the bulwark is defective, the State
will be weak.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As Li Ch’uan tersely puts it: "Gap indicates deficiency; if the
general’s ability is not perfect (i.e. if he is not thoroughly versed in his
profession), his army will lack strength."]
&lt;/p&gt;
&lt;p&gt;
12. There are three ways in which a ruler can bring misfortune upon his
army:—
&lt;/p&gt;
&lt;p&gt;
13. (1) By commanding the army to advance or to retreat, being ignorant of the
fact that it cannot obey. This is called hobbling the army.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan adds the comment: "It is like tying together the legs of a
thoroughbred, so that it is unable to gallop." One would naturally think of
"the ruler" in this passage as being at home, and trying to direct the
movements of his army from a distance. But the commentators understand just the
reverse, and quote the saying of T’ai Kung: "A kingdom should not be
governed from without, and army should not be directed from within." Of course
it is true that, during an engagement, or when in close touch with the enemy,
the general should not be in the thick of his own troops, but a little distance
apart. Otherwise, he will be liable to misjudge the position as a whole, and
give wrong orders.]
&lt;/p&gt;
&lt;p&gt;
14. (2) By attempting to govern an army in the same way as he administers a
kingdom, being ignorant of the conditions which obtain in an army. This causes
restlessness in the soldier’s minds.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung’s note is, freely translated: "The military sphere and the
civil sphere are wholly distinct; you can’t handle an army in kid gloves." And
Chang Yu says: "Humanity and justice are the principles on which to govern a
state, but not an army; opportunism and flexibility, on the other hand, are
military rather than civil virtues to assimilate the governing of an
army"—to that of a State, understood.]
&lt;/p&gt;
&lt;p&gt;
15. (3) By employing the officers of his army without discrimination,
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, he is not careful to use the right man in the right place.]
&lt;/p&gt;
&lt;p&gt;
through ignorance of the military principle of adaptation to circumstances.
This shakes the confidence of the soldiers.
&lt;/p&gt;
&lt;p class="p1"&gt;
[I follow Mei Yao-ch’en here. The other commentators refer not to the
ruler, as in §§ 13, 14, but to the officers he employs. Thus Tu Yu says: "If a
general is ignorant of the principle of adaptability, he must not be entrusted
with a position of authority." Tu Mu quotes: "The skilful employer of men will
employ the wise man, the brave man, the covetous man, and the stupid man. For
the wise man delights in establishing his merit, the brave man likes to show
his courage in action, the covetous man is quick at seizing advantages, and the
stupid man has no fear of death."]
&lt;/p&gt;
&lt;p&gt;
16. But when the army is restless and distrustful, trouble is sure to come from
the other feudal princes. This is simply bringing anarchy into the army, and
flinging victory away.
&lt;/p&gt;
&lt;p&gt;
17. Thus we may know that there are five essentials for victory: (1) He will
win who knows when to fight and when not to fight.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: If he can fight, he advances and takes the offensive; if he
cannot fight, he retreats and remains on the defensive. He will invariably
conquer who knows whether it is right to take the offensive or the defensive.]
&lt;/p&gt;
&lt;p&gt;
(2) He will win who knows how to handle both superior and inferior forces.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This is not merely the general’s ability to estimate numbers correctly, as Li
Ch’uan and others make out. Chang Yu expounds the saying more
satisfactorily: "By applying the art of war, it is possible with a lesser force
to defeat a greater, and &lt;i&gt;vice versa&lt;/i&gt;. The secret lies in an eye for locality,
and in not letting the right moment slip. Thus Wu Tzŭ says: ‘With a superior
force, make for easy ground; with an inferior one, make for difficult
ground.’"]
&lt;/p&gt;
&lt;p&gt;
(3) He will win whose army is animated by the same spirit throughout all its
ranks.
&lt;/p&gt;
&lt;p&gt;
(4) He will win who, prepared himself, waits to take the enemy unprepared.
&lt;/p&gt;
&lt;p&gt;
(5) He will win who has military capacity and is not interfered with by the
sovereign.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu quotes Wang Tzŭ as saying: "It is the sovereign’s function to give broad
instructions, but to decide on battle it is the function of the general." It is
needless to dilate on the military disasters which have been caused by undue
interference with operations in the field on the part of the home government.
Napoleon undoubtedly owed much of his extraordinary success to the fact that he
was not hampered by central authority.]
&lt;/p&gt;
&lt;p&gt;
Victory lies in the knowledge of these five points.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, “These five things are knowledge of the principle of
victory.”]
&lt;/p&gt;
&lt;p&gt;
18. Hence the saying: If you know the enemy and know yourself, you need not
fear the result of a hundred battles. If you know yourself but not the enemy,
for every victory gained you will also suffer a defeat.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan cites the case of Fu Chien, prince of Ch’in, who in 383
A.D. marched with a vast army against the Chin Emperor. When warned not to
despise an enemy who could command the services of such men as Hsieh An and
Huan Ch’ung, he boastfully replied: "I have the population of eight
provinces at my back, infantry and horsemen to the number of one million; why,
they could dam up the Yangtsze River itself by merely throwing their whips into
the stream. What danger have I to fear?" Nevertheless, his forces were soon
after disastrously routed at the Fei River, and he was obliged to beat a hasty
retreat.]
&lt;/p&gt;
&lt;p&gt;
If you know neither the enemy nor yourself, you will succumb in every battle.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu said: "Knowing the enemy enables you to take the offensive, knowing
yourself enables you to stand on the defensive." He adds: "Attack is the secret
of defence; defence is the planning of an attack." It would be hard to find a
better epitome of the root-principle of war.]
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap12"&gt;&lt;/a&gt;Chapter IV. TACTICAL DISPOSITIONS&lt;/h2&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung explains the Chinese meaning of the words for the title of
this chapter: "marching and countermarching on the part of the two armies with
a view to discovering each other’s condition." Tu Mu says: "It is through the
dispositions of an army that its condition may be discovered. Conceal your
dispositions, and your condition will remain secret, which leads to victory;
show your dispositions, and your condition will become patent, which leads to
defeat." Wang Hsi remarks that the good general can "secure success by
modifying his tactics to meet those of the enemy."]
&lt;/p&gt;
&lt;p&gt;
1. Sun Tzŭ said: The good fighters of old first put themselves beyond the
possibility of defeat, and then waited for an opportunity of defeating the
enemy.
&lt;/p&gt;
&lt;p&gt;
2. To secure ourselves against defeat lies in our own hands, but the
opportunity of defeating the enemy is provided by the enemy himself.
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, of course, by a mistake on the enemy’s part.]
&lt;/p&gt;
&lt;p&gt;
3. Thus the good fighter is able to secure himself against defeat,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says this is done, "By concealing the disposition of his troops,
covering up his tracks, and taking unremitting precautions."]
&lt;/p&gt;
&lt;p&gt;
but cannot make certain of defeating the enemy.
&lt;/p&gt;
&lt;p&gt;
4. Hence the saying: One may &lt;i&gt;know&lt;/i&gt; how to conquer without being able to
&lt;i&gt;do&lt;/i&gt; it.
&lt;/p&gt;
&lt;p&gt;
5. Security against defeat implies defensive tactics; ability to defeat the
enemy means taking the offensive.
&lt;/p&gt;
&lt;p class="p1"&gt;
[I retain the sense found in a similar passage in §§ 1-3, in spite of the fact
that the commentators are all against me. The meaning they give, "He who cannot
conquer takes the defensive," is plausible enough.]
&lt;/p&gt;
&lt;p&gt;
6. Standing on the defensive indicates insufficient strength; attacking, a
superabundance of strength.
&lt;/p&gt;
&lt;p&gt;
7. The general who is skilled in defence hides in the most secret recesses of
the earth;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "hides under the ninth earth," which is a metaphor indicating the
utmost secrecy and concealment, so that the enemy may not know his
whereabouts."]
&lt;/p&gt;
&lt;p&gt;
he who is skilled in attack flashes forth from the topmost heights of heaven.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Another metaphor, implying that he falls on his adversary like a thunderbolt,
against which there is no time to prepare. This is the opinion of most of the
commentators.]
&lt;/p&gt;
&lt;p&gt;
Thus on the one hand we have ability to protect ourselves; on the other, a
victory that is complete.
&lt;/p&gt;
&lt;p&gt;
8. To see victory only when it is within the ken of the common herd is not the
acme of excellence.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As Ts’ao Kung remarks, "the thing is to see the plant before it has
germinated," to foresee the event before the action has begun. Li Ch’uan
alludes to the story of Han Hsin who, when about to attack the vastly superior
army of Chao, which was strongly entrenched in the city of Ch’eng-an,
said to his officers: "Gentlemen, we are going to annihilate the enemy, and
shall meet again at dinner." The officers hardly took his words seriously, and
gave a very dubious assent. But Han Hsin had already worked out in his mind the
details of a clever stratagem, whereby, as he foresaw, he was able to capture
the city and inflict a crushing defeat on his adversary."]
&lt;/p&gt;
&lt;p&gt;
9. Neither is it the acme of excellence if you fight and conquer and the whole
Empire says, "Well done!"
&lt;/p&gt;
&lt;p class="p1"&gt;
[True excellence being, as Tu Mu says: "To plan secretly, to move
surreptitiously, to foil the enemy’s intentions and balk his schemes, so that
at last the day may be won without shedding a drop of blood." Sun Tzŭ reserves
his approbation for things that
&lt;/p&gt;
&lt;p class="poem"&gt;
"the world’s coarse thumb&lt;br&gt;
And finger fail to plumb."
&lt;/p&gt;
&lt;p&gt;
10. To lift an autumn hair is no sign of great strength;
&lt;/p&gt;
&lt;p class="p1"&gt;
["Autumn hair" is explained as the fur of a hare, which is finest in autumn,
when it begins to grow afresh. The phrase is a very common one in Chinese
writers.]
&lt;/p&gt;
&lt;p&gt;
to see sun and moon is no sign of sharp sight; to hear the noise of thunder is
no sign of a quick ear.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ho Shih gives as real instances of strength, sharp sight and quick hearing: Wu
Huo, who could lift a tripod weighing 250 stone; Li Chu, who at a distance of a
hundred paces could see objects no bigger than a mustard seed; and Shih
K’uang, a blind musician who could hear the footsteps of a mosquito.]
&lt;/p&gt;
&lt;p&gt;
11. What the ancients called a clever fighter is one who not only wins, but
excels in winning with ease.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The last half is literally "one who, conquering, excels in easy conquering."
Mei Yao-ch’en says: "He who only sees the obvious, wins his battles with
difficulty; he who looks below the surface of things, wins with ease."]
&lt;/p&gt;
&lt;p&gt;
12. Hence his victories bring him neither reputation for wisdom nor credit for
courage.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu explains this very well: "Inasmuch as his victories are gained over
circumstances that have not come to light, the world as large knows nothing of
them, and he wins no reputation for wisdom; inasmuch as the hostile state
submits before there has been any bloodshed, he receives no credit for
courage."]
&lt;/p&gt;
&lt;p&gt;
13. He wins his battles by making no mistakes.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ch’en Hao says: "He plans no superfluous marches, he devises no futile
attacks." The connection of ideas is thus explained by Chang Yu: "One who seeks
to conquer by sheer strength, clever though he may be at winning pitched
battles, is also liable on occasion to be vanquished; whereas he who can look
into the future and discern conditions that are not yet manifest, will never
make a blunder and therefore invariably win."]
&lt;/p&gt;
&lt;p&gt;
Making no mistakes is what establishes the certainty of victory, for it means
conquering an enemy that is already defeated.
&lt;/p&gt;
&lt;p&gt;
14. Hence the skilful fighter puts himself into a position which makes defeat
impossible, and does not miss the moment for defeating the enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[A "counsel of perfection" as Tu Mu truly observes. "Position" need not be
confined to the actual ground occupied by the troops. It includes all the
arrangements and preparations which a wise general will make to increase the
safety of his army.]
&lt;/p&gt;
&lt;p&gt;
15. Thus it is that in war the victorious strategist only seeks battle after
the victory has been won, whereas he who is destined to defeat first fights and
afterwards looks for victory.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ho Shih thus expounds the paradox: "In warfare, first lay plans which will
ensure victory, and then lead your army to battle; if you will not begin with
stratagem but rely on brute strength alone, victory will no longer be
assured."]
&lt;/p&gt;
&lt;p&gt;
16. The consummate leader cultivates the moral law, and strictly adheres to
method and discipline; thus it is in his power to control success.
&lt;/p&gt;
&lt;p&gt;
17. In respect of military method, we have, firstly, Measurement; secondly,
Estimation of quantity; thirdly, Calculation; fourthly, Balancing of chances;
fifthly, Victory.
&lt;/p&gt;
&lt;p&gt;
18. Measurement owes its existence to Earth; Estimation of quantity to
Measurement; Calculation to Estimation of quantity; Balancing of chances to
Calculation; and Victory to Balancing of chances.
&lt;/p&gt;
&lt;p class="p1"&gt;
[It is not easy to distinguish the four terms very clearly in the Chinese. The
first seems to be surveying and measurement of the ground, which enable us to
form an estimate of the enemy’s strength, and to make calculations based on the
data thus obtained; we are thus led to a general weighing-up, or comparison of
the enemy’s chances with our own; if the latter turn the scale, then victory
ensues. The chief difficulty lies in third term, which in the Chinese some
commentators take as a calculation of &lt;i&gt;numbers&lt;/i&gt;, thereby making it nearly
synonymous with the second term. Perhaps the second term should be thought of
as a consideration of the enemy’s general position or condition, while the
third term is the estimate of his numerical strength. On the other hand, Tu Mu
says: "The question of relative strength having been settled, we can bring the
varied resources of cunning into play." Ho Shih seconds this interpretation,
but weakens it. However, it points to the third term as being a calculation of
numbers.]
&lt;/p&gt;
&lt;p&gt;
19. A victorious army opposed to a routed one, is as a pound’s weight placed in
the scale against a single grain.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "a victorious army is like an &lt;i&gt;i&lt;/i&gt; (20 oz.) weighed against a &lt;i&gt;shu&lt;/i&gt;
(1/24 oz.); a routed army is a &lt;i&gt;shu&lt;/i&gt; weighed against an &lt;i&gt;i&lt;/i&gt;." The point is simply
the enormous advantage which a disciplined force, flushed with victory, has
over one demoralized by defeat. Legge, in his note on Mencius, I. 2. ix. 2,
makes the &lt;i&gt;i&lt;/i&gt; to be 24 Chinese ounces, and corrects Chu Hsi’s statement that it
equaled 20 oz. only. But Li Ch’uan of the T’ang dynasty here gives
the same figure as Chu Hsi.]
&lt;/p&gt;
&lt;p&gt;
20. The onrush of a conquering force is like the bursting of pent-up waters
into a chasm a thousand fathoms deep. So much for tactical dispositions.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap13"&gt;&lt;/a&gt;Chapter V. ENERGY&lt;/h2&gt;
&lt;p&gt;
1. Sun Tzŭ said: The control of a large force is the same principle as the
control of a few men: it is merely a question of dividing up their numbers.
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, cutting up the army into regiments, companies, etc., with subordinate
officers in command of each. Tu Mu reminds us of Han Hsin’s famous reply to the
first Han Emperor, who once said to him: "How large an army do you think I
could lead?" "Not more than 100,000 men, your Majesty." "And you?" asked the
Emperor. "Oh!" he answered, "the more the better."]
&lt;/p&gt;
&lt;p&gt;
2. Fighting with a large army under your command is nowise different from
fighting with a small one: it is merely a question of instituting signs and
signals.
&lt;/p&gt;
&lt;p&gt;
3. To ensure that your whole host may withstand the brunt of the enemy’s attack
and remain unshaken—this is effected by manœuvers direct and indirect.
&lt;/p&gt;
&lt;p class="p1"&gt;
[We now come to one of the most interesting parts of Sun Tzŭ’s treatise, the
discussion of the &lt;i&gt;cheng&lt;/i&gt; and the &lt;i&gt;ch’i&lt;/i&gt;." As it is by no means
easy to grasp the full significance of these two terms, or to render them
consistently by good English equivalents; it may be as well to tabulate some of
the commentators’ remarks on the subject before proceeding further. Li
Ch’uan: "Facing the enemy is &lt;i&gt;cheng&lt;/i&gt;, making lateral diversion is
&lt;i&gt;ch’i&lt;/i&gt;. Chia Lin: "In presence of the enemy, your troops should be
arrayed in normal fashion, but in order to secure victory abnormal manœuvers
must be employed." Mei Yao-ch’en: "&lt;i&gt;Ch’i&lt;/i&gt; is active,
&lt;i&gt;cheng&lt;/i&gt; is passive; passivity means waiting for an opportunity, activity
brings the victory itself." Ho Shih: "We must cause the enemy to regard our
straightforward attack as one that is secretly designed, and vice versa; thus
&lt;i&gt;cheng&lt;/i&gt; may also be &lt;i&gt;ch’i&lt;/i&gt;, and &lt;i&gt;ch’i&lt;/i&gt; may also be
&lt;i&gt;cheng&lt;/i&gt;." He instances the famous exploit of Han Hsin, who when marching
ostensibly against Lin-chin (now Chao-i in Shensi), suddenly threw a large
force across the Yellow River in wooden tubs, utterly disconcerting his
opponent. [Ch’ien Han Shu, ch. 3.] Here, we are told, the march on
Lin-chin was &lt;i&gt;cheng&lt;/i&gt;, and the surprise manœuver was &lt;i&gt;ch’i&lt;/i&gt;."
Chang Yu gives the following summary of opinions on the words: "Military
writers do not agree with regard to the meaning of &lt;i&gt;ch’i&lt;/i&gt; and
&lt;i&gt;cheng&lt;/i&gt;. Wei Liao Tzŭ [4th cent. B.C.] says: ‘Direct warfare favours
frontal attacks, indirect warfare attacks from the rear.’ Ts’ao Kung
says: ‘Going straight out to join battle is a direct operation; appearing on
the enemy’s rear is an indirect manœuver.’ Li Wei-kung [6th and 7th cent. A.D.]
says: ‘In war, to march straight ahead is &lt;i&gt;cheng&lt;/i&gt;; turning movements, on
the other hand, are &lt;i&gt;ch’i&lt;/i&gt;.’ These writers simply regard
&lt;i&gt;cheng&lt;/i&gt; as &lt;i&gt;cheng&lt;/i&gt;, and &lt;i&gt;ch’i&lt;/i&gt; as &lt;i&gt;ch’i&lt;/i&gt;; they
do not note that the two are mutually interchangeable and run into each other
like the two sides of a circle [see infra, § 11]. A comment on the T’ang
Emperor T’ai Tsung goes to the root of the matter: ‘A &lt;i&gt;ch’i&lt;/i&gt;
manœuver may be &lt;i&gt;cheng&lt;/i&gt;, if we make the enemy look upon it as
&lt;i&gt;cheng&lt;/i&gt;; then our real attack will be &lt;i&gt;ch’i&lt;/i&gt;, and vice versa.
The whole secret lies in confusing the enemy, so that he cannot fathom our real
intent.’" To put it perhaps a little more clearly: any attack or other
operation is &lt;i&gt;cheng&lt;/i&gt;, on which the enemy has had his attention fixed;
whereas that is &lt;i&gt;ch’i&lt;/i&gt;," which takes him by surprise or comes from
an unexpected quarter. If the enemy perceives a movement which is meant to be
&lt;i&gt;ch’i&lt;/i&gt;," it immediately becomes &lt;i&gt;cheng&lt;/i&gt;."]
&lt;/p&gt;
&lt;p&gt;
4. That the impact of your army may be like a grindstone dashed against an
egg—this is effected by the science of weak points and strong.
&lt;/p&gt;
&lt;p&gt;
5. In all fighting, the direct method may be used for joining battle, but
indirect methods will be needed in order to secure victory.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "Steadily develop indirect tactics, either by pounding the
enemy’s flanks or falling on his rear." A brilliant example of "indirect
tactics" which decided the fortunes of a campaign was Lord Roberts’ night march
round the Peiwar Kotal in the second Afghan war. [1]
&lt;/p&gt;
&lt;p&gt;
6. Indirect tactics, efficiently applied, are inexhausible as Heaven and Earth,
unending as the flow of rivers and streams; like the sun and moon, they end but
to begin anew; like the four seasons, they pass away but to return once more.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu and Chang Yu understand this of the permutations of &lt;i&gt;ch’i&lt;/i&gt;
and &lt;i&gt;cheng&lt;/i&gt;. But at present Sun Tzŭ is not speaking of &lt;i&gt;cheng&lt;/i&gt; at
all, unless, indeed, we suppose with Cheng Yu-hsien that a clause relating to
it has fallen out of the text. Of course, as has already been pointed out, the
two are so inextricably interwoven in all military operations, that they cannot
really be considered apart. Here we simply have an expression, in figurative
language, of the almost infinite resource of a great leader.]
&lt;/p&gt;
&lt;p&gt;
7. There are not more than five musical notes, yet the combinations of these
five give rise to more melodies than can ever be heard.
&lt;/p&gt;
&lt;p&gt;
8. There are not more than five primary colours (blue, yellow, red, white, and
black), yet in combination they produce more hues than can ever be seen.
&lt;/p&gt;
&lt;p&gt;
9 There are not more than five cardinal tastes (sour, acrid, salt, sweet,
bitter), yet combinations of them yield more flavours than can ever be tasted.
&lt;/p&gt;
&lt;p&gt;
10. In battle, there are not more than two methods of attack—the direct
and the indirect; yet these two in combination give rise to an endless series
of manœuvers.
&lt;/p&gt;
&lt;p&gt;
11. The direct and the indirect lead on to each other in turn. It is like
moving in a circle—you never come to an end. Who can exhaust the
possibilities of their combination?
&lt;/p&gt;
&lt;p&gt;
12. The onset of troops is like the rush of a torrent which will even roll
stones along in its course.
&lt;/p&gt;
&lt;p&gt;
13. The quality of decision is like the well-timed swoop of a falcon which
enables it to strike and destroy its victim.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The Chinese here is tricky and a certain key word in the context it is used
defies the best efforts of the translator. Tu Mu defines this word as "the
measurement or estimation of distance." But this meaning does not quite fit the
illustrative simile in §. 15. Applying this definition to the falcon, it seems
to me to denote that instinct of &lt;i&gt;self-restraint&lt;/i&gt; which keeps the bird
from swooping on its quarry until the right moment, together with the power of
judging when the right moment has arrived. The analogous quality in soldiers is
the highly important one of being able to reserve their fire until the very
instant at which it will be most effective. When the "Victory" went into action
at Trafalgar at hardly more than drifting pace, she was for several minutes
exposed to a storm of shot and shell before replying with a single gun. Nelson
coolly waited until he was within close range, when the broadside he brought to
bear worked fearful havoc on the enemy’s nearest ships.]
&lt;/p&gt;
&lt;p&gt;
14. Therefore the good fighter will be terrible in his onset, and prompt in his
decision.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The word "decision" would have reference to the measurement of distance
mentioned above, letting the enemy get near before striking. But I cannot help
thinking that Sun Tzŭ meant to use the word in a figurative sense comparable to
our own idiom "short and sharp." Cf. Wang Hsi’s note, which after describing
the falcon’s mode of attack, proceeds: "This is just how the ‘psychological
moment’ should be seized in war."]
&lt;/p&gt;
&lt;p&gt;
15. Energy may be likened to the bending of a crossbow; decision, to the
releasing of the trigger.
&lt;/p&gt;
&lt;p class="p1"&gt;
[None of the commentators seem to grasp the real point of the simile of energy
and the force stored up in the bent cross-bow until released by the finger on
the trigger.]
&lt;/p&gt;
&lt;p&gt;
16. Amid the turmoil and tumult of battle, there may be seeming disorder and
yet no real disorder at all; amid confusion and chaos, your array may be
without head or tail, yet it will be proof against defeat.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en says: "The subdivisions of the army having been previously
fixed, and the various signals agreed upon, the separating and joining, the
dispersing and collecting which will take place in the course of a battle, may
give the appearance of disorder when no real disorder is possible. Your
formation may be without head or tail, your dispositions all topsy-turvy, and
yet a rout of your forces quite out of the question."]
&lt;/p&gt;
&lt;p&gt;
17. Simulated disorder postulates perfect discipline; simulated fear postulates
courage; simulated weakness postulates strength.
&lt;/p&gt;
&lt;p class="p1"&gt;
[In order to make the translation intelligible, it is necessary to tone down
the sharply paradoxical form of the original. Ts’ao Kung throws out a
hint of the meaning in his brief note: "These things all serve to destroy
formation and conceal one’s condition." But Tu Mu is the first to put it quite
plainly: "If you wish to feign confusion in order to lure the enemy on, you
must first have perfect discipline; if you wish to display timidity in order to
entrap the enemy, you must have extreme courage; if you wish to parade your
weakness in order to make the enemy over-confident, you must have exceeding
strength."]
&lt;/p&gt;
&lt;p&gt;
18. Hiding order beneath the cloak of disorder is simply a question of
subdivision;
&lt;/p&gt;
&lt;p class="p1"&gt;
[See &lt;i&gt;supra&lt;/i&gt;, § 1.]
&lt;/p&gt;
&lt;p&gt;
concealing courage under a show of timidity presupposes a fund of latent
energy;
&lt;/p&gt;
&lt;p class="p1"&gt;
[The commentators strongly understand a certain Chinese word here differently
than anywhere else in this chapter. Thus Tu Mu says: "seeing that we are
favourably circumstanced and yet make no move, the enemy will believe that we
are really afraid."]
&lt;/p&gt;
&lt;p&gt;
masking strength with weakness is to be effected by tactical dispositions.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu relates the following anecdote of Kao Tsu, the first Han Emperor:
“Wishing to crush the Hsiung-nu, he sent out spies to report on their
condition. But the Hsiung-nu, forewarned, carefully concealed all their
able-bodied men and well-fed horses, and only allowed infirm soldiers and
emaciated cattle to be seen. The result was that spies one and all recommended
the Emperor to deliver his attack. Lou Ching alone opposed them, saying:
‘When two countries go to war, they are naturally inclined to make an
ostentatious display of their strength. Yet our spies have seen nothing but old
age and infirmity. This is surely some &lt;i&gt;ruse&lt;/i&gt; on the part of the enemy, and it
would be unwise for us to attack.’ The Emperor, however, disregarding
this advice, fell into the trap and found himself surrounded at
Po-teng.”]
&lt;/p&gt;
&lt;p&gt;
19. Thus one who is skilful at keeping the enemy on the move maintains
deceitful appearances, according to which the enemy will act.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung’s note is "Make a display of weakness and want." Tu Mu says:
"If our force happens to be superior to the enemy’s, weakness may be simulated
in order to lure him on; but if inferior, he must be led to believe that we are
strong, in order that he may keep off. In fact, all the enemy’s movements
should be determined by the signs that we choose to give him." Note the
following anecdote of Sun Pin, a descendent of Sun Wu: In 341 B.C., the
Ch’i State being at war with Wei, sent T’ien Chi and Sun Pin
against the general P’ang Chuan, who happened to be a deadly personal
enemy of the later. Sun Pin said: "The Ch’i State has a reputation for
cowardice, and therefore our adversary despises us. Let us turn this
circumstance to account." Accordingly, when the army had crossed the border
into Wei territory, he gave orders to show 100,000 fires on the first night,
50,000 on the next, and the night after only 20,000. P’ang Chuan pursued
them hotly, saying to himself: "I knew these men of Ch’i were cowards:
their numbers have already fallen away by more than half." In his retreat, Sun
Pin came to a narrow defile, which he calculated that his pursuers would reach
after dark. Here he had a tree stripped of its bark, and inscribed upon it the
words: "Under this tree shall P’ang Chuan die." Then, as night began to
fall, he placed a strong body of archers in ambush near by, with orders to
shoot directly if they saw a light. Later on, P’ang Chuan arrived at the
spot, and noticing the tree, struck a light in order to read what was written
on it. His body was immediately riddled by a volley of arrows, and his whole
army thrown into confusion. [The above is Tu Mu’s version of the story; the
&lt;i&gt;Shih Chi&lt;/i&gt;, less dramatically but probably with more historical truth, makes
P’ang Chuan cut his own throat with an exclamation of despair, after the
rout of his army.] ]
&lt;/p&gt;
&lt;p&gt;
He sacrifices something, that the enemy may snatch at it.
&lt;/p&gt;
&lt;p&gt;
20. By holding out baits, he keeps him on the march; then with a body of picked
men he lies in wait for him.
&lt;/p&gt;
&lt;p class="p1"&gt;
[With an emendation suggested by Li Ching, this then reads, "He lies in wait
with the main body of his troops."]
&lt;/p&gt;
&lt;p&gt;
21. The clever combatant looks to the effect of combined energy, and does not
require too much from individuals.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "He first of all considers the power of his army in the bulk;
afterwards he takes individual talent into account, and uses each men according
to his capabilities. He does not demand perfection from the untalented."]
&lt;/p&gt;
&lt;p&gt;
Hence his ability to pick out the right men and utilise combined energy.
&lt;/p&gt;
&lt;p&gt;
22. When he utilises combined energy, his fighting men become as it were like
unto rolling logs or stones. For it is the nature of a log or stone to remain
motionless on level ground, and to move when on a slope; if four-cornered, to
come to a standstill, but if round-shaped, to go rolling down.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’au Kung calls this "the use of natural or inherent power."]
&lt;/p&gt;
&lt;p&gt;
23. Thus the energy developed by good fighting men is as the momentum of a
round stone rolled down a mountain thousands of feet in height. So much on the
subject of energy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The chief lesson of this chapter, in Tu Mu’s opinion, is the paramount
importance in war of rapid evolutions and sudden rushes. "Great results," he
adds, "can thus be achieved with small forces."]
&lt;/p&gt;
&lt;p&gt;
[1] "Forty-one Years in India," chapter 46.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap14"&gt;&lt;/a&gt;Chapter VI. WEAK POINTS AND STRONG&lt;/h2&gt;
&lt;p class="p1"&gt;
[Chang Yu attempts to explain the sequence of chapters as follows: "Chapter IV,
on Tactical Dispositions, treated of the offensive and the defensive; chapter
V, on Energy, dealt with direct and indirect methods. The good general
acquaints himself first with the theory of attack and defence, and then turns
his attention to direct and indirect methods. He studies the art of varying and
combining these two methods before proceeding to the subject of weak and strong
points. For the use of direct or indirect methods arises out of attack and
defence, and the perception of weak and strong points depends again on the
above methods. Hence the present chapter comes immediately after the chapter on
Energy."]
&lt;/p&gt;
&lt;p&gt;
1. Sun Tzŭ said: Whoever is first in the field and awaits the coming of the
enemy, will be fresh for the fight; whoever is second in the field and has to
hasten to battle, will arrive exhausted.
&lt;/p&gt;
&lt;p&gt;
2. Therefore the clever combatant imposes his will on the enemy, but does not
allow the enemy’s will to be imposed on him.
&lt;/p&gt;
&lt;p class="p1"&gt;
[One mark of a great soldier is that he fight on his own terms or fights not at
all. [1] ]
&lt;/p&gt;
&lt;p&gt;
3. By holding out advantages to him, he can cause the enemy to approach of his
own accord; or, by inflicting damage, he can make it impossible for the enemy
to draw near.
&lt;/p&gt;
&lt;p class="p1"&gt;
[In the first case, he will entice him with a bait; in the second, he will
strike at some important point which the enemy will have to defend.]
&lt;/p&gt;
&lt;p&gt;
4. If the enemy is taking his ease, he can harass him;
&lt;/p&gt;
&lt;p class="p1"&gt;
[This passage may be cited as evidence against Mei Yao- Ch’en’s
interpretation of I. § 23.]
&lt;/p&gt;
&lt;p&gt;
if well supplied with food, he can starve him out; if quietly encamped, he can
force him to move.
&lt;/p&gt;
&lt;p&gt;
5. Appear at points which the enemy must hasten to defend; march swiftly to
places where you are not expected.
&lt;/p&gt;
&lt;p&gt;
6. An army may march great distances without distress, if it marches through
country where the enemy is not.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung sums up very well: "Emerge from the void [q.d. like "a bolt
from the blue"], strike at vulnerable points, shun places that are defended,
attack in unexpected quarters."]
&lt;/p&gt;
&lt;p&gt;
7. You can be sure of succeeding in your attacks if you only attack places
which are undefended.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Wang Hsi explains "undefended places" as "weak points; that is to say, where
the general is lacking in capacity, or the soldiers in spirit; where the walls
are not strong enough, or the precautions not strict enough; where relief comes
too late, or provisions are too scanty, or the defenders are variance amongst
themselves."]
&lt;/p&gt;
&lt;p&gt;
You can ensure the safety of your defence if you only hold positions that
cannot be attacked.
&lt;/p&gt;
&lt;p class="p1"&gt;
[&lt;i&gt;I.e.&lt;/i&gt;, where there are none of the weak points mentioned above. There is
rather a nice point involved in the interpretation of this later clause. Tu Mu,
Ch’en Hao, and Mei Yao-ch’en assume the meaning to be: "In order to
make your defence quite safe, you must defend &lt;i&gt;even&lt;/i&gt; those places that are not
likely to be attacked;" and Tu Mu adds: "How much more, then, those that will
be attacked." Taken thus, however, the clause balances less well with the
preceding—always a consideration in the highly antithetical style which
is natural to the Chinese. Chang Yu, therefore, seems to come nearer the mark
in saying: "He who is skilled in attack flashes forth from the topmost heights
of heaven [see IV. § 7], making it impossible for the enemy to guard against
him. This being so, the places that I shall attack are precisely those that the
enemy cannot defend…. He who is skilled in defence hides in the most secret
recesses of the earth, making it impossible for the enemy to estimate his
whereabouts. This being so, the places that I shall hold are precisely those
that the enemy cannot attack."]
&lt;/p&gt;
&lt;p&gt;
8. Hence that general is skilful in attack whose opponent does not know what
to defend; and he is skilful in defence whose opponent does not know what to
attack.
&lt;/p&gt;
&lt;p class="p1"&gt;
[An aphorism which puts the whole art of war in a nutshell.]
&lt;/p&gt;
&lt;p&gt;
9. O divine art of subtlety and secrecy! Through you we learn to be invisible,
through you inaudible;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "without form or sound," but it is said of course with reference to
the enemy.]
&lt;/p&gt;
&lt;p&gt;
and hence we can hold the enemy’s fate in our hands.
&lt;/p&gt;
&lt;p&gt;
10. You may advance and be absolutely irresistible, if you make for the enemy’s
weak points; you may retire and be safe from pursuit if your movements are more
rapid than those of the enemy.
&lt;/p&gt;
&lt;p&gt;
11. If we wish to fight, the enemy can be forced to an engagement even though
he be sheltered behind a high rampart and a deep ditch. All we need do is
attack some other place that he will be obliged to relieve.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "If the enemy is the invading party, we can cut his line of
communications and occupy the roads by which he will have to return; if we are
the invaders, we may direct our attack against the sovereign himself." It is
clear that Sun Tzŭ, unlike certain generals in the late Boer war, was no
believer in frontal attacks.]
&lt;/p&gt;
&lt;p&gt;
12. If we do not wish to fight, we can prevent the enemy from engaging us even
though the lines of our encampment be merely traced out on the ground. All we
need do is to throw something odd and unaccountable in his way.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This extremely concise expression is intelligibly paraphrased by Chia Lin:
"even though we have constructed neither wall nor ditch." Li Ch’uan says:
"we puzzle him by strange and unusual dispositions;" and Tu Mu finally clinches
the meaning by three illustrative anecdotes—one of Chu-ko Liang, who when
occupying Yang-p’ing and about to be attacked by Ssu-ma I, suddenly
struck his colors, stopped the beating of the drums, and flung open the city
gates, showing only a few men engaged in sweeping and sprinkling the ground.
This unexpected proceeding had the intended effect; for Ssu-ma I, suspecting an
ambush, actually drew off his army and retreated. What Sun Tzŭ is advocating
here, therefore, is nothing more nor less than the timely use of "bluff."]
&lt;/p&gt;
&lt;p&gt;
13. By discovering the enemy’s dispositions and remaining invisible ourselves,
we can keep our forces concentrated, while the enemy’s must be divided.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The conclusion is perhaps not very obvious, but Chang Yu (after Mei
Yao-ch’en) rightly explains it thus: "If the enemy’s dispositions are
visible, we can make for him in one body; whereas, our own dispositions being
kept secret, the enemy will be obliged to divide his forces in order to guard
against attack from every quarter."]
&lt;/p&gt;
&lt;p&gt;
14. We can form a single united body, while the enemy must split up into
fractions. Hence there will be a whole pitted against separate parts of a
whole, which means that we shall be many to the enemy’s few.
&lt;/p&gt;
&lt;p&gt;
15. And if we are able thus to attack an inferior force with a superior one,
our opponents will be in dire straits.
&lt;/p&gt;
&lt;p&gt;
16. The spot where we intend to fight must not be made known; for then the
enemy will have to prepare against a possible attack at several different
points;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Sheridan once explained the reason of General Grant’s victories by saying that
"while his opponents were kept fully employed wondering what he was going to
do, &lt;i&gt;he&lt;/i&gt; was thinking most of what he was going to do himself."]
&lt;/p&gt;
&lt;p&gt;
and his forces being thus distributed in many directions, the numbers we shall
have to face at any given point will be proportionately few.
&lt;/p&gt;
&lt;p&gt;
17. For should the enemy strengthen his van, he will weaken his rear; should he
strengthen his rear, he will weaken his van; should he strengthen his left, he
will weaken his right; should he strengthen his right, he will weaken his left.
If he sends reinforcements everywhere, he will everywhere be weak.
&lt;/p&gt;
&lt;p class="p1"&gt;
[In Frederick the Great’s &lt;i&gt;Instructions to his Generals&lt;/i&gt; we read: "A
defensive war is apt to betray us into too frequent detachment. Those generals
who have had but little experience attempt to protect every point, while those
who are better acquainted with their profession, having only the capital object
in view, guard against a decisive blow, and acquiesce in small misfortunes to
avoid greater."]
&lt;/p&gt;
&lt;p&gt;
18. Numerical weakness comes from having to prepare against possible attacks;
numerical strength, from compelling our adversary to make these preparations
against us.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The highest generalship, in Col. Henderson’s words, is "to compel the enemy to
disperse his army, and then to concentrate superior force against each fraction
in turn."]
&lt;/p&gt;
&lt;p&gt;
19. Knowing the place and the time of the coming battle, we may concentrate
from the greatest distances in order to fight.
&lt;/p&gt;
&lt;p class="p1"&gt;
[What Sun Tzŭ evidently has in mind is that nice calculation of distances and
that masterly employment of strategy which enable a general to divide his army
for the purpose of a long and rapid march, and afterwards to effect a junction
at precisely the right spot and the right hour in order to confront the enemy
in overwhelming strength. Among many such successful junctions which military
history records, one of the most dramatic and decisive was the appearance of
Blucher just at the critical moment on the field of Waterloo.]
&lt;/p&gt;
&lt;p&gt;
20. But if neither time nor place be known, then the left wing will be impotent
to succour the right, the right equally impotent to succour the left, the van
unable to relieve the rear, or the rear to support the van. How much more so if
the furthest portions of the army are anything under a hundred &lt;i&gt;li&lt;/i&gt; apart,
and even the nearest are separated by several &lt;i&gt;li&lt;/i&gt;!
&lt;/p&gt;
&lt;p class="p1"&gt;
[The Chinese of this last sentence is a little lacking in precision, but the
mental picture we are required to draw is probably that of an army advancing
towards a given rendezvous in separate columns, each of which has orders to be
there on a fixed date. If the general allows the various detachments to proceed
at haphazard, without precise instructions as to the time and place of meeting,
the enemy will be able to annihilate the army in detail. Chang Yu’s note may be
worth quoting here: "If we do not know the place where our opponents mean to
concentrate or the day on which they will join battle, our unity will be
forfeited through our preparations for defence, and the positions we hold will
be insecure. Suddenly happening upon a powerful foe, we shall be brought to
battle in a flurried condition, and no mutual support will be possible between
wings, vanguard or rear, especially if there is any great distance between the
foremost and hindmost divisions of the army."]
&lt;/p&gt;
&lt;p&gt;
21. Though according to my estimate the soldiers of Yüeh exceed our own in
number, that shall advantage them nothing in the matter of victory. I say then
that victory can be achieved.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Alas for these brave words! The long feud between the two states ended in 473
B.C. with the total defeat of Wu by Kou Chien and its incorporation in Yüeh.
This was doubtless long after Sun Tzŭ’s death. With his present assertion
compare IV. § 4. Chang Yu is the only one to point out the seeming discrepancy,
which he thus goes on to explain: "In the chapter on Tactical Dispositions it
is said, ‘One may &lt;i&gt;know&lt;/i&gt; how to conquer without being able to &lt;i&gt;do&lt;/i&gt; it,’ whereas
here we have the statement that ‘victory’ can be achieved.’ The explanation is,
that in the former chapter, where the offensive and defensive are under
discussion, it is said that if the enemy is fully prepared, one cannot make
certain of beating him. But the present passage refers particularly to the
soldiers of Yüeh who, according to Sun Tzŭ’s calculations, will be kept in
ignorance of the time and place of the impending struggle. That is why he says
here that victory can be achieved."]
&lt;/p&gt;
&lt;p&gt;
22. Though the enemy be stronger in numbers, we may prevent him from fighting.
Scheme so as to discover his plans and the likelihood of their success.
&lt;/p&gt;
&lt;p class="p1"&gt;
[An alternative reading offered by Chia Lin is: "Know beforehand all plans
conducive to our success and to the enemy’s failure."
&lt;/p&gt;
&lt;p&gt;
23. Rouse him, and learn the principle of his activity or inactivity.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu tells us that by noting the joy or anger shown by the enemy on being
thus disturbed, we shall be able to conclude whether his policy is to lie low
or the reverse. He instances the action of Cho-ku Liang, who sent the scornful
present of a woman’s head-dress to Ssu-ma I, in order to goad him out of his
Fabian tactics.]
&lt;/p&gt;
&lt;p&gt;
Force him to reveal himself, so as to find out his vulnerable spots.
&lt;/p&gt;
&lt;p&gt;
24. Carefully compare the opposing army with your own, so that you may know
where strength is superabundant and where it is deficient.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. IV. § 6.]
&lt;/p&gt;
&lt;p&gt;
25. In making tactical dispositions, the highest pitch you can attain is to
conceal them;
&lt;/p&gt;
&lt;p class="p1"&gt;
[The piquancy of the paradox evaporates in translation. Concealment is perhaps
not so much actual invisibility (see &lt;i&gt;supra&lt;/i&gt; § 9) as "showing no sign" of
what you mean to do, of the plans that are formed in your brain.]
&lt;/p&gt;
&lt;p&gt;
conceal your dispositions, and you will be safe from the prying of the subtlest
spies, from the machinations of the wisest brains.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu explains: "Though the enemy may have clever and capable officers, they
will not be able to lay any plans against us."]
&lt;/p&gt;
&lt;p&gt;
26. How victory may be produced for them out of the enemy’s own
tactics—that is what the multitude cannot comprehend.
&lt;/p&gt;
&lt;p&gt;
27. All men can see the tactics whereby I conquer, but what none can see is the
strategy out of which victory is evolved.
&lt;/p&gt;
&lt;p class="p1"&gt;
[&lt;i&gt;I.e.&lt;/i&gt;, everybody can see superficially how a battle is won; what they
cannot see is the long series of plans and combinations which has preceded the
battle.]
&lt;/p&gt;
&lt;p&gt;
28. Do not repeat the tactics which have gained you one victory, but let your
methods be regulated by the infinite variety of circumstances.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As Wang Hsi sagely remarks: "There is but one root-principle underlying
victory, but the tactics which lead up to it are infinite in number." With this
compare Col. Henderson: "The rules of strategy are few and simple. They may be
learned in a week. They may be taught by familiar illustrations or a dozen
diagrams. But such knowledge will no more teach a man to lead an army like
Napoleon than a knowledge of grammar will teach him to write like Gibbon."]
&lt;/p&gt;
&lt;p&gt;
29. Military tactics are like unto water; for water in its natural course runs
away from high places and hastens downwards.
&lt;/p&gt;
&lt;p&gt;
30. So in war, the way is to avoid what is strong and to strike at what is
weak.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Like water, taking the line of least resistance.]
&lt;/p&gt;
&lt;p&gt;
31. Water shapes its course according to the nature of the ground over which it
flows; the soldier works out his victory in relation to the foe whom he is
facing.
&lt;/p&gt;
&lt;p&gt;
32. Therefore, just as water retains no constant shape, so in warfare there are
no constant conditions.
&lt;/p&gt;
&lt;p&gt;
33. He who can modify his tactics in relation to his opponent and thereby
succeed in winning, may be called a heaven-born captain.
&lt;/p&gt;
&lt;p&gt;
34. The five elements (water, fire, wood, metal, earth) are not always equally
predominant;
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, as Wang Hsi says: "they predominate alternately."]
&lt;/p&gt;
&lt;p&gt;
the four seasons make way for each other in turn.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "have no invariable seat."]
&lt;/p&gt;
&lt;p&gt;
There are short days and long; the moon has its periods of waning and waxing.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. V. § 6. The purport of the passage is simply to illustrate the want of
fixity in war by the changes constantly taking place in Nature. The comparison
is not very happy, however, because the regularity of the phenomena which Sun
Tzŭ mentions is by no means paralleled in war.]
&lt;/p&gt;
&lt;p&gt;
[1] See Col. Henderson’s biography of Stonewall Jackson, 1902 ed., vol. II, p.
490.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap15"&gt;&lt;/a&gt;Chapter VII. MANŒUVERING&lt;/h2&gt;
&lt;p&gt;
1. Sun Tzŭ said: In war, the general receives his commands from the sovereign.
&lt;/p&gt;
&lt;p&gt;
2. Having collected an army and concentrated his forces, he must blend and
harmonise the different elements thereof before pitching his camp.
&lt;/p&gt;
&lt;p class="p1"&gt;
["Chang Yu says: "the establishment of harmony and confidence between the
higher and lower ranks before venturing into the field;" and he quotes a saying
of Wu Tzŭ (chap. 1 ad init.): "Without harmony in the State, no military
expedition can be undertaken; without harmony in the army, no battle array can
be formed." In an historical romance Sun Tzŭ is represented as saying to Wu
Yuan: "As a general rule, those who are waging war should get rid of all the
domestic troubles before proceeding to attack the external foe."]
&lt;/p&gt;
&lt;p&gt;
3. After that, comes tactical manœuvering, than which there is nothing more
difficult.
&lt;/p&gt;
&lt;p class="p1"&gt;
[I have departed slightly from the traditional interpretation of Ts’ao
Kung, who says: "From the time of receiving the sovereign’s instructions until
our encampment over against the enemy, the tactics to be pursued are most
difficult." It seems to me that the tactics or manœuvers can hardly be said to
begin until the army has sallied forth and encamped, and Ch’ien Hao’s
note gives color to this view: "For levying, concentrating, harmonizing and
entrenching an army, there are plenty of old rules which will serve. The real
difficulty comes when we engage in tactical operations." Tu Yu also observes
that "the great difficulty is to be beforehand with the enemy in seizing
favourable position."]
&lt;/p&gt;
&lt;p&gt;
The difficulty of tactical manœuvering consists in turning the devious into the
direct, and misfortune into gain.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This sentence contains one of those highly condensed and somewhat enigmatical
expressions of which Sun Tzŭ is so fond. This is how it is explained by
Ts’ao Kung: "Make it appear that you are a long way off, then cover the
distance rapidly and arrive on the scene before your opponent." Tu Mu says:
"Hoodwink the enemy, so that he may be remiss and leisurely while you are
dashing along with utmost speed." Ho Shih gives a slightly different turn:
"Although you may have difficult ground to traverse and natural obstacles to
encounter this is a drawback which can be turned into actual advantage by
celerity of movement." Signal examples of this saying are afforded by the two
famous passages across the Alps—that of Hannibal, which laid Italy at his
mercy, and that of Napoleon two thousand years later, which resulted in the
great victory of Marengo.]
&lt;/p&gt;
&lt;p&gt;
4. Thus, to take a long and circuitous route, after enticing the enemy out of
the way, and though starting after him, to contrive to reach the goal before
him, shows knowledge of the artifice of &lt;i&gt;deviation&lt;/i&gt;.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu cites the famous march of Chao She in 270 B.C. to relieve the town of
O-yu, which was closely invested by a Ch’in army. The King of Chao first
consulted Lien P’o on the advisability of attempting a relief, but the
latter thought the distance too great, and the intervening country too rugged
and difficult. His Majesty then turned to Chao She, who fully admitted the
hazardous nature of the march, but finally said: "We shall be like two rats
fighting in a whole—and the pluckier one will win!" So he left the
capital with his army, but had only gone a distance of 30 &lt;i&gt;li&lt;/i&gt; when he
stopped and began throwing up entrenchments. For 28 days he continued
strengthening his fortifications, and took care that spies should carry the
intelligence to the enemy. The Ch’in general was overjoyed, and
attributed his adversary’s tardiness to the fact that the beleaguered city was
in the Han State, and thus not actually part of Chao territory. But the spies
had no sooner departed than Chao She began a forced march lasting for two days
and one night, and arrive on the scene of action with such astonishing rapidity
that he was able to occupy a commanding position on the "North hill" before the
enemy had got wind of his movements. A crushing defeat followed for the
Ch’in forces, who were obliged to raise the siege of O-yu in all haste
and retreat across the border.]
&lt;/p&gt;
&lt;p&gt;
5. Manœuvering with an army is advantageous; with an undisciplined multitude,
most dangerous.
&lt;/p&gt;
&lt;p class="p1"&gt;
[I adopt the reading of the &lt;i&gt;T’ung Tien&lt;/i&gt;, Cheng Yu-hsien and the &lt;i&gt;T’u
Shu&lt;/i&gt;, since they appear to apply the exact nuance required in order to make
sense. The commentators using the standard text take this line to mean that
manœuvers may be profitable, or they may be dangerous: it all depends on the
ability of the general.]
&lt;/p&gt;
&lt;p&gt;
6. If you set a fully equipped army in march in order to snatch an advantage,
the chances are that you will be too late. On the other hand, to detach a
flying column for the purpose involves the sacrifice of its baggage and stores.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Some of the Chinese text is unintelligible to the Chinese commentators, who
paraphrase the sentence. I submit my own rendering without much enthusiasm,
being convinced that there is some deep-seated corruption in the text. On the
whole, it is clear that Sun Tzŭ does not approve of a lengthy march being
undertaken without supplies. Cf. infra, § 11.]
&lt;/p&gt;
&lt;p&gt;
7. Thus, if you order your men to roll up their buff-coats, and make forced
marches without halting day or night, covering double the usual distance at a
stretch,
&lt;/p&gt;
&lt;p class="p1"&gt;
[The ordinary day’s march, according to Tu Mu, was 30 &lt;i&gt;li&lt;/i&gt;; but on one
occasion, when pursuing Liu Pei, Ts’ao Ts’ao is said to have
covered the incredible distance of 300 &lt;i&gt;li&lt;/i&gt; within twenty-four hours.]
&lt;/p&gt;
&lt;p&gt;
doing a hundred &lt;i&gt;li&lt;/i&gt; in order to wrest an advantage, the leaders of all
your three divisions will fall into the hands of the enemy.
&lt;/p&gt;
&lt;p&gt;
8. The stronger men will be in front, the jaded ones will fall behind, and on
this plan only one-tenth of your army will reach its destination.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The moral is, as Ts’ao Kung and others point out: Don’t march a hundred
&lt;i&gt;li&lt;/i&gt; to gain a tactical advantage, either with or without impedimenta.
Manœuvers of this description should be confined to short distances. Stonewall
Jackson said: "The hardships of forced marches are often more painful than the
dangers of battle." He did not often call upon his troops for extraordinary
exertions. It was only when he intended a surprise, or when a rapid retreat was
imperative, that he sacrificed everything for speed. [1] ]
&lt;/p&gt;
&lt;p&gt;
9. If you march fifty &lt;i&gt;li&lt;/i&gt; in order to outmanœuver the enemy, you will
lose the leader of your first division, and only half your force will reach the
goal.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "the leader of the first division will be &lt;i&gt;torn away&lt;/i&gt;."]
&lt;/p&gt;
&lt;p&gt;
10. If you march thirty &lt;i&gt;li&lt;/i&gt; with the same object, two-thirds of your army
will arrive.
&lt;/p&gt;
&lt;p class="p1"&gt;
[In the &lt;i&gt;T’ung Tien&lt;/i&gt; is added: "From this we may know the difficulty of
manœuvering."]
&lt;/p&gt;
&lt;p&gt;
11. We may take it then that an army without its baggage-train is lost; without
provisions it is lost; without bases of supply it is lost.
&lt;/p&gt;
&lt;p class="p1"&gt;
[I think Sun Tzŭ meant "stores accumulated in dépôts." But Tu Yu says "fodder
and the like," Chang Yu says "Goods in general," and Wang Hsi says "fuel, salt,
foodstuffs, etc."]
&lt;/p&gt;
&lt;p&gt;
12. We cannot enter into alliances until we are acquainted with the designs of
our neighbours.
&lt;/p&gt;
&lt;p&gt;
13. We are not fit to lead an army on the march unless we are familiar with the
face of the country—its mountains and forests, its pitfalls and
precipices, its marshes and swamps.
&lt;/p&gt;
&lt;p&gt;
14. We shall be unable to turn natural advantages to account unless we make use
of local guides.
&lt;/p&gt;
&lt;p class="p1"&gt;
[§§. 12-14 are repeated in chap. XI. § 52.]
&lt;/p&gt;
&lt;p&gt;
15. In war, practise dissimulation, and you will succeed.
&lt;/p&gt;
&lt;p class="p1"&gt;
[In the tactics of Turenne, deception of the enemy, especially as to the
numerical strength of his troops, took a very prominent position. [2] ]
&lt;/p&gt;
&lt;p&gt;
Move only if there is a real advantage to be gained.
&lt;/p&gt;
&lt;p&gt;
16. Whether to concentrate or to divide your troops, must be decided by
circumstances.
&lt;/p&gt;
&lt;p&gt;
17. Let your rapidity be that of the wind,
&lt;/p&gt;
&lt;p class="p1"&gt;
[The simile is doubly appropriate, because the wind is not only swift but, as
Mei Yao-ch’en points out, "invisible and leaves no tracks."]
&lt;/p&gt;
&lt;p&gt;
your compactness that of the forest.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Meng Shih comes nearer to the mark in his note: "When slowly marching, order
and ranks must be preserved"—so as to guard against surprise attacks. But
natural forest do not grow in rows, whereas they do generally possess the
quality of density or compactness.]
&lt;/p&gt;
&lt;p&gt;
18. In raiding and plundering be like fire,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. &lt;i&gt;Shih Ching&lt;/i&gt;, IV. 3. iv. 6: "Fierce as a blazing fire which no man
can check."]
&lt;/p&gt;
&lt;p&gt;
in immovability like a mountain.
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, when holding a position from which the enemy is trying to dislodge
you, or perhaps, as Tu Yu says, when he is trying to entice you into a trap.]
&lt;/p&gt;
&lt;p&gt;
19. Let your plans be dark and impenetrable as night, and when you move, fall
like a thunderbolt.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu quotes a saying of T’ai Kung which has passed into a proverb: "You
cannot shut your ears to the thunder or your eyes to the lighting—so
rapid are they." Likewise, an attack should be made so quickly that it cannot
be parried.]
&lt;/p&gt;
&lt;p&gt;
20. When you plunder a countryside, let the spoil be divided amongst your men;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Sun Tzŭ wishes to lessen the abuses of indiscriminate plundering by insisting
that all booty shall be thrown into a common stock, which may afterwards be
fairly divided amongst all.]
&lt;/p&gt;
&lt;p&gt;
when you capture new territory, cut it up into allotments for the benefit of
the soldiery.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ch’en Hao says "quarter your soldiers on the land, and let them sow and
plant it." It is by acting on this principle, and harvesting the lands they
invaded, that the Chinese have succeeded in carrying out some of their most
memorable and triumphant expeditions, such as that of Pan Ch’ao who
penetrated to the Caspian, and in more recent years, those of Fu-k’ang-an
and Tso Tsung-t’ang.]
&lt;/p&gt;
&lt;p&gt;
21. Ponder and deliberate before you make a move.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu quotes Wei Liao Tzŭ as saying that we must not break camp until we
have gained the resisting power of the enemy and the cleverness of the opposing
general. Cf. the "seven comparisons" in I. § 13.]
&lt;/p&gt;
&lt;p&gt;
22. He will conquer who has learnt the artifice of deviation.
&lt;/p&gt;
&lt;p class="p1"&gt;
[See &lt;i&gt;supra&lt;/i&gt;, §§ 3, 4.]
&lt;/p&gt;
&lt;p&gt;
Such is the art of manœuvering.
&lt;/p&gt;
&lt;p class="p1"&gt;
[With these words, the chapter would naturally come to an end. But there now
follows a long appendix in the shape of an extract from an earlier book on War,
now lost, but apparently extant at the time when Sun Tzŭ wrote. The style of
this fragment is not noticeably different from that of Sun Tzŭ himself, but no
commentator raises a doubt as to its genuineness.]
&lt;/p&gt;
&lt;p&gt;
23. The Book of Army Management says:
&lt;/p&gt;
&lt;p class="p1"&gt;
[It is perhaps significant that none of the earlier commentators give us any
information about this work. Mei Yao- Ch’en calls it "an ancient military
classic," and Wang Hsi, "an old book on war." Considering the enormous amount
of fighting that had gone on for centuries before Sun Tzŭ’s time between the
various kingdoms and principalities of China, it is not in itself improbable
that a collection of military maxims should have been made and written down at
some earlier period.]
&lt;/p&gt;
&lt;p&gt;
On the field of battle,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Implied, though not actually in the Chinese.]
&lt;/p&gt;
&lt;p&gt;
the spoken word does not carry far enough: hence the institution of gongs and
drums. Nor can ordinary objects be seen clearly enough: hence the institution
of banners and flags.
&lt;/p&gt;
&lt;p&gt;
24. Gongs and drums, banners and flags, are means whereby the ears and eyes of
the host may be focussed on one particular point.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "If sight and hearing converge simultaneously on the same
object, the evolutions of as many as a million soldiers will be like those of a
single man."!]
&lt;/p&gt;
&lt;p&gt;
25. The host thus forming a single united body, is it impossible either for the
brave to advance alone, or for the cowardly to retreat alone.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chuang Yu quotes a saying: "Equally guilty are those who advance against
orders and those who retreat against orders." Tu Mu tells a story in this
connection of Wu Ch’i, when he was fighting against the Ch’in
State. Before the battle had begun, one of his soldiers, a man of matchless
daring, sallied forth by himself, captured two heads from the enemy, and
returned to camp. Wu Ch’i had the man instantly executed, whereupon an
officer ventured to remonstrate, saying: "This man was a good soldier, and
ought not to have been beheaded." Wu Ch’i replied: "I fully believe he
was a good soldier, but I had him beheaded because he acted without orders."]
&lt;/p&gt;
&lt;p&gt;
This is the art of handling large masses of men.
&lt;/p&gt;
&lt;p&gt;
26. In night-fighting, then, make much use of signal-fires and drums, and in
fighting by day, of flags and banners, as a means of influencing the ears and
eyes of your army.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ch’en Hao alludes to Li Kuang-pi’s night ride to Ho-yang at the head of
500 mounted men; they made such an imposing display with torches, that though
the rebel leader Shih Ssu-ming had a large army, he did not dare to dispute
their passage.]
&lt;/p&gt;
&lt;p&gt;
27. A whole army may be robbed of its spirit;
&lt;/p&gt;
&lt;p class="p1"&gt;
["In war," says Chang Yu, "if a spirit of anger can be made to pervade all
ranks of an army at one and the same time, its onset will be irresistible. Now
the spirit of the enemy’s soldiers will be keenest when they have newly arrived
on the scene, and it is therefore our cue not to fight at once, but to wait
until their ardor and enthusiasm have worn off, and then strike. It is in this
way that they may be robbed of their keen spirit." Li Ch’uan and others
tell an anecdote (to be found in the &lt;i&gt;Tso Chuan&lt;/i&gt;, year 10, § 1) of Ts’ao
Kuei, a protege of Duke Chuang of Lu. The latter State was attacked by
Ch’i, and the duke was about to join battle at Ch’ang-cho, after
the first roll of the enemy’s drums, when Ts’ao said: "Not just yet."
Only after their drums had beaten for the third time, did he give the word for
attack. Then they fought, and the men of Ch’i were utterly defeated.
Questioned afterwards by the Duke as to the meaning of his delay, Ts’ao
Kuei replied: "In battle, a courageous spirit is everything. Now the first roll
of the drum tends to create this spirit, but with the second it is already on
the wane, and after the third it is gone altogether. I attacked when their
spirit was gone and ours was at its height. Hence our victory." Wu Tzŭ (chap.
4) puts "spirit" first among the "four important influences" in war, and
continues: "The value of a whole army—a mighty host of a million
men—is dependent on one man alone: such is the influence of spirit!"]
&lt;/p&gt;
&lt;p&gt;
a commander-in-chief may be robbed of his presence of mind.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "Presence of mind is the general’s most important asset. It is
the quality which enables him to discipline disorder and to inspire courage
into the panic-stricken." The great general Li Ching (A.D. 571-649) has a
saying: "Attacking does not merely consist in assaulting walled cities or
striking at an army in battle array; it must include the art of assailing the
enemy’s mental equilibrium."]
&lt;/p&gt;
&lt;p&gt;
28. Now a soldier’s spirit is keenest in the morning;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Always provided, I suppose, that he has had breakfast. At the battle of the
Trebia, the Romans were foolishly allowed to fight fasting, whereas Hannibal’s
men had breakfasted at their leisure. See Livy, XXI, liv. 8, lv. 1 and 8.]
&lt;/p&gt;
&lt;p&gt;
by noonday it has begun to flag; and in the evening, his mind is bent only on
returning to camp.
&lt;/p&gt;
&lt;p&gt;
29. A clever general, therefore, avoids an army when its spirit is keen, but
attacks it when it is sluggish and inclined to return. This is the art of
studying moods.
&lt;/p&gt;
&lt;p&gt;
30. Disciplined and calm, to await the appearance of disorder and hubbub
amongst the enemy:—this is the art of retaining self-possession.
&lt;/p&gt;
&lt;p&gt;
31. To be near the goal while the enemy is still far from it, to wait at ease
while the enemy is toiling and struggling, to be well-fed while the enemy is
famished:—this is the art of husbanding one’s strength.
&lt;/p&gt;
&lt;p&gt;
32. To refrain from intercepting an enemy whose banners are in perfect order,
to refrain from attacking an army drawn up in calm and confident
array:—this is the art of studying circumstances.
&lt;/p&gt;
&lt;p&gt;
33. It is a military axiom not to advance uphill against the enemy, nor to
oppose him when he comes downhill.
&lt;/p&gt;
&lt;p&gt;
34. Do not pursue an enemy who simulates flight; do not attack soldiers whose
temper is keen.
&lt;/p&gt;
&lt;p&gt;
35. Do not swallow a bait offered by the enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan and Tu Mu, with extraordinary inability to see a metaphor,
take these words quite literally of food and drink that have been poisoned by
the enemy. Ch’en Hao and Chang Yu carefully point out that the saying has
a wider application.]
&lt;/p&gt;
&lt;p&gt;
Do not interfere with an army that is returning home.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The commentators explain this rather singular piece of advice by saying that a
man whose heart is set on returning home will fight to the death against any
attempt to bar his way, and is therefore too dangerous an opponent to be
tackled. Chang Yu quotes the words of Han Hsin: "Invincible is the soldier who
hath his desire and returneth homewards." A marvelous tale is told of
Ts’ao Ts’ao’s courage and resource in ch. 1 of the &lt;i&gt;San Kuo Chi&lt;/i&gt;, In
198 A.D., he was besieging Chang Hsiu in Jang, when Liu Piao sent
reinforcements with a view to cutting off Ts’ao’s retreat. The latter was
obliged to draw off his troops, only to find himself hemmed in between two
enemies, who were guarding each outlet of a narrow pass in which he had engaged
himself. In this desperate plight Ts’ao waited until nightfall, when he
bored a tunnel into the mountain side and laid an ambush in it. As soon as the
whole army had passed by, the hidden troops fell on his rear, while Ts’ao
himself turned and met his pursuers in front, so that they were thrown into
confusion and annihilated. Ts’ao Ts’ao said afterwards: "The
brigands tried to check my army in its retreat and brought me to battle in a
desperate position: hence I knew how to overcome them."]
&lt;/p&gt;
&lt;p&gt;
36. When you surround an army, leave an outlet free.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This does not mean that the enemy is to be allowed to escape. The object, as
Tu Mu puts it, is "to make him believe that there is a road to safety, and thus
prevent his fighting with the courage of despair." Tu Mu adds pleasantly:
"After that, you may crush him."]
&lt;/p&gt;
&lt;p&gt;
Do not press a desperate foe too hard.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ch’en Hao quotes the saying: "Birds and beasts when brought to bay will
use their claws and teeth." Chang Yu says: "If your adversary has burned his
boats and destroyed his cooking-pots, and is ready to stake all on the issue of
a battle, he must not be pushed to extremities." Ho Shih illustrates the
meaning by a story taken from the life of Yen-ch’ing. That general,
together with his colleague Tu Chung-wei was surrounded by a vastly superior
army of Khitans in the year 945 A.D. The country was bare and desert-like, and
the little Chinese force was soon in dire straits for want of water. The wells
they bored ran dry, and the men were reduced to squeezing lumps of mud and
sucking out the moisture. Their ranks thinned rapidly, until at last Fu
Yen-ch’ing exclaimed: "We are desperate men. Far better to die for our
country than to go with fettered hands into captivity!" A strong gale happened
to be blowing from the northeast and darkening the air with dense clouds of
sandy dust. To Chung-wei was for waiting until this had abated before deciding
on a final attack; but luckily another officer, Li Shou-cheng by name, was
quicker to see an opportunity, and said: "They are many and we are few, but in
the midst of this sandstorm our numbers will not be discernible; victory will
go to the strenuous fighter, and the wind will be our best ally." Accordingly,
Fu Yen-ch’ing made a sudden and wholly unexpected onslaught with his
cavalry, routed the barbarians and succeeded in breaking through to safety.]
&lt;/p&gt;
&lt;p&gt;
37. Such is the art of warfare.
&lt;/p&gt;
&lt;p&gt;
[1] See Col. Henderson, op. cit. vol. I. p. 426.
&lt;/p&gt;
&lt;p&gt;
[2] For a number of maxims on this head, see "Marshal Turenne" (Longmans,
1907), p. 29.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap16"&gt;&lt;/a&gt;Chapter VIII. VARIATION OF TACTICS&lt;/h2&gt;
&lt;p class="p1"&gt;
[The heading means literally "The Nine Variations," but as Sun Tzŭ does not
appear to enumerate these, and as, indeed, he has already told us (V §§ 6-11)
that such deflections from the ordinary course are practically innumerable, we
have little option but to follow Wang Hsi, who says that "Nine" stands for an
indefinitely large number. "All it means is that in warfare we ought to vary
our tactics to the utmost degree…. I do not know what Ts’ao Kung makes
these Nine Variations out to be, but it has been suggested that they are
connected with the Nine Situations" - of chapt. XI. This is the view adopted by
Chang Yu. The only other alternative is to suppose that something has been
lost—a supposition to which the unusual shortness of the chapter lends
some weight.]
&lt;/p&gt;
&lt;p&gt;
1. Sun Tzŭ said: In war, the general receives his commands from the sovereign,
collects his army and concentrates his forces.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Repeated from VII. § 1, where it is certainly more in place. It may have been
interpolated here merely in order to supply a beginning to the chapter.]
&lt;/p&gt;
&lt;p&gt;
2. When in difficult country, do not encamp. In country where high roads
intersect, join hands with your allies. Do not linger in dangerously isolated
positions.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The last situation is not one of the Nine Situations as given in the beginning
of chap. XI, but occurs later on (ibid. § 43. q.v.). Chang Yu defines this
situation as being situated across the frontier, in hostile territory. Li
Ch’uan says it is "country in which there are no springs or wells, flocks
or herds, vegetables or firewood;" Chia Lin, "one of gorges, chasms and
precipices, without a road by which to advance."]
&lt;/p&gt;
&lt;p&gt;
In hemmed-in situations, you must resort to stratagem. In a desperate position,
you must fight.
&lt;/p&gt;
&lt;p&gt;
3. There are roads which must not be followed,
&lt;/p&gt;
&lt;p class="p1"&gt;
["Especially those leading through narrow defiles," says Li Ch’uan,
"where an ambush is to be feared."]
&lt;/p&gt;
&lt;p&gt;
armies which must be not attacked,
&lt;/p&gt;
&lt;p class="p1"&gt;
[More correctly, perhaps, "there are times when an army must not be attacked."
Ch’en Hao says: "When you see your way to obtain a rival advantage, but
are powerless to inflict a real defeat, refrain from attacking, for fear of
overtaxing your men’s strength."]
&lt;/p&gt;
&lt;p&gt;
towns which must not be besieged,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. III. § 4 Ts’ao Kung gives an interesting illustration from his own
experience. When invading the territory of Hsu-chou, he ignored the city of
Hua-pi, which lay directly in his path, and pressed on into the heart of the
country. This excellent strategy was rewarded by the subsequent capture of no
fewer than fourteen important district cities. Chang Yu says: "No town should
be attacked which, if taken, cannot be held, or if left alone, will not cause
any trouble." Hsun Ying, when urged to attack Pi-yang, replied: "The city is
small and well-fortified; even if I succeed intaking it, it will be no great
feat of arms; whereas if I fail, I shall make myself a laughing-stock." In the
seventeenth century, sieges still formed a large proportion of war. It was
Turenne who directed attention to the importance of marches, countermarches and
manœuvers. He said: "It is a great mistake to waste men in taking a town when
the same expenditure of soldiers will gain a province." [1] ]
&lt;/p&gt;
&lt;p&gt;
positions which must not be contested, commands of the sovereign which must not
be obeyed.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This is a hard saying for the Chinese, with their reverence for authority, and
Wei Liao Tzŭ (quoted by Tu Mu) is moved to exclaim: "Weapons are baleful
instruments, strife is antagonistic to virtue, a military commander is the
negation of civil order!" The unpalatable fact remains, however, that even
Imperial wishes must be subordinated to military necessity.]
&lt;/p&gt;
&lt;p&gt;
4. The general who thoroughly understands the advantages that accompany
variation of tactics knows how to handle his troops.
&lt;/p&gt;
&lt;p&gt;
5. The general who does not understand these, may be well acquainted with the
configuration of the country, yet he will not be able to turn his knowledge to
practical account.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "get the advantage of the ground," which means not only securing
good positions, but availing oneself of natural advantages in every possible
way. Chang Yu says: "Every kind of ground is characterized by certain natural
features, and also gives scope for a certain variability of plan. How it is
possible to turn these natural features to account unless topographical
knowledge is supplemented by versatility of mind?"]
&lt;/p&gt;
&lt;p&gt;
6. So, the student of war who is unversed in the art of war of varying his
plans, even though he be acquainted with the Five Advantages, will fail to make
the best use of his men.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chia Lin tells us that these imply five obvious and generally advantageous
lines of action, namely: "if a certain road is short, it must be followed; if
an army is isolated, it must be attacked; if a town is in a parlous condition,
it must be besieged; if a position can be stormed, it must be attempted; and if
consistent with military operations, the ruler’s commands must be obeyed." But
there are circumstances which sometimes forbid a general to use these
advantages. For instance, "a certain road may be the shortest way for him, but
if he knows that it abounds in natural obstacles, or that the enemy has laid an
ambush on it, he will not follow that road. A hostile force may be open to
attack, but if he knows that it is hard-pressed and likely to fight with
desperation, he will refrain from striking," and so on.]
&lt;/p&gt;
&lt;p&gt;
7. Hence in the wise leader’s plans, considerations of advantage and of
disadvantage will be blended together.
&lt;/p&gt;
&lt;p class="p1"&gt;
["Whether in an advantageous position or a disadvantageous one," says
Ts’ao Kung, "the opposite state should be always present to your mind."]
&lt;/p&gt;
&lt;p&gt;
8. If our expectation of advantage be tempered in this way, we may succeed in
accomplishing the essential part of our schemes.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "If we wish to wrest an advantage from the enemy, we must not fix
our minds on that alone, but allow for the possibility of the enemy also doing
some harm to us, and let this enter as a factor into our calculations."]
&lt;/p&gt;
&lt;p&gt;
9. If, on the other hand, in the midst of difficulties we are always ready to
seize an advantage, we may extricate ourselves from misfortune.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "If I wish to extricate myself from a dangerous position, I must
consider not only the enemy’s ability to injure me, but also my own ability to
gain an advantage over the enemy. If in my counsels these two considerations
are properly blended, I shall succeed in liberating myself…. For instance; if I
am surrounded by the enemy and only think of effecting an escape, the
nervelessness of my policy will incite my adversary to pursue and crush me; it
would be far better to encourage my men to deliver a bold counter-attack, and
use the advantage thus gained to free myself from the enemy’s toils." See the
story of Ts’ao Ts’ao, VII. § 35, note.]
&lt;/p&gt;
&lt;p&gt;
10. Reduce the hostile chiefs by inflicting damage on them;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chia Lin enumerates several ways of inflicting this injury, some of which
would only occur to the Oriental mind:—"Entice away the enemy’s best and
wisest men, so that he may be left without counselors. Introduce traitors into
his country, that the government policy may be rendered futile. Foment intrigue
and deceit, and thus sow dissension between the ruler and his ministers. By
means of every artful contrivance, cause deterioration amongst his men and
waste of his treasure. Corrupt his morals by insidious gifts leading him into
excess. Disturb and unsettle his mind by presenting him with lovely women."
Chang Yu (after Wang Hsi) makes a different interpretation of Sun Tzŭ here:
"Get the enemy into a position where he must suffer injury, and he will submit
of his own accord."]
&lt;/p&gt;
&lt;p&gt;
and make trouble for them,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu, in this phrase, in his interpretation indicates that trouble should be
made for the enemy affecting their "possessions," or, as we might say,
"assets," which he considers to be "a large army, a rich exchequer, harmony
amongst the soldiers, punctual fulfillment of commands." These give us a
whip-hand over the enemy.]
&lt;/p&gt;
&lt;p&gt;
and keep them constantly engaged;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "make servants of them." Tu Yu says "prevent them from having any
rest."]
&lt;/p&gt;
&lt;p&gt;
hold out specious allurements, and make them rush to any given point.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Meng Shih’s note contains an excellent example of the idiomatic use of: "cause
them to forget &lt;i&gt;pien&lt;/i&gt; (the reasons for acting otherwise than on their first
impulse), and hasten in our direction."]
&lt;/p&gt;
&lt;p&gt;
11. The art of war teaches us to rely not on the likelihood of the enemy’s not
coming, but on our own readiness to receive him; not on the chance of his not
attacking, but rather on the fact that we have made our position unassailable.
&lt;/p&gt;
&lt;p&gt;
12. There are five dangerous faults which may affect a general: (1)
Recklessness, which leads to destruction;
&lt;/p&gt;
&lt;p class="p1"&gt;
["Bravery without forethought," as Ts’ao Kung analyzes it, which causes a
man to fight blindly and desperately like a mad bull. Such an opponent, says
Chang Yu, "must not be encountered with brute force, but may be lured into an
ambush and slain." Cf. Wu Tzŭ, chap. IV. ad init.: "In estimating the character
of a general, men are wont to pay exclusive attention to his courage,
forgetting that courage is only one out of many qualities which a general
should possess. The merely brave man is prone to fight recklessly; and he who
fights recklessly, without any perception of what is expedient, must be
condemned." Ssu-ma Fa, too, makes the incisive remark: "Simply going to one’s
death does not bring about victory."]
&lt;/p&gt;
&lt;p&gt;
(2) cowardice, which leads to capture;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung defines the Chinese word translated here as "cowardice" as
being of the man "whom timidity prevents from advancing to seize an advantage,"
and Wang Hsi adds "who is quick to flee at the sight of danger." Meng Shih
gives the closer paraphrase "he who is bent on returning alive," this is, the
man who will never take a risk. But, as Sun Tzŭ knew, nothing is to be achieved
in war unless you are willing to take risks. T’ai Kung said: "He who lets
an advantage slip will subsequently bring upon himself real disaster." In 404
A.D., Liu Yu pursued the rebel Huan Hsuan up the Yangtsze and fought a naval
battle with him at the island of Ch’eng-hung. The loyal troops numbered
only a few thousands, while their opponents were in great force. But Huan
Hsuan, fearing the fate which was in store for him should be be overcome, had a
light boat made fast to the side of his war-junk, so that he might escape, if
necessary, at a moment’s notice. The natural result was that the fighting
spirit of his soldiers was utterly quenched, and when the loyalists made an
attack from windward with fireships, all striving with the utmost ardor to be
first in the fray, Huan Hsuan’s forces were routed, had to burn all their
baggage and fled for two days and nights without stopping. Chang Yu tells a
somewhat similar story of Chao Ying-ch’i, a general of the Chin State who
during a battle with the army of Ch’u in 597 B.C. had a boat kept in
readiness for him on the river, wishing in case of defeat to be the first to
get across.]
&lt;/p&gt;
&lt;p&gt;
(3) a hasty temper, which can be provoked by insults;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu tells us that Yao Hsing, when opposed in 357 A.D. by Huang Mei, Teng
Ch’iang and others shut himself up behind his walls and refused to fight.
Teng Ch’iang said: "Our adversary is of a choleric temper and easily
provoked; let us make constant sallies and break down his walls, then he will
grow angry and come out. Once we can bring his force to battle, it is doomed to
be our prey." This plan was acted upon, Yao Hsiang came out to fight, was lured
as far as San-yuan by the enemy’s pretended flight, and finally attacked and
slain.]
&lt;/p&gt;
&lt;p&gt;
(4) a delicacy of honour which is sensitive to shame;
&lt;/p&gt;
&lt;p class="p1"&gt;
This need not be taken to mean that a sense of honour is really a defect in a
general. What Sun Tzŭ condemns is rather an exaggerated sensitiveness to
slanderous reports, the thin-skinned man who is stung by opprobrium, however
undeserved. Mei Yao-ch’en truly observes, though somewhat paradoxically:
"The seeker after glory should be careless of public opinion."]
&lt;/p&gt;
&lt;p&gt;
(5) over-solicitude for his men, which exposes him to worry and trouble.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Here again, Sun Tzŭ does not mean that the general is to be careless of the
welfare of his troops. All he wishes to emphasize is the danger of sacrificing
any important military advantage to the immediate comfort of his men. This is a
shortsighted policy, because in the long run the troops will suffer more from
the defeat, or, at best, the prolongation of the war, which will be the
consequence. A mistaken feeling of pity will often induce a general to relieve
a beleaguered city, or to reinforce a hard-pressed detachment, contrary to his
military instincts. It is now generally admitted that our repeated efforts to
relieve Ladysmith in the South African War were so many strategical blunders
which defeated their own purpose. And in the end, relief came through the very
man who started out with the distinct resolve no longer to subordinate the
interests of the whole to sentiment in favour of a part. An old soldier of one
of our generals who failed most conspicuously in this war, tried once, I
remember, to defend him to me on the ground that he was always "so good to his
men." By this plea, had he but known it, he was only condemning him out of Sun
Tzŭ’s mouth.]
&lt;/p&gt;
&lt;p&gt;
13. These are the five besetting sins of a general, ruinous to the conduct of
war.
&lt;/p&gt;
&lt;p&gt;
14. When an army is overthrown and its leader slain, the cause will surely be
found among these five dangerous faults. Let them be a subject of meditation.
&lt;/p&gt;
&lt;p&gt;
[1] "Marshal Turenne," p. 50.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap17"&gt;&lt;/a&gt;Chapter IX. THE ARMY ON THE MARCH&lt;/h2&gt;
&lt;p class="p1"&gt;
[The contents of this interesting chapter are better indicated in § 1 than by
this heading.]
&lt;/p&gt;
&lt;p&gt;
1. Sun Tzŭ said: We come now to the question of encamping the army, and
observing signs of the enemy. Pass quickly over mountains, and keep in the
neighbourhood of valleys.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The idea is, not to linger among barren uplands, but to keep close to supplies
of water and grass. Cf. Wu Tzŭ, ch. 3: "Abide not in natural ovens," i.e. "the
openings of valleys." Chang Yu tells the following anecdote: Wu-tu
Ch’iang was a robber captain in the time of the Later Han, and Ma Yuan
was sent to exterminate his gang. Ch’iang having found a refuge in the
hills, Ma Yuan made no attempt to force a battle, but seized all the favourable
positions commanding supplies of water and forage. Ch’iang was soon in
such a desperate plight for want of provisions that he was forced to make a
total surrender. He did not know the advantage of keeping in the neighbourhood
of valleys."]
&lt;/p&gt;
&lt;p&gt;
2. Camp in high places,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Not on high hills, but on knolls or hillocks elevated above the surrounding
country.]
&lt;/p&gt;
&lt;p&gt;
facing the sun.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu takes this to mean "facing south," and Ch’en Hao "facing east."
Cf. infra, §§ 11, 13.
&lt;/p&gt;
&lt;p&gt;
Do not climb heights in order to fight. So much for mountain warfare.
&lt;/p&gt;
&lt;p&gt;
3. After crossing a river, you should get far away from it.
&lt;/p&gt;
&lt;p class="p1"&gt;
["In order to tempt the enemy to cross after you," according to Ts’ao
Kung, and also, says Chang Yu, "in order not to be impeded in your evolutions."
The &lt;i&gt;T’ung Tien&lt;/i&gt; reads, "If &lt;i&gt;the enemy&lt;/i&gt; crosses a river," etc. But in view of
the next sentence, this is almost certainly an interpolation.]
&lt;/p&gt;
&lt;p&gt;
4. When an invading force crosses a river in its onward march, do not advance
to meet it in mid-stream. It will be best to let half the army get across, and
then deliver your attack.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan alludes to the great victory won by Han Hsin over Lung Chu at
the Wei River. Turning to the &lt;i&gt;Ch’ien Han Shu&lt;/i&gt;, ch. 34, fol. 6 verso, we
find the battle described as follows: "The two armies were drawn up on opposite
sides of the river. In the night, Han Hsin ordered his men to take some ten
thousand sacks filled with sand and construct a dam higher up. Then, leading
half his army across, he attacked Lung Chu; but after a time, pretending to
have failed in his attempt, he hastily withdrew to the other bank. Lung Chu was
much elated by this unlooked-for success, and exclaiming: "I felt sure that Han
Hsin was really a coward!" he pursued him and began crossing the river in his
turn. Han Hsin now sent a party to cut open the sandbags, thus releasing a
great volume of water, which swept down and prevented the greater portion of
Lung Chu’s army from getting across. He then turned upon the force which had
been cut off, and annihilated it, Lung Chu himself being amongst the slain. The
rest of the army, on the further bank, also scattered and fled in all
directions.]
&lt;/p&gt;
&lt;p&gt;
5. If you are anxious to fight, you should not go to meet the invader near a
river which he has to cross.
&lt;/p&gt;
&lt;p class="p1"&gt;
[For fear of preventing his crossing.]
&lt;/p&gt;
&lt;p&gt;
6. Moor your craft higher up than the enemy, and facing the sun.
&lt;/p&gt;
&lt;p class="p1"&gt;
[See &lt;i&gt;supra&lt;/i&gt;, § 2. The repetition of these words in connection with water is very
awkward. Chang Yu has the note: "Said either of troops marshalled on the
river-bank, or of boats anchored in the stream itself; in either case it is
essential to be higher than the enemy and facing the sun." The other
commentators are not at all explicit.]
&lt;/p&gt;
&lt;p&gt;
Do not move up-stream to meet the enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "As water flows downwards, we must not pitch our camp on the lower
reaches of a river, for fear the enemy should open the sluices and sweep us
away in a flood. Chu-ko Wu-hou has remarked that ‘in river warfare we must not
advance against the stream,’ which is as much as to say that our fleet must not
be anchored below that of the enemy, for then they would be able to take
advantage of the current and make short work of us." There is also the danger,
noted by other commentators, that the enemy may throw poison on the water to be
carried down to us.]
&lt;/p&gt;
&lt;p&gt;
So much for river warfare.
&lt;/p&gt;
&lt;p&gt;
7. In crossing salt-marshes, your sole concern should be to get over them
quickly, without any delay.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Because of the lack of fresh water, the poor quality of the herbage, and last
but not least, because they are low, flat, and exposed to attack.]
&lt;/p&gt;
&lt;p&gt;
8. If forced to fight in a salt-marsh, you should have water and grass near
you, and get your back to a clump of trees.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan remarks that the ground is less likely to be treacherous where
there are trees, while Tu Mu says that they will serve to protect the rear.]
&lt;/p&gt;
&lt;p&gt;
So much for operations in salt-marshes.
&lt;/p&gt;
&lt;p&gt;
9. In dry, level country, take up an easily accessible position with rising
ground to your right and on your rear,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu quotes T’ai Kung as saying: "An army should have a stream or a
marsh on its left, and a hill or tumulus on its right."]
&lt;/p&gt;
&lt;p&gt;
so that the danger may be in front, and safety lie behind. So much for
campaigning in flat country.
&lt;/p&gt;
&lt;p&gt;
10. These are the four useful branches of military knowledge
&lt;/p&gt;
&lt;p class="p1"&gt;
[Those, namely, concerned with (1) mountains, (2) rivers, (3) marshes, and (4)
plains. Compare Napoleon’s "Military Maxims," no. 1.]
&lt;/p&gt;
&lt;p&gt;
which enabled the Yellow Emperor to vanquish four several sovereigns.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Regarding the "Yellow Emperor": Mei Yao-ch’en asks, with some
plausibility, whether there is an error in the text as nothing is known of
Huang Ti having conquered four other Emperors. The &lt;i&gt;Shih Chi&lt;/i&gt; (ch. 1 ad init.)
speaks only of his victories over Yen Ti and Ch’ih Yu. In the &lt;i&gt;Liu
T’ao&lt;/i&gt; it is mentioned that he "fought seventy battles and pacified the
Empire." Ts’ao Kung’s explanation is, that the Yellow Emperor was the
first to institute the feudal system of vassals princes, each of whom (to the
number of four) originally bore the title of Emperor. Li Ch’uan tells us
that the art of war originated under Huang Ti, who received it from his
Minister Feng Hou.]
&lt;/p&gt;
&lt;p&gt;
11. All armies prefer high ground to low,
&lt;/p&gt;
&lt;p class="p1"&gt;
["High Ground," says Mei Yao-ch’en, "is not only more agreeable and
salubrious, but more convenient from a military point of view; low ground is
not only damp and unhealthy, but also disadvantageous for fighting."]
&lt;/p&gt;
&lt;p&gt;
and sunny places to dark.
&lt;/p&gt;
&lt;p&gt;
12. If you are careful of your men,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung says: "Make for fresh water and pasture, where you can turn
out your animals to graze."]
&lt;/p&gt;
&lt;p&gt;
and camp on hard ground, the army will be free from disease of every kind,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "The dryness of the climate will prevent the outbreak of
illness."]
&lt;/p&gt;
&lt;p&gt;
and this will spell victory.
&lt;/p&gt;
&lt;p&gt;
13. When you come to a hill or a bank, occupy the sunny side, with the slope on
your right rear. Thus you will at once act for the benefit of your soldiers and
utilise the natural advantages of the ground.
&lt;/p&gt;
&lt;p&gt;
14. When, in consequence of heavy rains up-country, a river which you wish to
ford is swollen and flecked with foam, you must wait until it subsides.
&lt;/p&gt;
&lt;p&gt;
15. Country in which there are precipitous cliffs with torrents running
between, deep natural hollows,
&lt;/p&gt;
&lt;p class="p1"&gt;
The latter defined as "places enclosed on every side by steep banks, with pools
of water at the bottom."]
&lt;/p&gt;
&lt;p&gt;
confined places,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Defined as "natural pens or prisons" or "places surrounded by precipices on
three sides—easy to get into, but hard to get out of."]
&lt;/p&gt;
&lt;p&gt;
tangled thickets,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Defined as "places covered with such dense undergrowth that spears cannot be
used."]
&lt;/p&gt;
&lt;p&gt;
quagmires
&lt;/p&gt;
&lt;p class="p1"&gt;
[Defined as "low-lying places, so heavy with mud as to be impassable for
chariots and horsemen."]
&lt;/p&gt;
&lt;p&gt;
and crevasses,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Defined by Mei Yao-ch’en as "a narrow difficult way between beetling
cliffs." Tu Mu’s note is "ground covered with trees and rocks, and intersected
by numerous ravines and pitfalls." This is very vague, but Chia Lin explains it
clearly enough as a defile or narrow pass, and Chang Yu takes much the same
view. On the whole, the weight of the commentators certainly inclines to the
rendering "defile." But the ordinary meaning of the Chinese in one place is "a
crack or fissure" and the fact that the meaning of the Chinese elsewhere in the
sentence indicates something in the nature of a defile, make me think that Sun
Tzŭ is here speaking of crevasses.]
&lt;/p&gt;
&lt;p&gt;
should be left with all possible speed and not approached.
&lt;/p&gt;
&lt;p&gt;
16. While we keep away from such places, we should get the enemy to approach
them; while we face them, we should let the enemy have them on his rear.
&lt;/p&gt;
&lt;p&gt;
17. If in the neighbourhood of your camp there should be any hilly country,
ponds surrounded by aquatic grass, hollow basins filled with reeds, or woods
with thick undergrowth, they must be carefully routed out and searched; for
these are places where men in ambush or insidious spies are likely to be
lurking.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu has the note: "We must also be on our guard against traitors who may
lie in close covert, secretly spying out our weaknesses and overhearing our
instructions."]
&lt;/p&gt;
&lt;p&gt;
18. When the enemy is close at hand and remains quiet, he is relying on the
natural strength of his position.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Here begin Sun Tzŭ’s remarks on the reading of signs, much of which is so good
that it could almost be included in a modern manual like Gen. Baden-Powell’s
"Aids to Scouting."]
&lt;/p&gt;
&lt;p&gt;
19. When he keeps aloof and tries to provoke a battle, he is anxious for the
other side to advance.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Probably because we are in a strong position from which he wishes to dislodge
us. "If he came close up to us, says Tu Mu, "and tried to force a battle, he
would seem to despise us, and there would be less probability of our responding
to the challenge."]
&lt;/p&gt;
&lt;p&gt;
20. If his place of encampment is easy of access, he is tendering a bait.
&lt;/p&gt;
&lt;p&gt;
21. Movement amongst the trees of a forest shows that the enemy is advancing.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung explains this as "felling trees to clear a passage," and
Chang Yu says: "Every man sends out scouts to climb high places and observe the
enemy. If a scout sees that the trees of a forest are moving and shaking, he
may know that they are being cut down to clear a passage for the enemy’s
march."]
&lt;/p&gt;
&lt;p&gt;
The appearance of a number of screens in the midst of thick grass means that
the enemy wants to make us suspicious.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu’s explanation, borrowed from Ts’ao Kung’s, is as follows: "The
presence of a number of screens or sheds in the midst of thick vegetation is a
sure sign that the enemy has fled and, fearing pursuit, has constructed these
hiding-places in order to make us suspect an ambush." It appears that these
"screens" were hastily knotted together out of any long grass which the
retreating enemy happened to come across.]
&lt;/p&gt;
&lt;p&gt;
22. The rising of birds in their flight is the sign of an ambuscade.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu’s explanation is doubtless right: "When birds that are flying along
in a straight line suddenly shoot upwards, it means that soldiers are in ambush
at the spot beneath."]
&lt;/p&gt;
&lt;p&gt;
Startled beasts indicate that a sudden attack is coming.
&lt;/p&gt;
&lt;p&gt;
23. When there is dust rising in a high column, it is the sign of chariots
advancing; when the dust is low, but spread over a wide area, it betokens the
approach of infantry.
&lt;/p&gt;
&lt;p class="p1"&gt;
["High and sharp," or rising to a peak, is of course somewhat exaggerated as
applied to dust. The commentators explain the phenomenon by saying that horses
and chariots, being heavier than men, raise more dust, and also follow one
another in the same wheel-track, whereas foot-soldiers would be marching in
ranks, many abreast. According to Chang Yu, "every army on the march must have
scouts some way in advance, who on sighting dust raised by the enemy, will
gallop back and report it to the commander-in-chief." Cf. Gen. Baden-Powell:
"As you move along, say, in a hostile country, your eyes should be looking afar
for the enemy or any signs of him: figures, dust rising, birds getting up,
glitter of arms, etc." [1] ]
&lt;/p&gt;
&lt;p&gt;
When it branches out in different directions, it shows that parties have been
sent to collect firewood. A few clouds of dust moving to and fro signify that
the army is encamping.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "In apportioning the defences for a cantonment, light horse
will be sent out to survey the position and ascertain the weak and strong
points all along its circumference. Hence the small quantity of dust and its
motion."]
&lt;/p&gt;
&lt;p&gt;
24. Humble words and increased preparations are signs that the enemy is about
to advance.
&lt;/p&gt;
&lt;p class="p1"&gt;
["As though they stood in great fear of us," says Tu Mu. "Their object is to
make us contemptuous and careless, after which they will attack us." Chang Yu
alludes to the story of T’ien Tan of the Ch’i-mo against the Yen
forces, led by Ch’i Chieh. In ch. 82 of the &lt;i&gt;Shih Chi&lt;/i&gt; we read:
"T’ien Tan openly said: ‘My only fear is that the Yen army may cut off
the noses of their Ch’i prisoners and place them in the front rank to
fight against us; that would be the undoing of our city.’ The other side being
informed of this speech, at once acted on the suggestion; but those within the
city were enraged at seeing their fellow-countrymen thus mutilated, and fearing
only lest they should fall into the enemy’s hands, were nerved to defend
themselves more obstinately than ever. Once again T’ien Tan sent back
converted spies who reported these words to the enemy: "What I dread most is
that the men of Yen may dig up the ancestral tombs outside the town, and by
inflicting this indignity on our forefathers cause us to become faint-hearted.’
Forthwith the besiegers dug up all the graves and burned the corpses lying in
them. And the inhabitants of Chi-mo, witnessing the outrage from the
city-walls, wept passionately and were all impatient to go out and fight, their
fury being increased tenfold. T’ien Tan knew then that his soldiers were
ready for any enterprise. But instead of a sword, he himself took a mattock in
his hands, and ordered others to be distributed amongst his best warriors,
while the ranks were filled up with their wives and concubines. He then served
out all the remaining rations and bade his men eat their fill. The regular
soldiers were told to keep out of sight, and the walls were manned with the old
and weaker men and with women. This done, envoys were dispatched to the enemy’s
camp to arrange terms of surrender, whereupon the Yen army began shouting for
joy. T’ien Tan also collected 20,000 ounces of silver from the people,
and got the wealthy citizens of Chi-mo to send it to the Yen general with the
prayer that, when the town capitulated, he would not allow their homes to be
plundered or their women to be maltreated. Ch’i Chieh, in high good
humor, granted their prayer; but his army now became increasingly slack and
careless. Meanwhile, T’ien Tan got together a thousand oxen, decked them
with pieces of red silk, painted their bodies, dragon-like, with colored
stripes, and fastened sharp blades on their horns and well-greased rushes on
their tails. When night came on, he lighted the ends of the rushes, and drove
the oxen through a number of holes which he had pierced in the walls, backing
them up with a force of 5000 picked warriors. The animals, maddened with pain,
dashed furiously into the enemy’s camp where they caused the utmost confusion
and dismay; for their tails acted as torches, showing up the hideous pattern on
their bodies, and the weapons on their horns killed or wounded any with whom
they came into contact. In the meantime, the band of 5000 had crept up with
gags in their mouths, and now threw themselves on the enemy. At the same moment
a frightful din arose in the city itself, all those that remained behind making
as much noise as possible by banging drums and hammering on bronze vessels,
until heaven and earth were convulsed by the uproar. Terror-stricken, the Yen
army fled in disorder, hotly pursued by the men of Ch’i, who succeeded in
slaying their general Ch’i Chien…. The result of the battle was the
ultimate recovery of some seventy cities which had belonged to the Ch’i
State."]
&lt;/p&gt;
&lt;p&gt;
Violent language and driving forward as if to the attack are signs that he will
retreat.
&lt;/p&gt;
&lt;p&gt;
25. When the light chariots come out first and take up a position on the wings,
it is a sign that the enemy is forming for battle.
&lt;/p&gt;
&lt;p&gt;
26. Peace proposals unaccompanied by a sworn covenant indicate a plot.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The reading here is uncertain. Li Ch’uan indicates "a treaty confirmed
by oaths and hostages." Wang Hsi and Chang Yu, on the other hand, simply say
"without reason," "on a frivolous pretext."]
&lt;/p&gt;
&lt;p&gt;
27. When there is much running about
&lt;/p&gt;
&lt;p class="p1"&gt;
[Every man hastening to his proper place under his own regimental banner.]
&lt;/p&gt;
&lt;p&gt;
and the soldiers fall into rank, it means that the critical moment has come.
&lt;/p&gt;
&lt;p&gt;
28. When some are seen advancing and some retreating, it is a lure.
&lt;/p&gt;
&lt;p&gt;
29. When the soldiers stand leaning on their spears, they are faint from want
of food.
&lt;/p&gt;
&lt;p&gt;
30. If those who are sent to draw water begin by drinking themselves, the army
is suffering from thirst.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As Tu Mu remarks: "One may know the condition of a whole army from the
behavior of a single man."]
&lt;/p&gt;
&lt;p&gt;
31. If the enemy sees an advantage to be gained and makes no effort to secure
it, the soldiers are exhausted.
&lt;/p&gt;
&lt;p&gt;
32. If birds gather on any spot, it is unoccupied.
&lt;/p&gt;
&lt;p class="p1"&gt;
[A useful fact to bear in mind when, for instance, as Ch’en Hao says, the
enemy has secretly abandoned his camp.]
&lt;/p&gt;
&lt;p&gt;
Clamour by night betokens nervousness.
&lt;/p&gt;
&lt;p&gt;
33. If there is disturbance in the camp, the general’s authority is weak. If
the banners and flags are shifted about, sedition is afoot. If the officers are
angry, it means that the men are weary.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu understands the sentence differently: "If all the officers of an army
are angry with their general, it means that they are broken with fatigue" owing
to the exertions which he has demanded from them.]
&lt;/p&gt;
&lt;p&gt;
34. When an army feeds its horses with grain and kills its cattle for food,
&lt;/p&gt;
&lt;p class="p1"&gt;
[In the ordinary course of things, the men would be fed on grain and the horses
chiefly on grass.]
&lt;/p&gt;
&lt;p&gt;
and when the men do not hang their cooking-pots over the camp-fires, showing
that they will not return to their tents, you may know that they are determined
to fight to the death.
&lt;/p&gt;
&lt;p class="p1"&gt;
[I may quote here the illustrative passage from the &lt;i&gt;Hou Han Shu&lt;/i&gt;, ch. 71, given
in abbreviated form by the &lt;i&gt;P’ei Wen Yun Fu:&lt;/i&gt; "The rebel Wang Kuo of Liang
was besieging the town of Ch’en- ts’ang, and Huang-fu Sung, who was
in supreme command, and Tung Cho were sent out against him. The latter pressed
for hasty measures, but Sung turned a deaf ear to his counsel. At last the
rebels were utterly worn out, and began to throw down their weapons of their
own accord. Sung was not advancing to the attack, but Cho said: ‘It is a
principle of war not to pursue desperate men and not to press a retreating
host.’ Sung answered: ‘That does not apply here. What I am about to attack is a
jaded army, not a retreating host; with disciplined troops I am falling on a
disorganized multitude, not a band of desperate men.’ Thereupon he advances to
the attack unsupported by his colleague, and routed the enemy, Wang Kuo being
slain."]
&lt;/p&gt;
&lt;p&gt;
35. The sight of men whispering together in small knots or speaking in subdued
tones points to disaffection amongst the rank and file.
&lt;/p&gt;
&lt;p&gt;
36. Too frequent rewards signify that the enemy is at the end of his resources;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Because, when an army is hard pressed, as Tu Mu says, there is always a fear
of mutiny, and lavish rewards are given to keep the men in good temper.]
&lt;/p&gt;
&lt;p&gt;
too many punishments betray a condition of dire distress.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Because in such case discipline becomes relaxed, and unwonted severity is
necessary to keep the men to their duty.]
&lt;/p&gt;
&lt;p&gt;
37. To begin by bluster, but afterwards to take fright at the enemy’s numbers,
shows a supreme lack of intelligence.
&lt;/p&gt;
&lt;p class="p1"&gt;
[I follow the interpretation of Ts’ao Kung, also adopted by Li
Ch’uan, Tu Mu, and Chang Yu. Another possible meaning set forth by Tu Yu,
Chia Lin, Mei Tao-ch’en and Wang Hsi, is: "The general who is first
tyrannical towards his men, and then in terror lest they should mutiny, etc."
This would connect the sentence with what went before about rewards and
punishments.]
&lt;/p&gt;
&lt;p&gt;
38. When envoys are sent with compliments in their mouths, it is a sign that
the enemy wishes for a truce.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "If the enemy open friendly relations be sending hostages, it is a
sign that they are anxious for an armistice, either because their strength is
exhausted or for some other reason." But it hardly needs a Sun Tzŭ to draw such
an obvious inference.]
&lt;/p&gt;
&lt;p&gt;
39. If the enemy’s troops march up angrily and remain facing ours for a long
time without either joining battle or taking themselves off again, the
situation is one that demands great vigilance and circumspection.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung says a manœuver of this sort may be only a ruse to gain time
for an unexpected flank attack or the laying of an ambush.]
&lt;/p&gt;
&lt;p&gt;
40. If our troops are no more in number than the enemy, that is amply
sufficient; it only means that no direct attack can be made.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "no martial advance." That is to say, &lt;i&gt;cheng&lt;/i&gt; tactics and frontal
attacks must be eschewed, and stratagem resorted to instead.]
&lt;/p&gt;
&lt;p&gt;
What we can do is simply to concentrate all our available strength, keep a
close watch on the enemy, and obtain reinforcements.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This is an obscure sentence, and none of the commentators succeed in squeezing
very good sense out of it. I follow Li Ch’uan, who appears to offer the
simplest explanation: "Only the side that gets more men will win." Fortunately
we have Chang Yu to expound its meaning to us in language which is lucidity
itself: "When the numbers are even, and no favourable opening presents itself,
although we may not be strong enough to deliver a sustained attack, we can find
additional recruits amongst our sutlers and camp-followers, and then,
concentrating our forces and keeping a close watch on the enemy, contrive to
snatch the victory. But we must avoid borrowing foreign soldiers to help us."
He then quotes from Wei Liao Tzŭ, ch. 3: "The nominal strength of mercenary
troops may be 100,000, but their real value will be not more than half that
figure."]
&lt;/p&gt;
&lt;p&gt;
41. He who exercises no forethought but makes light of his opponents is sure to
be captured by them.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ch’en Hao, quoting from the &lt;i&gt;Tso Chuan&lt;/i&gt;, says: "If bees and scorpions
carry poison, how much more will a hostile state! Even a puny opponent, then,
should not be treated with contempt."]
&lt;/p&gt;
&lt;p&gt;
42. If soldiers are punished before they have grown attached to you, they will
not prove submissive; and, unless submissive, then will be practically useless.
If, when the soldiers have become attached to you, punishments are not
enforced, they will still be useless.
&lt;/p&gt;
&lt;p&gt;
43. Therefore soldiers must be treated in the first instance with humanity, but
kept under control by means of iron discipline.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Yen Tzŭ [B.C. 493] said of Ssu-ma Jang-chu: "His civil virtues endeared him to
the people; his martial prowess kept his enemies in awe." Cf. Wu Tzŭ, ch. 4
init.: "The ideal commander unites culture with a warlike temper; the
profession of arms requires a combination of hardness and tenderness."]
&lt;/p&gt;
&lt;p&gt;
This is a certain road to victory.
&lt;/p&gt;
&lt;p&gt;
44. If in training soldiers commands are habitually enforced, the army will be
well-disciplined; if not, its discipline will be bad.
&lt;/p&gt;
&lt;p&gt;
45. If a general shows confidence in his men but always insists on his orders
being obeyed,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "A general ought in time of peace to show kindly confidence in his
men and also make his authority respected, so that when they come to face the
enemy, orders may be executed and discipline maintained, because they all trust
and look up to him." What Sun Tzŭ has said in § 44, however, would lead one
rather to expect something like this: "If a general is always confident that
his orders will be carried out," etc."]
&lt;/p&gt;
&lt;p&gt;
the gain will be mutual.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "The general has confidence in the men under his command, and
the men are docile, having confidence in him. Thus the gain is mutual." He
quotes a pregnant sentence from Wei Liao Tzŭ, ch. 4: "The art of giving orders
is not to try to rectify minor blunders and not to be swayed by petty doubts."
Vacillation and fussiness are the surest means of sapping the confidence of an
army.]
&lt;/p&gt;
&lt;p&gt;
[1] "Aids to Scouting," p. 26.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap18"&gt;&lt;/a&gt;Chapter X. TERRAIN&lt;/h2&gt;
&lt;p class="p1"&gt;
[Only about a third of the chapter, comprising §§ 1-13, deals with "terrain,"
the subject being more fully treated in ch. XI. The "six calamities" are
discussed in §§ 14-20, and the rest of the chapter is again a mere string of
desultory remarks, though not less interesting, perhaps, on that account.]
&lt;/p&gt;
&lt;p&gt;
1. Sun Tzŭ said: We may distinguish six kinds of terrain, to wit: (1)
Accessible ground;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en says: "plentifully provided with roads and means of
communications."]
&lt;/p&gt;
&lt;p&gt;
(2) entangling ground;
&lt;/p&gt;
&lt;p class="p1"&gt;
[The same commentator says: "Net-like country, venturing into which you become
entangled."]
&lt;/p&gt;
&lt;p&gt;
(3) temporising ground;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ground which allows you to "stave off" or "delay."]
&lt;/p&gt;
&lt;p&gt;
(4) narrow passes; (5) precipitous heights; (6) positions at a great distance
from the enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[It is hardly necessary to point out the faultiness of this classification. A
strange lack of logical perception is shown in the Chinaman’s unquestioning
acceptance of glaring cross-divisions such as the above.]
&lt;/p&gt;
&lt;p&gt;
2. Ground which can be freely traversed by both sides is called
&lt;i&gt;accessible&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt;
3. With regard to ground of this nature, be before the enemy in occupying the
raised and sunny spots, and carefully guard your line of supplies.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The general meaning of the last phrase is doubtlessly, as Tu Yu says, "not to
allow the enemy to cut your communications." In view of Napoleon’s dictum, "the
secret of war lies in the communications," [1] we could wish that Sun Tzŭ had
done more than skirt the edge of this important subject here and in I. § 10,
VII. § 11. Col. Henderson says: "The line of supply may be said to be as vital
to the existence of an army as the heart to the life of a human being. Just as
the duelist who finds his adversary’s point menacing him with certain death,
and his own guard astray, is compelled to conform to his adversary’s movements,
and to content himself with warding off his thrusts, so the commander whose
communications are suddenly threatened finds himself in a false position, and
he will be fortunate if he has not to change all his plans, to split up his
force into more or less isolated detachments, and to fight with inferior
numbers on ground which he has not had time to prepare, and where defeat will
not be an ordinary failure, but will entail the ruin or surrender of his whole
army." [2]
&lt;/p&gt;
&lt;p&gt;
Then you will be able to fight with advantage.
&lt;/p&gt;
&lt;p&gt;
4. Ground which can be abandoned but is hard to re-occupy is called &lt;i&gt;entangling&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt;
5. From a position of this sort, if the enemy is unprepared, you may sally
forth and defeat him. But if the enemy is prepared for your coming, and you
fail to defeat him, then, return being impossible, disaster will ensue.
&lt;/p&gt;
&lt;p&gt;
6. When the position is such that neither side will gain by making the first
move, it is called &lt;i&gt;temporising&lt;/i&gt; ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "Each side finds it inconvenient to move, and the situation
remains at a deadlock."]
&lt;/p&gt;
&lt;p&gt;
7. In a position of this sort, even though the enemy should offer us an
attractive bait,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu says, "turning their backs on us and pretending to flee." But this is
only one of the lures which might induce us to quit our position.]
&lt;/p&gt;
&lt;p&gt;
it will be advisable not to stir forth, but rather to retreat, thus enticing
the enemy in his turn; then, when part of his army has come out, we may deliver
our attack with advantage.
&lt;/p&gt;
&lt;p&gt;
8. With regard to &lt;i&gt;narrow passes&lt;/i&gt;, if you can occupy them first, let them be
strongly garrisoned and await the advent of the enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Because then, as Tu Yu observes, "the initiative will lie with us, and by
making sudden and unexpected attacks we shall have the enemy at our mercy."]
&lt;/p&gt;
&lt;p&gt;
9. Should the enemy forestall you in occupying a pass, do not go after him if
the pass is fully garrisoned, but only if it is weakly garrisoned.
&lt;/p&gt;
&lt;p&gt;
10. With regard to &lt;i&gt;precipitous heights&lt;/i&gt;, if you are beforehand with your
adversary, you should occupy the raised and sunny spots, and there wait for him
to come up.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung says: "The particular advantage of securing heights and
defiles is that your actions cannot then be dictated by the enemy." [For the
enunciation of the grand principle alluded to, see VI. § 2]. Chang Yu tells the
following anecdote of P’ei Hsing-chien (A.D. 619-682), who was sent on a
punitive expedition against the Turkic tribes. "At night he pitched his camp as
usual, and it had already been completely fortified by wall and ditch, when
suddenly he gave orders that the army should shift its quarters to a hill near
by. This was highly displeasing to his officers, who protested loudly against
the extra fatigue which it would entail on the men. P’ei Hsing-chien,
however, paid no heed to their remonstrances and had the camp moved as quickly
as possible. The same night, a terrific storm came on, which flooded their
former place of encampment to the depth of over twelve feet. The recalcitrant
officers were amazed at the sight, and owned that they had been in the wrong.
‘How did you know what was going to happen?’ they asked. P’ei Hsing-chien
replied: ‘From this time forward be content to obey orders without asking
unnecessary questions.’ From this it may be seen," Chang Yu continues, "that
high and sunny places are advantageous not only for fighting, but also because
they are immune from disastrous floods."]
&lt;/p&gt;
&lt;p&gt;
11. If the enemy has occupied them before you, do not follow him, but retreat
and try to entice him away.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The turning point of Li Shih-min’s campaign in 621 A.D. against the two
rebels, Tou Chien-te, King of Hsia, and Wang Shih-ch’ung, Prince of
Cheng, was his seizure of the heights of Wu-lao, in spite of which Tou Chien-te
persisted in his attempt to relieve his ally in Lo-yang, was defeated and taken
prisoner. See &lt;i&gt;Chiu T’ang Shu&lt;/i&gt;, ch. 2, fol. 5 verso, and also ch. 54.]
&lt;/p&gt;
&lt;p&gt;
12. If you are situated at a great distance from the enemy, and the strength of
the two armies is equal, it is not easy to provoke a battle,
&lt;/p&gt;
&lt;p class="p1"&gt;
[The point is that we must not think of undertaking a long and wearisome march,
at the end of which, as Tu Yu says, "we should be exhausted and our adversary
fresh and keen."]
&lt;/p&gt;
&lt;p&gt;
and fighting will be to your disadvantage.
&lt;/p&gt;
&lt;p&gt;
13. These six are the principles connected with Earth.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Or perhaps, "the principles relating to ground." See, however, I. § 8.]
&lt;/p&gt;
&lt;p&gt;
The general who has attained a responsible post must be careful to study them.
&lt;/p&gt;
&lt;p&gt;
14. Now an army is exposed to six several calamities, not arising from natural
causes, but from faults for which the general is responsible. These are: (1)
Flight; (2) insubordination; (3) collapse; (4) ruin; (5) disorganisation; (6)
rout.
&lt;/p&gt;
&lt;p&gt;
15. Other conditions being equal, if one force is hurled against another ten
times its size, the result will be the &lt;i&gt;flight&lt;/i&gt; of the former.
&lt;/p&gt;
&lt;p&gt;
16. When the common soldiers are too strong and their officers too weak, the
result is &lt;i&gt;insubordination&lt;/i&gt;.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu cites the unhappy case of T’ien Pu [&lt;i&gt;Hsin T’ang Shu&lt;/i&gt;, ch.
148], who was sent to Wei in 821 A.D. with orders to lead an army against Wang
T’ing-ts’ou. But the whole time he was in command, his soldiers
treated him with the utmost contempt, and openly flouted his authority by
riding about the camp on donkeys, several thousands at a time. T’ien Pu
was powerless to put a stop to this conduct, and when, after some months had
passed, he made an attempt to engage the enemy, his troops turned tail and
dispersed in every direction. After that, the unfortunate man committed suicide
by cutting his throat.]
&lt;/p&gt;
&lt;p&gt;
When the officers are too strong and the common soldiers too weak, the result
is &lt;i&gt;collapse&lt;/i&gt;.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung says: "The officers are energetic and want to press on, the
common soldiers are feeble and suddenly collapse."]
&lt;/p&gt;
&lt;p&gt;
17. When the higher officers are angry and insubordinate, and on meeting the
enemy give battle on their own account from a feeling of resentment, before the
commander-in-chief can tell whether or no he is in a position to fight, the
result is &lt;i&gt;ruin&lt;/i&gt;.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Wang Hsi’s note is: "This means, the general is angry without cause, and
at the same time does not appreciate the ability of his subordinate officers;
thus he arouses fierce resentment and brings an avalanche of ruin upon his
head."]
&lt;/p&gt;
&lt;p&gt;
18. When the general is weak and without authority; when his orders are not
clear and distinct;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Wei Liao Tzŭ (ch. 4) says: "If the commander gives his orders with decision,
the soldiers will not wait to hear them twice; if his moves are made without
vacillation, the soldiers will not be in two minds about doing their duty."
General Baden-Powell says, italicizing the words: "The secret of getting
successful work out of your trained men lies in one nutshell—in the
clearness of the instructions they receive." [3] Cf. also Wu Tzŭ ch. 3: "the
most fatal defect in a military leader is difference; the worst calamities that
befall an army arise from hesitation."]
&lt;/p&gt;
&lt;p&gt;
when there are no fixed duties assigned to officers and men,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "Neither officers nor men have any regular routine."]
&lt;/p&gt;
&lt;p&gt;
and the ranks are formed in a slovenly haphazard manner, the result is utter
&lt;i&gt;disorganisation&lt;/i&gt;.
&lt;/p&gt;
&lt;p&gt;
19. When a general, unable to estimate the enemy’s strength, allows an inferior
force to engage a larger one, or hurls a weak detachment against a powerful
one, and neglects to place picked soldiers in the front rank, the result must
be a &lt;i&gt;rout&lt;/i&gt;.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu paraphrases the latter part of the sentence and continues: "Whenever
there is fighting to be done, the keenest spirits should be appointed to serve
in the front ranks, both in order to strengthen the resolution of our own men
and to demoralize the enemy." Cf. the primi ordines of Caesar ("De Bello
Gallico," V. 28, 44, et al.).]
&lt;/p&gt;
&lt;p&gt;
20. These are six ways of courting defeat, which must be carefully noted by the
general who has attained a responsible post.
&lt;/p&gt;
&lt;p class="p1"&gt;
[See &lt;i&gt;supra&lt;/i&gt;, § 13.]
&lt;/p&gt;
&lt;p&gt;
21. The natural formation of the country is the soldier’s best ally;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ch’en Hao says: "The advantages of weather and season are not equal to
those connected with ground."]
&lt;/p&gt;
&lt;p&gt;
but a power of estimating the adversary, of controlling the forces of victory,
and of shrewdly calculating difficulties, dangers and distances, constitutes
the test of a great general.
&lt;/p&gt;
&lt;p&gt;
22. He who knows these things, and in fighting puts his knowledge into
practice, will win his battles. He who knows them not, nor practises them, will
surely be defeated.
&lt;/p&gt;
&lt;p&gt;
23. If fighting is sure to result in victory, then you must fight, even though
the ruler forbid it; if fighting will not result in victory, then you must not
fight even at the ruler’s bidding.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. VIII. § 3 fin. Huang Shih-kung of the Ch’in dynasty, who is said to
have been the patron of Chang Liang and to have written the &lt;i&gt;San Lueh&lt;/i&gt;, has these
words attributed to him: "The responsibility of setting an army in motion must
devolve on the general alone; if advance and retreat are controlled from the
Palace, brilliant results will hardly be achieved. Hence the god-like ruler and
the enlightened monarch are content to play a humble part in furthering their
country’s cause [lit., kneel down to push the chariot wheel]." This means that
"in matters lying outside the zenana, the decision of the military commander
must be absolute." Chang Yu also quote the saying: "Decrees from the Son of
Heaven do not penetrate the walls of a camp."]
&lt;/p&gt;
&lt;p&gt;
24. The general who advances without coveting fame and retreats without fearing
disgrace,
&lt;/p&gt;
&lt;p class="p1"&gt;
[It was Wellington, I think, who said that the hardest thing of all for a
soldier is to retreat.]
&lt;/p&gt;
&lt;p&gt;
whose only thought is to protect his country and do good service for his
sovereign, is the jewel of the kingdom.
&lt;/p&gt;
&lt;p class="p1"&gt;
[A noble presentiment, in few words, of the Chinese "happy warrior." Such a
man, says Ho Shih, "even if he had to suffer punishment, would not regret his
conduct."]
&lt;/p&gt;
&lt;p&gt;
25. Regard your soldiers as your children, and they will follow you into the
deepest valleys; look on them as your own beloved sons, and they will stand
by you even unto death.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. I. § 6. In this connection, Tu Mu draws for us an engaging picture of the
famous general Wu Ch’i, from whose treatise on war I have frequently had
occasion to quote: "He wore the same clothes and ate the same food as the
meanest of his soldiers, refused to have either a horse to ride or a mat to
sleep on, carried his own surplus rations wrapped in a parcel, and shared every
hardship with his men. One of his soldiers was suffering from an abscess, and
Wu Ch’i himself sucked out the virus. The soldier’s mother, hearing this,
began wailing and lamenting. Somebody asked her, saying: ‘Why do you cry? Your
son is only a common soldier, and yet the commander-in-chief himself has sucked
the poison from his sore.’ The woman replied, ‘Many years ago, Lord Wu
performed a similar service for my husband, who never left him afterwards, and
finally met his death at the hands of the enemy. And now that he has done the
same for my son, he too will fall fighting I know not where.’" Li Ch’uan
mentions the Viscount of Ch’u, who invaded the small state of Hsiao
during the winter. The Duke of Shen said to him: "Many of the soldiers are
suffering severely from the cold." So he made a round of the whole army,
comforting and encouraging the men; and straightway they felt as if they were
clothed in garments lined with floss silk.]
&lt;/p&gt;
&lt;p&gt;
26. If, however, you are indulgent, but unable to make your authority felt;
kind-hearted, but unable to enforce your commands; and incapable, moreover, of
quelling disorder: then your soldiers must be likened to spoilt children; they
are useless for any practical purpose.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ching once said that if you could make your soldiers afraid of you, they
would not be afraid of the enemy. Tu Mu recalls an instance of stern military
discipline which occurred in 219 A.D., when Lu Meng was occupying the town of
Chiang-ling. He had given stringent orders to his army not to molest the
inhabitants nor take anything from them by force. Nevertheless, a certain
officer serving under his banner, who happened to be a fellow-townsman,
ventured to appropriate a bamboo hat belonging to one of the people, in order
to wear it over his regulation helmet as a protection against the rain. Lu Meng
considered that the fact of his being also a native of Ju-nan should not be
allowed to palliate a clear breach of discipline, and accordingly he ordered
his summary execution, the tears rolling down his face, however, as he did so.
This act of severity filled the army with wholesome awe, and from that time
forth even articles dropped in the highway were not picked up.]
&lt;/p&gt;
&lt;p&gt;
27. If we know that our own men are in a condition to attack, but are unaware
that the enemy is not open to attack, we have gone only halfway towards
victory.
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, Ts’ao Kung says, "the issue in this case is uncertain."]
&lt;/p&gt;
&lt;p&gt;
28. If we know that the enemy is open to attack, but are unaware that our own
men are not in a condition to attack, we have gone only halfway towards
victory.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. III. § 13 (1).]
&lt;/p&gt;
&lt;p&gt;
29. If we know that the enemy is open to attack, and also know that our men are
in a condition to attack, but are unaware that the nature of the ground makes
fighting impracticable, we have still gone only halfway towards victory.
&lt;/p&gt;
&lt;p&gt;
30. Hence the experienced soldier, once in motion, is never bewildered; once he
has broken camp, he is never at a loss.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The reason being, according to Tu Mu, that he has taken his measures so
thoroughly as to ensure victory beforehand. "He does not move recklessly," says
Chang Yu, "so that when he does move, he makes no mistakes."]
&lt;/p&gt;
&lt;p&gt;
31. Hence the saying: If you know the enemy and know yourself, your victory
will not stand in doubt; if you know Heaven and know Earth, you may make your
victory complete.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan sums up as follows: "Given a knowledge of three
things—the affairs of men, the seasons of heaven and the natural
advantages of earth—, victory will invariably crown your battles."]
&lt;/p&gt;
&lt;p&gt;
[1] See "Pensees de Napoleon 1er," no. 47.
&lt;/p&gt;
&lt;p&gt;
[2] "The Science of War," chap. 2.
&lt;/p&gt;
&lt;p&gt;
[3] "Aids to Scouting," p. xii.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap19"&gt;&lt;/a&gt;Chapter XI. THE NINE SITUATIONS&lt;/h2&gt;
&lt;p&gt;
1. Sun Tzŭ said: The art of war recognises nine varieties of ground: (1)
Dispersive ground; (2) facile ground; (3) contentious ground; (4) open ground;
(5) ground of intersecting highways; (6) serious ground; (7) difficult ground;
(8) hemmed-in ground; (9) desperate ground.
&lt;/p&gt;
&lt;p&gt;
2. When a chieftain is fighting in his own territory, it is dispersive ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[So called because the soldiers, being near to their homes and anxious to see
their wives and children, are likely to seize the opportunity afforded by a
battle and scatter in every direction. "In their advance," observes Tu Mu,
"they will lack the valor of desperation, and when they retreat, they will find
harbors of refuge."]
&lt;/p&gt;
&lt;p&gt;
3. When he has penetrated into hostile territory, but to no great distance, it
is facile ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan and Ho Shih say "because of the facility for retreating," and
the other commentators give similar explanations. Tu Mu remarks: "When your
army has crossed the border, you should burn your boats and bridges, in order
to make it clear to everybody that you have no hankering after home."]
&lt;/p&gt;
&lt;p&gt;
4. Ground the possession of which imports great advantage to either side, is
contentious ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu defines the ground as ground "to be contended for." Ts’ao Kung
says: "ground on which the few and the weak can defeat the many and the
strong," such as "the neck of a pass," instanced by Li Ch’uan. Thus,
Thermopylae was of this classification because the possession of it, even for a
few days only, meant holding the entire invading army in check and thus gaining
invaluable time. Cf. Wu Tzŭ, ch. V. ad init.: "For those who have to fight in
the ratio of one to ten, there is nothing better than a narrow pass." When Lu
Kuang was returning from his triumphant expedition to Turkestan in 385 A.D.,
and had got as far as I-ho, laden with spoils, Liang Hsi, administrator of
Liang-chou, taking advantage of the death of Fu Chien, King of Ch’in,
plotted against him and was for barring his way into the province. Yang Han,
governor of Kao-ch’ang, counseled him, saying: "Lu Kuang is fresh from
his victories in the west, and his soldiers are vigorous and mettlesome. If we
oppose him in the shifting sands of the desert, we shall be no match for him,
and we must therefore try a different plan. Let us hasten to occupy the defile
at the mouth of the Kao-wu pass, thus cutting him off from supplies of water,
and when his troops are prostrated with thirst, we can dictate our own terms
without moving. Or if you think that the pass I mention is too far off, we
could make a stand against him at the I-wu pass, which is nearer. The cunning
and resource of Tzŭ-fang himself would be expended in vain against the enormous
strength of these two positions." Liang Hsi, refusing to act on this advice,
was overwhelmed and swept away by the invader.]
&lt;/p&gt;
&lt;p&gt;
5. Ground on which each side has liberty of movement is open ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[There are various interpretations of the Chinese adjective for this type of
ground. Ts’ao Kung says it means "ground covered with a network of
roads," like a chessboard. Ho Shih suggested: "ground on which
intercommunication is easy."]
&lt;/p&gt;
&lt;p&gt;
6. Ground which forms the key to three contiguous states,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’au Kung defines this as: "Our country adjoining the enemy’s and a
third country conterminous with both." Meng Shih instances the small
principality of Cheng, which was bounded on the north-east by Ch’i, on
the west by Chin, and on the south by Ch’u.]
&lt;/p&gt;
&lt;p&gt;
so that he who occupies it first has most of the Empire at his command,
&lt;/p&gt;
&lt;p class="p1"&gt;
[The belligerent who holds this dominating position can constrain most of them
to become his allies.]
&lt;/p&gt;
&lt;p&gt;
is ground of intersecting highways.
&lt;/p&gt;
&lt;p&gt;
7. When an army has penetrated into the heart of a hostile country, leaving a
number of fortified cities in its rear, it is serious ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Wang Hsi explains the name by saying that "when an army has reached such a
point, its situation is serious."]
&lt;/p&gt;
&lt;p&gt;
8. Mountain forests,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Or simply "forests."]
&lt;/p&gt;
&lt;p&gt;
rugged steeps, marshes and fens—all country that is hard to traverse:
this is difficult ground.
&lt;/p&gt;
&lt;p&gt;
9. Ground which is reached through narrow gorges, and from which we can only
retire by tortuous paths, so that a small number of the enemy would suffice to
crush a large body of our men: this is hemmed in ground.
&lt;/p&gt;
&lt;p&gt;
10. Ground on which we can only be saved from destruction by fighting without
delay, is desperate ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The situation, as pictured by Ts’ao Kung, is very similar to the
"hemmed-in ground" except that here escape is no longer possible: "A lofty
mountain in front, a large river behind, advance impossible, retreat blocked."
Ch’en Hao says: "to be on ‘desperate ground’ is like sitting in a leaking
boat or crouching in a burning house." Tu Mu quotes from Li Ching a vivid
description of the plight of an army thus entrapped: "Suppose an army invading
hostile territory without the aid of local guides:—it falls into a fatal
snare and is at the enemy’s mercy. A ravine on the left, a mountain on the
right, a pathway so perilous that the horses have to be roped together and the
chariots carried in slings, no passage open in front, retreat cut off behind,
no choice but to proceed in single file. Then, before there is time to range
our soldiers in order of battle, the enemy is overwhelming strength suddenly
appears on the scene. Advancing, we can nowhere take a breathing-space;
retreating, we have no haven of refuge. We seek a pitched battle, but in vain;
yet standing on the defensive, none of us has a moment’s respite. If we simply
maintain our ground, whole days and months will crawl by; the moment we make a
move, we have to sustain the enemy’s attacks on front and rear. The country is
wild, destitute of water and plants; the army is lacking in the necessaries of
life, the horses are jaded and the men worn-out, all the resources of strength
and skill unavailing, the pass so narrow that a single man defending it can
check the onset of ten thousand; all means of offense in the hands of the
enemy, all points of vantage already forfeited by ourselves:—in this
terrible plight, even though we had the most valiant soldiers and the keenest
of weapons, how could they be employed with the slightest effect?" Students of
Greek history may be reminded of the awful close to the Sicilian expedition,
and the agony of the Athenians under Nicias and Demonsthenes. [See Thucydides,
VII. 78 sqq.].]
&lt;/p&gt;
&lt;p&gt;
11. On dispersive ground, therefore, fight not. On facile ground, halt not. On
contentious ground, attack not.
&lt;/p&gt;
&lt;p class="p1"&gt;
[But rather let all your energies be bent on occupying the advantageous
position first. So Ts’ao Kung. Li Ch’uan and others, however,
suppose the meaning to be that the enemy has already forestalled us, sot that
it would be sheer madness to attack. In the &lt;i&gt;Sun Tzŭ Hsu Lu&lt;/i&gt;, when the King of Wu
inquires what should be done in this case, Sun Tzŭ replies: "The rule with
regard to contentious ground is that those in possession have the advantage
over the other side. If a position of this kind is secured first by the enemy,
beware of attacking him. Lure him away by pretending to flee—show your
banners and sound your drums—make a dash for other places that he cannot
afford to lose—trail brushwood and raise a dust—confound his ears
and eyes—detach a body of your best troops, and place it secretly in
ambuscade. Then your opponent will sally forth to the rescue."]
&lt;/p&gt;
&lt;p&gt;
12. On open ground, do not try to block the enemy’s way.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Because the attempt would be futile, and would expose the blocking force
itself to serious risks. There are two interpretations available here. I follow
that of Chang Yu. The other is indicated in Ts’ao Kung’s brief note:
"Draw closer together"—i.e., see that a portion of your own army is not
cut off.]
&lt;/p&gt;
&lt;p&gt;
On ground of intersecting highways, join hands with your allies.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Or perhaps, "form alliances with neighbouring states."]
&lt;/p&gt;
&lt;p&gt;
13. On serious ground, gather in plunder.
&lt;/p&gt;
&lt;p class="p1"&gt;
[On this, Li Ch’uan has the following delicious note: "When an army
penetrates far into the enemy’s country, care must be taken not to alienate the
people by unjust treatment. Follow the example of the Han Emperor Kao Tsu,
whose march into Ch’in territory was marked by no violation of women or
looting of valuables. [Nota bene: this was in 207 B.C., and may well cause us
to blush for the Christian armies that entered Peking in 1900 A.D.] Thus he won
the hearts of all. In the present passage, then, I think that the true reading
must be, not ‘plunder,’ but ‘do not plunder.’" Alas, I fear that in this
instance the worthy commentator’s feelings outran his judgment. Tu Mu, at
least, has no such illusions. He says: "When encamped on ‘serious ground,’
there being no inducement as yet to advance further, and no possibility of
retreat, one ought to take measures for a protracted resistance by bringing in
provisions from all sides, and keep a close watch on the enemy."]
&lt;/p&gt;
&lt;p&gt;
In difficult ground, keep steadily on the march.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Or, in the words of VIII. § 2, "do not encamp.]
&lt;/p&gt;
&lt;p&gt;
14. On hemmed-in ground, resort to stratagem.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’au Kung says: "Try the effect of some unusual artifice;" and Tu Yu
amplifies this by saying: "In such a position, some scheme must be devised
which will suit the circumstances, and if we can succeed in deluding the enemy,
the peril may be escaped." This is exactly what happened on the famous occasion
when Hannibal was hemmed in among the mountains on the road to Casilinum, and
to all appearances entrapped by the dictator Fabius. The stratagem which
Hannibal devised to baffle his foes was remarkably like that which T’ien
Tan had also employed with success exactly 62 years before. [See IX. § 24,
note.] When night came on, bundles of twigs were fastened to the horns of some
2000 oxen and set on fire, the terrified animals being then quickly driven
along the mountain side towards the passes which were beset by the enemy. The
strange spectacle of these rapidly moving lights so alarmed and discomfited the
Romans that they withdrew from their position, and Hannibal’s army passed
safely through the defile. [See Polybius, III. 93, 94; Livy, XXII. 16 17.]
&lt;/p&gt;
&lt;p&gt;
On desperate ground, fight.
&lt;/p&gt;
&lt;p class="p1"&gt;
[For, as Chia Lin remarks: "if you fight with all your might, there is a chance
of life; where as death is certain if you cling to your corner."]
&lt;/p&gt;
&lt;p&gt;
15. Those who were called skilful leaders of old knew how to drive a wedge
between the enemy’s front and rear;
&lt;/p&gt;
&lt;p class="p1"&gt;
[More literally, "cause the front and rear to lose touch with each other."]
&lt;/p&gt;
&lt;p&gt;
to prevent co-operation between his large and small divisions; to hinder the
good troops from rescuing the bad, the officers from rallying their men.
&lt;/p&gt;
&lt;p&gt;
16. When the enemy’s men were scattered, they prevented them from
concentrating; even when their forces were united, they managed to keep them in
disorder.
&lt;/p&gt;
&lt;p&gt;
17. When it was to their advantage, they made a forward move; when otherwise,
they stopped still.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en connects this with the foregoing: "Having succeeded in
thus dislocating the enemy, they would push forward in order to secure any
advantage to be gained; if there was no advantage to be gained, they would
remain where they were."]
&lt;/p&gt;
&lt;p&gt;
18. If asked how to cope with a great host of the enemy in orderly array and on
the point of marching to the attack, I should say: "Begin by seizing something
which your opponent holds dear; then he will be amenable to your will."
&lt;/p&gt;
&lt;p class="p1"&gt;
[Opinions differ as to what Sun Tzŭ had in mind. Ts’ao Kung thinks it is
"some strategical advantage on which the enemy is depending." Tu Mu says: "The
three things which an enemy is anxious to do, and on the accomplishment of
which his success depends, are: (1) to capture our favourable positions; (2) to
ravage our cultivated land; (3) to guard his own communications." Our object
then must be to thwart his plans in these three directions and thus render him
helpless. [Cf. III. § 3.] By boldly seizing the initiative in this way, you at
once throw the other side on the defensive.]
&lt;/p&gt;
&lt;p&gt;
19. Rapidity is the essence of war:
&lt;/p&gt;
&lt;p class="p1"&gt;
[According to Tu Mu, "this is a summary of leading principles in warfare," and
he adds: "These are the profoundest truths of military science, and the chief
business of the general." The following anecdotes, told by Ho Shih, shows the
importance attached to speed by two of China’s greatest generals. In 227 A.D.,
Meng Ta, governor of Hsin-ch’eng under the Wei Emperor Wen Ti, was
meditating defection to the House of Shu, and had entered into correspondence
with Chu-ko Liang, Prime Minister of that State. The Wei general Ssu-ma I was
then military governor of Wan, and getting wind of Meng Ta’s treachery, he at
once set off with an army to anticipate his revolt, having previously cajoled
him by a specious message of friendly import. Ssu-ma’s officers came to him and
said: "If Meng Ta has leagued himself with Wu and Shu, the matter should be
thoroughly investigated before we make a move." Ssu-ma I replied: "Meng Ta is
an unprincipled man, and we ought to go and punish him at once, while he is
still wavering and before he has thrown off the mask." Then, by a series of
forced marches, be brought his army under the walls of Hsin-ch’eng with
in a space of eight days. Now Meng Ta had previously said in a letter to Chu-ko
Liang: "Wan is 1200 &lt;i&gt;li&lt;/i&gt; from here. When the news of my revolt reaches
Ssu-ma I, he will at once inform his imperial master, but it will be a whole
month before any steps can be taken, and by that time my city will be well
fortified. Besides, Ssu-ma I is sure not to come himself, and the generals that
will be sent against us are not worth troubling about." The next letter,
however, was filled with consternation: "Though only eight days have passed
since I threw off my allegiance, an army is already at the city-gates. What
miraculous rapidity is this!" A fortnight later, Hsin- ch’eng had fallen
and Meng Ta had lost his head. [See &lt;i&gt;Chin Shu&lt;/i&gt;, ch. 1, f. 3.] In 621 A.D., Li
Ching was sent from K’uei-chou in Ssu-ch’uan to reduce the
successful rebel Hsiao Hsien, who had set up as Emperor at the modern
Ching-chou Fu in Hupeh. It was autumn, and the Yangtsze being then in flood,
Hsiao Hsien never dreamt that his adversary would venture to come down through
the gorges, and consequently made no preparations. But Li Ching embarked his
army without loss of time, and was just about to start when the other generals
implored him to postpone his departure until the river was in a less dangerous
state for navigation. Li Ching replied: "To the soldier, overwhelming speed is
of paramount importance, and he must never miss opportunities. Now is the time
to strike, before Hsiao Hsien even knows that we have got an army together. If
we seize the present moment when the river is in flood, we shall appear before
his capital with startling suddenness, like the thunder which is heard before
you have time to stop your ears against it. [See VII. § 19, note.] This is the
great principle in war. Even if he gets to know of our approach, he will have
to levy his soldiers in such a hurry that they will not be fit to oppose us.
Thus the full fruits of victory will be ours." All came about as he predicted,
and Hsiao Hsien was obliged to surrender, nobly stipulating that his people
should be spared and he alone suffer the penalty of death.]
&lt;/p&gt;
&lt;p&gt;
take advantage of the enemy’s unreadiness, make your way by unexpected routes,
and attack unguarded spots.
&lt;/p&gt;
&lt;p&gt;
20. The following are the principles to be observed by an invading force: The
further you penetrate into a country, the greater will be the solidarity of
your troops, and thus the defenders will not prevail against you.
&lt;/p&gt;
&lt;p&gt;
21. Make forays in fertile country in order to supply your army with food.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. &lt;i&gt;supra&lt;/i&gt;, § 13. Li Ch’uan does not venture on a note here.]
&lt;/p&gt;
&lt;p&gt;
22. Carefully study the well-being of your men,
&lt;/p&gt;
&lt;p class="p1"&gt;
[For "well-being", Wang Hsi means, "Pet them, humor them, give them plenty of
food and drink, and look after them generally."]
&lt;/p&gt;
&lt;p&gt;
and do not overtax them. Concentrate your energy and hoard your strength.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ch’en recalls the line of action adopted in 224 B.C. by the famous
general Wang Chien, whose military genius largely contributed to the success of
the First Emperor. He had invaded the Ch’u State, where a universal levy
was made to oppose him. But, being doubtful of the temper of his troops, he
declined all invitations to fight and remained strictly on the defensive. In
vain did the Ch’u general try to force a battle: day after day Wang Chien
kept inside his walls and would not come out, but devoted his whole time and
energy to winning the affection and confidence of his men. He took care that
they should be well fed, sharing his own meals with them, provided facilities
for bathing, and employed every method of judicious indulgence to weld them
into a loyal and homogenous body. After some time had elapsed, he told off
certain persons to find out how the men were amusing themselves. The answer
was, that they were contending with one another in putting the weight and
long-jumping. When Wang Chien heard that they were engaged in these athletic
pursuits, he knew that their spirits had been strung up to the required pitch
and that they were now ready for fighting. By this time the Ch’u army,
after repeating their challenge again and again, had marched away eastwards in
disgust. The Ch’in general immediately broke up his camp and followed
them, and in the battle that ensued they were routed with great slaughter.
Shortly afterwards, the whole of Ch’u was conquered by Ch’in, and
the king Fu-ch’u led into captivity.]
&lt;/p&gt;
&lt;p&gt;
Keep your army continually on the move,
&lt;/p&gt;
&lt;p class="p1"&gt;
[In order that the enemy may never know exactly where you are. It has struck
me, however, that the true reading might be "link your army together."]
&lt;/p&gt;
&lt;p&gt;
and devise unfathomable plans.
&lt;/p&gt;
&lt;p&gt;
23. Throw your soldiers into positions whence there is no escape, and they will
prefer death to flight. If they will face death, there is nothing they may not
achieve.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu quotes his favourite Wei Liao Tzŭ (ch. 3): "If one man were to run
amok with a sword in the market-place, and everybody else tried to get our of
his way, I should not allow that this man alone had courage and that all the
rest were contemptible cowards. The truth is, that a desperado and a man who
sets some value on his life do not meet on even terms."]
&lt;/p&gt;
&lt;p&gt;
Officers and men alike will put forth their uttermost strength.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "If they are in an awkward place together, they will surely
exert their united strength to get out of it."]
&lt;/p&gt;
&lt;p&gt;
24. Soldiers when in desperate straits lose the sense of fear. If there is no
place of refuge, they will stand firm. If they are in the heart of a hostile
country, they will show a stubborn front. If there is no help for it, they will
fight hard.
&lt;/p&gt;
&lt;p&gt;
25. Thus, without waiting to be marshalled, the soldiers will be constantly on
the &lt;i&gt;qui vive;&lt;/i&gt; without waiting to be asked, they will do your will;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "without asking, you will get."]
&lt;/p&gt;
&lt;p&gt;
without restrictions, they will be faithful; without giving orders, they can be
trusted.
&lt;/p&gt;
&lt;p&gt;
26. Prohibit the taking of omens, and do away with superstitious doubts. Then,
until death itself comes, no calamity need be feared.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The superstitious, "bound in to saucy doubts and fears," degenerate into
cowards and "die many times before their deaths." Tu Mu quotes Huang Shih-kung:
"‘Spells and incantations should be strictly forbidden, and no officer allowed
to inquire by divination into the fortunes of an army, for fear the soldiers’
minds should be seriously perturbed.’ The meaning is," he continues, "that if
all doubts and scruples are discarded, your men will never falter in their
resolution until they die."]
&lt;/p&gt;
&lt;p&gt;
27. If our soldiers are not overburdened with money, it is not because they
have a distaste for riches; if their lives are not unduly long, it is not
because they are disinclined to longevity.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu has the best note on this passage: "Wealth and long life are things
for which all men have a natural inclination. Hence, if they burn or fling away
valuables, and sacrifice their own lives, it is not that they dislike them, but
simply that they have no choice." Sun Tzŭ is slyly insinuating that, as
soldiers are but human, it is for the general to see that temptations to shirk
fighting and grow rich are not thrown in their way.]
&lt;/p&gt;
&lt;p&gt;
28. On the day they are ordered out to battle, your soldiers may weep,
&lt;/p&gt;
&lt;p class="p1"&gt;
[The word in the Chinese is "snivel." This is taken to indicate more genuine
grief than tears alone.]
&lt;/p&gt;
&lt;p&gt;
those sitting up bedewing their garments, and those lying down letting the
tears run down their cheeks.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Not because they are afraid, but because, as Ts’ao Kung says, "all have
embraced the firm resolution to do or die." We may remember that the heroes of
the Iliad were equally childlike in showing their emotion. Chang Yu alludes to
the mournful parting at the I River between Ching K’o and his friends,
when the former was sent to attempt the life of the King of Ch’in
(afterwards First Emperor) in 227 B.C. The tears of all flowed down like rain
as he bade them farewell and uttered the following lines: "The shrill blast is
blowing, Chilly the burn; Your champion is going—Not to return." [1] ]
&lt;/p&gt;
&lt;p&gt;
But let them once be brought to bay, and they will display the courage of a Chu
or a Kuei.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chu was the personal name of Chuan Chu, a native of the Wu State and
contemporary with Sun Tzŭ himself, who was employed by Kung-tzu Kuang, better
known as Ho Lu Wang, to assassinate his sovereign Wang Liao with a dagger which
he secreted in the belly of a fish served up at a banquet. He succeeded in his
attempt, but was immediately hacked to pieces by the king’s bodyguard. This was
in 515 B.C. The other hero referred to, Ts’ao Kuei (or Ts’ao Mo),
performed the exploit which has made his name famous 166 years earlier, in 681
B.C. Lu had been thrice defeated by Ch’i, and was just about to conclude
a treaty surrendering a large slice of territory, when Ts’ao Kuei
suddenly seized Huan Kung, the Duke of Ch’i, as he stood on the altar
steps and held a dagger against his chest. None of the duke’s retainers dared
to move a muscle, and Ts’ao Kuei proceeded to demand full restitution,
declaring the Lu was being unjustly treated because she was a smaller and a
weaker state. Huan Kung, in peril of his life, was obliged to consent,
whereupon Ts’ao Kuei flung away his dagger and quietly resumed his place
amid the terrified assemblage without having so much as changed color. As was
to be expected, the Duke wanted afterwards to repudiate the bargain, but his
wise old counselor Kuan Chung pointed out to him the impolicy of breaking his
word, and the upshot was that this bold stroke regained for Lu the whole of
what she had lost in three pitched battles.]
&lt;/p&gt;
&lt;p&gt;
29. The skilful tactician may be likened to the &lt;i&gt;shuai-jan&lt;/i&gt;. Now the &lt;i&gt;shuai-jan&lt;/i&gt;
is a snake that is found in the Ch‘ang mountains.
&lt;/p&gt;
&lt;p class="p1"&gt;
["&lt;i&gt;Shuai-jan&lt;/i&gt;" means "suddenly" or "rapidly," and the snake in question was
doubtless so called owing to the rapidity of its movements. Through this
passage, the term in the Chinese has now come to be used in the sense of
"military manœuvers."]
&lt;/p&gt;
&lt;p&gt;
Strike at its head, and you will be attacked by its tail; strike at its tail,
and you will be attacked by its head; strike at its middle, and you will be
attacked by head and tail both.
&lt;/p&gt;
&lt;p&gt;
30. Asked if an army can be made to imitate the &lt;i&gt;shuai-jan&lt;/i&gt;,
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, as Mei Yao-ch’en says, "Is it possible to make the front and
rear of an army each swiftly responsive to attack on the other, just as though
they were part of a single living body?"]
&lt;/p&gt;
&lt;p&gt;
I should answer, Yes. For the men of Wu and the men of Yüeh are enemies;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. VI. § 21.]
&lt;/p&gt;
&lt;p&gt;
yet if they are crossing a river in the same boat and are caught by a storm,
they will come to each other’s assistance just as the left hand helps the
right.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The meaning is: If two enemies will help each other in a time of common peril,
how much more should two parts of the same army, bound together as they are by
every tie of interest and fellow-feeling. Yet it is notorious that many a
campaign has been ruined through lack of cooperation, especially in the case of
allied armies.]
&lt;/p&gt;
&lt;p&gt;
31. Hence it is not enough to put one’s trust in the tethering of horses, and
the burying of chariot wheels in the ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[These quaint devices to prevent one’s army from running away recall the
Athenian hero Sophanes, who carried the anchor with him at the battle of
Plataea, by means of which he fastened himself firmly to one spot. [See
Herodotus, IX. 74.] It is not enough, says Sun Tzŭ, to render flight impossible
by such mechanical means. You will not succeed unless your men have tenacity
and unity of purpose, and, above all, a spirit of sympathetic cooperation. This
is the lesson which can be learned from the &lt;i&gt;shuai-jan&lt;/i&gt;.]
&lt;/p&gt;
&lt;p&gt;
32. The principle on which to manage an army is to set up one standard of
courage which all must reach.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "level the courage [of all] as though [it were that of] one." If
the ideal army is to form a single organic whole, then it follows that the
resolution and spirit of its component parts must be of the same quality, or at
any rate must not fall below a certain standard. Wellington’s seemingly
ungrateful description of his army at Waterloo as "the worst he had ever
commanded" meant no more than that it was deficient in this important
particular—unity of spirit and courage. Had he not foreseen the Belgian
defections and carefully kept those troops in the background, he would almost
certainly have lost the day.]
&lt;/p&gt;
&lt;p&gt;
33. How to make the best of both strong and weak—that is a question
involving the proper use of ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en’s paraphrase is: "The way to eliminate the differences of
strong and weak and to make both serviceable is to utilize accidental features
of the ground." Less reliable troops, if posted in strong positions, will hold
out as long as better troops on more exposed terrain. The advantage of position
neutralizes the inferiority in stamina and courage. Col. Henderson says: "With
all respect to the text books, and to the ordinary tactical teaching, I am
inclined to think that the study of ground is often overlooked, and that by no
means sufficient importance is attached to the selection of positions… and to
the immense advantages that are to be derived, whether you are defending or
attacking, from the proper utilization of natural features." [2] ]
&lt;/p&gt;
&lt;p&gt;
34. Thus the skilful general conducts his army just as though he were leading
a single man, willy-nilly, by the hand.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "The simile has reference to the ease with which he does it."]
&lt;/p&gt;
&lt;p&gt;
35. It is the business of a general to be quiet and thus ensure secrecy;
upright and just, and thus maintain order.
&lt;/p&gt;
&lt;p&gt;
36. He must be able to mystify his officers and men by false reports and
appearances,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "to deceive their eyes and ears."]
&lt;/p&gt;
&lt;p&gt;
and thus keep them in total ignorance.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung gives us one of his excellent apophthegms: "The troops must
not be allowed to share your schemes in the beginning; they may only rejoice
with you over their happy outcome." "To mystify, mislead, and surprise the
enemy," is one of the first principles in war, as had been frequently pointed
out. But how about the other process—the mystification of one’s own men?
Those who may think that Sun Tzŭ is over-emphatic on this point would do well
to read Col. Henderson’s remarks on Stonewall Jackson’s Valley campaign: "The
infinite pains," he says, "with which Jackson sought to conceal, even from his
most trusted staff officers, his movements, his intentions, and his thoughts, a
commander less thorough would have pronounced useless"—etc. etc. [3] In
the year 88 A.D., as we read in ch. 47 of the &lt;i&gt;Hou Han Shu&lt;/i&gt;, "Pan Ch’ao
took the field with 25,000 men from Khotan and other Central Asian states with
the object of crushing Yarkand. The King of Kutcha replied by dispatching his
chief commander to succour the place with an army drawn from the kingdoms of
Wen-su, Ku-mo, and Wei-t’ou, totaling 50,000 men. Pan Ch’ao
summoned his officers and also the King of Khotan to a council of war, and
said: ‘Our forces are now outnumbered and unable to make head against the
enemy. The best plan, then, is for us to separate and disperse, each in a
different direction. The King of Khotan will march away by the easterly route,
and I will then return myself towards the west. Let us wait until the evening
drum has sounded and then start.’ Pan Ch’ao now secretly released the
prisoners whom he had taken alive, and the King of Kutcha was thus informed of
his plans. Much elated by the news, the latter set off at once at the head of
10,000 horsemen to bar Pan Ch’ao’s retreat in the west, while the King of
Wen-su rode eastward with 8000 horse in order to intercept the King of Khotan.
As soon as Pan Ch’ao knew that the two chieftains had gone, he called his
divisions together, got them well in hand, and at cock-crow hurled them against
the army of Yarkand, as it lay encamped. The barbarians, panic-stricken, fled
in confusion, and were closely pursued by Pan Ch’ao. Over 5000 heads were
brought back as trophies, besides immense spoils in the shape of horses and
cattle and valuables of every description. Yarkand then capitulating, Kutcha
and the other kingdoms drew off their respective forces. From that time
forward, Pan Ch’ao’s prestige completely overawed the countries of the
west." In this case, we see that the Chinese general not only kept his own
officers in ignorance of his real plans, but actually took the bold step of
dividing his army in order to deceive the enemy.]
&lt;/p&gt;
&lt;p&gt;
37. By altering his arrangements and changing his plans,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Wang Hsi thinks that this means not using the same stratagem twice.]
&lt;/p&gt;
&lt;p&gt;
he keeps the enemy without definite knowledge.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu, in a quotation from another work, says: "The axiom, that war is
based on deception, does not apply only to deception of the enemy. You must
deceive even your own soldiers. Make them follow you, but without letting them
know why."]
&lt;/p&gt;
&lt;p&gt;
By shifting his camp and taking circuitous routes, he prevents the enemy from
anticipating his purpose.
&lt;/p&gt;
&lt;p&gt;
38. At the critical moment, the leader of an army acts like one who has climbed
up a height and then kicks away the ladder behind him. He carries his men deep
into hostile territory before he shows his hand.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "releases the spring" (see V. § 15), that is, takes some decisive
step which makes it impossible for the army to return—like Hsiang Yu, who
sunk his ships after crossing a river. Ch’en Hao, followed by Chia Lin,
understands the words less well as "puts forth every artifice at his command."]
&lt;/p&gt;
&lt;p&gt;
39. He burns his boats and breaks his cooking-pots; like a shepherd driving a
flock of sheep, he drives his men this way and that, and none knows whither he
is going.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "The army is only cognizant of orders to advance or retreat; it is
ignorant of the ulterior ends of attacking and conquering."]
&lt;/p&gt;
&lt;p&gt;
40. To muster his host and bring it into danger:—this may be termed the
business of the general.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Sun Tzŭ means that after mobilization there should be no delay in aiming a
blow at the enemy’s heart. Note how he returns again and again to this point.
Among the warring states of ancient China, desertion was no doubt a much more
present fear and serious evil than it is in the armies of today.]
&lt;/p&gt;
&lt;p&gt;
41. The different measures suited to the nine varieties of ground;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "One must not be hide-bound in interpreting the rules for the
nine varieties of ground."]
&lt;/p&gt;
&lt;p&gt;
the expediency of aggressive or defensive tactics; and the fundamental laws of
human nature: these are things that must most certainly be studied.
&lt;/p&gt;
&lt;p&gt;
42. When invading hostile territory, the general principle is, that penetrating
deeply brings cohesion; penetrating but a short way means dispersion.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. &lt;i&gt;supra&lt;/i&gt;, § 20.]
&lt;/p&gt;
&lt;p&gt;
43. When you leave your own country behind, and take your army across
neighbourhood territory, you find yourself on critical ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This "ground" is curiously mentioned in VIII. § 2, but it does not figure
among the Nine Situations or the Six Calamities in chap. X. One’s first impulse
would be to translate it distant ground," but this, if we can trust the
commentators, is precisely what is not meant here. Mei Yao-ch’en says it
is "a position not far enough advanced to be called ‘facile,’ and not near
enough to home to be ‘dispersive,’ but something between the two." Wang Hsi
says: "It is ground separated from home by an interjacent state, whose
territory we have had to cross in order to reach it. Hence, it is incumbent on
us to settle our business there quickly." He adds that this position is of rare
occurrence, which is the reason why it is not included among the Nine
Situations.]
&lt;/p&gt;
&lt;p&gt;
When there are means of communication on all four sides, the ground is one of
intersecting highways.
&lt;/p&gt;
&lt;p&gt;
44. When you penetrate deeply into a country, it is serious ground. When you
penetrate but a little way, it is facile ground.
&lt;/p&gt;
&lt;p&gt;
45. When you have the enemy’s strongholds on your rear, and narrow passes in
front, it is hemmed-in ground. When there is no place of refuge at all, it is
desperate ground.
&lt;/p&gt;
&lt;p&gt;
46. Therefore, on dispersive ground, I would inspire my men with unity of
purpose.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This end, according to Tu Mu, is best attained by remaining on the defensive,
and avoiding battle. Cf. &lt;i&gt;supra&lt;/i&gt;, § 11.]
&lt;/p&gt;
&lt;p&gt;
On facile ground, I would see that there is close connection between all parts
of my army.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As Tu Mu says, the object is to guard against two possible contingencies: "(1)
the desertion of our own troops; (2) a sudden attack on the part of the enemy."
Cf. VII. § 17. Mei Yao-ch’en says: "On the march, the regiments should be
in close touch; in an encampment, there should be continuity between the
fortifications."]
&lt;/p&gt;
&lt;p&gt;
47. On contentious ground, I would hurry up my rear.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This is Ts’ao Kung’s interpretation. Chang Yu adopts it, saying: "We
must quickly bring up our rear, so that head and tail may both reach the goal."
That is, they must not be allowed to straggle up a long way apart. Mei
Yao-ch’en offers another equally plausible explanation: "Supposing the
enemy has not yet reached the coveted position, and we are behind him, we
should advance with all speed in order to dispute its possession." Ch’en
Hao, on the other hand, assuming that the enemy has had time to select his own
ground, quotes VI. § 1, where Sun Tzŭ warns us against coming exhausted to the
attack. His own idea of the situation is rather vaguely expressed: "If there is
a favourable position lying in front of you, detach a picked body of troops to
occupy it, then if the enemy, relying on their numbers, come up to make a fight
for it, you may fall quickly on their rear with your main body, and victory
will be assured." It was thus, he adds, that Chao She beat the army of
Ch’in. (See p. 57.)]
&lt;/p&gt;
&lt;p&gt;
48. On open ground, I would keep a vigilant eye on my defences. On ground of
intersecting highways, I would consolidate my alliances.
&lt;/p&gt;
&lt;p&gt;
49. On serious ground, I would try to ensure a continuous stream of supplies.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The commentators take this as referring to forage and plunder, not, as one
might expect, to an unbroken communication with a home base.]
&lt;/p&gt;
&lt;p&gt;
On difficult ground, I would keep pushing on along the road.
&lt;/p&gt;
&lt;p&gt;
50. On hemmed-in ground, I would block any way of retreat.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Meng Shih says: "To make it seem that I meant to defend the position, whereas
my real intention is to burst suddenly through the enemy’s lines." Mei
Yao-ch’en says: "in order to make my soldiers fight with desperation."
Wang Hsi says, "fearing lest my men be tempted to run away." Tu Mu points out
that this is the converse of VII. § 36, where it is the enemy who is
surrounded. In 532 A.D., Kao Huan, afterwards Emperor and canonized as Shen-wu,
was surrounded by a great army under Erh-chu Chao and others. His own force was
comparatively small, consisting only of 2000 horse and something under 30,000
foot. The lines of investment had not been drawn very closely together, gaps
being left at certain points. But Kao Huan, instead of trying to escape,
actually made a shift to block all the remaining outlets himself by driving
into them a number of oxen and donkeys roped together. As soon as his officers
and men saw that there was nothing for it but to conquer or die, their spirits
rose to an extraordinary pitch of exaltation, and they charged with such
desperate ferocity that the opposing ranks broke and crumbled under their
onslaught.]
&lt;/p&gt;
&lt;p&gt;
On desperate ground, I would proclaim to my soldiers the hopelessness of saving
their lives.
&lt;/p&gt;
&lt;p class="p1"&gt;
Tu Yu says: "Burn your baggage and impedimenta, throw away your stores and
provisions, choke up the wells, destroy your cooking-stoves, and make it plain
to your men that they cannot survive, but must fight to the death." Mei
Yao-ch’en says: "The only chance of life lies in giving up all hope of
it." This concludes what Sun Tzŭ has to say about "grounds" and the
"variations" corresponding to them. Reviewing the passages which bear on this
important subject, we cannot fail to be struck by the desultory and
unmethodical fashion in which it is treated. Sun Tzŭ begins abruptly in VIII. §
2 to enumerate "variations" before touching on "grounds" at all, but only
mentions five, namely nos. 7, 5, 8 and 9 of the subsequent list, and one that
is not included in it. A few varieties of ground are dealt with in the earlier
portion of chap. IX, and then chap. X sets forth six new grounds, with six
variations of plan to match. None of these is mentioned again, though the first
is hardly to be distinguished from ground no. 4 in the next chapter. At last,
in chap. XI, we come to the Nine Grounds par excellence, immediately followed
by the variations. This takes us down to § 14. In §§ 43-45, fresh definitions
are provided for nos. 5, 6, 2, 8 and 9 (in the order given), as well as for the
tenth ground noticed in chap. VIII; and finally, the nine variations are
enumerated once more from beginning to end, all, with the exception of 5, 6 and
7, being different from those previously given. Though it is impossible to
account for the present state of Sun Tzŭ’s text, a few suggestive facts maybe
brought into prominence: (1) Chap. VIII, according to the title, should deal
with nine variations, whereas only five appear. (2) It is an abnormally short
chapter. (3) Chap. XI is entitled The Nine Grounds. Several of these are
defined twice over, besides which there are two distinct lists of the
corresponding variations. (4) The length of the chapter is disproportionate,
being double that of any other except IX. I do not propose to draw any
inferences from these facts, beyond the general conclusion that Sun Tzŭ’s work
cannot have come down to us in the shape in which it left his hands: chap. VIII
is obviously defective and probably out of place, while XI seems to contain
matter that has either been added by a later hand or ought to appear
elsewhere.]
&lt;/p&gt;
&lt;p&gt;
51. For it is the soldier’s disposition to offer an obstinate resistance when
surrounded, to fight hard when he cannot help himself, and to obey promptly
when he has fallen into danger.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu alludes to the conduct of Pan Ch’ao’s devoted followers in 73
A.D. The story runs thus in the &lt;i&gt;Hou Han Shu&lt;/i&gt;, ch. 47: "When Pan Ch’ao
arrived at Shan-shan, Kuang, the King of the country, received him at first
with great politeness and respect; but shortly afterwards his behavior
underwent a sudden change, and he became remiss and negligent. Pan Ch’ao
spoke about this to the officers of his suite: ‘Have you noticed,’ he said,
‘that Kuang’s polite intentions are on the wane? This must signify that envoys
have come from the Northern barbarians, and that consequently he is in a state
of indecision, not knowing with which side to throw in his lot. That surely is
the reason. The truly wise man, we are told, can perceive things before they
have come to pass; how much more, then, those that are already manifest!’
Thereupon he called one of the natives who had been assigned to his service,
and set a trap for him, saying: ‘Where are those envoys from the Hsiung-nu who
arrived some day ago?’ The man was so taken aback that between surprise and
fear he presently blurted out the whole truth. Pan Ch’ao, keeping his
informant carefully under lock and key, then summoned a general gathering of
his officers, thirty-six in all, and began drinking with them. When the wine
had mounted into their heads a little, he tried to rouse their spirit still
further by addressing them thus: ‘Gentlemen, here we are in the heart of an
isolated region, anxious to achieve riches and honour by some great exploit. Now
it happens that an ambassador from the Hsiung-no arrived in this kingdom only a
few days ago, and the result is that the respectful courtesy extended towards
us by our royal host has disappeared. Should this envoy prevail upon him to
seize our party and hand us over to the Hsiung-no, our bones will become food
for the wolves of the desert. What are we to do?’ With one accord, the officers
replied: ‘Standing as we do in peril of our lives, we will follow our commander
through life and death.’ For the sequel of this adventure, see chap. XII. § 1,
note.]
&lt;/p&gt;
&lt;p&gt;
52. We cannot enter into alliance with neighbouring princes until we are
acquainted with their designs. We are not fit to lead an army on the march
unless we are familiar with the face of the country—its mountains and
forests, its pitfalls and precipices, its marshes and swamps. We shall be
unable to turn natural advantages to account unless we make use of local
guides.
&lt;/p&gt;
&lt;p class="p1"&gt;
[These three sentences are repeated from VII. §§ 12-14—in order to
emphasize their importance, the commentators seem to think. I prefer to regard
them as interpolated here in order to form an antecedent to the following
words. With regard to local guides, Sun Tzŭ might have added that there is
always the risk of going wrong, either through their treachery or some
misunderstanding such as Livy records (XXII. 13): Hannibal, we are told,
ordered a guide to lead him into the neighbourhood of Casinum, where there was
an important pass to be occupied; but his Carthaginian accent, unsuited to the
pronunciation of Latin names, caused the guide to understand Casilinum instead
of Casinum, and turning from his proper route, he took the army in that
direction, the mistake not being discovered until they had almost arrived.]
&lt;/p&gt;
&lt;p&gt;
53. To be ignorant of any one of the following four or five principles does not
befit a warlike prince.
&lt;/p&gt;
&lt;p&gt;
54. When a warlike prince attacks a powerful state, his generalship shows
itself in preventing the concentration of the enemy’s forces. He overawes his
opponents, and their allies are prevented from joining against him.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Tao-ch’en constructs one of the chains of reasoning that are so much
affected by the Chinese: "In attacking a powerful state, if you can divide her
forces, you will have a superiority in strength; if you have a superiority in
strength, you will overawe the enemy; if you overawe the enemy, the neighbouring
states will be frightened; and if the neighbouring states are frightened, the
enemy’s allies will be prevented from joining her." The following gives a
stronger meaning: "If the great state has once been defeated (before she has
had time to summon her allies), then the lesser states will hold aloof and
refrain from massing their forces." Ch’en Hao and Chang Yu take the
sentence in quite another way. The former says: "Powerful though a prince may
be, if he attacks a large state, he will be unable to raise enough troops, and
must rely to some extent on external aid; if he dispenses with this, and with
overweening confidence in his own strength, simply tries to intimidate the
enemy, he will surely be defeated." Chang Yu puts his view thus: "If we
recklessly attack a large state, our own people will be discontented and hang
back. But if (as will then be the case) our display of military force is
inferior by half to that of the enemy, the other chieftains will take fright
and refuse to join us."]
&lt;/p&gt;
&lt;p&gt;
55. Hence he does not strive to ally himself with all and sundry, nor does he
foster the power of other states. He carries out his own secret designs,
keeping his antagonists in awe.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The train of thought, as said by Li Ch’uan, appears to be this: Secure
against a combination of his enemies, "he can afford to reject entangling
alliances and simply pursue his own secret designs, his prestige enable him to
dispense with external friendships."]
&lt;/p&gt;
&lt;p&gt;
Thus he is able to capture their cities and overthrow their kingdoms.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This paragraph, though written many years before the Ch’in State became
a serious menace, is not a bad summary of the policy by which the famous Six
Chancellors gradually paved the way for her final triumph under Shih Huang Ti.
Chang Yu, following up his previous note, thinks that Sun Tzŭ is condemning
this attitude of cold-blooded selfishness and haughty isolation.]
&lt;/p&gt;
&lt;p&gt;
56. Bestow rewards without regard to rule,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Wu Tzŭ (ch. 3) less wisely says: "Let advance be richly rewarded and retreat
be heavily punished."]
&lt;/p&gt;
&lt;p&gt;
issue orders
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "hang" or post up."]
&lt;/p&gt;
&lt;p&gt;
without regard to previous arrangements;
&lt;/p&gt;
&lt;p class="p1"&gt;
["In order to prevent treachery," says Wang Hsi. The general meaning is made
clear by Ts’ao Kung’s quotation from the &lt;i&gt;Ssu-ma Fa:&lt;/i&gt; "Give instructions
only on sighting the enemy; give rewards when you see deserving deeds."
Ts’ao Kung’s paraphrase: "The final instructions you give to your army
should not correspond with those that have been previously posted up." Chang Yu
simplifies this into "your arrangements should not be divulged beforehand." And
Chia Lin says: "there should be no fixity in your rules and arrangements." Not
only is there danger in letting your plans be known, but war often necessitates
the entire reversal of them at the last moment.]
&lt;/p&gt;
&lt;p&gt;
and you will be able to handle a whole army as though you had to do with but a
single man.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. &lt;i&gt;supra&lt;/i&gt;, § 34.]
&lt;/p&gt;
&lt;p&gt;
57. Confront your soldiers with the deed itself; never let them know your
design.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "do not tell them words;" i.e. do not give your reasons for any
order. Lord Mansfield once told a junior colleague to "give no reasons" for his
decisions, and the maxim is even more applicable to a general than to a judge.]
&lt;/p&gt;
&lt;p&gt;
When the outlook is bright, bring it before their eyes; but tell them nothing
when the situation is gloomy.
&lt;/p&gt;
&lt;p&gt;
58. Place your army in deadly peril, and it will survive; plunge it into
desperate straits, and it will come off in safety.
&lt;/p&gt;
&lt;p class="p1"&gt;
[These words of Sun Tzŭ were once quoted by Han Hsin in explanation of the
tactics he employed in one of his most brilliant battles, already alluded to on
p. 28. In 204 B.C., he was sent against the army of Chao, and halted ten miles
from the mouth of the Ching-hsing pass, where the enemy had mustered in full
force. Here, at midnight, he detached a body of 2000 light cavalry, every man
of which was furnished with a red flag. Their instructions were to make their
way through narrow defiles and keep a secret watch on the enemy. "When the men
of Chao see me in full flight," Han Hsin said, "they will abandon their
fortifications and give chase. This must be the sign for you to rush in, pluck
down the Chao standards and set up the red banners of Han in their stead."
Turning then to his other officers, he remarked: "Our adversary holds a strong
position, and is not likely to come out and attack us until he sees the
standard and drums of the commander-in-chief, for fear I should turn back and
escape through the mountains." So saying, he first of all sent out a division
consisting of 10,000 men, and ordered them to form in line of battle with their
backs to the River Ti. Seeing this manœuver, the whole army of Chao broke into
loud laughter. By this time it was broad daylight, and Han Hsin, displaying the
generalissimo’s flag, marched out of the pass with drums beating, and was
immediately engaged by the enemy. A great battle followed, lasting for some
time; until at length Han Hsin and his colleague Chang Ni, leaving drums and
banner on the field, fled to the division on the river bank, where another
fierce battle was raging. The enemy rushed out to pursue them and to secure the
trophies, thus denuding their ramparts of men; but the two generals succeeded
in joining the other army, which was fighting with the utmost desperation. The
time had now come for the 2000 horsemen to play their part. As soon as they saw
the men of Chao following up their advantage, they galloped behind the deserted
walls, tore up the enemy’s flags and replaced them by those of Han. When the
Chao army looked back from the pursuit, the sight of these red flags struck
them with terror. Convinced that the Hans had got in and overpowered their
king, they broke up in wild disorder, every effort of their leader to stay the
panic being in vain. Then the Han army fell on them from both sides and
completed the rout, killing a number and capturing the rest, amongst whom was
King Ya himself…. After the battle, some of Han Hsin’s officers came to him and
said: "In the &lt;i&gt;Art of War&lt;/i&gt; we are told to have a hill or tumulus on the
right rear, and a river or marsh on the left front. [This appears to be a blend
of Sun Tzŭ and T’ai Kung. See IX § 9, and note.] You, on the contrary,
ordered us to draw up our troops with the river at our back. Under these
conditions, how did you manage to gain the victory?" The general replied: "I
fear you gentlemen have not studied the Art of War with sufficient care. Is it
not written there: ‘Plunge your army into desperate straits and it will come
off in safety; place it in deadly peril and it will survive’? Had I taken the
usual course, I should never have been able to bring my colleague round. What
says the Military Classic—‘Swoop down on the market-place and drive the
men off to fight.’ [This passage does not occur in the present text of Sun
Tzŭ.] If I had not placed my troops in a position where they were obliged to
fight for their lives, but had allowed each man to follow his own discretion,
there would have been a general &lt;i&gt;débandade&lt;/i&gt;, and it would have been
impossible to do anything with them." The officers admitted the force of his
argument, and said: "These are higher tactics than we should have been capable
of." [See &lt;i&gt;Ch’ien Han Shu&lt;/i&gt;, ch. 34, ff. 4, 5.] ]
&lt;/p&gt;
&lt;p&gt;
59. For it is precisely when a force has fallen into harm’s way that is capable
of striking a blow for victory.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Danger has a bracing effect.]
&lt;/p&gt;
&lt;p&gt;
60. Success in warfare is gained by carefully accommodating ourselves to the
enemy’s purpose.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung says: "Feign stupidity"—by an appearance of yielding
and falling in with the enemy’s wishes. Chang Yu’s note makes the meaning
clear: "If the enemy shows an inclination to advance, lure him on to do so; if
he is anxious to retreat, delay on purpose that he may carry out his
intention." The object is to make him remiss and contemptuous before we deliver
our attack.]
&lt;/p&gt;
&lt;p&gt;
61. By persistently hanging on the enemy’s flank,
&lt;/p&gt;
&lt;p class="p1"&gt;
[I understand the first four words to mean "accompanying the enemy in one
direction." Ts’ao Kung says: "unite the soldiers and make for the enemy."
But such a violent displacement of characters is quite indefensible.]
&lt;/p&gt;
&lt;p&gt;
we shall succeed in the long run
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally, "after a thousand &lt;i&gt;li&lt;/i&gt;."]
&lt;/p&gt;
&lt;p&gt;
in killing the commander-in-chief.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Always a great point with the Chinese.]
&lt;/p&gt;
&lt;p&gt;
62. This is called ability to accomplish a thing by sheer cunning.
&lt;/p&gt;
&lt;p&gt;
63. On the day that you take up your command, block the frontier passes,
destroy the official tallies,
&lt;/p&gt;
&lt;p class="p1"&gt;
[These were tablets of bamboo or wood, one half of which was issued as a permit
or passport by the official in charge of a gate. Cf. the "border-warden" of &lt;i&gt;Lun
Yu&lt;/i&gt; III. 24, who may have had similar duties. When this half was returned to
him, within a fixed period, he was authorized to open the gate and let the
traveler through.]
&lt;/p&gt;
&lt;p&gt;
and stop the passage of all emissaries.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Either to or from the enemy’s country.]
&lt;/p&gt;
&lt;p&gt;
64. Be stern in the council-chamber,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Show no weakness, and insist on your plans being ratified by the sovereign.]
&lt;/p&gt;
&lt;p&gt;
so that you may control the situation.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en understands the whole sentence to mean: Take the strictest
precautions to ensure secrecy in your deliberations.]
&lt;/p&gt;
&lt;p&gt;
65. If the enemy leaves a door open, you must rush in.
&lt;/p&gt;
&lt;p&gt;
66. Forestall your opponent by seizing what he holds dear,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. &lt;i&gt;supra&lt;/i&gt;, § 18.]
&lt;/p&gt;
&lt;p&gt;
and subtly contrive to time his arrival on the ground.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ch’en Hao’s explanation: "If I manage to seize a favourable
position, but the enemy does not appear on the scene, the advantage thus
obtained cannot be turned to any practical account. He who intends therefore,
to occupy a position of importance to the enemy, must begin by making an artful
appointment, so to speak, with his antagonist, and cajole him into going there
as well." Mei Yao-ch’en explains that this "artful appointment" is to be
made through the medium of the enemy’s own spies, who will carry back just the
amount of information that we choose to give them. Then, having cunningly
disclosed our intentions, "we must manage, though starting after the enemy, to
arrive before him (VII. § 4). We must start after him in order to ensure his
marching thither; we must arrive before him in order to capture the place
without trouble. Taken thus, the present passage lends some support to Mei
Yao-ch’en’s interpretation of § 47.]
&lt;/p&gt;
&lt;p&gt;
67. Walk in the path defined by rule,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chia Lin says: "Victory is the only thing that matters, and this cannot be
achieved by adhering to conventional canons." It is unfortunate that this
variant rests on very slight authority, for the sense yielded is certainly much
more satisfactory. Napoleon, as we know, according to the veterans of the old
school whom he defeated, won his battles by violating every accepted canon of
warfare.]
&lt;/p&gt;
&lt;p&gt;
and accommodate yourself to the enemy until you can fight a decisive battle.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "Conform to the enemy’s tactics until a favourable opportunity
offers; then come forth and engage in a battle that shall prove decisive."]
&lt;/p&gt;
&lt;p&gt;
68. At first, then, exhibit the coyness of a maiden, until the enemy gives you
an opening; afterwards emulate the rapidity of a running hare, and it will be
too late for the enemy to oppose you.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As the hare is noted for its extreme timidity, the comparison hardly appears
felicitous. But of course Sun Tzŭ was thinking only of its speed. The words
have been taken to mean: You must flee from the enemy as quickly as an escaping
hare; but this is rightly rejected by Tu Mu.]
&lt;/p&gt;
&lt;p&gt;
[1] Giles’ Biographical Dictionary, no. 399.
&lt;/p&gt;
&lt;p&gt;
[2] "The Science of War," p. 333.
&lt;/p&gt;
&lt;p&gt;
[3] "Stonewall Jackson," vol. I, p. 421.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap20"&gt;&lt;/a&gt;Chapter XII. THE ATTACK BY FIRE&lt;/h2&gt;
&lt;p class="p1"&gt;
[Rather more than half the chapter (§§ 1-13) is devoted to the subject of fire,
after which the author branches off into other topics.]
&lt;/p&gt;
&lt;p&gt;
1. Sun Tzŭ said: There are five ways of attacking with fire. The first is to
burn soldiers in their camp;
&lt;/p&gt;
&lt;p class="p1"&gt;
[So Tu Mu. Li Ch’uan says: "Set fire to the camp, and kill the soldiers"
(when they try to escape from the flames). Pan Ch’ao, sent on a
diplomatic mission to the King of Shan-shan [see XI. § 51, note], found himself
placed in extreme peril by the unexpected arrival of an envoy from the
Hsiung-nu [the mortal enemies of the Chinese]. In consultation with his
officers, he exclaimed: "Never venture, never win! [1] The only course open to
us now is to make an assault by fire on the barbarians under cover of night,
when they will not be able to discern our numbers. Profiting by their panic, we
shall exterminate them completely; this will cool the King’s courage and cover
us with glory, besides ensuring the success of our mission.’ The officers all
replied that it would be necessary to discuss the matter first with the
Intendant. Pan Ch’ao then fell into a passion: ‘It is today,’ he cried,
‘that our fortunes must be decided! The Intendant is only a humdrum civilian,
who on hearing of our project will certainly be afraid, and everything will be
brought to light. An inglorious death is no worthy fate for valiant warriors.’
All then agreed to do as he wished. Accordingly, as soon as night came on, he
and his little band quickly made their way to the barbarian camp. A strong gale
was blowing at the time. Pan Ch’ao ordered ten of the party to take drums
and hide behind the enemy’s barracks, it being arranged that when they saw
flames shoot up, they should begin drumming and yelling with all their might.
The rest of his men, armed with bows and crossbows, he posted in ambuscade at
the gate of the camp. He then set fire to the place from the windward side,
whereupon a deafening noise of drums and shouting arose on the front and rear
of the Hsiung-nu, who rushed out pell-mell in frantic disorder. Pan Ch’ao
slew three of them with his own hand, while his companions cut off the heads of
the envoy and thirty of his suite. The remainder, more than a hundred in all,
perished in the flames. On the following day, Pan Ch’ao, divining his
thoughts, said with uplifted hand: ‘Although you did not go with us last night,
I should not think, Sir, of taking sole credit for our exploit.’ This satisfied
Kuo Hsun, and Pan Ch’ao, having sent for Kuang, King of Shan-shan, showed
him the head of the barbarian envoy. The whole kingdom was seized with fear and
trembling, which Pan Ch’ao took steps to allay by issuing a public
proclamation. Then, taking the king’s sons as hostage, he returned to make his
report to Tou Ku." &lt;i&gt;Hou Han Shu&lt;/i&gt;, ch. 47, ff. 1, 2.] ]
&lt;/p&gt;
&lt;p&gt;
the second is to burn stores;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "Provisions, fuel and fodder." In order to subdue the rebellious
population of Kiangnan, Kao Keng recommended Wen Ti of the Sui dynasty to make
periodical raids and burn their stores of grain, a policy which in the long run
proved entirely successful.]
&lt;/p&gt;
&lt;p&gt;
the third is to burn baggage-trains;
&lt;/p&gt;
&lt;p class="p1"&gt;
[An example given is the destruction of Yuan Shao’s wagons and
impedimenta by Ts’ao Ts’ao in 200 A.D.]
&lt;/p&gt;
&lt;p&gt;
the fourth is to burn arsenals and magazines;
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says that the things contained in "arsenals" and "magazines" are the
same. He specifies weapons and other implements, bullion and clothing. Cf. VII.
§ 11.]
&lt;/p&gt;
&lt;p&gt;
the fifth is to hurl dropping fire amongst the enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu says in the &lt;i&gt;T’ung Tien:&lt;/i&gt; "To drop fire into the enemy’s camp. The
method by which this may be done is to set the tips of arrows alight by dipping
them into a brazier, and then shoot them from powerful crossbows into the
enemy’s lines."]
&lt;/p&gt;
&lt;p&gt;
2. In order to carry out an attack, we must have means available.
&lt;/p&gt;
&lt;p class="p1"&gt;
[T’sao Kung thinks that "traitors in the enemy’s camp" are referred to.
But Ch’en Hao is more likely to be right in saying: "We must have
favourable circumstances in general, not merely traitors to help us." Chia Lin
says: "We must avail ourselves of wind and dry weather."]
&lt;/p&gt;
&lt;p&gt;
the material for raising fire should always be kept in readiness.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu suggests as material for making fire: "dry vegetable matter, reeds,
brushwood, straw, grease, oil, etc." Here we have the material cause. Chang Yu
says: "vessels for hoarding fire, stuff for lighting fires."]
&lt;/p&gt;
&lt;p&gt;
3. There is a proper season for making attacks with fire, and special days for
starting a conflagration.
&lt;/p&gt;
&lt;p&gt;
4. The proper season is when the weather is very dry; the special days are
those when the moon is in the constellations of the Sieve, the Wall, the Wing
or the Cross-bar;
&lt;/p&gt;
&lt;p class="p1"&gt;
[These are, respectively, the 7th, 14th, 27th, and 28th of the Twenty-eight
Stellar Mansions, corresponding roughly to Sagittarius, Pegasus, Crater and
Corvus.]
&lt;/p&gt;
&lt;p&gt;
for these four are all days of rising wind.
&lt;/p&gt;
&lt;p&gt;
5. In attacking with fire, one should be prepared to meet five possible
developments:
&lt;/p&gt;
&lt;p&gt;
6. (1) When fire breaks out inside the enemy’s camp, respond at once with an
attack from without.
&lt;/p&gt;
&lt;p&gt;
7. (2) If there is an outbreak of fire, but the enemy’s soldiers remain quiet,
bide your time and do not attack.
&lt;/p&gt;
&lt;p class="p1"&gt;
[The prime object of attacking with fire is to throw the enemy into confusion.
If this effect is not produced, it means that the enemy is ready to receive us.
Hence the necessity for caution.]
&lt;/p&gt;
&lt;p&gt;
8. (3) When the force of the flames has reached its height, follow it up with
an attack, if that is practicable; if not, stay where you are.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung says: "If you see a possible way, advance; but if you find
the difficulties too great, retire."]
&lt;/p&gt;
&lt;p&gt;
9. (4) If it is possible to make an assault with fire from without, do not wait
for it to break out within, but deliver your attack at a favourable moment.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says that the previous paragraphs had reference to the fire breaking out
(either accidentally, we may suppose, or by the agency of incendiaries) inside
the enemy’s camp. "But," he continues, "if the enemy is settled in a waste
place littered with quantities of grass, or if he has pitched his camp in a
position which can be burnt out, we must carry our fire against him at any
seasonable opportunity, and not await on in hopes of an outbreak occurring
within, for fear our opponents should themselves burn up the surrounding
vegetation, and thus render our own attempts fruitless." The famous Li Ling
once baffled the leader of the Hsiung-nu in this way. The latter, taking
advantage of a favourable wind, tried to set fire to the Chinese general’s camp,
but found that every scrap of combustible vegetation in the neighbourhood had
already been burnt down. On the other hand, Po-ts’ai, a general of the
Yellow Turban rebels, was badly defeated in 184 A.D. through his neglect of
this simple precaution. "At the head of a large army he was besieging
Ch’ang-she, which was held by Huang-fu Sung. The garrison was very small,
and a general feeling of nervousness pervaded the ranks; so Huang-fu Sung
called his officers together and said: "In war, there are various indirect
methods of attack, and numbers do not count for everything. [The commentator
here quotes Sun Tzŭ, V. §§ 5, 6 and 10.] Now the rebels have pitched their camp
in the midst of thick grass which will easily burn when the wind blows. If we
set fire to it at night, they will be thrown into a panic, and we can make a
sortie and attack them on all sides at once, thus emulating the achievement of
T’ien Tan.’ [See p. 90.] That same evening, a strong breeze sprang up; so
Huang-fu Sung instructed his soldiers to bind reeds together into torches and
mount guard on the city walls, after which he sent out a band of daring men,
who stealthily made their way through the lines and started the fire with loud
shouts and yells. Simultaneously, a glare of light shot up from the city walls,
and Huang-fu Sung, sounding his drums, led a rapid charge, which threw the
rebels into confusion and put them to headlong flight." [&lt;i&gt;Hou Han Shu&lt;/i&gt;, ch. 71.]
]
&lt;/p&gt;
&lt;p&gt;
10. (5) When you start a fire, be to windward of it. Do not attack from the
leeward.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu, following Tu Yu, says: "When you make a fire, the enemy will retreat
away from it; if you oppose his retreat and attack him then, he will fight
desperately, which will not conduce to your success." A rather more obvious
explanation is given by Tu Mu: "If the wind is in the east, begin burning to
the east of the enemy, and follow up the attack yourself from that side. If you
start the fire on the east side, and then attack from the west, you will suffer
in the same way as your enemy."]
&lt;/p&gt;
&lt;p&gt;
11. A wind that rises in the daytime lasts long, but a night breeze soon falls.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. Lao Tzŭ’s saying: "A violent wind does not last the space of a morning."
(&lt;i&gt;Tao Te Ching&lt;/i&gt;, chap. 23.) Mei Yao-ch’en and Wang Hsi say: "A day breeze
dies down at nightfall, and a night breeze at daybreak. This is what happens as
a general rule." The phenomenon observed may be correct enough, but how this
sense is to be obtained is not apparent.]
&lt;/p&gt;
&lt;p&gt;
12. In every army, the five developments connected with fire must be known, the
movements of the stars calculated, and a watch kept for the proper days.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "We must make calculations as to the paths of the stars, and watch
for the days on which wind will rise, before making our attack with fire."
Chang Yu seems to interpret the text differently: "We must not only know how to
assail our opponents with fire, but also be on our guard against similar
attacks from them."]
&lt;/p&gt;
&lt;p&gt;
13. Hence those who use fire as an aid to the attack show intelligence; those
who use water as an aid to the attack gain an accession of strength.
&lt;/p&gt;
&lt;p&gt;
14. By means of water, an enemy may be intercepted, but not robbed of all his
belongings.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Ts’ao Kung’s note is: "We can merely obstruct the enemy’s road or divide
his army, but not sweep away all his accumulated stores." Water can do useful
service, but it lacks the terrible destructive power of fire. This is the
reason, Chang Yu concludes, why the former is dismissed in a couple of
sentences, whereas the attack by fire is discussed in detail. Wu Tzŭ (ch. 4)
speaks thus of the two elements: "If an army is encamped on low-lying marshy
ground, from which the water cannot run off, and where the rainfall is heavy,
it may be submerged by a flood. If an army is encamped in wild marsh lands
thickly overgrown with weeds and brambles, and visited by frequent gales, it
may be exterminated by fire."]
&lt;/p&gt;
&lt;p&gt;
15. Unhappy is the fate of one who tries to win his battles and succeed in his
attacks without cultivating the spirit of enterprise; for the result is waste
of time and general stagnation.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This is one of the most perplexing passages in Sun Tzŭ. Ts’ao Kung says:
"Rewards for good service should not be deferred a single day." And Tu Mu: "If
you do not take opportunity to advance and reward the deserving, your
subordinates will not carry out your commands, and disaster will ensue." For
several reasons, however, and in spite of the formidable array of scholars on
the other side, I prefer the interpretation suggested by Mei Yao-ch’en
alone, whose words I will quote: "Those who want to make sure of succeeding in
their battles and assaults must seize the favourable moments when they come and
not shrink on occasion from heroic measures: that is to say, they must resort
to such means of attack of fire, water and the like. What they must not do, and
what will prove fatal, is to sit still and simply hold to the advantages they
have got."]
&lt;/p&gt;
&lt;p&gt;
16. Hence the saying: The enlightened ruler lays his plans well ahead; the good
general cultivates his resources.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu quotes the following from the &lt;i&gt;San Lueh&lt;/i&gt;, ch. 2: "The warlike prince
controls his soldiers by his authority, kits them together by good faith, and
by rewards makes them serviceable. If faith decays, there will be disruption;
if rewards are deficient, commands will not be respected."]
&lt;/p&gt;
&lt;p&gt;
17. Move not unless you see an advantage; use not your troops unless there is
something to be gained; fight not unless the position is critical.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Sun Tzŭ may at times appear to be over-cautious, but he never goes so far in
that direction as the remarkable passage in the &lt;i&gt;Tao Te Ching&lt;/i&gt;, ch. 69. "I dare
not take the initiative, but prefer to act on the defensive; I dare not advance
an inch, but prefer to retreat a foot."]
&lt;/p&gt;
&lt;p&gt;
18. No ruler should put troops into the field merely to gratify his own spleen;
no general should fight a battle simply out of pique.
&lt;/p&gt;
&lt;p&gt;
19. If it is to your advantage, make a forward move; if not, stay where you
are.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This is repeated from XI. § 17. Here I feel convinced that it is an
interpolation, for it is evident that § 20 ought to follow immediately on §
18.]
&lt;/p&gt;
&lt;p&gt;
20. Anger may in time change to gladness; vexation may be succeeded by content.
&lt;/p&gt;
&lt;p&gt;
21. But a kingdom that has once been destroyed can never come again into being;
&lt;/p&gt;
&lt;p class="p1"&gt;
[The Wu State was destined to be a melancholy example of this saying.]
&lt;/p&gt;
&lt;p&gt;
nor can the dead ever be brought back to life.
&lt;/p&gt;
&lt;p&gt;
22. Hence the enlightened ruler is heedful, and the good general full of
caution. This is the way to keep a country at peace and an army intact.
&lt;/p&gt;
&lt;p&gt;
[1] "Unless you enter the tiger’s lair, you cannot get hold of the tiger’s
cubs."
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div class="chapter"&gt;
&lt;h2&gt;&lt;a id="chap21"&gt;&lt;/a&gt;Chapter XIII. THE USE OF SPIES&lt;/h2&gt;
&lt;p&gt;
1. Sun Tzŭ said: Raising a host of a hundred thousand men and marching them
great distances entails heavy loss on the people and a drain on the resources
of the State. The daily expenditure will amount to a thousand ounces of silver.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. II. §§ 1, 13, 14.]
&lt;/p&gt;
&lt;p&gt;
There will be commotion at home and abroad, and men will drop down exhausted on
the highways.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. &lt;i&gt;Tao Te Ching&lt;/i&gt;, ch. 30: "Where troops have been quartered, brambles and
thorns spring up. Chang Yu has the note: "We may be reminded of the saying: ‘On
serious ground, gather in plunder.’ Why then should carriage and transportation
cause exhaustion on the highways?—The answer is, that not victuals alone,
but all sorts of munitions of war have to be conveyed to the army. Besides, the
injunction to ‘forage on the enemy’ only means that when an army is deeply
engaged in hostile territory, scarcity of food must be provided against. Hence,
without being solely dependent on the enemy for corn, we must forage in order
that there may be an uninterrupted flow of supplies. Then, again, there are
places like salt deserts where provisions being unobtainable, supplies from
home cannot be dispensed with."]
&lt;/p&gt;
&lt;p&gt;
As many as seven hundred thousand families will be impeded in their labor.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en says: "Men will be lacking at the plough-tail." The
allusion is to the system of dividing land into nine parts, each consisting of
about 15 acres, the plot in the center being cultivated on behalf of the State
by the tenants of the other eight. It was here also, so Tu Mu tells us, that
their cottages were built and a well sunk, to be used by all in common. [See
II. § 12, note.] In time of war, one of the families had to serve in the army,
while the other seven contributed to its support. Thus, by a levy of 100,000
men (reckoning one able-bodied soldier to each family) the husbandry of 700,000
families would be affected.]
&lt;/p&gt;
&lt;p&gt;
2. Hostile armies may face each other for years, striving for the victory which
is decided in a single day. This being so, to remain in ignorance of the
enemy’s condition simply because one grudges the outlay of a hundred ounces of
silver in honours and emoluments,
&lt;/p&gt;
&lt;p class="p1"&gt;
["For spies" is of course the meaning, though it would spoil the effect of this
curiously elaborate exordium if spies were actually mentioned at this point.]
&lt;/p&gt;
&lt;p&gt;
is the height of inhumanity.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Sun Tzŭ’s agreement is certainly ingenious. He begins by adverting to the
frightful misery and vast expenditure of blood and treasure which war always
brings in its train. Now, unless you are kept informed of the enemy’s
condition, and are ready to strike at the right moment, a war may drag on for
years. The only way to get this information is to employ spies, and it is
impossible to obtain trustworthy spies unless they are properly paid for their
services. But it is surely false economy to grudge a comparatively trifling
amount for this purpose, when every day that the war lasts eats up an
incalculably greater sum. This grievous burden falls on the shoulders of the
poor, and hence Sun Tzŭ concludes that to neglect the use of spies is nothing
less than a crime against humanity.]
&lt;/p&gt;
&lt;p&gt;
3. One who acts thus is no leader of men, no present help to his sovereign, no
master of victory.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This idea, that the true object of war is peace, has its root in the national
temperament of the Chinese. Even so far back as 597 B.C., these memorable words
were uttered by Prince Chuang of the Ch’u State: "The [Chinese] character
for ‘prowess’ is made up of [the characters for] ‘to stay’ and ‘a spear’
(cessation of hostilities). Military prowess is seen in the repression of
cruelty, the calling in of weapons, the preservation of the appointment of
Heaven, the firm establishment of merit, the bestowal of happiness on the
people, putting harmony between the princes, the diffusion of wealth."]
&lt;/p&gt;
&lt;p&gt;
4. Thus, what enables the wise sovereign and the good general to strike and
conquer, and achieve things beyond the reach of ordinary men, is &lt;i&gt;foreknowledge&lt;/i&gt;.
&lt;/p&gt;
&lt;p class="p1"&gt;
[That is, knowledge of the enemy’s dispositions, and what he means to do.]
&lt;/p&gt;
&lt;p&gt;
5. Now this foreknowledge cannot be elicited from spirits; it cannot be
obtained inductively from experience,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu’s note is: "[knowledge of the enemy] cannot be gained by reasoning from
other analogous cases."]
&lt;/p&gt;
&lt;p&gt;
nor by any deductive calculation.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Li Ch’uan says: "Quantities like length, breadth, distance and
magnitude, are susceptible of exact mathematical determination; human actions
cannot be so calculated."]
&lt;/p&gt;
&lt;p&gt;
6. Knowledge of the enemy’s dispositions can only be obtained from other men.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en has rather an interesting note: "Knowledge of the
spirit-world is to be obtained by divination; information in natural science
may be sought by inductive reasoning; the laws of the universe can be verified
by mathematical calculation: but the dispositions of an enemy are ascertainable
through spies and spies alone."]
&lt;/p&gt;
&lt;p&gt;
7. Hence the use of spies, of whom there are five classes: (1) Local spies; (2)
inward spies; (3) converted spies; (4) doomed spies; (5) surviving spies.
&lt;/p&gt;
&lt;p&gt;
8. When these five kinds of spy are all at work, none can discover the secret
system. This is called "divine manipulation of the threads." It is the
sovereign’s most precious faculty.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cromwell, one of the greatest and most practical of all cavalry leaders, had
officers styled ‘scout masters,’ whose business it was to collect all possible
information regarding the enemy, through scouts and spies, etc., and much of
his success in war was traceable to the previous knowledge of the enemy’s moves
thus gained." [1] ]
&lt;/p&gt;
&lt;p&gt;
9. Having &lt;i&gt;local spies&lt;/i&gt; means employing the services of the inhabitants of a
district.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu says: "In the enemy’s country, win people over by kind treatment, and
use them as spies."]
&lt;/p&gt;
&lt;p&gt;
10. Having &lt;i&gt;inward spies&lt;/i&gt;, making use of officials of the enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu enumerates the following classes as likely to do good service in this
respect: "Worthy men who have been degraded from office, criminals who have
undergone punishment; also, favourite concubines who are greedy for gold, men
who are aggrieved at being in subordinate positions, or who have been passed
over in the distribution of posts, others who are anxious that their side
should be defeated in order that they may have a chance of displaying their
ability and talents, fickle turncoats who always want to have a foot in each
boat. Officials of these several kinds," he continues, "should be secretly
approached and bound to one’s interests by means of rich presents. In this way
you will be able to find out the state of affairs in the enemy’s country,
ascertain the plans that are being formed against you, and moreover disturb the
harmony and create a breach between the sovereign and his ministers." The
necessity for extreme caution, however, in dealing with "inward spies," appears
from an historical incident related by Ho Shih: "Lo Shang, Governor of I-Chou,
sent his general Wei Po to attack the rebel Li Hsiung of Shu in his stronghold
at P’i. After each side had experienced a number of victories and
defeats, Li Hsiung had recourse to the services of a certain
P’o-t’ai, a native of Wu-tu. He began to have him whipped until the
blood came, and then sent him off to Lo Shang, whom he was to delude by
offering to cooperate with him from inside the city, and to give a fire signal
at the right moment for making a general assault. Lo Shang, confiding in these
promises, march out all his best troops, and placed Wei Po and others at their
head with orders to attack at P’o-t’ai’s bidding. Meanwhile, Li
Hsiung’s general, Li Hsiang, had prepared an ambuscade on their line of march;
and P’o-t’ai, having reared long scaling-ladders against the city
walls, now lighted the beacon-fire. Wei Po’s men raced up on seeing the signal
and began climbing the ladders as fast as they could, while others were drawn
up by ropes lowered from above. More than a hundred of Lo Shang’s soldiers
entered the city in this way, every one of whom was forthwith beheaded. Li
Hsiung then charged with all his forces, both inside and outside the city, and
routed the enemy completely." [This happened in 303 A.D. I do not know where Ho
Shih got the story from. It is not given in the biography of Li Hsiung or that
of his father Li T’e, &lt;i&gt;Chin Shu&lt;/i&gt;, ch. 120, 121.]
&lt;/p&gt;
&lt;p&gt;
11. Having &lt;i&gt;converted spies&lt;/i&gt;, getting hold of the enemy’s spies and using them
for our own purposes.
&lt;/p&gt;
&lt;p class="p1"&gt;
[By means of heavy bribes and liberal promises detaching them from the enemy’s
service, and inducing them to carry back false information as well as to spy in
turn on their own countrymen. On the other hand, Hsiao Shih-hsien says that we
pretend not to have detected him, but contrive to let him carry away a false
impression of what is going on. Several of the commentators accept this as an
alternative definition; but that it is not what Sun Tzŭ meant is conclusively
proved by his subsequent remarks about treating the converted spy generously (§
21 sqq.). Ho Shih notes three occasions on which converted spies were used with
conspicuous success: (1) by T’ien Tan in his defence of Chi-mo (see
&lt;i&gt;supra&lt;/i&gt;, p. 90); (2) by Chao She on his march to O-yu (see p. 57); and by the
wily Fan Chu in 260 B.C., when Lien P’o was conducting a defensive
campaign against Ch’in. The King of Chao strongly disapproved of Lien
P’o’s cautious and dilatory methods, which had been unable to avert a
series of minor disasters, and therefore lent a ready ear to the reports of his
spies, who had secretly gone over to the enemy and were already in Fan Chu’s
pay. They said: "The only thing which causes Ch’in anxiety is lest Chao
Kua should be made general. Lien P’o they consider an easy opponent, who
is sure to be vanquished in the long run." Now this Chao Kua was a son of the
famous Chao She. From his boyhood, he had been wholly engrossed in the study of
war and military matters, until at last he came to believe that there was no
commander in the whole Empire who could stand against him. His father was much
disquieted by this overweening conceit, and the flippancy with which he spoke
of such a serious thing as war, and solemnly declared that if ever Kua was
appointed general, he would bring ruin on the armies of Chao. This was the man
who, in spite of earnest protests from his own mother and the veteran statesman
Lin Hsiang-ju, was now sent to succeed Lien P’o. Needless to say, he
proved no match for the redoubtable Po Ch’i and the great military power
of Ch’in. He fell into a trap by which his army was divided into two and
his communications cut; and after a desperate resistance lasting 46 days,
during which the famished soldiers devoured one another, he was himself killed
by an arrow, and his whole force, amounting, it is said, to 400,000 men,
ruthlessly put to the sword.]
&lt;/p&gt;
&lt;p&gt;
12. Having &lt;i&gt;doomed spies&lt;/i&gt;, doing certain things openly for purposes of
deception, and allowing our own spies to know of them and report them to the
enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu gives the best exposition of the meaning: "We ostentatiously do things
calculated to deceive our own spies, who must be led to believe that they have
been unwittingly disclosed. Then, when these spies are captured in the enemy’s
lines, they will make an entirely false report, and the enemy will take
measures accordingly, only to find that we do something quite different. The
spies will thereupon be put to death." As an example of doomed spies, Ho Shih
mentions the prisoners released by Pan Ch’ao in his campaign against
Yarkand. (See p. 132.) He also refers to T’ang Chien, who in 630 A.D. was
sent by T’ai Tsung to lull the Turkish Kahn Chieh-li into fancied
security, until Li Ching was able to deliver a crushing blow against him. Chang
Yu says that the Turks revenged themselves by killing T’ang Chien, but
this is a mistake, for we read in both the old and the New T’ang History
(ch. 58, fol. 2 and ch. 89, fol. 8 respectively) that he escaped and lived on
until 656. Li I-chi played a somewhat similar part in 203 B.C., when sent by
the King of Han to open peaceful negotiations with Ch’i. He has certainly
more claim to be described a "doomed spy", for the king of Ch’i, being
subsequently attacked without warning by Han Hsin, and infuriated by what he
considered the treachery of Li I-chi, ordered the unfortunate envoy to be
boiled alive.]
&lt;/p&gt;
&lt;p&gt;
13. &lt;i&gt;Surviving spies&lt;/i&gt;, finally, are those who bring back news from the
enemy’s camp.
&lt;/p&gt;
&lt;p class="p1"&gt;
[This is the ordinary class of spies, properly so called, forming a regular
part of the army. Tu Mu says: "Your surviving spy must be a man of keen
intellect, though in outward appearance a fool; of shabby exterior, but with a
will of iron. He must be active, robust, endowed with physical strength and
courage; thoroughly accustomed to all sorts of dirty work, able to endure
hunger and cold, and to put up with shame and ignominy." Ho Shih tells the
following story of Ta’hsi Wu of the Sui dynasty: "When he was governor of
Eastern Ch’in, Shen-wu of Ch’i made a hostile movement upon
Sha-yuan. The Emperor T’ai Tsu [? Kao Tsu] sent Ta-hsi Wu to spy upon the
enemy. He was accompanied by two other men. All three were on horseback and
wore the enemy’s uniform. When it was dark, they dismounted a few hundred feet
away from the enemy’s camp and stealthily crept up to listen, until they
succeeded in catching the passwords used in the army. Then they got on their
horses again and boldly passed through the camp under the guise of
night-watchmen; and more than once, happening to come across a soldier who was
committing some breach of discipline, they actually stopped to give the culprit
a sound cudgeling! Thus they managed to return with the fullest possible
information about the enemy’s dispositions, and received warm commendation from
the Emperor, who in consequence of their report was able to inflict a severe
defeat on his adversary."]
&lt;/p&gt;
&lt;p&gt;
14. Hence it is that with none in the whole army are more intimate relations
to be maintained than with spies.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu and Mei Yao-ch’en point out that the spy is privileged to enter
even the general’s private sleeping-tent.]
&lt;/p&gt;
&lt;p&gt;
None should be more liberally rewarded. In no other business should greater
secrecy be preserved.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu gives a graphic touch: all communication with spies should be carried
"mouth-to-ear." The following remarks on spies may be quoted from Turenne, who
made perhaps larger use of them than any previous commander: "Spies are
attached to those who give them most, he who pays them ill is never served.
They should never be known to anybody; nor should they know one another. When
they propose anything very material, secure their persons, or have in your
possession their wives and children as hostages for their fidelity. Never
communicate anything to them but what is absolutely necessary that they should
know. [2] ]
&lt;/p&gt;
&lt;p&gt;
15. Spies cannot be usefully employed without a certain intuitive sagacity.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en says: "In order to use them, one must know fact from
falsehood, and be able to discriminate between honesty and double-dealing."
Wang Hsi in a different interpretation thinks more along the lines of
"intuitive perception" and "practical intelligence." Tu Mu strangely refers
these attributes to the spies themselves: "Before using spies we must assure
ourselves as to their integrity of character and the extent of their experience
and skill." But he continues: "A brazen face and a crafty disposition are more
dangerous than mountains or rivers; it takes a man of genius to penetrate
such." So that we are left in some doubt as to his real opinion on the
passage."]
&lt;/p&gt;
&lt;p&gt;
16. They cannot be properly managed without benevolence and
straightforwardness.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says: "When you have attracted them by substantial offers, you must
treat them with absolute sincerity; then they will work for you with all their
might."]
&lt;/p&gt;
&lt;p&gt;
17. Without subtle ingenuity of mind, one cannot make certain of the truth of
their reports.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Mei Yao-ch’en says: "Be on your guard against the possibility of spies
going over to the service of the enemy."]
&lt;/p&gt;
&lt;p&gt;
18. Be subtle! be subtle! and use your spies for every kind of business.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Cf. VI. § 9.]
&lt;/p&gt;
&lt;p&gt;
19. If a secret piece of news is divulged by a spy before the time is ripe, he
must be put to death together with the man to whom the secret was told.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Word for word, the translation here is: "If spy matters are heard before [our
plans] are carried out," etc. Sun Tzŭ’s main point in this passage is: Whereas
you kill the spy himself "as a punishment for letting out the secret," the
object of killing the other man is only, as Ch’en Hao puts it, "to stop
his mouth" and prevent news leaking any further. If it had already been
repeated to others, this object would not be gained. Either way, Sun Tzŭ lays
himself open to the charge of inhumanity, though Tu Mu tries to defend him by
saying that the man deserves to be put to death, for the spy would certainly
not have told the secret unless the other had been at pains to worm it out of
him."]
&lt;/p&gt;
&lt;p&gt;
20. Whether the object be to crush an army, to storm a city, or to assassinate
an individual, it is always necessary to begin by finding out the names of the
attendants, the aides-de- camp,
&lt;/p&gt;
&lt;p class="p1"&gt;
[Literally "visitors", is equivalent, as Tu Yu says, to "those whose duty it is
to keep the general supplied with information," which naturally necessitates
frequent interviews with him.]
&lt;/p&gt;
&lt;p&gt;
the door-keepers and sentries of the general in command. Our spies must be
commissioned to ascertain these.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As the first step, no doubt towards finding out if any of these important
functionaries can be won over by bribery.]
&lt;/p&gt;
&lt;p&gt;
21. The enemy’s spies who have come to spy on us must be sought out, tempted
with bribes, led away and comfortably housed. Thus they will become converted
spies and available for our service.
&lt;/p&gt;
&lt;p&gt;
22. It is through the information brought by the converted spy that we are able
to acquire and employ local and inward spies.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Yu says: "through conversion of the enemy’s spies we learn the enemy’s
condition." And Chang Yu says: "We must tempt the converted spy into our
service, because it is he that knows which of the local inhabitants are greedy
of gain, and which of the officials are open to corruption."]
&lt;/p&gt;
&lt;p&gt;
23. It is owing to his information, again, that we can cause the doomed spy to
carry false tidings to the enemy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chang Yu says, "because the converted spy knows how the enemy can best be
deceived."]
&lt;/p&gt;
&lt;p&gt;
24. Lastly, it is by his information that the surviving spy can be used on
appointed occasions.
&lt;/p&gt;
&lt;p&gt;
25. The end and aim of spying in all its five varieties is knowledge of the
enemy; and this knowledge can only be derived, in the first instance, from the
converted spy.
&lt;/p&gt;
&lt;p class="p1"&gt;
[As explained in §§ 22-24. He not only brings information himself, but makes it
possible to use the other kinds of spy to advantage.]
&lt;/p&gt;
&lt;p&gt;
Hence it is essential that the converted spy be treated with the utmost
liberality.
&lt;/p&gt;
&lt;p&gt;
26. Of old, the rise of the Yin dynasty
&lt;/p&gt;
&lt;p class="p1"&gt;
[Sun Tzŭ means the Shang dynasty, founded in 1766 B.C. Its name was changed to
Yin by P’an Keng in 1401.
&lt;/p&gt;
&lt;p&gt;
was due to I Chih
&lt;/p&gt;
&lt;p class="p1"&gt;
[Better known as I Yin, the famous general and statesman who took part in
Ch’eng T’ang’s campaign against Chieh Kuei.]
&lt;/p&gt;
&lt;p&gt;
who had served under the Hsia. Likewise, the rise of the Chou dynasty was due
to Lü Ya
&lt;/p&gt;
&lt;p class="p1"&gt;
[Lu Shang rose to high office under the tyrant Chou Hsin, whom he afterwards
helped to overthrow. Popularly known as T’ai Kung, a title bestowed on
him by Wen Wang, he is said to have composed a treatise on war, erroneously
identified with the &lt;i&gt;Liu T’ao&lt;/i&gt;.]
&lt;/p&gt;
&lt;p&gt;
who had served under the Yin.
&lt;/p&gt;
&lt;p class="p1"&gt;
[There is less precision in the Chinese than I have thought it well to
introduce into my translation, and the commentaries on the passage are by no
means explicit. But, having regard to the context, we can hardly doubt that Sun
Tzŭ is holding up I Chih and Lu Ya as illustrious examples of the converted
spy, or something closely analogous. His suggestion is, that the Hsia and Yin
dynasties were upset owing to the intimate knowledge of their weaknesses and
shortcoming which these former ministers were able to impart to the other side.
Mei Yao-ch’en appears to resent any such aspersion on these historic
names: "I Yin and Lu Ya," he says, "were not rebels against the Government.
Hsia could not employ the former, hence Yin employed him. Yin could not employ
the latter, hence Hou employed him. Their great achievements were all for the
good of the people." Ho Shih is also indignant: "How should two divinely
inspired men such as I and Lu have acted as common spies? Sun Tzŭ’s mention of
them simply means that the proper use of the five classes of spies is a matter
which requires men of the highest mental caliber like I and Lu, whose wisdom
and capacity qualified them for the task. The above words only emphasize this
point." Ho Shih believes then that the two heroes are mentioned on account of
their supposed skill in the use of spies. But this is very weak.]
&lt;/p&gt;
&lt;p&gt;
27. Hence it is only the enlightened ruler and the wise general who will use
the highest intelligence of the army for purposes of spying and thereby they
achieve great results.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Tu Mu closes with a note of warning: "Just as water, which carries a boat from
bank to bank, may also be the means of sinking it, so reliance on spies, while
production of great results, is oft-times the cause of utter destruction."]
&lt;/p&gt;
&lt;p&gt;
Spies are a most important element in war, because on them depends an army’s
ability to move.
&lt;/p&gt;
&lt;p class="p1"&gt;
[Chia Lin says that an army without spies is like a man without ears or eyes.]
&lt;/p&gt;
&lt;p&gt;
[1] "Aids to Scouting," p. 2.
&lt;/p&gt;
&lt;p&gt;
[2] "Marshal Turenne," p. 311.
&lt;/p&gt;
&lt;/div&gt;&lt;!--end chapter--&gt;
&lt;div&gt;&lt;/div&gt;&lt;section class="pg-boilerplate pgheader" id="pg-footer" lang="en"&gt;
&lt;div id="pg-end-separator"&gt;
&lt;span&gt;*** END OF THE PROJECT GUTENBERG EBOOK THE ART OF WAR ***&lt;/span&gt;
&lt;/div&gt;


&lt;div&gt;
Updated editions will replace the previous one—the old editions will
be renamed.
&lt;/div&gt;&lt;div&gt;
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.
&lt;/div&gt;

&lt;div id="project-gutenberg-license"&gt;START: FULL LICENSE&lt;/div&gt;

&lt;h2 id="pg-footer-heading"&gt;THE FULL PROJECT GUTENBERG LICENSE&lt;/h2&gt;

&lt;div class="agate"&gt;PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
&lt;/div&gt;&lt;div&gt;
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works
&lt;/div&gt;&lt;div&gt;
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.
&lt;/div&gt;&lt;div&gt;
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
&lt;/div&gt;&lt;div&gt;
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.
&lt;/div&gt;&lt;div&gt;
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.
&lt;/div&gt;&lt;div&gt;
1.E. Unless you have removed all references to Project Gutenberg:
&lt;/div&gt;&lt;div&gt;
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:
&lt;/div&gt;&lt;blockquote&gt;&lt;div&gt;
    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at &lt;a href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  &lt;/div&gt;&lt;/blockquote&gt;&lt;div&gt;
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
&lt;/div&gt;&lt;div&gt;
1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
&lt;/div&gt;&lt;div&gt;
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.
&lt;/div&gt;&lt;div&gt;
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.
&lt;/div&gt;&lt;div&gt;
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.
&lt;/div&gt;&lt;div&gt;
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
&lt;/div&gt;&lt;div&gt;
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:
&lt;/div&gt;&lt;ul&gt;
    &lt;li&gt;• You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    &lt;/li&gt;
    &lt;li&gt;• You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    &lt;/li&gt;
    &lt;li&gt;• You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    &lt;/li&gt;
    &lt;li&gt;• You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    &lt;/li&gt;
&lt;/ul&gt;&lt;div&gt;
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.
&lt;/div&gt;&lt;div&gt;
1.F.
&lt;/div&gt;&lt;div&gt;
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
&lt;/div&gt;&lt;div&gt;
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
&lt;/div&gt;&lt;div&gt;
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
&lt;/div&gt;&lt;div&gt;
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
&lt;/div&gt;&lt;div&gt;
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
&lt;/div&gt;&lt;div&gt;
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 2. Information about the Mission of Project Gutenberg™
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
&lt;/div&gt;&lt;div&gt;
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 3. Information about the Project Gutenberg Literary Archive Foundation
&lt;/div&gt;&lt;div&gt;
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.
&lt;/div&gt;&lt;div&gt;
The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
&lt;/div&gt;&lt;div&gt;
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit &lt;a href="https://www.gutenberg.org/donate/"&gt;www.gutenberg.org/donate&lt;/a&gt;.
&lt;/div&gt;&lt;div&gt;
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
&lt;/div&gt;&lt;div&gt;
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
&lt;/div&gt;&lt;div&gt;
Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.
&lt;/div&gt;&lt;div class="secthead"&gt;
Section 5. General Information About Project Gutenberg™ electronic works
&lt;/div&gt;&lt;div&gt;
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
&lt;/div&gt;&lt;div&gt;
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
&lt;/div&gt;&lt;div&gt;
Most people start at our website which has the main PG search
facility: &lt;a href="https://www.gutenberg.org"&gt;www.gutenberg.org&lt;/a&gt;.
&lt;/div&gt;&lt;div&gt;
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
&lt;/div&gt;

&lt;/section&gt;&lt;/body&gt;</content><category term="Book"/></entry></feed>